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By focusing on the social and cultural life of post-1965 Taiwan immigrants in Queens, New York, this book shifts Chinese American studies from ethnic enclaves to the diverse multiethnic neighborhoods of Flushing and Elmhurst. As Hsiang-shui Chen documents, the political dynamics of these settlements are entirely different from the traditional closed Chinese communities; the immigrants in Queens think of themselves as living in "worldtown," not in a second Chinatown. Drawing on interviews with members of a hundred households, Chen brings out telling aspects of demography, immigration experience, family life, and gender roles, and then turns to vivid, humanistic portraits of three families. Chen also describes the organizational life of the Chinese in Queens with a lively account of the power struggles and social interactions that occur within religious, sports, social service, and business groups and with the outside world.
- A sweeping study of Chinese migration past and present - Highlights the growing pride in their roots among ex-pat Chinese - Of vital interest to migration scholars, but also to the Chinese diaspora and to anyone interested in the issues of migration today A bachelor society, men brought in by the shipload to labour in harsh, slave-like conditions, often for decades. Aliens despised and feared by their hosts. The hope: to return home as rich men. This was the exceptional and ambivalent nature of much of Chinese migration in the 19th and early 20th centuries--quite different in nature to the permanent migration of families and individuals from Europe to the New World at that same time. But stay, some Chinese did; rough camps and shantytowns became more settled Chinatowns across the globe. Slavery is not dead. Thousands still leave China for the industrialized world, their freedom and livelihoods in pawn to people smugglers. But China has changed, transformed by decades of economic liberalization and rapid economic growth. Most migrants--both women and men--now leave China for a more promising future and often find ways to bring their families with them. Chinese migration is no longer exceptional, yet distinct. Today, China matters--all around the world. Both its insatiable demand for raw materials and its flood of exported manufactures affect everyone; distant corners of the Third World that once had never heard of China now have a thriving Chinese presence. And, suddenly, third-generation Chinese who once could not wait to escape their Chinatown now proudly proclaim their ethnic Chinese identity. Because it opens a new approach to the study of recent Chinese migration, this volume will be of vital interest in the field of both general and Chinese migration studies. But, bringing to life as it does the momentous changes sweeping the Chinese world in all parts of the globe, it will also attract a far wider readership.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • From the infinitely inventive author of How to Live Safely in a Science Fictional Universe, a deeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play. "One of the funniest books of the year.... A delicious, ambitious Hollywood satire." —The Washington Post Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy—the most respected role that anyone who looks like him can attain. Or is it? After stumbling into the spotlight, Willis finds himself launched into a wider world than he’s ever known, discovering not only the secret history of Chinatown, but the buried legacy of his own family. Infinitely inventive and deeply personal, exploring the themes of pop culture, assimilation, and immigration—Interior Chinatown is Charles Yu’s most moving, daring, and masterful novel yet.
I Was Lured Into a Tea Shop by Jonathan Desmond Pdf
It was the dawn of a New Year and I was ready to make my resolutions. As I watched the countdown of 2012 and prepared myself to usher in 2013, I made a commitment to complete a 1- year photography project that would explore and encompass Vancouver's Chinatown.I began in the cold months of early 2013 and started walking around Chinatown rather casually. I usually started from the large gate standing over Pender Street and then worked my way around the various other avenues and roads that encompassed Vancouver's Chinatown. I explored shops and stalls and observed people going about their daily lives, all while documenting it with my camera as best as I could.As I passed by people and observed both from a distance and up-close, a thought came to me: I was an outsider. I didn't know anyone in Chinatown and having not grown up in the neighborhood I found myself in unfamiliar territory. This meant that everything was fresh and new to me as I walked around the Chinatown streets but also meant that, despite a few visits to Chinatown in my earlier years, I was basically a blank canvas.
Mister Jiu's in Chinatown by Brandon Jew,Tienlon Ho Pdf
JAMES BEARD AWARD WINNER • The acclaimed chef behind the Michelin-starred Mister Jiu’s restaurant shares the past, present, and future of Chinese cooking in America through 90 mouthwatering recipes. ONE OF THE TEN BEST COOKBOOKS OF THE YEAR: The New Yorker, San Francisco Chronicle • ONE OF THE BEST COOKBOOKS OF THE YEAR: Glamour • “Brandon Jew’s affection for San Francisco’s Chinatown and his own Chinese heritage is palpable in this cookbook, which is both a recipe collection and a portrait of a district rich in history.”—Fuchsia Dunlop, James Beard Award-winning author of The Food of Sichuan Brandon Jew trained in the kitchens of California cuisine pioneers and Michelin-starred Italian institutions before finding his way back to Chinatown and the food of his childhood. Through deeply personal recipes and stories about the neighborhood that often inspires them, this groundbreaking cookbook is an intimate account of how Chinese food became American food and the making of a Chinese American chef. Jew takes inspiration from classic Chinatown recipes to create innovative spins like Sizzling Rice Soup, Squid Ink Wontons, Orange Chicken Wings, Liberty Roast Duck, Mushroom Mu Shu, and Banana Black Sesame Pie. From the fundamentals of Chinese cooking to master class recipes, he interweaves recipes and techniques with stories about their origins in Chinatown and in his own family history. And he connects his classical training and American roots to Chinese traditions in chapters celebrating dim sum, dumplings, and banquet-style parties. With more than a hundred photographs of finished dishes as well as moving and evocative atmospheric shots of Chinatown, this book is also an intimate portrait—a look down the alleyways, above the tourist shops, and into the kitchens—of the neighborhood that changed the flavor of America.
