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In a tender and uproarious memoir, singer-songwriter Rodney Crowell reveals the good, the bad, and the ugly of a dirt-poor southeast Texas boyhood. The only child of a hard-drinking father and a holy-roller mother, acclaimed musician Rodney Crowell was no stranger to bombast. But despite a home life always threatening to burst into violence, Rodney fiercely loved his mother and idolized his blustering father, a frustrated musician who took him to see Hank Williams, Jerry Lee Lewis, Carl Perkins, and Johnny Cash perform. Set in 1950s Houston, a frontier-rough town with icehouses selling beer by the gallon on payday, pest infestations right out of a horror film, and the kind of freedom mischievous kids dream of, Chinaberry Sidewalks is Rodney's tribute to his parents and his remarkable youth. Full of the most satisfying kind of nostalgia, it is hardly recognizable as a celebrity memoir. Rather, it's a story of coming-of-age at a particular time, place, and station, crafted as well as the perfect song.
For years the legendary John Seigenthaler hosted A Word on Words on Nashville's public television station, WNPT. During the show’s four-decade run (1972 to 2013), he interviewed some of the most interesting and most important writers of our time. These in-depth exchanges revealed much about the writers who appeared on his show and gave a glimpse into their creative processes. Seigenthaler was a deeply engaged reader and a generous interviewer, a true craftsman. Frye Gaillard and Pat Toomay have collected and transcribed some of the iconic interactions from the show. Featuring interviews with: Arna Bontemps • Marshall Chapman • Pat Conroy • Rodney Crowell • John Egerton • Jesse Hill Ford • Charles Fountain • William Price Fox • Kinky Friedman • Frye Gaillard • Nikki Giovanni • Doris Kearns Goodwin • David Halberstam • Waylon Jennings • John Lewis • David Maraniss • William Marshall • Jon Meacham • Ann Patchett • Alice Randall • Dori Sanders • John Seigenthaler Sr. • Marty Stuart • Pat Toomay
Chely Wright, singer, songwriter, country music star, writes in this moving, telling memoir about her life and her career; about growing up in America’s heartland, the youngest of three children; about barely remembering a time when she didn’t know she was different. She writes about her parents, putting down roots in their twenties in the farming town of Wellsville, Kansas, Old Glory flying atop the poles on the town’s manicured lawns, and being raised to believe that hard work, honesty, and determination would take her far. She writes of making up her mind at a young age to become a country music star, knowing then that her feelings and crushes on girls were “sinful” and hoping and praying that she would somehow be “fixed.” (“Dear God, please don’t let me be gay. I promise not to lie. I promise not to steal. I promise to always believe in you . . . Please take it away.”) We see her, high school homecoming queen, heading out on her own at seventeen and landing a job as a featured vocalist on the Ozark Jubilee (the show that started Brenda Lee, Red Foley, and Porter Wagoner), being cast in Country Music U.S.A., doing four live shows a day, and—after only a few months in Nashville—her dream coming true, performing on the stage of the Grand Ole Opry . . . She describes writing and singing her own songs for producers who’d discovered and recorded the likes of Reba McEntire, Shania Twain, and Toby Keith, who heard in her music something special and signed her to a record contract, releasing her first album and sending her out on the road on her first bus tour . . . She writes of sacrificing all for a shot at success that would come a couple of years later with her first hit single, “Shut Up And Drive” . . . her songs (from her fourth album, Single White Female) climbing the Billboard chart for twenty-nine weeks, hitting the #1 spot . . . She writes about the friends she made along the way—Vince Gill, Brad Paisley, and others—writing songs, recording and touring together, some of the friendships developing into romantic attachments that did not end happily . . . Keeping the truth of who she was clutched deep inside, trying to ignore it in a world she longed to be a part of—and now was—a world in which country music stars had never been, could not be, openly gay . . . She writes of the very real prospect of losing everything she’d worked so hard to create . . . doing her best to have a real life—her best not good enough . . . And in the face of everything she did to keep herself afloat, she writes about how the vortex of success and hiding who she was took its toll: her life, a tangled mess she didn’t see coming, didn’t want to; and, finally, finding the guts to untangle herself from the image of the country music star she’d become, an image steeped in long-standing ideals and notions about who—and what—a country artist is, and what their fans expect them to be . . . I am a songwriter,” she writes. “I am a singer of my songs—and I have a story to tell. As I’ve traveled this path that has delivered me to where I am today, my monument of thanks, paying honor to God, remains. I will do all I can with what I have been given . . .” Like Me is fearless, inspiring, true.
