Cine Mobility

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Cine-Mobility

Author : Han Sang Kim
Publisher : BRILL
Page : 270 pages
File Size : 51,9 Mb
Release : 2023-12-04
Category : History
ISBN : 9781684176618

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Cine-Mobility by Han Sang Kim Pdf

In 1916, a group of Korean farmers and their children gathered to watch a film depicting the enthronement of the Japanese emperor. For this screening, a unit of the colonial government’s news agency brought a projector and generator by train to their remote rural town. Before the formation of commercial moviegoing culture for colonial audiences in rural Korean towns, many films were sent to such towns and villages as propaganda. The colonial authorities, as well as later South Korean postcolonial state authorities, saw film as the most effective medium for disseminating their political messages. In Cine-Mobility, Han Sang Kim argues that the force of propaganda films in Korea was derived primarily not from their messages but from the new mobility of the viewing position. From the first film shot in Korea in 1901 through early internet screen cultures in late 1990s South Korea, Cine-Mobility explores the association between cinematic media and transportation mobility, not only in diverse and discrete forms such as railroads, motorways, automobiles, automation, and digital technologies, but also in connection with the newly established rules and restrictions and the new culture of mobility, including changes in gender dynamics, that accompanied it.

Cine-Mobility

Author : Han-Sang Kim,Assistant Professor of Sociology Han Sang Kim
Publisher : Harvard East Asian Monographs
Page : 280 pages
File Size : 46,6 Mb
Release : 2022-05-17
Category : Electronic
ISBN : 0674267974

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Cine-Mobility by Han-Sang Kim,Assistant Professor of Sociology Han Sang Kim Pdf

In Cine-Mobility, Han Sang Kim argues that the force of propaganda films in Korea were derived primarily from the new mobility afforded by transportation. Kim explores the association between cinematic media and transportation mobility, and its connection with the new culture of mobility, including changes in gender dynamics, that accompanied it

Migration, Mobility, and Sojourning in Cross-cultural Films

Author : Ishani Mukherjee,Maggie Griffith Williams
Publisher : Lexington Books
Page : 175 pages
File Size : 55,6 Mb
Release : 2020-10-28
Category : Performing Arts
ISBN : 9781498587693

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Migration, Mobility, and Sojourning in Cross-cultural Films by Ishani Mukherjee,Maggie Griffith Williams Pdf

Migration, Mobility and Sojourning in Cross-cultural Films: Interculturing Cinema draws on existing scholarship on global movements and intercultural communication in cinema to analyze six cross-cultural films. Ishani Mukherjee and Maggie Griffith Williams locate key themes that tie into the complexity and implications of global movements, including migrants’ experiences of culture-shock, cultural assimilation and/or integration, cultural identities in transition, social mobility and movements, and the short-term intercultural impact that sojourners experience in unfamiliar cultural space. Mukherjee and Williams explore how intercultural communication functions in the storytelling and in the formation of character relationships in these films, arguing that the depictions of migration, mobility, and the resulting intercultural communications are complex and stressful moments of conflict that lead to mixed results. Scholars of film studies, communication, migrant studies, sociology, and cultural studies will find this book particularly useful.

Mobility and Migration in Film and Moving Image Art

Author : Nilgun Bayraktar
Publisher : Routledge
Page : 214 pages
File Size : 48,9 Mb
Release : 2015-12-07
Category : Social Science
ISBN : 9781317510734

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Mobility and Migration in Film and Moving Image Art by Nilgun Bayraktar Pdf

Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Ergin Çavuşoğlu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.

Mobility and Migration in Film and Moving Image Art

Author : Nilgun Bayraktar
Publisher : Routledge
Page : 250 pages
File Size : 54,8 Mb
Release : 2015-12-07
Category : Art
ISBN : 9781317510727

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Mobility and Migration in Film and Moving Image Art by Nilgun Bayraktar Pdf

Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Ergin Çavuşoğlu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.

The Routledge Companion to Cinema and Politics

Author : Yannis Tzioumakis,Claire Molloy
Publisher : Routledge
Page : 528 pages
File Size : 41,7 Mb
Release : 2016-07-01
Category : Performing Arts
ISBN : 9781317392460

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The Routledge Companion to Cinema and Politics by Yannis Tzioumakis,Claire Molloy Pdf

The Routledge Companion to Cinema and Politics brings together forty essays by leading film scholars and filmmakers in order to discuss the complex relationship between cinema and politics. Organised into eight sections - Approaches to Film and Politics; Film, Activism and Opposition; Film, Propaganda, Ideology and the State; The Politics of Mobility; Political Hollywood; Alternative and Independent Film and Politics; The Politics of Cine-geographies and The Politics of Documentary - this collection covers a broad range of topics, including: third cinema, cinema after 9/11, eco-activism, human rights, independent Chinese documentary, film festivals, manifestoes, film policies, film as a response to the post-2008 financial crisis, Soviet propaganda, the impact of neoliberalism on cinema, and many others. It foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and cinema, discussing films from around the world and including examples from film history as well as contemporary cinema. It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and questions the extent to which filmmaking, itself, is a political act.

