Chicana O Art Since The Sixties

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Chicana/o Remix

Author : Karen Mary Davalos
Publisher : NYU Press
Page : 320 pages
File Size : 42,9 Mb
Release : 2017-07-25
Category : Art
ISBN : 9781479821129

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Chicana/o Remix by Karen Mary Davalos Pdf

Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists—such as Sandra de la Loza, Judy Baca, and David Botello, among others—but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argues that narrow notions of identity, politics, and aesthetics limit our ability to understand the full capacities of Chicana/o art. She employs fresh vernacular concepts such as the “errata exhibit,” or the staging of exhibits that critically question mainstream art museums, and the “remix,” or the act of bringing new narratives and forgotten histories from the background and into the foreground. These concepts, which emerge out of art practice itself, drive her analysis and reinforce the rejection of familiar narratives that evaluate Chicana/o art in simplistic, traditional terms, such as political versus commercial, or realist versus conceptual. Throughout Chicana/o Remix, Davalos explores undocumented or previously ignored information about artists, their cultural production, and the exhibitions and collections that feature their work. Each chapter exposes and challenges conventions in art history and Chicana/o studies, documenting how Chicana artists were the first to critically challenge exhibitions of Chicana/o art, tracing the origins of the first Chicano arts organizations, and highlighting the influence of Europe and Asia on Chicana/o artists who traveled abroad. As a leading scholar in the study of Chicana/o artists, art spaces, and exhibition practices, Davalos presents her most ambitious project to date in this re-examination of fifty years of Chicana/o art production.

Chicana and Chicano Art

Author : Carlos Francisco Jackson
Publisher : University of Arizona Press
Page : 252 pages
File Size : 52,8 Mb
Release : 2009-02-14
Category : Art
ISBN : 0816526478

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Chicana and Chicano Art by Carlos Francisco Jackson Pdf

"This is the first book solely dedicated to the history, development, and present-day flowering of Chicana and Chicano visual arts. It offers readers an opportunity to understand and appreciate Chicana/o art from its beginnings in the 1960s, its relationship to the Chicana/o Movement, and its leading artists, themes, current directions, and cultural impact." "The visual arts have both reflected and created Chicano culture in the United States. For college students - and for all readers who want to learn more about this subject - this book is an ideal introduction to an art movement with a social conscience." --Book Jacket.

Chicana/o Art Since the Sixties

Author : Karen Mary Davalos
Publisher : Unknown
Page : 0 pages
File Size : 48,7 Mb
Release : 2016
Category : Art and society
ISBN : 0895511614

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Chicana/o Art Since the Sixties by Karen Mary Davalos Pdf

Chicana/o Art since the Sixties: From Errata to Remix combines decolonial theory with extensive archival and field research to offer a new critical perspective on Chicana/o art. Using Los Angeles as a case study, Karen Mary Davalos develops an interdisciplinary model for a comprehensive art history that considers not only artists and art groups, their cultural production, and the exhibitions that feature their work but also curators, collectors, critics, and advocates. In proposing such vernacular concepts as the errata exhibit and the remix, which emerge out of art practice itself, Davalos moves beyond familiar narratives that evaluate Chicana/o art in binary terms: political versus commercial, realist versus conceptual, and so on. As a leading scholar who has advanced a cultural and institutional framework for the study of Chicana/o artists, art spaces, and exhibition practices, Davalos presents her most ambitious project to date in this examination of fifty years of Chicana/o art production in a major urban area.

¡Printing the Revolution!

Author : Claudia E. Zapata,Terezita Romo,Tatiana Reinoza
Publisher : Princeton University Press
Page : 326 pages
File Size : 44,7 Mb
Release : 2020-12
Category : Art
ISBN : 9780691210803

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¡Printing the Revolution! by Claudia E. Zapata,Terezita Romo,Tatiana Reinoza Pdf

Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.

