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Author : Dorothy C. Wong Publisher : University of Hawaii Press Page : 266 pages File Size : 47,5 Mb Release : 2004-09-30 Category : Social Science ISBN : 082482783X
Buddhist steles represent an important subset of early Chinese Buddhist art that flourished during the Northern and Southern Dynasties period (386–581). More than two hundred Chinese Buddhist steles are known to have survived. Their brilliant imagery has long captivated scholars, yet until now the Buddhist stele as a unique art form has received little scholarly attention. Dorothy Wong rectifies that insufficiency by providing in this well-illustrated volume the first comprehensive investigation of this group of Buddhist monuments. She traces the ancient roots of the Chinese stele tradition and investigates the process by which Chinese steles were adapted for Buddhist use. She arranges the known corpus of Buddhist steles into broad chronological and regional groupings and analyzes not only their form and content but also the nexus of complex issues surrounding this art form—from cultural symbolism to the interrelations between religious doctrine and artistic expression, economic production, patronage, and the synthesis of native and foreign art styles. In her analysis of Buddhism’s dialogue with native traditions, Wong demonstrates how the Chinese artistic idiom planted the seeds for major achievements in figural and landscape arts in the ensuing Sui and Tang periods.
Nomads on Pilgrimage: Mongols on Wutaishan is a social history of the Mongols’ pilgrimages to one of the main Buddhist mountain of China in late imperial and Republican times (1800-1940).
On Telling Images of China by Shane McCausland,Yin Hwang Pdf
The essays in this volume address a diverse range of issues in China’s narrative art and visual culture mainly from the Ming dynasty (1368–1644) to the present. These studies attend to the complex ways in which images circulate in pictorial media and across boundaries between ‘high art’ and popular culture—images in paintings, prints, stone engravings and posters, as well as in film and video art. In addition, the authors examine the roles of ancient exemplary stories and textual narratives, as well as their reiteration in the visual arts in early modern and modern social and political contexts. The volume is divided into three sections: Representing Paradigms, Interpreting Literary Themes and Narratives, and the Medium and Modernity. While the essays in each section deal with concerns in the field of China’s art history, an editors’ introduction serves to position the topic of narrative art and to introduce definitions and genre issues which run through the book. As a whole, the volume invites reflection on the intrinsic nature of narratives and their pictorial lives, and presents new research which challenges established views and paradigms.
The authors start with a prologue 'The Story of a Stone' which covers its discovery, the century of kircher, 18th-century problems and controversies and the return of the missionaries, and finish with an epilogue 'The Da Qin Temple'.
This book is the first case study on Wenda Gu that systematically investigates the cultural and artistic context of his life and works, examining selected images of his artwork spanning from the late 1970s to the early 21st century. It is the first monograph to provide a comprehensive and profound study of a Chinese contemporary artist. In the 1980s, the School of Hermeneutics attempted to launch a discursive revolution. Vanguard artists believed that the visual art revolution was an integral part of the critique of culture because it tended to subvert and rebuild the cultural tradition at a discursive level. This book, using a case study on Wenda Gu as representative of Chinese avant-garde, investigates the centrality of culture in art, providing readers with insights on the origin, rationale and methodology of Chinese contemporary art.
The Manchu Language at Court and in the Bureaucracy under the Qianlong Emperor by Mårten Söderblom Saarela Pdf
This is the first book-length study of the roles played by the Manchu language at the center of the Qing empire at the height of its power in the eighteenth century. It presents a revisionist account of Manchu not as a language in decline, but as extensively and consciously used language in a variety of areas. It treats the use, discussion, regulation, and philological study of Manchu at the court of an emperor who cared deeply for the maintenance and history of the language of his dynasty.
Silk Road Traces by Li Tang,Dietmar W. Winkler Pdf
This volume includes cutting-edge research on the spread of Syrian Christianity along the Silk Road from the 6th to the 14th century. Recent archaeological discoveries and excavations of ancient and medieval Christian sites in Kyrgyzstan, Kazakhstan and China shed new light on Christian communities in Central Asia, China and Mongolia. Scholars from such fields as archaeology, manuscript studies, history and theology have contributed, offering new insights into the influence of Syriac Christianity along the Silk Roads.
Persian Christians at the Chinese Court by R. Todd Godwin Pdf
The Xi'an Stele, erected in Tang China's capital in 781, describes in both Syriac and Chinese the existence of Christian communities in northern China. While scholars have so far considered the Stele exclusively in relation to the Chinese cultural and historical context, Todd Godwin here demonstrates that it can only be fully understood by reconstructing the complex connections that existed between the Church of the East, Sasanian aristocratic culture and the Tang Empire (617-907) between the fall of the Sasanian Persian Empire (225-651) and the birth of the Abbasid Caliphate (762-1258). Through close textual re-analysis of the Stele and by drawing on ancient sources in Syriac, Greek, Arabic and Chinese, Godwin demonstrates that Tang China (617-907) was a cosmopolitan milieu where multiple religious traditions, namely Buddhism, Zoroastrianism, Manichaeism and Christianity, formed zones of elite culture. Syriac Christianity in fact remained powerful in Persia throughout the period, and Christianity - not Zoroastrianism - was officially regarded by the Tang government as 'The Persian Religion'.Persian Christians at the Chinese Court uncovers the role played by Syriac Christianity in the economic and cultural integration of late Sasanian Iran and China, and is important reading for all scholars of the Church of the East, China and the Middle East in the medieval period.