A beautifully written collection of essays for anyone who’s ever lived in that unwieldy group called family—a story that takes us from Iowa to the high country of Wyoming and Montana as a woman and her husband search for the perfect place to raise their five daughters and five sons. Rooted in real-life experience, this unique essay collection of passion, intimacy, work, religion, puberty, love and loss, and the struggle to be steadfast in times of enormous social change reads like a novel—full of lively characters, spirited dialogue, and a landscape that takes you from Iowa to the high country of Wyoming and Montana. As the chapters unfold, one focused on each child, Virginia Tranel and her husband search for the ideal place to raise the five daughters and five sons born to them between 1957 and 1978. Tranel artfully weaves daily moments with world events as she reflects on how our culture affects our decisions. She offers candid observations on everything from her reproductive choices and feminism's influence on her thinking to sibling rivalries and her family's emotional response when an architect son emails firsthand reports of the horrors of September 11. Whether considering the issues intrinsic to marriage and child-raising, or questioning her own common sense, her insights are always provocative and deeply moving.
A brilliantly colorful memoir of becoming a monk and a young man's spiritual journey in India. Nikolai Grozni, a Boston jazz piano prodigy struck by spiritual ennui, suddenly abandoned 15 years of music studies to seek out the Dalai Lama's university in India, where he began his quest for the ultimate truth. Instead of finding answers, Grozni fell in with an unusual cast of characters, and struggled with Buddhist logic and with the many small challenges to life as a monk in a community of Tibetan refugees. Turtle Feet is his bittersweet and funny memoir about the search for higher power, and the discovery of oneself amidst teeming, chaotic, and glorious humanity.
By the author of A Wrinkle in Time, the conclusion to the Polly O'Keefe stories finds Polly taking an unforgettable trip to Europe, all by herself. Sixteen-year-old Polly is on her way to the island of Cyprus, where she will work as a gofer. The trip was arranged by Maximiliana Horne, a rich, brilliant artist who, with her longtime companion, Dr. Ursula Heschel, recently became the O'Keefe family's neighbor on Benne Seed Island. Max and Polly formed an instant friendship and Max took over Polly's education, giving her the encouragement and confidence that her isolated upbringing had not. Polly adored Max, even idolized her, until Max betrayed her. In Greece, Polly finds romance, danger, and unique friendships. But can she ever forgive Max? Books by Madeleine L'Engle A Wrinkle in Time Quintet A Wrinkle in Time A Wind in the Door A Swiftly Tilting Planet Many Waters An Acceptable Time A Wrinkle in Time: The Graphic Novel by Madeleine L'Engle; adapted & illustrated by Hope Larson Intergalactic P.S. 3 by Madeleine L'Engle; illustrated by Hope Larson: A standalone story set in the world of A Wrinkle in Time. The Austin Family Chronicles Meet the Austins (Volume 1) The Moon by Night (Volume 2) The Young Unicorns (Volume 3) A Ring of Endless Light (Volume 4) A Newbery Honor book! Troubling a Star (Volume 5) The Polly O'Keefe books The Arm of the Starfish Dragons in the Waters A House Like a Lotus And Both Were Young Camilla The Joys of Love
Haunting, lyrical, unforgettable, Girl in the Dark is a brave new memoir of a life without light. Anna Lyndsey was young and ambitious and worked hard; she had just bought an apartment; she was falling in love. Then what started as a mild intolerance to certain kinds of artificial light developed into a severe sensitivity to all light. Now, at the worst times, Anna is forced to spend months on end in a blacked-out room, where she loses herself in audiobooks and elaborate word games in an attempt to ward off despair. During periods of relative remission, she can venture out cautiously at dawn and dusk into a world that, from the perspective of her cloistered existence, is filled with remarkable beauty. And through it all there is Pete, her love and her rock, without whom her loneliness seems boundless. One day Anna had an ordinary life, and then the unthinkable happened. But even impossible lives, she learns, endure. Girl in the Dark is a tale of an unimaginable fate that becomes a transcendent love story. It brings us to an extraordinary place from which we emerge to see the light and the world anew.
Redneck Boy in the Promised Land is Ben Jones’s hilarious, uplifting life story of escaping the rail yards and finding success in the unlikeliest places. As a child, Jones called a dingy railroad shack with no electricity or indoor plumbing home. An unabashed Southern redneck from a "likker drinkin’, hell-raisin’" family, Jones grew up in the depressed railroad docks outside of Portsmouth, Virginia, and spent most of his days dreaming about where the tracks out of town could take him. That he would go on to become a beloved television icon on The Dukes of Hazzard and a firebrand two-term Congressman is a story that no one could have ever seen coming . . . least of all ol’ "Cooter" himself. Written with naked honesty and wry humor, Redneck Boy in the Promised Land is one good ol’ boy’s remarkable tale of falling flat on his face, picking himself up, and finding his way to the American dream-while fighting for civil rights, the plight of the working class, "real" Southern culture, and the rights of rednecks everywhere. From the Hardcover edition.