Chicano and Chicana Art

Author : Jennifer A. González,C. Ondine Chavoya,Chon Noriega,Terezita Romo
Publisher : Duke University Press
Page : 552 pages
File Size : 41,5 Mb
Release : 2019-01-15
Category : Art
ISBN : 9781478003403

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Chicano and Chicana Art by Jennifer A. González,C. Ondine Chavoya,Chon Noriega,Terezita Romo Pdf

This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor

Self Help Graphics at Fifty

Author : Tatiana Reinoza,Karen Mary Davalos
Publisher : Univ of California Press
Page : 356 pages
File Size : 46,8 Mb
Release : 2023-04-25
Category : Art
ISBN : 9780520390881

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Self Help Graphics at Fifty by Tatiana Reinoza,Karen Mary Davalos Pdf

The definitive history of a cherished East Los Angeles institution over five decades of art making and community building. Self Help Graphics at Fifty celebrates the ongoing legacy of an institution that has had profound aesthetic, economic, and political impact on the formation of Chicanx and Latinx art in the United States. Officially launched in 1973 during the Chicano Movement, Self Help Graphics & Art continues to serve on the cultural front. The institution’s commitment to art, dignity for all, and empowerment of Chicanx and Latinx artists appears in every aspect of programming, including the Día de los Muertos festival; the Barrio Mobile Art Studio, which brings art education to underserved schools; and the printmaking program, which offers an accessible medium infused with activist aims. Looking at the multiple genealogies of art that intersect in East Los Angeles, Self Help Graphics at Fifty bears witness to the organization’s influential role in US and global art histories.

In and Out of View

Author : Catha Paquette,Karen Kleinfelder,Christopher Miles
Publisher : Bloomsbury Publishing USA
Page : 385 pages
File Size : 49,5 Mb
Release : 2021-09-09
Category : Art
ISBN : 9781501358708

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In and Out of View by Catha Paquette,Karen Kleinfelder,Christopher Miles Pdf

In and Out of View models an expansion in how censorship is discursively framed. Contributors from diverse backgrounds, including artists, art historians, museum specialists, and students, address controversial instances of art production and reception from the mid-20th century to the present in the Americas, Africa, Asia, Europe, and the Middle East. Their essays, interviews, and statements invite consideration of the shifting contexts, values, and needs through which artwork moves in and out of view. At issue are governmental restrictions and discursive effects, including erasure and distortion resulting from institutional policies, canonical processes, and interpretive methods. Crucial considerations concerning death/violence, authoritarianism, (neo)colonialism, global capitalism, labor, immigration, race, religion, sexuality, activism/social justice, disability, campus speech, and cultural destruction are highlighted. The anthology-a thought-provoking resource for students and scholars in art history, museum and cultural studies, and creative practices-represents a timely and significant contribution to the literature on censorship.

Building Sustainable Worlds

Author : Theresa Delgadillo,Ramon H. Rivera-Servera,Geraldo L. Cadava,Claire F. Fox
Publisher : University of Illinois Press
Page : 286 pages
File Size : 54,7 Mb
Release : 2022-07-12
Category : Social Science
ISBN : 9780252053542

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Building Sustainable Worlds by Theresa Delgadillo,Ramon H. Rivera-Servera,Geraldo L. Cadava,Claire F. Fox Pdf

Latina/o/x places exist as both tangible physical phenomena and gatherings created and maintained by creative cultural practices. In this collection, an interdisciplinary group of contributors critically examines the many ways that varied Latina/o/x communities cohere through cultural expression. Authors consider how our embodied experiences of place, together with our histories and knowledge, inform our imagination and reimagination of our surroundings in acts of placemaking. This placemaking often considers environmental sustainability as it helps to sustain communities in the face of xenophobia and racism through cultural expression ranging from festivals to zines to sanctuary movements. It emerges not only in specific locations but as movement within and between sites; not only as part of a built environment, but also as an aesthetic practice; and not only because of efforts by cultural, political, and institutional leaders, but through mass media and countless human interactions. A rare and crucial perspective on Latina/o/x people in the Midwest, Building Sustainable Worlds reveals how expressive culture contributes to, and sustains, a sense of place in an uncertain era.

