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Chinese Traditional Theatre and Male Dan by Guo Chao Pdf
This book examines male dan, a male actor who performs female roles in Chinese theatre. Through the rise, fall and tenuous survival of male dan in Chinese history, Guo Chao reflects the transformations in the social zeitgeist in China, especially the politics of gender and sexuality. The breadth of this study reflects a diversified set of sources, ranging from classical to contemporary texts (texts of jingju plays, memoirs, collections of notation books) and other commentaries and critical evaluations of dan actors (in both English and Chinese languages) to video and audio materials, films and personal interviews. This book will be of great interest to students and scholars of East Asian/Chinese studies across the fields of theatre, history, culture and literature.
Author : Siu Leung Li Publisher : Hong Kong University Press Page : 305 pages File Size : 54,8 Mb Release : 2003-04-01 Category : Social Science ISBN : 9789622096035
Cross-Dressing in Chinese Opera by Siu Leung Li Pdf
The enchantment of the figure of the "male dan" – female impersonator – remains a residual element in the cultural imagination of many contemporary Chinese societies. The various kinds of interpretive possibilities in the commanding tradition of cross-dressing Chinese opera have yet to be examined in-depth. In order to discuss "mistaken identity" and gender issues as they relate to cross-dressing on the Chinese operatic stage, this book examines a wide range of materials, including traditional dramatic texts, modern literary writings, critical writings (for example, quhua), opera paintings, and contemporary movies. The book explores gendering and gender differences that are constructed, reproduced, dismantled, and contested in this particularly rich site of Chinese culture.
Author : Ruru Li Publisher : Hong Kong University Press Page : 369 pages File Size : 46,9 Mb Release : 2010-05-01 Category : Performing Arts ISBN : 9789622099951
"This book will act as a powerful introduction to the story of Beijing Opera over the course of the twentieth century with a particularly strong emphasis on the Communist period and its influence on contemporary performance. Using excellent oral history research and with a strong focus on practice and performance techniques, Li Ruru places the genre in both its historical and global context: not a timeless Chinese tradition, but a product of China's turbulent twentieth century and the global interactions that were a key part of that history." Henrietta Harrison, Harvard University "This meticulously researched and colourful account of the highly complex performance form, jingju, will be of interest to a wide constituency of theatre scholars and cultural historians. Writing from the unique dual perspective of`insider/practitioner' and academic, Li Ruru deftly weaves oral and cultural histories together with detailed performance analyses, including a fascinating chapter on the secrets of jingju training. This book promises to raise significantly the profile of this Chinese total theatre for English-speaking audiences."Jonathan Pitches, founding co-editor of Theatre, Dance and Performance Training "Li Ruru's unique and valuable perspective combines the critical eye of the imaginative researcher with the intimate perspective of a true jingju insider-the daughter of one of the twentieth century's leading female performers. Impeccably researched, passionate and personal, this aptly titled book provides readers with an exciting and thought provoking look at jingju history and performance practice through its focus on the lives and work of six controversial leading artists." Elizabeth Wichmann-Walczak, University of Hawai'i at Manoa Any traditional theatre has to engage the changing world to avoid becoming a living fossil. How has Beijing Opera --- a highly stylized theatre with breath-taking acrobatics and martial arts, fabulous costumes and striking makeup --- survived into the new millennium while coping with a century of great upheavals and competition from new entertainment forms? Li Ruru's The Soul of Beijing Opera answers that question, looking at the evolution of singing and performance styles, make-up and costume, audience demands, as well as stage and street presentation modes amid tumultuous social and political changes. Li's study follows a number of major artists' careers in mainland China and Taiwan, drawing on extensive primary print sources as well as personal interviews with performers and their cultural peers. One chapter focuses on the illustrious career of Li's own mother and how she adapted to changes in Communist ideology. In addition, she explores how performers as social beings have responded to conflicts between tradition and modernity, and between convention and innovation. Through performers' negotiation and compromises. Beijing Opera has undergone constant re-examination of its inner artistic logic and adjusted to the demands of the external world.
Encyclopedia of Chinese History by Michael Dillon Pdf
China has become accessible to the west in the last twenty years in a way that was not possible in the previous thirty. The number of westerners travelling to China to study, for business or for tourism has increased dramatically and there has been a corresponding increase in interest in Chinese culture, society and economy and increasing coverage of contemporary China in the media. Our understanding of China’s history has also been evolving. The study of history in the People’s Republic of China during the Mao Zedong period was strictly regulated and primary sources were rarely available to westerners or even to most Chinese historians. Now that the Chinese archives are open to researchers, there is a growing body of academic expertise on history in China that is open to western analysis and historical methods. This has in many ways changed the way that Chinese history, particularly the modern period, is viewed. The Encyclopedia of Chinese History covers the entire span of Chinese history from the period known primarily through archaeology to the present day. Treating Chinese history in the broadest sense, the Encyclopedia includes coverage of the frontier regions of Manchuria, Mongolia, Xinjiang and Tibet that have played such an important role in the history of China Proper and will also include material on Taiwan, and on the Chinese diaspora. In A-Z format with entries written by experts in the field of Chinese Studies, the Encyclopedia will be an invaluable resource for students of Chinese history, politics and culture.
