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Choreographies of 21st Century Wars by Gay Morris,Jens Richard Giersdorf Pdf
'Choreographies of 21st Century Wars' addresses the interface between choreography and war in this century. The book challenges concepts of choreography as solely a structuring mechanism and an aesthetics of politics that is exclusively resistant. Instead, in the context of 21st-century war, it calls for a rethinking of choreography that incorporates the disorder and dispersion of power away from nation-states, which is central to this century. The collection is composed of an introduction and sixteen essays by individual authors who work across a number of disciplines through field notes, case studies, participant observations, and photographs, as well as essays reflecting on war issues and their relationship to choreographic practices.
Choreographies of 21st Century Wars by Gay Morris,Jens Richard Giersdorf Pdf
Wars in this century are radically different from the major conflicts of the 20th century--more amorphous, asymmetrical, globally connected, and unending. Choreographies of 21st Century Wars is the first book to analyze the interface between choreography and wars in this century, a pertinent inquiry since choreography has long been linked to war and military training. The book draws on recent political theory that posits shifts in the kinds of wars occurring since the First and Second World Wars and the Cold War, all of which were wars between major world powers. Given the dominance of today's more indeterminate, asymmetrical, less decisive wars, we ask if choreography, as an organizing structure and knowledge system, might not also need revision in order to reflect on, and intercede in, a globalized world of continuous warfare. In an introduction and sixteen chapters, authors from a number of disciplines investigate how choreography and war in this century impinge on each other. Choreographers write of how they have related to contemporary war in specific works, while other contributors investigate the interconnections between war and choreography through theatrical works, dances, military rituals and drills, the choreography of video war games and television shows. Issues investigated include torture and terror, the status of war refugees, concerns surrounding fighting and peacekeeping soldiers, national identity tied to military training, and more. The anthology is of interest to scholars in dance, performance, theater, and cultural studies, as well as the social sciences.
The Conduct of War in the 21st Century by Robert Johnson,Martijn Kitzen,Tim Sweijs Pdf
"This book examines the key dimensions of 21st century war, and shows that orthodox thinking about war, particularly what it is and how it is fought, needs to be updated. Accelerating societal, economic, political and technological change affects how we prepare, equip, and organise for war, as well as how we conduct war - both in its low-tech and high-tech forms, and whether it is with high intensity or low intensity. The volume examines changes in warfare by investigating the key features of the conduct of war during the first decades of the 21st century. Conceptually centred around the terms 'kinetic', 'connected' and 'synthetic', the analysis delves into a wide range of topics. The contributions discuss hybrid warfare, cyber and influence activities, machine learning and artificial intelligence, the use of armed drones and air power, the implications of the counterinsurgency experiences in Iraq, Afghanistan and Syria, as well as the consequences for law(fare) and decision making. This work will be of much interest to students of military and strategic studies, security studies and International Relations"--
In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that “America” is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.
Surrogate Warfare by Andreas Krieg,Jean-Marc Rickli Pdf
Surrogate Warfare explores the emerging phenomenon of "surrogate warfare" in twenty-first century conflict. The popular notion of war is that it is fought en masse by the people of one side versus the other. But the reality today is that both state and non-state actors are increasingly looking to shift the burdens of war to surrogates. Surrogate warfare describes a patron's outsourcing of the strategic, operational, or tactical burdens of warfare, in whole or in part, to human and/or technological substitutes in order to minimize the costs of war. This phenomenon ranges from arming rebel groups, to the use of armed drones, to cyber propaganda. Krieg and Rickli bring old, related practices such as war by mercenary or proxy under this new overarching concept. Apart from analyzing the underlying sociopolitical drivers that trigger patrons to substitute or supplement military action, this book looks at the intrinsic trade-offs between substitutions and control that shapes the relationship between patron and surrogate. Surrogate Warfare will be essential reading for anyone studying contemporary conflict.
Author : David Kieran,Edwin A. Martini Publisher : Rutgers University Press Page : 0 pages File Size : 54,7 Mb Release : 2018-04-05 Category : History ISBN : 0813584302
The country’s wars in Iraq and Afghanistan, its interventions around the world, and its global military presence make war, the military, and militarism defining features of contemporary American life. The armed services and the wars they fight shape all aspects of life—from the formation of racial and gendered identities to debates over environmental and immigration policy. Warfare and the military are ubiquitous in popular culture. At War offers short, accessible essays addressing the central issues in the new military history—ranging from diplomacy and the history of imperialism to the environmental issues that war raises and the ways that war shapes and is shaped by discourses of identity, to questions of who serves in the U.S. military and why and how U.S. wars have been represented in the media and in popular culture.
