Cinema And Brexit

Author : Neil Archer
Publisher : Bloomsbury Publishing
Page : 304 pages
File Size : 50,7 Mb
Release : 2020-09-03
Category : Performing Arts
ISBN : 9781350104495

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Cinema and Brexit by Neil Archer Pdf

Neil Archer's original study makes a timely and politically-engaged intervention in debates about national cinema and national identity. Structured around key examples of 'culturally English cinema' in the years up to and following the UK's 2016 vote to leave the European Union, Cinema and Brexit looks to make sense of the peculiarities and paradoxes marking this era of filmmaking. At the same time as providing a contextual and analytical reading of 21st century filmmaking in Britain, Archer raises critical questions about popular national cinema, and how Brexit has cast both light and shadow over this body of films. Central to Archer's argument is the idea that Brexit represents not just a critical moment in how we will understand future film production, but also in how we will understand production of the recent past. Using as a point of departure the London Olympics opening ceremony of 2012, Cinema and Brexit considers the tensions inherent in a wide range of films, including Skyfall (2012), Dunkirk (2017), Their Finest (2017), Darkest Hour (2017), The Crown (Netflix, 2016), Paddington (2014), Paddington 2 (2017), Never Let Me Go (2011), Absolutely Fabulous: The Movie (2016), The Trip (2010), The Inbetweeners Movie (2011), Mr. Bean's Holiday (2007), The World's End (2013), Sightseers (2012), One Day (2011), Attack the Block (2011), King Arthur: Legend of the Sword (2017) and The Kid Who Would be King (2019). Archer examines the complex national narratives and representations these films expound, situating his analyses within the broader commercial contexts of film production beyond Hollywood, highlighting the negotiations or contradictions at play between the industrial imperatives of contemporary films and the varied circumstances in which they are made. Considering some of the ways a popular and globally-minded English cinema is finding means to work alongside and through the contexts of Brexit, he questions what are the stakes for, and possibilities of, a global 'culturally English cinema' in 2019 and beyond.

Author : Neil Archer
Publisher : Bloomsbury Publishing
Page : 305 pages
File Size : 41,8 Mb
Release : 2020-09-03
Category : Performing Arts
ISBN : 9781350104488

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Cinema and Brexit by Neil Archer Pdf

Neil Archer's original study makes a timely and politically-engaged intervention in debates about national cinema and national identity. Structured around key examples of 'culturally English cinema' in the years up to and following the UK's 2016 vote to leave the European Union, Cinema and Brexit looks to make sense of the peculiarities and paradoxes marking this era of filmmaking. At the same time as providing a contextual and analytical reading of 21st century filmmaking in Britain, Archer raises critical questions about popular national cinema, and how Brexit has cast both light and shadow over this body of films. Central to Archer's argument is the idea that Brexit represents not just a critical moment in how we will understand future film production, but also in how we will understand production of the recent past. Using as a point of departure the London Olympics opening ceremony of 2012, Cinema and Brexit considers the tensions inherent in a wide range of films, including Skyfall (2012), Dunkirk (2017), Their Finest (2017), Darkest Hour (2017), The Crown (Netflix, 2016), Paddington (2014), Paddington 2 (2017), Never Let Me Go (2011), Absolutely Fabulous: The Movie (2016), The Trip (2010), The Inbetweeners Movie (2011), Mr. Bean's Holiday (2007), The World's End (2013), Sightseers (2012), One Day (2011), Attack the Block (2011), King Arthur: Legend of the Sword (2017) and The Kid Who Would be King (2019). Archer examines the complex national narratives and representations these films expound, situating his analyses within the broader commercial contexts of film production beyond Hollywood, highlighting the negotiations or contradictions at play between the industrial imperatives of contemporary films and the varied circumstances in which they are made. Considering some of the ways a popular and globally-minded English cinema is finding means to work alongside and through the contexts of Brexit, he questions what are the stakes for, and possibilities of, a global 'culturally English cinema' in 2019 and beyond.