CHINATOWN, U.S.A.: a state of mind, a world within a world, a neighborhood that exists in more cities than you might imagine. Every day, Americans find "something different" in Chinatown's narrow lanes and overflowing markets, tasting exotic delicacies from a world apart or bartering for a trinket on the street -- all without ever leaving the country. It's a place that's foreign yet familiar, by now quite well known on the Western cultural radar, but splitting the difference still gives many visitors to Chinatown the sense, above all, that things are not what they seem -- something everyone in popular culture, from Charlie Chan to Jack Nicholson, has been telling us for decades. And it's true that few visitors realize just how much goes on beneath the surface of this vibrant microcosm, a place with its own deeply felt history and stories of national cultural significance. But Chinatown is not a place that needs solving; it's a place that needs a more specific telling. In American Chinatown, acclaimed travel writer Bonnie Tsui takes an affectionate and attentive look at the neighborhood that has bewitched her since childhood, when she eagerly awaited her grandfather's return from the fortune-cookie factory. Tsui visits the country's four most famous Chinatowns -- San Francisco (the oldest), New York (the biggest), Los Angeles (the film icon), Honolulu (the crossroads) -- and makes her final, fascinating stop in Las Vegas (the newest; this Chinatown began as a mall); in her explorations, she focuses on the remarkable experiences of ordinary people, everyone from first-to fifth-generation Chinese Americans. American Chinatown breaks down the enigma of Chinatown by offering narrative glimpses: intriguing characters who reveal the realities and the unexpected details of Chinatown life that American audiences haven't heard. There are beauty queens, celebrity chefs, immigrant garment workers; there are high school kids who are changing inner-city life in San Francisco, Chinese extras who played key roles in 1940s Hollywood, new arrivals who go straight to dealer school in Las Vegas hoping to find their fortunes in their own vision of "gold mountain." Tsui's investigations run everywhere, from mom-and-pop fortune-cookie factories to the mall, leaving no stone unturned. By interweaving her personal impressions with the experiences of those living in these unique communities, Tsui beautifully captures their vivid stories, giving readers a deeper look into what "Chinatown" means to its inhabitants, what each community takes on from its American home, and what their experience means to America at large. For anyone who has ever wandered through Chinatown and wondered what it was all about, and for Americans wanting to understand the changing face of their own country, American Chinatown is an all-access pass.
- A sweeping study of Chinese migration past and present - Highlights the growing pride in their roots among ex-pat Chinese - Of vital interest to migration scholars, but also to the Chinese diaspora and to anyone interested in the issues of migration today A bachelor society, men brought in by the shipload to labour in harsh, slave-like conditions, often for decades. Aliens despised and feared by their hosts. The hope: to return home as rich men. This was the exceptional and ambivalent nature of much of Chinese migration in the 19th and early 20th centuries--quite different in nature to the permanent migration of families and individuals from Europe to the New World at that same time. But stay, some Chinese did; rough camps and shantytowns became more settled Chinatowns across the globe. Slavery is not dead. Thousands still leave China for the industrialized world, their freedom and livelihoods in pawn to people smugglers. But China has changed, transformed by decades of economic liberalization and rapid economic growth. Most migrants--both women and men--now leave China for a more promising future and often find ways to bring their families with them. Chinese migration is no longer exceptional, yet distinct. Today, China matters--all around the world. Both its insatiable demand for raw materials and its flood of exported manufactures affect everyone; distant corners of the Third World that once had never heard of China now have a thriving Chinese presence. And, suddenly, third-generation Chinese who once could not wait to escape their Chinatown now proudly proclaim their ethnic Chinese identity. Because it opens a new approach to the study of recent Chinese migration, this volume will be of vital interest in the field of both general and Chinese migration studies. But, bringing to life as it does the momentous changes sweeping the Chinese world in all parts of the globe, it will also attract a far wider readership.
Chinatown Pretty features beautiful portraits and heartwarming stories of trend-setting seniors across six Chinatowns. Andria Lo and Valerie Luu have been interviewing and photographing Chinatown's most fashionable elders on their blog and Instagram, Chinatown Pretty, since 2014. Chinatown Pretty is a signature style worn by pòh pohs (grandmas) and gùng gungs (grandpas) everywhere—but it's also a life philosophy, mixing resourcefulness, creativity, and a knack for finding joy even in difficult circumstances. • Photos span Chinatowns in San Francisco, Oakland, Los Angeles, Chicago, New York City, and Vancouver. • The style is a mix of modern and vintage, high and low, handmade and store bought clothing. • This is a celebration of Chinese American culture, active old-age, and creative style. Chinatown Pretty shares nuggets of philosophical wisdom and personal stories about immigration and Chinese-American culture. This book is great for anyone looking for advice on how to live to a ripe old age with grace and good humor—and, of course, on how to stay stylish. • This book will resonate with photography buffs, fashionistas, and Asian Americans of all ages. • Chinatown Pretty has been featured by Vogue.com, San Francisco Chronicle, Design Sponge, Rookie, Refinery29, and others. • With a textured cover and glossy bellyband, this beautiful volume makes a deluxe gift. • Add it to the shelf with books like Humans of New York by Brandon Stanton, Advanced Style by Ari Seth Cohen, and Fruits by Shoichi Aoki.