Watching War on the Twenty-First Century Stage by Clare Finburgh Pdf
What do we watch when we watch war? Who manages public perceptions of war and how? This publication examines how theatre in the UK has staged, debated and challenged the ways in which spectacle is habitually weaponised in times of war.
The trouble with the military mind is that it insists on going by the book. In the interests of discipline and uniformity, initiative and imagination are discarded, despite the lip-service paid to them. This is a problem that has plagued armies throughout history. It is, however, of particular importance today, when all the military assumptions of the traditionalists are being challenged by the emergence of the nationalist guerrilla. The impotence of the American juggernaut in Vietnam has put this problem under the spotlight of history. The one thing the guerrillas have in abundance is imagination, and this seems to outweigh the imbalance in materiel. It is the author's contention that creativity is what wins battles--the same faculty that inspires great art. The great commanders of history, he contends, have been unconventional men gifted with vaulting imaginations and a willingness to accept risks. Alexander, Hannibal, Nelson, Napoleon, Patton, T.E. Lawrence--all have in common a military insight, or what may be called trained intuition. This is what the guerrillas have, and what the modern army lacks. Colonel Mrazek builds his case by studying and discussing the literature of strategy, from Sun Tzu's Art of War to T.E. Lawrence's Seven Pillars of Wisdom (which he regards as the guerrillas' bible, the source book for the military theories of Mao Tse-rung and Lin Piao). All of it makes sense, and above all, it is timely. Any newspaper illustrates the increasing creativity gap between the professional military and the "amateur" guerrilla. This book is a plea for a change of heart before it is too late.--Adapted from book jacket.
"Everything is Choreography: The Musical Theater of Tommy Tune is the first full-scale analysis of the work of Tommy Tune, and his place in a lineage of Broadway's great director-choreographers. The decade of the 1980s was considered a low point for the American musical. Tune's predecessors in the art of complete musical staging like Jerome Robbins, Bob Fosse, Gower Champion, and Michael Bennett were either dead or withdrawn from the Broadway arena. Yet it was the period of Tune's greatest success. The book examines how he adapted to an increasingly corporatized, high-stakes producing and funding environment. It considers how Tune kept the American musical a thriving, creative enterprise at a time when Broadway was dominated by British imports. It investigates Tune's work of the last twenty-five years, when he shifted his attentions to touring and regional productions, far from the glare of Broadway. Unlike his fellow director-choreographers, Tune also maintained a successful performing career, and the book details the deft balancing act that kept him working as a popular singer-dancer-actor while directing a series of striking and influential Broadway musicals"--
This is the first anthology to explore the fertile intersection of dance and political studies. It offers new perspectives on the connections of dance to governmental, state and party politics, war, nationalism, activism, terrorism, human rights, political ideologies and cultural policy. This cutting-edge book features previously unpublished work by leading scholars of dance, theatre, politics, and management, alongside renowned contemporary choreographers, who propose innovative ways of looking at twentieth- and twenty-first-century dance. Topics covered range across the political spectrum: from dance tendencies under fascism to the use of choreography for revolutionary socialist ends; from the capacity of dance to reflect the modern market economy to its function in campaigns for peace and justice. The book also contains a comprehensive introduction to the relations between dance and politics.
The 20th-century was arguably the most belligerent in history, marked as it was by a culture of war - that is, values, attitudes, and so on, which support the waging of war. At the same time, this culture shifted profoundly so that now, in the 21st century, we can plausibly think about a culture of peace. This book looks at turning-points in the 20th-century cultural attitudes towards war, from the sacrificed soldier of World War One to the anti-war demonstrations of the Sixties, and beyond to the ubiquitous War on Terrorism.