Author : Daniela Keller,Ina Habermann
Publisher : Narr Francke Attempto Verlag
Page : 313 pages
File Size : 43,6 Mb
Release : 2021-03-08
Category : Literary Criticism
ISBN : 9783823394143

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Brexit and Beyond: Nation and Identity by Daniela Keller,Ina Habermann Pdf

This volume explores the cultural significance of Brexit, situating it in debates about nation and identity. Contributors to this collection seek to contextualize Britain's decision to leave the EU and to assess its reverberations in language, literature, and culture. Addressing such aspects as British exceptionalism, myth-making, medievalism, and nostalgia, contributions range from travelogues, Ladybird books, and rural cinema-going to ageing. An important focus lies on marginalized groups and geographical fringes, as contributors attend to the Irish situation and the scarcity of EU migrants in Brexit literature (BrexLit). Finally, two essays widen the perspective to assess American parallels to the discourses about a Brexit that is still far from "done."

Author : Stephanie Dennison,Rachel Dwyer
Publisher : Unknown
Page : 256 pages
File Size : 42,8 Mb
Release : 2023-02-28
Category : Electronic
ISBN : 1474456286

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Cinema and Soft Power by Stephanie Dennison,Rachel Dwyer Pdf

Explores the relationship between soft power and film in relation to national and transnational cinemas.

Author : Edward Stourton,Lode Desmet
Publisher : Simon and Schuster
Page : 400 pages
File Size : 43,7 Mb
Release : 2019-09-05
Category : Political Science
ISBN : 9781471186431

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Blind Man's Brexit by Edward Stourton,Lode Desmet Pdf

'Essential reading for anyone anxious to understand the background to the Brexit debate' Tablet With all the political infighting in British politics over Brexit dominating the news cycle, we almost forgot who we were negotiating with. Now, in Blind Man's Brexit, we get to see and hear exactly what was going on in the corridors of power in Brussels, and how the EU comprehensively outmanoeuvred the UK government. When Lode Desmet met Guy Verhofstadt, the European Parliament's representative on Brexit, about filming a fly-on-the-wall documentary on the negotiations, he could never have imagined the unique access he would be granted and the extraordinary story that he would end up filming. As the cameras rolled, Lode sat in on private conversations with chief negotiator Michel Barnier and saw first hand how Theresa May's government's negotiating positions were knocked back time after time. The results were aired in the BBC documentary series Brexit: Behind Closed Doors. Written with distinguished political commentator Edward Stourton, who also provides a British perspective on events, Blind Man's Brexit goes beyond the documentary to reveal a staggering and unprecedented failure of diplomacy on one side and contrasts the very clearly defined aims and goals of the EU side. Many books have attempted to tell the story of what happened, but this one has completely unfiltered access to events as viewed by the EU, and shows exactly why, how and where the Brexit negotiations went so spectacularly wrong, resulting in our departure from the EU being delayed beyond 29 March 2019 as the UK was left in limbo and its political system in disarray.

Author : Christopher Meir
Publisher : Springer Nature
Page : 339 pages
File Size : 41,8 Mb
Release : 2024-06-30
Category : Electronic
ISBN : 9783031421822

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European Cinema in the Streaming Era by Christopher Meir Pdf

Author : Giuliana Monteverde,Victoria McCollum
Publisher : Rowman & Littlefield
Page : 286 pages
File Size : 41,5 Mb
Release : 2020-09-04
Category : Political Science
ISBN : 9781786615725

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Resist! by Giuliana Monteverde,Victoria McCollum Pdf

Resist! pays close attention to popular culture; it examines the political ramifications of Kanye West’s support of Donald Trump, the significance of Aaron Sorkin’s language to American political discourse, and the casting of female emotion as a political force in House of Cards and The Handmaid’s Tale. In doing so, the collection traverses the formal world of ‘the political’ as it relates to presidential elections and referenda, while emphasising the sociocultural and political significance of popular texts which have played a critical role in exploring, critiquing and shaping culture in the twenty first century. Popular culture is often considered trivial or irrelevant to more pressing political concerns, and celebrities are often reprimanded for their forays into the political sphere. Resist! pays close attention to texts that are too often excluded when we think about politics, and explores the cultural and political fall-out of a reality TV president and a divisive public vote on increasingly connected global audiences. In examining the cultural politics of popular media, this collection is inherently interdisciplinary, and the chapters utilise methods and analysis from a range of social science and humanities disciplines. Resist! is both creative and timely, and offers a crucial examination of a fascinating and frightening political and cultural moment.