Anderson charts the construction of Chinatown in the minds and streets of the white community of Vancouver over a hundred year period. She shows that Chinatown -- from the negative stereotyping of the late nineteenth and early twentieth centuries to its current status as an "ethnic neighbourhood" -- has been stamped by changing European ideologies of race and the hegemonic policies those ideas have shaped. The very existence of the district is the result of a regime of cultural domination that continues to exist today. Anderson clearly rejects the concept of "race" as a means of distinguishing between groups of human beings. She points out that because the implicit acceptance of public beliefs about race affects the types of questions asked by researchers, the issue of the ontological status of race is as critical for commentators on society as it is for scientists studying human variation. Anderson applies this fresh approach toward the concept of race to a critical examination of popular, media, and academic treatments of the Chinatown in Vancouver.
Gwen Kinkead's fascinating book is an explanation of a mystery: Chinatown. In the first book in fifty years to break the code of silence about New York's Chinatown, Kinkead offers us an intimate portrait of an exciting community that is also one of the most insular and, until now, enigmatic in the world. New York City's Chinatown is the largest in the Western Hemisphere, a vibrant, chaotic little piece of China entirely segregated from the United States. Against all odds, Kinkead managed to get recent immigrants to Chinatown to speak to her--an astonishing feat for a low faan (a barbarian, white person) with a notepad. Her portraits of Chinatown's invisible people are intriguing. They work in its garment factories and restaurants, where child labor laws seem not to obtain; they do not speak English and have no desire or opportunity to learn the language; they rarely, if ever, venture outside Chinatown's boundaries and have no interest in the American world surrounding their enclave. Kinkead describes their family associations, the tongs, and the gangs they employ to extort and murder. She charts the growth of Chinese organized crime, now smuggling in half the heroin in the United States. She illuminates the Chinese work ethic, their attitude toward money, the extended-family obligations, their traditions of concubinage, the Chinese penchant for gambling, their newspapers--owned by Chinese in Asia who determine what is reported and how--the importance of food, Chinatown's millionaires, and more. A rich, eye-opening account of a little-known community, Chinatown is also a provocative reflection on assimilation and racism in this country.
From the New York Times bestselling author of Fifth Avenue, Five A.M. and Fosse comes the revelatory account of the making of a modern American masterpiece Chinatown is the Holy Grail of 1970s cinema. Its twist ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of the most colorful characters in the most colorful period of Hollywood history. Here is Jack Nicholson at the height of his powers, as compelling a movie star as there has ever been, embarking on his great, doomed love affair with Anjelica Huston. Here is director Roman Polanski, both predator and prey, haunted by the savage death of his wife, returning to Los Angeles, the scene of the crime, where the seeds of his own self-destruction are quickly planted. Here is the fevered dealmaking of "The Kid" Robert Evans, the most consummate of producers. Here too is Robert Towne's fabled script, widely considered the greatest original screenplay ever written. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today. In telling that larger story, The Big Goodbye will take its place alongside classics like Easy Riders, Raging Bulls and The Devil's Candy as one of the great movie-world books ever written. Praise for Sam Wasson: "Wasson is a canny chronicler of old Hollywood and its outsize personalities...More than that, he understands that style matters, and, like his subjects, he has a flair for it." - The New Yorker "Sam Wasson is a fabulous social historian because he finds meaning in situations and stories that would otherwise be forgotten if he didn't sleuth them out, lovingly." - Hilton Als
Creating Belonging in San Francisco Chinatown’s Diasporic Community by Adina Staicov Pdf
This book presents a much-needed discussion on ethnic identification and morphosyntactic variation in San Francisco Chinatown—a community that has received very little attention in linguistic research. An investigation of original, interactive speech data sheds light on how first- and second-generation Chinese Americans signal (ethnic) identity through morphosyntactic variation in English and on how they co-construct identity discursively. After an introduction to the community’s history, the book provides background information on ethnic varieties in North America. This discussion grounds the present book within existing research and illustrates how studies on ethnic varieties of English have evolved. The book then proceeds with a description of quantitative and qualitative results on linguistic variation and ethnic identity. These analyses show how linguistic variation is only one way of signalling belonging to a community and highlight that Chinese Americans draw on a variety of sources, most notably the heritage language, to construct and negotiate (ethnic) identity. This book will be of particular interest to linguists - particularly academics working in sociolinguistics, language and identity, and language variation - but also to scholars interested in related issues such as migration, discrimination, and ethnicity.
