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Author : Dennis Adrian,Richard A. Born,David and Alfred Smart Gallery
Publisher : University of Chicago, David & Alfred Smart Museum
Page : 224 pages
File Size : 45,5 Mb
Release : 1987
Category : Art
ISBN : UOM:39015012234814
Catalogue raisonné.
Author : Anonim
Publisher : Unknown
Page : 0 pages
File Size : 48,9 Mb
Release : 1987
Category : Electronic
ISBN : OCLC:213693265
Author : Tony Knipe
Publisher : Unknown
Page : 224 pages
File Size : 49,9 Mb
Release : 1980
Category : Art
ISBN : UCAL:B4432398
Author : John Corbett,Jim Dempsey,Thea Liberty-Nichols,Denis Adrian
Publisher : Unknown
Page : 128 pages
File Size : 42,6 Mb
Release : 2021-05-14
Category : Electronic
ISBN : 0936260033
Author : Anonim
Publisher : Unknown
Page : 164 pages
File Size : 47,9 Mb
Release : 2019
Category : Art
ISBN : UCSD:31822044495968
An illustrated introduction to a group of innovative 1960s artists who thoroughly rejected art-world terms through their use of grotesque surrealism, cartoon energy and vivid color This compact illustrated introduction to the work of the Chicago Imagists celebrates the grotesque surrealism, cartoon energy and vivid color of a group of innovative 1960s artists who thoroughly rejected art-world terms. These artists--who include those associated with the Hairy Who--are Roger Brown, Sarah Canright, James Falconer, Ed Flood, Art Green, Phil Hanson, Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Suellen Rocca, Barbara Rossi, Karl Wirsum and Ray Yoshida. Together this group made art that spanned painting, drawing, sculpture, prints, comics and zines. With approximately 100 illustrations the book features an introductory essay by curators Rosie Cooper and Sarah McCrory, an essay by art historian and curator Lynne Warren on the importance of the art scene in Chicago and individual texts on each artist.
Author : Tony Knipe
Publisher : Unknown
Page : 224 pages
File Size : 42,5 Mb
Release : 1980
Category : Art
ISBN : UOM:39015006800851
Author : James Yood,Mark Pascale,David Mickenberg
Publisher : Block Museum
Page : 228 pages
File Size : 52,9 Mb
Release : 1996
Category : Art
ISBN : UOM:39015056288718
This informative book discusses the originality of the print as an art form, and questions the seminal role of the print in order to understand the movements and discourse on the arts in the past decades. In illuminating essays, three Chicago art scholars assess the open, cooperative style that makes Chicago printmaking unique, and consider the history of printmaking in Chicago in the context of the WPA, as well as the WPA's facilitation of interest in, and production of prints, and in its setting the stage for the evolution of contemporary print workshops. Includes 207 color and b/w illustrations.
Author : Thea Liberty Nichols,Mark Pascale,Ann Goldstein
Publisher : Unknown
Page : 0 pages
File Size : 50,6 Mb
Release : 2018
Category : Art
ISBN : 0300236905
"Hairy Who? 1966-1969 is published in conjunction with an exhibition of the same title held at the Art Institute of Chicago from September 27, 2018, to January 6, 2019, which was curated by Thea Liberty Nichols, Mark Pascale, and Ann Goldstein"--Colophon.
Author : Lynne Warren
Publisher : Unknown
Page : 165 pages
File Size : 46,6 Mb
Release : 2011
Category : Art, American
ISBN : 0913883360
Published in conjunction with an exhibition held at the Madison Museum of Contemporary Art, Sept. 11, 2011-Jan. 8, 2012.
Author : Dan Nadel,Judith Tannenbaum
Publisher : Risd Museum of Art/D.A.P.