Author : Tom Rice
Publisher : Univ of California Press
Page : 360 pages
File Size : 47,9 Mb
Release : 2019-09-03
Category : Performing Arts
ISBN : 9780520971813

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Films for the Colonies by Tom Rice Pdf

Films for the Colonies examines the British Government’s use of film across its vast Empire from the 1920s until widespread independence in the 1960s. Central to this work was the Colonial Film Unit, which produced, distributed, and, through its network of mobile cinemas, exhibited instructional and educational films throughout the British colonies. Using extensive archival research and rarely seen films, Films for the Colonies provides a new historical perspective on the last decades of the British Empire. It also offers a fresh exploration of British and global cinema, charting the emergence and endurance of new forms of cinema culture from Ghana to Jamaica, Malta to Malaysia. In highlighting the integral role of film in managing and maintaining a rapidly changing Empire, Tom Rice offers a compelling and far-reaching account of the media, propaganda, and the legacies of colonialism.

Author : Kevin M. Flanagan
Publisher : Springer Nature
Page : 225 pages
File Size : 53,9 Mb
Release : 2019-10-25
Category : Performing Arts
ISBN : 9783030302030

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War Representation in British Cinema and Television by Kevin M. Flanagan Pdf

This book explores alternatives to realist, triumphalist, and heroic representations of war in British film and television. Focusing on the period between the Suez Crisis of 1956 and the Falkland War but offering connections to the moment of Brexit, it argues that the “lost continent” of existential, satirical, simulated, and abstractly traumatic war stories is as central to understanding Britain’s martial history as the mainstream inheritance. The book features case studies that stress the contribution of exiled or expatriate directors and outsider sensibilities, with particular emphasis on Peter Watkins, Joseph Losey, and Richard Lester. At the same time, it demonstrates concerns and stylistic emphases that continue to the present in television series and films by directors such as Lone Scherfig and Christopher Nolan. Encompassing everything from features to government information films, the book explores related trends in the British film industry, popular culture, and film criticism, while offering a sense of how these contexts contribute to historical memory.

Author : Chris Holmlund,Lisa Purse,Yvonne Tasker
Publisher : Bloomsbury Publishing
Page : 297 pages
File Size : 44,7 Mb
Release : 2024-05-16
Category : Performing Arts
ISBN : 9781839022807

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Action Cinema Since 2000 by Chris Holmlund,Lisa Purse,Yvonne Tasker Pdf

Action Cinema Since 2000 addresses an increasingly lively and evolving field of scholarship, probing the definition and testing the potential of action cinema to reframe the mode for the 21st century. Contributors examine a broad range of content, from blockbusters to smaller independent films, originating from China, Korea, India, France, the USA, and Mexico. Ranging from JSA: Joint Security Area (Gondonggeonygbi guyeok) (2000) to Polite Society (2023), they consider the changing modes of action cinema, with streaming assuming global importance and an ever-increasing number of generic blends. They consider under-explored areas of action film, particularly how race, ethnicity, gender, and age figure in narratives and through image and soundtracks. Overall, the book demonstrates how 21st century action cinema engages with and reflects geopolitical, creative, and industrial developments. Contributors argue that it continues to offer fantasies of empowerment and mobility that say much about how power is understood in diverse contexts today.

Author : Barbara Mennel
Publisher : University of Illinois Press
Page : 272 pages
File Size : 47,8 Mb
Release : 2019-01-30
Category : Performing Arts
ISBN : 9780252050961

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Women at Work in Twenty-First-Century European Cinema by Barbara Mennel Pdf

From hairdressers and caregivers to reproductive workers and power-suited executives, images of women's labor have powered a fascinating new movement within twenty-first century European cinema. Social realist dramas capture precarious working conditions. Comedies exaggerate the habits of the global managerial class. Stories from countries battered by the global financial crisis emphasize the patriarchal family, debt, and unemployment. Barbara Mennel delves into the ways these films about female labor capture the tension between feminist advances and their appropriation by capitalism in a time of ongoing transformation. Looking at independent and genre films from a cross-section of European nations, Mennel sees a focus on economics and work adapted to the continent's varied kinds of capitalism and influenced by concepts in second-wave feminism. More than ever, narratives of work put female characters front and center--and female directors behind the camera. Yet her analysis shows that each film remains a complex mix of progressive and retrogressive dynamics as it addresses the changing nature of work in Europe.