Astutely observed and deftly witty, One Perfect Day masterfully mixes investigative journalism and social commentary to explore the workings of the wedding industry-an industry that claims to be worth $160 billion to the U.S. economy and which has every interest in ensuring that the American wedding becomes ever more lavish and complex. Taking us inside the workings of the wedding industry-including the swelling ranks of professional event planners, department stores with their online registries, the retailers and manufacturers of bridal gowns, and the Walt Disney Company and its Fairy Tale Weddings program-New Yorker writer Rebecca Mead skillfully holds the mirror up to the bride's deepest hopes and fears about her wedding day, revealing that for better or worse, the way we marry is who we are.
Sometimes heartbreaking, often hilarious, Nita Horn's exquisitely told and inspiring memoir of a poor little girl's dreams of horses and where that love could lead is a triumph of loss and survival, sacrifice, devotion, acceptance, forgiveness, and finally, success.As a child, Nita escaped the demands of the day by sitting on her "flying carpet" with a small bag of cheap plastic animal toys and her sister, Althia, while they imagined themselves visiting exotic farms and locales to rescue and heal. But when tragedy struck Nita at the age of thirteen and her sister and father were taken from her in a car accident, she wondered if there was anything left to believe in. Personally decimated, her already fractured life came apart at the seams.Nita's mother--who also nearly died from the accident--floundered with depression and loss. Nita dejectedly followed wherever each day would lead, struggling with identity, confidence, and self-image...until the day she met a "charmingly flawed" young man. He was a self-confident, cocky loner. Yet, he believed in her and her dreams. Together, they would spend their next decades overcoming obstacles and testing commitments, finding true love, faith, ministry, and the miracle of healing--for her as well as for others.From devastation to tenderness, from humor to warmth, from surviving poverty to discovering an invisible God who has a plan for all our lives, No Fences is an intimate and revealing narrative of losing dreams, getting them back, and the faith journey in between.
A candid and moving memoir from the critically acclaimed singer and songwriter For thirty years as a musician, Rosanne Cash has enjoyed both critical and commercial success, releasing a series of albums that are as notable for their lyrical intelligence as for their musical excellence. Now, in her memoir, Cash writes compellingly about her upbringing in Southern California as the child of country legend Johnny Cash, and of her relationships with her mother and her famous stepmother, June Carter Cash. In her account of her development as an artist she shares memories of a hilarious stint as a twenty-year-old working for Columbia Records in London, recording her own first album on a German label, working her way to success, her marriage to Rodney Crowell, a union that made them Nashville's premier couple, her relationship with the country music establishment, taking a new direction in her music and leaving Nashville to move to New York. As well as motherhood, dealing with the deaths of her parents, in part through music, the process of songwriting, and the fulfillment she has found with her current husband and musical collaborator, John Leventhal. Cash has written an unconventional and compelling memoir that, in the tradition of M. F. K. Fisher's The Gastronomical Me and Frank Conroy's Stop-Time, is a series of linked pieces that combine to form a luminous and brilliant whole.
Voted America's Best-Loved Novel in PBS's The Great American Read Harper Lee's Pulitzer Prize-winning masterwork of honor and injustice in the deep South—and the heroism of one man in the face of blind and violent hatred One of the most cherished stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than forty million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father—a crusading local lawyer—risks everything to defend a black man unjustly accused of a terrible crime.
In Turning Japanese, poet David Mura chronicled a year in Japan in which his sense of identity as a Japanese American was transformed. In Where the Body Meets Memory, Mura focuses on his experience growing up Japanese American in a country which interned both his parents during World War II, simply because of their race. Interweaving his own experience with that of his family and of other sansei-third generation Japanese Americans-Mura reveals how being a "model minority" has resulted in a loss of heritage and wholeness for generations of Japanese Americans. In vivid and searingly honest prose, Mura goes on to suggest how the shame of internment affected his sense of sexuality, leading him to face troubling questions about desire and race: an interracial marriage, compulsive adultery, and an addiction to pornography which equates beauty with whiteness. Using his own experience as a measure of racial and sexual grief, Mura illustrates how the connections between race and desire are rarely discussed, how certain taboos continue to haunt this country's understanding of itself. Ultimately, Mura faces the most difficult legacy of miscegenation: raising children in a world which refuses to recognize and honor its racial diversity. Intimate and lyrically stunning, Where the Body Meets Memory is a personal journey out of the self and into America's racial and sexual psyche.
Twenty-three-year-old Judd Nix, an unpaid intern at the most prestigious personal management firm in country music, gets the opportunity of a lifetime when his boss and mentor, Simon Stills, offers him a temporary position--an opportunity that may just cost Judd his life.
Field Man is the memoir of renowned southwestern archaeologist Julian Dodge Hayden--a blue-collar scholar who challenged conventional thinking on the antiquity of man in the New World, brought a formidable pragmatism to the identification of stone tools, and who is remembered as the leading authority on the prehistory of the Sierra Pinacate.