The Kaifeng Stone Inscriptions by Tiberiu Weisz Pdf
Points East, A Publication of the Sino-Judaic Institute, Vol. 23 No. 2, July 2008 The Covenant and the Mandate of Heaven: An In-depth Comparative Cultural Study of Judaism and China. By Tiberiu Weisz (iUniverse, 2007) Reviewed by Vera Schwarcz, Director/Chair, Freeman Center for East Asian Studies, Wesleyan University, CT. This is, simply put, a bold visionary book. It invites readers to contemplate distant and disparate events and thinkers in a way that weaves a common tapestry. The author is generous minded, erudite and provides readers with all the information needed for this cross-cultural journey. The challenge of this adventure remains daunting nonetheless. Kang Youwei's words to Guangxu emperor in 1898 (quoted by Weisz on p 177) apply to reading this book as well: It is indeed like climbing a tree to seek fish - tough, but not foolish. In the end, the reward in understanding both Chin and Judaism is immense. Tiberiu Weisz is not a newcomer to cross cultural dialogues. With origins stretching back to Transylvania (like myself), he is familiar with the mixtures of languages and religions from back home. A long time scholar of the Kaifeng stones inscriptions and of the Jewish communities of ancient China, he was well prepared for a more wide ranging inquiry into the similarities between Chinese and Jews. To his great credit, Tiberiu Weisz took a full decade to assemble and re-translate key original documents from each of these different traditions in order to show a compelling complementarity between them. In the preface to The Covenant and The Mandate, he confesses trepidation at the scope of his inquiry. This is understandable since Weisz' book ranges from the ancient Liji and Tanach to the Cultural Revolution and the Holocaust. Even if one does not fully agree with author's conclusion that Judaism is the yang to China's yin -there is much in this important work to challenge, and to enrich, a wide variety of readers. The focus throughout this carefully constructed book is upon similarities that never quite devolve into a forced identity between Chinese and Jewish cultural values. Starting with ideas of holiness embodied in Elohim and Shangdi, Weisz invites readers to follow the travels of Lao Zi beyond the pass. Whether the Chinese and Jewish commitment to the one force underlying all natural phenomena or shared understanding of benevolent kingship can be traced to news of Solomon's rule spreading through Central Asia is not, in my view, the central question. Rather what is most startling in this book is a symmetry of historical experiences that does indeed lead Chinese and Jews to become experts in cultural survival. Weisz' study goes beyond our current understanding of Chinese and Jewish traditions as the two oldest, uninterrupted cultures in the world. Many previous works (including my own Bridges Across Broken Times: Chinese and Jewish Cultural Memory) have circled this theme. What is fresh, and important in The Covenant and The Mandate, is the detailed, textual proof of exactly how Chinese and Jews confronted historical catastrophe and survived with renewed vigor. Three key moments, Weisz argues, defined and shaped Jewish and Chinese worldviews. For Jews, the exile to Babylon in 586-516 BCE, the expulsion from Spain in 1492 and the 20th century Holocaust provided fiery moments for self-definition and renewal. For Chinese, it was the imperial unification in 221 BCE, the Mongol conquest (1279-1368) and the more recent Cultural Revolution that challenged Confucianism and led to a new nationalist consciousness. Each of these events (as well as many others) is discussed at length and documented in terms of the thought-legacy that it provided for two civilizations growing more and more skilful in adaptation and survival. Weisz' analytical paradigm is most effective when he creatively juxtaposes important thinkers who are rarely considered side by side. For me, reading about the Han Dynasty poet-statesmen Han Yu alongsi
Victor Segalen's Literary Encounter with China by Yvonne Ying Hsieh Pdf
Victor Segalen was a French naval doctor, archeologist, ethnographer, explorer, writer, poet, art-theorist, linguist and literary critic. He traveled to China in 1909-1914 and again in 1917. This book examines his 'Chinese works' to determine his choice and adaptation of Chinese material and to shed light on any obscure allusions. It also points out the distinctive features and inherent problems that place each test in a genre of its own.
Author : Annette L. Juliano Publisher : China Institute Gallery, China Institute in America Page : 208 pages File Size : 50,8 Mb Release : 2007 Category : Buddhist gods, in art ISBN : UCSD:31822037077971
Buddhist Sculpture from China by Annette L. Juliano Pdf
A sampling from an exhibition by the Beilin Museum of Xi'an, China, 64 Buddhist stone sculptures and steles from the fifth through ninth centuries A.D., are displayed in this book. About a half-page of text accompanies each photograph, discussing what is known about the history of each work as well as its material and aesthetic qualities.