Chicano Renaissance

Author : David R. Maciel,Isidro D. Ortiz,María Herrera-Sobek
Publisher : University of Arizona Press
Page : 367 pages
File Size : 46,7 Mb
Release : 2022-09-13
Category : Social Science
ISBN : 9780816550586

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Chicano Renaissance by David R. Maciel,Isidro D. Ortiz,María Herrera-Sobek Pdf

Among the lasting legacies of the Chicano Movement is the cultural flowering that it inspired--one that has steadily grown from the 1960s to the present. It encompassed all of the arts and continues to earn acclaim both nationally and internationally. Although this Chicano artistic renaissance received extensive scholarly attention in its initial phase, the post-Movimiento years after the late 1970s have been largely overlooked. This book meets that need, demonstrating that, despite the changes that have taken place in all areas of Chicana/o arts, a commitment to community revitalization continues to underlie artistic expression. This collection examines changes across a broad range of cultural forms--art, literature, music, cinema and television, radio, and theater--with an emphasis on the last two decades. Original articles by both established and emerging scholars review such subjects as the growth of Tejano music and the rise of Selena, how films and television have affected the Chicana/o experience, the evolution of Chicana/o art over the last twenty years, and postmodern literary trends. In all of the essays, the contributors emphasize that, contrary to the popular notion that Chicanas/os have succumbed to a victim mentality, they continue to actively struggle to shape the conditions of their lives and to influence the direction of American society through their arts and social struggle. Despite decades usually associated with self-interest in the larger society, the spirit of commitment and empowerment has continued to infuse Chicana/o cultural expression and points toward a vibrant future. CONTENTS All Over the Map: La Onda Tejana and the Making of Selena, Roberto R. Calderón Outside Inside-The Immigrant Workers: Creating Popular Myths, Cultural Expressions, and Personal Politics in Borderlands Southern California, Juan Gómez-Quiñones "Yo soy chicano": The Turbulent and Heroic Life of Chicanas/os in Cinema and Television, David R. Maciel and Susan Racho The Politics of Chicano Representation in the Media, Virginia Escalante Chicana/o and Latina/o Gazing: Audiences of the Mass Media, Diana I. Ríos An Historical Overview/Update on the State of Chicano Art, George Vargas Contemporary Chicano Theater, Arturo Ramírez Breaking the Silence: Developments in the Publication and Politics of Chicana Creative Writing, 1973-1998, Edwina Barvosa-Carter Trends and Themes in Chicana/o Writings in Postmodern Times, Francisco A. Lomelí, Teresa Márquez, and María Herrera-Sobek

Consuelo Jimenez Underwood

Author : Laura E. Pérez,Ann Marie Leimer
Publisher : Duke University Press
Page : 313 pages
File Size : 43,8 Mb
Release : 2022-06-13
Category : Art
ISBN : 9781478022930

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Consuelo Jimenez Underwood by Laura E. Pérez,Ann Marie Leimer Pdf

Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood’s redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, M. Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden

Chicano Renaissance

Author : David Maciel,Isidro D. Ortiz,Mar’a Herrera-Sobek
Publisher : University of Arizona Press
Page : 367 pages
File Size : 43,9 Mb
Release : 2000-07
Category : Social Science
ISBN : 9780816520213

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Chicano Renaissance by David Maciel,Isidro D. Ortiz,Mar’a Herrera-Sobek Pdf

Among the lasting legacies of the Chicano Movement is the cultural flowering that it inspired--one that has steadily grown from the 1960s to the present. It encompassed all of the arts and continues to earn acclaim both nationally and internationally. Although this Chicano artistic renaissance received extensive scholarly attention in its initial phase, the post-Movimiento years after the late 1970s have been largely overlooked. This book meets that need, demonstrating that, despite the changes that have taken place in all areas of Chicana/o arts, a commitment to community revitalization continues to underlie artistic expression. This collection examines changes across a broad range of cultural forms--art, literature, music, cinema and television, radio, and theater--with an emphasis on the last two decades. Original articles by both established and emerging scholars review such subjects as the growth of Tejano music and the rise of Selena, how films and television have affected the Chicana/o experience, the evolution of Chicana/o art over the last twenty years, and postmodern literary trends. In all of the essays, the contributors emphasize that, contrary to the popular notion that Chicanas/os have succumbed to a victim mentality, they continue to actively struggle to shape the conditions of their lives and to influence the direction of American society through their arts and social struggle. Despite decades usually associated with self-interest in the larger society, the spirit of commitment and empowerment has continued to infuse Chicana/o cultural expression and points toward a vibrant future. CONTENTS All Over the Map: La Onda Tejana and the Making of Selena, Roberto R. Calder—n Outside Inside-The Immigrant Workers: Creating Popular Myths, Cultural Expressions, and Personal Politics in Borderlands Southern California, Juan G—mez-Qui–ones "Yo soy chicano": The Turbulent and Heroic Life of Chicanas/os in Cinema and Television, David R. Maciel and Susan Racho The Politics of Chicano Representation in the Media, Virginia Escalante Chicana/o and Latina/o Gazing: Audiences of the Mass Media, Diana I. R’os An Historical Overview/Update on the State of Chicano Art, George Vargas Contemporary Chicano Theater, Arturo Ram’rez Breaking the Silence: Developments in the Publication and Politics of Chicana Creative Writing, 1973-1998, Edwina Barvosa-Carter Trends and Themes in Chicana/o Writings in Postmodern Times, Francisco A. Lomel’, Teresa M‡rquez, and Mar’a Herrera-Sobek