Author : Andrew Roberts
Publisher : Penguin
Page : 256 pages
File Size : 44,8 Mb
Release : 2019-10-29
Category : History
ISBN : 9780525522393

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Leadership in War by Andrew Roberts Pdf

A comparison of nine leaders who led their nations through the greatest wars the world has ever seen and whose unique strengths—and weaknesses—shaped the course of human history, from the bestselling, award-winning author of Churchill, Napoleon, and The Last King of America “Has the enjoyable feel of a lively dinner table conversation with an opinionated guest.” —The New York Times Book Review Taking us from the French Revolution to the Cold War, Andrew Roberts presents a bracingly honest and deeply insightful look at nine major figures in modern history: Napoleon Bonaparte, Horatio Nelson, Winston Churchill, Adolf Hitler, Joseph Stalin, George C. Marshall, Charles de Gaulle, Dwight D. Eisenhower, and Margaret Thatcher. Each of these leaders fundamentally shaped the outcome of the war in which their nation was embroiled. Is war leadership unique, or did these leaders have something in common, traits and techniques that transcend time and place and can be applied to the essential nature of conflict? Meticulously researched and compellingly written, Leadership in War presents readers with fresh, complex portraits of leaders who approached war with different tactics and weapons, but with the common goal of success in the face of battle. Both inspiring and cautionary, these portraits offer important lessons on leadership in times of struggle, unease, and discord. With his trademark verve and incisive observation, Roberts reveals the qualities that doom even the most promising leaders to failure, as well as the traits that lead to victory.

Author : Mariana Liz
Publisher : Bloomsbury Publishing USA
Page : 200 pages
File Size : 42,5 Mb
Release : 2016-09-22
Category : History
ISBN : 9781628922998

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Euro-Visions by Mariana Liz Pdf

European cinema not only occupies a dominant place in film history, it is also a field that has been raising more interest with the expanding work on the transnational. Euro-Visions asks what idea of Europe emerges, is represented and constructed by contemporary European film. Adopting a broad and wide-ranging approach, Euro-Visions mixes political sources, historical documents and filmic texts and offers an integration of policy and economic contexts with textual analysis. Mariana Liz examines costume dramas, biopics and war films, mainstream co-productions and tales of 'Fortress Europe' by renowned auteurs, showing how films from different European nations depict and contribute to the formation of the idea of Europe. Case studies include Girl with a Pearl Earring, La Vie en Rose, Black Book, Good Bye Lenin!, Match Point and The Silence of Lorna.

Author : Ian Buruma
Publisher : Penguin
Page : 256 pages
File Size : 43,5 Mb
Release : 2018-03-06
Category : Biography & Autobiography
ISBN : 9781101981429

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A Tokyo Romance by Ian Buruma Pdf

A classic memoir of self-invention in a strange land: Ian Buruma's unflinching account of his amazing journey into the heart of Tokyo's underground culture as a young man in the 1970's When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn’t so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible. Tokyo was an astonishment. Buruma found a feverish and surreal metropolis where nothing was understated—neon lights, crimson lanterns, Japanese pop, advertising jingles, and cabarets. He encountered a city in the midst of an economic boom where everything seemed new, aside from the isolated temple or shrine that had survived the firestorms and earthquakes that had levelled the city during the past century. History remained in fragments: the shapes of wounded World War II veterans in white kimonos, murky old bars that Mishima had cruised in, and the narrow alleys where street girls had once flitted. Buruma’s Tokyo, though, was a city engaged in a radical transformation. And through his adventures in the world of avant garde theater, his encounters with carnival acts, fashion photographers, and moments on-set with Akira Kurosawa, Buruma underwent a radical transformation of his own. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free. A Tokyo Romance is a portrait of a young artist and the fantastical city that shaped him. With his signature acuity, Ian Buruma brilliantly captures the historical tensions between east and west, the cultural excitement of 1970s Tokyo, and the dilemma of the gaijin in Japanese society, free, yet always on the outside. The result is a timeless story about the desire to transgress boundaries: cultural, artistic, and sexual.

Author : Ruth Ben-Ghiat
Publisher : Indiana University Press
Page : 421 pages
File Size : 50,9 Mb
Release : 2015-02-11
Category : History
ISBN : 9780253015662

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Italian Fascism's Empire Cinema by Ruth Ben-Ghiat Pdf

Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.