Assistant Professor of Global Asian Studies J Lorenzo Perillo,J. Lorenzo Perillo
Author : Assistant Professor of Global Asian Studies J Lorenzo Perillo,J. Lorenzo Perillo Publisher : Oxford University Press, USA Page : 273 pages File Size : 51,9 Mb Release : 2020-09-08 Category : Performing Arts ISBN : 9780190054274
Choreographing in Color by Assistant Professor of Global Asian Studies J Lorenzo Perillo,J. Lorenzo Perillo Pdf
In Choreographing in Color, J. Lorenzo Perillo draws on nearly two decades of ethnography, choreographic analysis, and community engagement to ask: what does it mean for Filipinos to navigate violent forces of empire and neoliberalism with street dance and Hip-Hop?
The Ballets of Antony Tudor by Judith Chazin-Bennahum Pdf
One of the leading choreographers in ballet over the last half century, Antony Tudor is considered the most lyrical and emotionally powerful of modern ballet masters, acclaimed for his imaginative use of music and his commitment to dramatic plot. Comparable in achievement to George Balanchine and Frederick Ashton, Tudor created over sixty ballets, including his masterpieces Jardin aux Lilas, Dark Elegies, Romeo and Juliet, and the incomparable Pillar of Fire. He was instrumental in the establishment of the American Ballet Theater and its rise to prominence as one of the world's great ballet companies. Now Judith Chazin-Bennahum, an accomplished author and a former ballerina and student of Tudor's, steps forward to deliver the first comprehensive, ballet by ballet examination of Tudor's choreography. Meticulously researched, lively and insightful, The Ballets of Antony Tudor: Studies in Psyche and Satire opens the way for dance aficionados to better appreciate and preserve the artistic legacy of one of this century's major innovators. Long-ago performances come thrillingly to life, from Tudor's fledgling efforts with Marie Rambert's Ballet Club in London, to his tenure as a founding member and principal choreographer of ABT, to his subsequent career as a contributor to the New York City Ballet, the Metropolitan Opera Ballet, and as a celebrated teacher at Juilliard. Chazin-Bennahum draws extensively from her interviews with Tudor before his death in 1987, and her own experience in his famous classes and rehearsals. Her superbly documented research uncovers program notes, reviews, rare photographs and stills of original productions, and interviews with scores of men and women who played a part in Tudor's achievement. Choreographers and dancers from Agnes de Mille and Nora Kaye to Jerome Robbins and Gelsey Kirkland discuss their debt to Tudor, and his role in the evolution of dance. While not a biography in the traditional sense, the book does shed fascinating light on the private life of Antony Tudor. He was born William Cook, the son of a butcher in London's East End, in 1908, and Chazin-Bennahum's analysis reveals how deeply his life informed his art. "I never do a ballet that does not concern the bourgeoisie," Tudor once said. Of course, Tudor's experience was shaped by more than class: Like Picasso, writes the author, Tudor was a child of our century, reacting to its wars, its destruction and its persecution of women and children in the language he knew best. Original and engaging, The Ballets of Antony Tudor brilliantly explicates the hidden desire, brutality, violence towards women, isolation, and unrequited love that are common themes in Tudor's ballets, illuminating the rich psychological nuance and intimacy of gesture with which he transformed his art.
The Routledge Dance Studies Reader by Jens Richard Giersdorf,Yutian Wong Pdf
The Routledge Dance Studies Reader has been expanded and updated, giving readers access to thirty-seven essential texts that address the social, political, cultural, and economic impact of globalization on embodiment and choreography. These interdisciplinary essays in dance scholarship consider a broad range of dance forms in relation to historical, ethnographic, and interdisciplinary research methods including cultural studies, reconstruction, media studies, and popular culture. This new third edition expands both its geographic and cultural focus to include recent research on dance from Southeast Asia, the People’s Republic of China, indigenous dance, and new sections on market forces and mediatization. Sections cover: Methods and approaches Practice and performance Dance as embodied ideology Dance on the market and in the media Formations of the field. The Routledge Dance Studies Reader includes essays on concert dance (ballet, modern and postmodern dance, tap, kathak, and classical khmer dance), popular dance (salsa and hip-hop), site-specific performance, digital choreography, and lecture-performances. It is a vital resource for anyone interested in understanding dance from a global and contemporary perspective.
Exploring the ballet boom in Britain during WWII, this book asks how art and artists thrive during conflict. Author Karen Eliot shows how ballet in Britain flourished during war, exhibiting a surprising heterogeneity and vibrant populism. The book focuses especially on the roles of dance critics, male and female dancers, producers, audiences, and choreographers.