The French Road Movie

Author : Neil Archer
Publisher : Berghahn Books
Page : 208 pages
File Size : 41,6 Mb
Release : 2012-11-30
Category : Performing Arts
ISBN : 9780857457714

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The French Road Movie by Neil Archer Pdf

The traditionally American genre of the road movie has been explored and reconfigured in the French context since the later 1960s. Comparative in its approach, this book studies the inter-relationship between American and French culture and cinemas, and in the process considers and challenges histories of the road movie. It combines film history with film theory methodologies, analysing transformations in social, political and film-industrial contexts alongside changing perspectives on the meaning and possibilities of film. At once chronological and thematic in structure, The French Road Movie provides in each chapter a comprehensive introduction to key themes emerging from the genre in the French context – liberty, identity and citizenship, masculinity, femininity, border-crossing – followed by detailed, innovative and often revisionist readings of the chosen films. Through these readings the author justifies the place of the road genre within French cinema histories and reinvigorates this often neglected and misunderstood area of study.

Cinema Off Screen

Author : Chenshu Zhou
Publisher : Univ of California Press
Page : 281 pages
File Size : 41,7 Mb
Release : 2021-07-06
Category : History
ISBN : 9780520343382

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Cinema Off Screen by Chenshu Zhou Pdf

At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.

European Cinema after the Wall

Author : Leen Engelen,Kris Van Heuckelom
Publisher : Rowman & Littlefield
Page : 214 pages
File Size : 42,5 Mb
Release : 2013-11-21
Category : Performing Arts
ISBN : 9781442229600

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European Cinema after the Wall by Leen Engelen,Kris Van Heuckelom Pdf

The past three decades have seen the rise of a transnational European cinema, not only in terms of production, but also in terms of a growing focus on multi-ethnic themes within the European context. The collapse of the Iron Curtain and the subsequent (and on-going) enlargement of the European Union have played a major role in this shift from national to trans-European filmmaking. Its most obvious on-screen manifestation is the increased visibility of immigrant groups from former communist countries, ranging from Krzysztof Kies ́lowski’s Blanc (1994) and Pawel Pawlikowski’s Last Resort (2000) to Hans-Christian Schmid’s Lichter (2003), Ken Loach’s It is a Free World (2007) and Bobby Paunescu’s Francesca (2009). Through its focus on cinematic representations of post-1989 migration from the former Eastern Bloc to Western Europe, When East and West Meet seeks to examine what these films reveal about the cultures producing and consuming these migration narratives and to what extent these images function as a site for new (trans)regional, (trans)national and European identities. When East Meets West explicitly crosses the boundaries of national cinemas and sets out to uncover an array of common tropes and narrative devices that characterize the influences and portrayals of immigration from the former Eastern Bloc.

Eclipsed Cinema

Author : Dong Hoon Kim
Publisher : Edinburgh University Press
Page : 304 pages
File Size : 40,7 Mb
Release : 2017-03-22
Category : History
ISBN : 9781474421812

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Eclipsed Cinema by Dong Hoon Kim Pdf

In this ground-breaking investigation into the seldom-studied film culture of colonial Korea (1910-1945), Dong Hoon Kim brings new perspectives to the associations between colonialism, modernity, film historiography and national cinema. By reconstructing the lost intricacies of colonial film history, Eclipsed Cinema explores under-investigated aspects of colonial film culture, such as the representational politics of colonial cinema, the film unit of the colonial government, the social reception of Hollywood cinema, and Japanese settlers' film culture. Filling a significant void in Asian film history, Eclipsed Cinema greatly expands the critical and historical scopes of early cinema and Korean and Japanese film histories, as well as modern Asian culture, and colonial and postcolonial studies.