Mysticism in the Theater introduces theater makers to the power and possibility of using historical mystical ideas to influence all aspects of a production. Historical mysticism represents ideas developed by recognized spiritual thinkers in all religions and time periods: individuals who stilled their ego, and perceived the unity of all, hidden within the apparent multiplicity of existence. This unique manner of spiritual inlay allows theatrical presentations to find the height of artistic expression: art at the intersection of our historical moment and the eternal. This study introduces theater makers to the history of mystical inspiration within performance work and develops strategies for inserting mystical ideas into their productions. The book ties this model into theatre’s history, as mystical ideas and quotes have been inserted into productions from Greek theatre through Shakespeare and into the present day. This book explores how teachings and ideas of specific historical mystical thinkers might influence all aspects of contemporary theatrical productions including writing, directing, acting, stagecraft/set design, lighting design, costume design, sound design, and choreography.
Chinese Dance by Shih-Ming Li Chang,Lynn E. Frederiksen Pdf
As China becomes increasingly important in world relations, many components of the country’s cultural arts remain unknown outside its borders. Shih-Ming Li Chang and Lynn E. Frederiksen’s Chinese Dance: In the Vast Land and Beyond undertakes the challenge of discovering the relationship between Chinese dance in its many forms and the cultural contexts of dance within the region and abroad. As a comprehensive resource, Chinese Dance offers students and scholars an invaluable introduction to the subject. It serves as a foundation of common knowledge from which Chinese and English-language communities can begin a cross-cultural conversation about Chinese dance. The text, along with a comprehensive glossary of key terms, gives English-language readers a chance to understand the development of Chinese dance as it is officially articulated by historians and dance scholars in Asia. An online database of video clips, an extensive bibliography, and Web-based appendices provide a broad collection of primary source materials that invite interactive and flexible engagement by a range of users. The inclusion of interviews with Chinese dance practitioners in North America offers a view into the Asian diaspora experience.
Female Aerialists in the 1920s and Early 1930s by Kate Holmes Pdf
Female solo aerialists of the 1920s and early 1930s were internationally popular performers in the largest live performance mass entertainment of the period in the UK and USA. Yet these aerialists and this period in circus history have been largely forgotten despite the iconic image of ‘the’ female aerialist still flaring in the popular imagination. Kate Holmes uses insights gained as a practitioner to reconstruct in detail the British and American performances and public personae of key stars such as Lillian Leitzel, Luisita Leers, and the Flying Codonas, revealing what is performed and implicit in today’s practice. Using a wealth of original sources, this book considers the forgotten stars whose legacy of the cultural image of the female aerialist echoes. Locating performers within wider cultural histories of sport, glamour, and gender, this book asks important questions about their stardom, including: Why were female aerialists so alluring when their muscularity challenged conservative ideals of femininity and how did they participate in change? What was it about their movements and the spaces they performed in that activated such strong audience responses? This book is vital reading for students and practitioners of aerial performance, circus, gender, popular performance, and performance studies.
In the first half of the twentieth century, China moved from a millennium of imperial rule to the Communist Party-led People’s Republic of China which remains today. China in Transformation argues that this enormously significant period in Chinese history saw wrenching change throughout Chinese society amounting to a social, cultural and political transformation. This new, fully revised and updated edition takes full advantage of new research and formerly unavailable material to analyse the fascinating processes of revolution, reform, reaction and change in China during the period. Mackerras: · Discusses the wars, occupations and uprisings that marked the period, including the Boxer Rebellion and the Japanese occupation and includes a new chapter on postwar China and the Civil War · Examines nation-building and revolutions, including the successful communist movement that has led to the rise of today’s state · Acknowledges the prevalence of poverty and famine in the period but also gives space to the areas in which there was progress: the introduction of mass, secular education, improvements in the status of women, and in a new chapter, details significant developments in culture, literature and theatre Written in an accessible style, with a rich collection of Documents, Chronology, Glossary, a Guide to Further Reading,and a Who’s Who summarising the careers and contributions of the main figures, this new edition is essential for all those interested in understanding China’s modern history.
Routledge Handbook of Asian Theatre by Siyuan Liu Pdf
Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.
The Politics of Interweaving Performance Cultures by Erika Fischer-Lichte,Torsten Jost,Saskya Iris Jain Pdf
This book provides a timely intervention in the fields of performance studies and theatre history, and to larger issues of global cultural exchange. The authors offer a provocative argument for rethinking the scholarly assessment of how diverse performative cultures interact, how they are interwoven, and how they are dependent upon each other. While the term ‘intercultural theatre’ as a concept points back to postcolonialism and its contradictions, The Politics of Interweaving Performance Cultures explores global developments in the performing arts that cannot adequately be explained and understood using postcolonial theory. The authors challenge the dichotomy ‘the West and the rest’ – where Western cultures are ‘universal’ and non-Western cultures are ‘particular’ – as well as ideas of national culture and cultural ownership. This volume uses international case studies to explore the politics of globalization, looking at new paternalistic forms of exchange and the new inequalities emerging from it. These case studies are guided by the principle that processes of interweaving performance cultures are, in fact, political processes. The authors explore the inextricability of the aesthetic and the political, whereby aesthetics cannot be perceived as opposite to the political; rather, the aesthetic is the political. Helen Gilbert’s essay ‘Let the Games Begin: Pageants, Protests, Indigeneity (1968–2010)’won the 2015 Marlis Thiersch Prize for best essay from the Australasian Drama, Theatre and Performance Studies Association.
Chinese opera has a history of over 800 years. However, since the early twentieth century, following increased contact with the West, drama without music has also become popular in China. The development and prosperity of modern drama has created a new landscape for Chinese theater, which, as a whole, has become more diverse.
The Poetics of Difference and Displacement by Min Tian Pdf
Intercultural theater is a prominent phenomena of twentieth-century international theater. This books views intercultural theatre as a process of displacement and re-placement of various cultural and theatrical forces, a process which the author describes as 'the poetics of displacement'.