Page : 0 pages
File Size : 47,5 Mb
Release : 2014
Category : Chicago Imagists (Group of artists)
ISBN : 1938922468
What Nerve! reveals a hidden history of American figurative painting, sculpture and popular imagery. It documents and/or restages four installations, spaces or happenings, in Chicago, San Francisco, Detroit and Providence, which were crucial to the development of figurative art in the United States. Several of the better-known artists in What Nerve! have been the subject of significant exhibitions or publications, but this is the first major volume to focus on the broader impact of figurative art to connect artists and collectives from different generations and regions of the country. These are: from Chicago, the Hairy Who (James Falconer, Art Green, Gladys Nilsson, Jim Nutt, Suellen Rocca, Karl Wirsum); from California, Funk artists (Jeremy Anderson, Robert Arneson, Roy De Forest, Robert Hudson, Ken Price, Peter Saul, Peter Voulkos, William T. Wiley); from Detroit, Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw); and from Providence, Forcefield (Mat Brinkman, Jim Drain, Leif Goldberg, Ara Peterson). Created in collaboration with artists from these groups, the historical moments at the core of What Nerve! are linked by work from six artists who profoundly influenced or were influenced by the groups: William Copley, Jack Kirby, Elizabeth Murray, Gary Panter, Christina Ramberg and H.C. Westermann. Featuring paintings, sculptures, drawings, prints, photographs and videos, as well as ephemera, wallpaper and other materials used in the reconstructed installations, the book and exhibition will broaden public exposure to the scope of this influential history. The exuberance, humor and politics of these artworks remain powerfully resonant. Much of the work in this book, including installation photos, exhibition ephemera and correspondence, is published for the first time. What Nerve! represents the first historical examination of the circumstances, relationships and works of an increasingly important lineage of American artists.
Author : Trudy V. Hansen,Jane Voorhees Zimmerli Art Museum
Publisher : Unknown
Page : 296 pages
File Size : 40,5 Mb
Release : 1995-09
Category : Art
ISBN : UOM:39015038445154
The years from 1960 to 1990 witnessed an extraordinary outburst of creative activity among American printmakers. A number of important new workshops were founded, from such influential studios as Universal Limited Art Editions as Long Island and the Tamarind Lithography Workshop in Los Angeles to small presses throughout the country. In contrast to traditional European ateliers, where professional printers reproduced artists' designs for commercial edition printing, the new American workshops stressed collaboration, and emphasized radical experimentation with medium and process. The work produced in these studios often owed as much to the imaginative gifts of the printer as the conception of the artist.
Author : Dan Nadel
Publisher : Unknown
Page : 0 pages
File Size : 44,6 Mb
Release : 2015
Category : Art, American
ISBN : 1880146967
Accompanies the exhibition "What Nerve! Alternative Figures in American Art" held at Matthew Marks Gallery, New York, July 7-August 14, 2015.
Author : Constance Lewallen,Karen Moss,Julia Bryan-Wilson,Anne Rorimer
Publisher : Univ of California Press
Page : 296 pages
File Size : 42,7 Mb
Release : 2011-10-31
Category : Art
ISBN : 9780520270619
"There is not a trace of the provincial nor the apologetic in the tone of the State of Mind texts. Rather there is a justified claim for the sophisticated originality of this Californian art—sophisticated because the authors have convincingly argued that the artists, for the most part, had many conscious connections and familiarity with art from the rest of the country and Europe, yet were driven by a desire to be independent and different." —Moira Roth, editor and contributor, The Amazing Decade: Women and Performance Art in America 1970-1980 "State of Mind: New California Art circa 1970 is an essential overview of the rich and complex moment when California assumed its role as a leading center for the making and exhibition of the kind of adventurous and progressive art that immediately fascinated the world, and over the years has come to define a generation and a region. An unmatched source of hard-to-find primary images combined with thought-provoking critical essays, this book can easily function as a standard text on this subject.” —David Ross, former director of SFMOMA and the Whitney Museum of American Art, and currently Chairman of the MFA program in Art Practice at The School of Visual Arts
Author : John Corbett,Jessica Moss,Richard A. Born
Publisher : Smart Museum of Art, the University of C
Page : 0 pages
File Size : 55,6 Mb
Release : 2016
Category : Figurative art, American
ISBN : 0935573488
Monster Roster: Existentialist Art in Postwar Chicago (on view at the Smart Museum in winter/spring 2016) will be accompanied by a comprehensive publication--the first of its kind--that includes an introductory essay by critic and collector Dennis Adrian; an overview of the Monster Roster by John Corbett; an essay about the historical context out of which the Monster Roster emerged by historian Thomas Dyja; a discussion of Monster Roster prints by art historian and curator Marc Pascale; an in depth look at Leon Golub's early work by art historian Jon Bird; and a personal response to the Monster Roster's work by contemporary artist Arlene Shechet. There will also be historic reprints of key texts including Franz Schulze's 1972 essay "Chicago: The Setting and the Group" from Fantastic Images: Chicago Art Since 1945 as well as Jean Dubuffet's lecture "Anticultural Positions" given at the Arts Club of Chicago in 1951. The publication will also contain full-color reproductions of all work on view in Monster Roster, a detailed chronology and exhibition history, and reproductions of ephemera and historical photographs.
Author : Johanna Drucker
Publisher : University of Chicago Press
Page : 306 pages
File Size : 45,9 Mb
Release : 1994
Category : Art
ISBN : 9780226165028
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.