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Chinese Posters by Lincoln Cushing,Ann Tompkins Pdf
Introduction -- People, poverty, politics, and posters -- Nature and transformation -- Production and mechanization -- Women hold up half the sky -- Serve the people -- Solidarity -- Politics in command -- After the cultural revolution.
Chinese Posters by Stefan Landsberger,Marien van der Heijden Pdf
"Dating from 1917 to the end of the Cold War, the posters in this book feature the work of such major Russian groundbreaking avant-garde designers as El Lissitzky and Alexander Rodchenko as well as extraordinary works by lesser known artists." --Book Jacket.
Picturing Power in the People's Republic of China by Harriet Evans,Stephanie Donald Pdf
Provides an innovative reinterpretation of the cultural revolution through the medium of the poster -- a major component of popular print culture in China.
This book presents carefully-selected posters created from the 1950s to 1990s, and categorizes them into the following chapters: leaders, politics, International affairs, military affairs and national defense, economic construction, national unity, and cultural education. The characteristic artistic approaches in these posters will definitely provides readers with a unique reading experience.
Chinese Propaganda Posters: From Revolution to Modernization by Stefan Landsberger Pdf
Brightly coloured prints, portraying model behaviour or a better future, have been a ubiquitous element of Chinese political culture from Imperial times until present. As economic reform swept the People's Republic in the 1980s, visual propaganda ceased to depict the tanned and muscular labourers in a proletarian utopia, so typical of preceding decades. Instead, Western icons of progress and development were employed: high-speed bullet trains, spacecraft, high-rise buildings, gridlocked free-ways and projections of general affluence. Socialist Realism was phased out by design and mixed- media techniques that were influenced by Western advertising. This lavishly illustrated study traces the development of the style and content of the Chinese propaganda poster in the decade of reform, from its traditional origins to its use as a tool for political and economic purposes.
Cultural Revolution by Victoria Edison,James Edison Pdf
In 1966, when the Cultural Revolution took hold, posters, ceramic statues, "Little Red Books," and other material objects were the principal means that the Chinese government used to communicate with the masses. As art and as propaganda, the iconography of these artifacts was used to rally the people around the programs and personalities of the Maoist regime. For graphic artists, collectors, and Sino-historians, they have a growing importance. With nearly 500 color photos, this book is an introductory guide to the meanings and values of the material culture of the Cultural Revolution, along with brief explanations of their historical background.
Chinese Propaganda Posters by Anchee Min,Duo Duo,Stefan R. Landsberger Pdf
Peasant workers, production lines, and eager schoolchildren: this rare and fascinating publication brings together key artworks from Max Gottschalk's vast collection of Chinese propaganda posters. Produced between the birth of the People's Republic in 1949 and the early 1980s, these images are an astonishing document of the utopian dreams of...
Chinese Propaganda Posters. Ediz. inglese, francese e tedesca by Anonim Pdf
TASCHEN portfolios feature high quality prints that beg to be framed. Tucked in each portfolio are 14 large-format reproductions, each with a brief description. Guaranteed to brighten any day, they also make great gifts for art lovers!
Author : Ellen Johnston Laing Publisher : University of Hawaii Press Page : 346 pages File Size : 51,8 Mb Release : 2004-01-01 Category : Art ISBN : 0824827643
"As the first substantial investigation of commercial art in China, Selling Happiness explains how the early twentieth century Chinese public came in accept Western style art as mainstream and the heretofore ignored process by which the Chinese art world became (in some sectors at least) thoroughly cosmopolitan. A monumental study of the most important genre of modern Chinese commercial art, this volume will appeal not only to historians of Chinese art but also to those interested in literary, economic, and social history. It will be an essential resource for comparative studies of visual culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Chinese Propaganda Posters: From Revolution to Modernization by Stefan Landsberger Pdf
Brightly coloured prints, portraying model behaviour or a better future, have been a ubiquitous element of Chinese political culture from Imperial times until present. As economic reform swept the People's Republic in the 1980s, visual propaganda ceased to depict the tanned and muscular labourers in a proletarian utopia, so typical of preceding decades. Instead, Western icons of progress and development were employed: high-speed bullet trains, spacecraft, high-rise buildings, gridlocked free-ways and projections of general affluence. Socialist Realism was phased out by design and mixed- media techniques that were influenced by Western advertising. This lavishly illustrated study traces the development of the style and content of the Chinese propaganda poster in the decade of reform, from its traditional origins to its use as a tool for political and economic purposes.
Cultural China 2020 by Séagh Kehoe,Gerda Wielander Pdf
Cultural China is a unique annual publication for up-to-date, informed, and accessible commentary about Chinese and Sinophone languages, cultural practices, politics and production, and their critical analysis. It builds on the University of Westminster’s Contemporary China Centre Blog, providing additional reflective introductory pieces to contextualise each of the eight chapters. The articles in this Review speak to the turbulent year that was 2020 as it unfolded across cultural China. Thematically, they range from celebrity culture, fashion and beauty, to religion and spirituality, via language politics, heritage, and music. Pieces on representations of China in Britain and the Westminster Chinese Visual Arts Project reflect our particular location and home. Many of the articles in this book focus on the People’s Republic of China, but they also draw attention to the multiple Chinese and Sinophone cultural practices that exist within, across, and beyond national borders. The Review is distinctive in its cultural studies-based approach and contributes a much-needed critical perspective from the Humanities to the study of cultural China. It aims to promote interdisciplinary dialogue and debate about the social, cultural, political, and historical dynamics that inform life in cultural China today, offering academics, activists, practitioners, and politicians a key reference with which to situate current events in and relating to cultural China in a wider context.