Chicana Art

Author : Laura E. Pérez
Publisher : Duke University Press
Page : 409 pages
File Size : 53,6 Mb
Release : 2007-08-09
Category : Art
ISBN : 9780822338680

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Chicana Art by Laura E. Pérez Pdf

DIVThe first full-length survey of contemporary Chicana artists/div

Making A Spectacle

Author : Megan Ruby,Michelle Angelo-Rocha,Mark Hickey,Vonzell Agosto
Publisher : IAP
Page : 303 pages
File Size : 44,8 Mb
Release : 2020-10-01
Category : Education
ISBN : 9781648022937

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Making A Spectacle by Megan Ruby,Michelle Angelo-Rocha,Mark Hickey,Vonzell Agosto Pdf

This book edition offers a collection of scholarship and reflections that goes beyond theoretical conversations. This volume helps reignite a dialogue not only by scholars but also by educators, activists, and students who believe in inclusive and equal access to education for all individuals regardless of race, ethnicity, immigration status, gender, sexuality, religion, and other identities. In this volume, the authors examine curriculum and pedagogy as a tool for recovery from political trauma and healing. They used thisas an opportunity to confront some of the politically shameful situations affecting educational environments, homes, neighborhoods, enclaves, and regions marked by socioeconomic inequality. The authors of Making a Spectacle present wide-open questions: How are educators and school leaders learning to interact with one another, students, their families, and community while facing increased mass school shootings, police violence, racial profiling, unequal access to education and basic needs during a pandemic (COVID-19), and other forms of sociopolitical stress influenced by discrimination, institutional racism, and White nationalism? What curricular and pedagogical geographies are educators and students afforded through which to process their emotional responses to ecological or political activities witnessed in schools and their surrounding areas? These chapters and reflections/perspectives represent a diversity of positionalities within critical intersections of power and privilege as they relate to identity, culture, and curriculum and social justice, schools, and society.

Phantom Sightings

Author : Rita González,Howard N. Fox,Chon A. Noriega
Publisher : Unknown
Page : 0 pages
File Size : 40,9 Mb
Release : 2008
Category : Mexican American arts
ISBN : 0520255631

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Phantom Sightings by Rita González,Howard N. Fox,Chon A. Noriega Pdf

A comprehensive examination of Chicano art in the early twentieth century, exploring the current tendency of experimentation and how the movement has shifted away from painting and political statements, and toward conceptual art, performance, film, photography, and media-based art; includes artist portfolios and a chronology of significant moments in Chicano history.

International Perspectives on Chicana/o Studies

Author : Catherine Leen,Niamh Thornton
Publisher : Routledge
Page : 228 pages
File Size : 54,5 Mb
Release : 2013-10-15
Category : Social Science
ISBN : 9781135053338

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International Perspectives on Chicana/o Studies by Catherine Leen,Niamh Thornton Pdf

This volume examines how the field of Chicana/o studies has developed to become an area of interest to scholars far beyond the United States and Spain. For this reason, the volume includes contributions by a range of international scholars and takes the concept of place as a unifying paradigm. As a way of overcoming borders that are both physical and metaphorical, it seeks to reflect the diversity and range of current scholarship in Chicana/o studies while simultaneously highlighting the diverse and constantly evolving nature of Chicana/o identities and cultures. Various critical and theoretical approaches are evident, from eco-criticism and autoethnography in the first section, to the role of fiction and visual art in exposing injustice in section two, to the discussion of transnational and transcultural exchange with reference to issues as diverse as the teaching of Chicana/o studies in Russia and the relevance of Anzaldúa’s writings to post 9/11 U.S. society.