Cycling and Cinema

Author : Bruce Bennett
Publisher : MIT Press
Page : 234 pages
File Size : 41,9 Mb
Release : 2019-04-30
Category : Performing Arts
ISBN : 9781906897994

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Cycling and Cinema by Bruce Bennett Pdf

A unique exploration of the history of the bicycle in cinema, from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films. Cycling and Cinema explores the history of the bicycle in cinema from the late nineteenth century through to the present day. In this new book from Goldsmiths Press, Bruce Bennett examines a wide variety of films from around the world, ranging from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films, to consider the complex, shifting cultural significance of the bicycle. The bicycle is an everyday technology, but in examining the ways in which bicycles are used in films, Bennett reveals the rich social and cultural importance of this apparently unremarkable machine. The cinematic bicycles discussed in this book have various functions. They are the source of absurd comedy in silent films, and the vehicles that allow their owners to work in sports films and social realist cinema. They are a means of independence and escape for children in melodramas and kids' films, and the tools that offer political agency and freedom to women, as depicted in films from around the world. In recounting the cinematic history of the bicycle, Bennett reminds us that this machine is not just a practical means of transport or a child's toy, but the vehicle for a wide range of meanings concerning individual identity, social class, nationhood and belonging, family, gender, and sexuality and pleasure. As this book shows, two hundred years on from its invention, the bicycle is a revolutionary technology that retains the power to transform the world.

The New Face of Political Cinema

Author : Martin O'Shaughnessy
Publisher : Berghahn Books
Page : 206 pages
File Size : 41,9 Mb
Release : 2008-01-30
Category : Performing Arts
ISBN : 0857456903

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The New Face of Political Cinema by Martin O'Shaughnessy Pdf

Since 1995 there has been a widespread return of commitment to French cinema taking it to a level unmatched since the heady days following 1968. But this new wave of political film is very different and urgently calls out for an analysis that will account for its development, its formal characteristics and its originality. This is what this book provides. It engages with leading directors such as Cantet, Tavernier, Dumont, Kassovitz, Zonca and Guédiguian, takes in a range of less well known but important figures and strays across the Belgian border to engage with the seminal work of the Dardenne brothers. It shows how the works discussed are helping to reinvent political cinema by finding stylistic and narrative strategies adequate to the contemporary context.

The American Dream and Contemporary Hollywood Cinema

Author : J. Emmett Winn
Publisher : Bloomsbury Publishing USA
Page : 174 pages
File Size : 49,7 Mb
Release : 2007-09-26
Category : Performing Arts
ISBN : 9781441109651

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The American Dream and Contemporary Hollywood Cinema by J. Emmett Winn Pdf

While the myth of a classless America endures in the American Dream, the very stratification that it denies unfairly affects the majority of Americans. Study after study shows that it's increasingly difficult for working class people to achieve upward mobility in the US - so how does the American Dream continue to thrive? J. Emmett Winn shows us that the American Dream's continued glorification in contemporary Hollywood cinema should not be ignored. The book explicates three major themes surrounding the American Dream in contemporary Hollywood cinema and relates those findings to the United States' social and cultural changes in the last 25 years. Through his thoughtful analysis of films as diverse as Working Girl, Titanic, Pretty Woman, Flashdance, The Firm, Good Will Hunting, Saturday Night Fever, Wall Street and many others, Winn shows that contemporary Hollywood is very much in the business of keeping the Dream alive.

Postsocialist Mobilities

Author : Hajnal Király,Zsolt Győri
Publisher : Cambridge Scholars Publishing
Page : 304 pages
File Size : 54,8 Mb
Release : 2021-04-27
Category : Performing Arts
ISBN : 9781527568945

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Postsocialist Mobilities by Hajnal Király,Zsolt Győri Pdf

This volume examines the various forms of mobility in the cinema of the Visegrad countries and Romania, bringing together the cross-disciplinary research of mostly native scholars. Divided into four thematic sections, it expands the reader’s understanding of the political transition and the social changes it triggered, the transforming perceptions of gender roles and especially masculinity. The spaces of “in betweenness” and contact zones, whether geographical, interethnic or communicative, (im)mobility and transmedial encounters of Eastern European subjectivity are recurring figures of both cinematic representations and their theoretical analyses. In-depth and transcultural in their nature, the investigations gathered in this volume are informed by political, social and cultural history, genre, gender and spatial theory, cultural studies, sociology and political science, and, of equal importance, the rich personal experience of the authors who witnessed many of the discussed phenomena in “close-up”.

Movement and Performance in Berlin School Cinema

Author : Olivia Landry
Publisher : Indiana University Press
Page : 235 pages
File Size : 55,8 Mb
Release : 2019-02-08
Category : Performing Arts
ISBN : 9780253038050

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Movement and Performance in Berlin School Cinema by Olivia Landry Pdf

“A rich and welcome addition to the surge of scholarly interest in the Berlin School.” —Studies in European Cinema Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect—all of which are viewed as critical components of live performance—can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of “slow cinema,” Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema.