Cinema And Intermediality

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Cinema and Intermediality (Second, Enlarged Edition)

Ágnes Pethő
Cinema and Intermediality Second Enlarged Edition Book PDF

Author : Ágnes Pethő
Publisher : Cambridge Scholars Publishing
Page : 499 pages
File Size : 44,7 Mb
Release : 2020-08-24
Category : Art
ISBN : 9781527558656

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Cinema and Intermediality (Second, Enlarged Edition) by Ágnes Pethő Pdf

One of the most comprehensive books to focus on the relationship between cinema and the other arts, this volume explores types and stylistic devices of intermediality through a wide range of case studies. It addresses major theoretical issues and highlights the relevance of intermedial relations in film history, mapping the theoretical field by outlining its main concepts and the research avenues pursued in the study of cinematic intermediality, including the most recent approaches and methodologies. It also presents some major templates of intermediality through various examples from world cinema, including closer looks at films by auteurs like Alfred Hitchcock, Michelangelo Antonioni, Jean-Luc Godard, and Agnès Varda. Supplemented by three new chapters dealing with phenomena which came into view since its first publication, the revised and enlarged edition of this ground-breaking volume will serve as a useful handbook to clarify key ideas and to offer insightful analyses.

Cinema and Intermediality

Ágnes Pethő
Cinema and Intermediality Book PDF

Author : Ágnes Pethő
Publisher : Cambridge Scholars Publishing
Page : 525 pages
File Size : 46,5 Mb
Release : 2011-05-25
Category : Performing Arts
ISBN : 9781443830348

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Cinema and Intermediality by Ágnes Pethő Pdf

Within the last two decades “intermediality” has emerged as one of the most challenging concepts in media theory with no shortage of various taxonomies and definitions. What prompted the writing of the essays gathered in this volume, however, was not a desire for more classifications applied to the world of moving pictures, but a strong urge to investigate what the “inter-” implied by the idea of “intermediality” stands for, and what it actually entails in the cinema. The book offers in each of the individual chapters a cross-section view of specific instances in which cinema seems to consciously position itself “in-between” media and arts, employing techniques that tap into the multimedial complexity of cinema, and bring into play the tensions generated by media differences. The introductory theoretical writings deal with the historiography of approaching intermedial phenomena in cinema presenting at the same time some of the possible “gateways” that can open up the cinematic image towards the perceptual frames of other media and arts. The book also contains essays that examine more closely specific paradigms in the poetics of cinematic intermediality, like the allure of painting in Hitchcock’s films, the exquisite ways of framing and un-framing haptical imagery in Antonioni’s works, the narrative allegories of media differences, the word and image plays and ekphrastic techniques in Jean-Luc Godard’s “total” cinema, the flâneuristic intermedial gallery of moving images created by José Luis Guerín, or the types of intermedial metalepses in Agnès Varda’s “cinécriture.” From a theoretical vantage point these essays break with the tradition of thinking of intermediality in analogy with intertextuality and attempt a phenomenological (re)definition of intermedial relations. Moreover, some of the analyses target films that expose the coexistence of the hypermediated experience of intermediality and the illusion of reality, connecting the questions of intermediality both to the indexical nature of cinematic representation and to the specific ideological and cultural context of the films, thus offering insights into a few questions regarding the “politics” of intermediality as well.

Cinematic Intermediality

Marion Schmid,Kim Knowles
Cinematic Intermediality Book PDF

Author : Marion Schmid,Kim Knowles
Publisher : Unknown
Page : 224 pages
File Size : 53,5 Mb
Release : 2021-02-28
Category : Electronic
ISBN : 1474446345

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Cinematic Intermediality by Marion Schmid,Kim Knowles Pdf

This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance. With essays by leading researchers and practitioners, this book investigates cinema's productive synergies and crossovers with the other arts through a broad range of avant-garde and experimental work. Mapping a trajectory from pre-cinema to the digital era, the book considers the impact of technological materiality on intermedial expression, incorporating both mainstream and experimental practice, world cinema and peripheral cinemas. Bridging the gap between theory and practice, it opens up new pathways for thinking about how intermediality, as both a creative method and an interpretative paradigm, might be explored alongside probing questions of what cinema is, has been and can be.

Stage-Play and Screen-Play

Michael Ingham
Stage Play and Screen Play Book PDF

Author : Michael Ingham
Publisher : Taylor & Francis
Page : 230 pages
File Size : 42,5 Mb
Release : 2016-12-08
Category : Performing Arts
ISBN : 9781317555216

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Stage-Play and Screen-Play by Michael Ingham Pdf

Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.

Cinema Between Media

Jørgen Bruhn,Anne Gjelsvik
Cinema Between Media Book PDF

Author : Jørgen Bruhn,Anne Gjelsvik
Publisher : Unknown
Page : 0 pages
File Size : 43,6 Mb
Release : 2018
Category : Performing Arts
ISBN : 1474429017

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Cinema Between Media by Jørgen Bruhn,Anne Gjelsvik Pdf

Cinema has often been seen as a form between media. Early cinema borrowed heavily from traditional performing arts, like theatre and tableau vivant; and the narrative forms of literature, particularly the structure of the novel, have played important roles in shaping narrative cinema. The list of influencing forms goes on, and includes music, architecture, and painting. Following the more recent historical advents of technical media like the VCR and the DVD, and digitalisation and its effects, the notion of cinema as a mixed medium has become even more prominent within film theory. So cinema both has been and is intermedial. However, we argue that the acknowledgement of this has not affected the practice of film analysis to any great extent. This book on cinema and intermediality therefore rethinks both cinema as a form and the practice of film analysis, using concepts and analytical tools derived mainly from the fields of media theory and intermediality.

Sense of Film Narration

Ian Garwood
Sense of Film Narration Book PDF

Author : Ian Garwood
Publisher : Edinburgh University Press
Page : 224 pages
File Size : 54,8 Mb
Release : 2015-03-05
Category : Performing Arts
ISBN : 9780748678419

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Sense of Film Narration by Ian Garwood Pdf

This book investigates the sensuous qualities of narration in the feature-length fiction film.

Intermediality in Theatre and Performance

Freda Chapple,Chiel Kattenbelt
Intermediality in Theatre and Performance Book PDF

Author : Freda Chapple,Chiel Kattenbelt
Publisher : Rodopi
Page : 280 pages
File Size : 51,5 Mb
Release : 2006
Category : Art
ISBN : 9042016299

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Intermediality in Theatre and Performance by Freda Chapple,Chiel Kattenbelt Pdf

Intermediality: the incorporation of digital technology into theatre practice, and the presence of film, television and digital media in contemporary theatre is a significant feature of twentieth-century performance. Presented here for the first time is a major collection of essays, written by the Theatre and Intermediality Research Group of the International Federation for Theatre Research, which assesses intermediality in theatre and performance. The book draws on the history of ideas to present a concept of intermediality as an integration of thoughts and medial processes, and it locates intermediality at the inter-sections situated in-between the performers, the observers and the confluence of media, medial spaces and art forms involved in performance at a particular moment in time. Referencing examples from contemporary theatre, cinema, television, opera, dance and puppet theatre, the book puts forward a thesis that the intermedial is a space where the boundaries soften and we are in-between and within a mixing of space, media and realities, with theatre providing the staging space for intermediality. The book places theatre and performance at the heart of the 'new media' debate and will be of keen interest to students, with clear relevance to undergraduates and post-graduates in Theatre Studies and Film and Media Studies, as well as the theatre research community.

Intermedial Dialogues

Schmid Marion Schmid
Intermedial Dialogues Book PDF

Author : Schmid Marion Schmid
Publisher : Edinburgh University Press
Page : 352 pages
File Size : 53,9 Mb
Release : 2019-05-23
Category : Performing Arts
ISBN : 9781474410656

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Intermedial Dialogues by Schmid Marion Schmid Pdf

Casting fresh light on one of the most important movements in film history, Intermedial Dialogues: The French New Wave and the Other Arts is the first comprehensive study of the New Wave's relationship with the older arts. Traversing the fields of literature, theatre, painting, architecture and photography, and drawing on Andre Bazin alongside recent theories of intermediality, it investigates the 'impure', intermedial aesthetics of New Wave cinema. Filmmakers under discussion include critics-turned-directors Francois Truffaut, Eric Rohmer, Jean-Luc Godard, Jacques Rivette and Claude Chabrol, members of the Left Bank Group Alain Resnais, Agnes Varda and Chris Marker, but also lesser-known directors, notably the 'secret child of the New Wave', Guy Gilles. This wide-ranging book offers an original reading of the complex, often ambivalent ways in which the New Wave engages the other arts in both its discursive construction and filmic practice.Key Features:A wide-ranging study which explores the complex, often ambiguous ways in which the New Wave engages with the other arts in both its discursive construction and cinematic practiceAffords a new prism for understanding New Wave filmmaking and its legacy through comprehensive analysis of the ways in which the New Wave aesthetic was shaped through intermedial dialogue and medium rivalry Reassesses one of the most acclaimed movements in film history drawing on cutting-edge theory in the prominent field of intermediality studiesOffers an inclusive, heterogeneous view of the New Wave through inclusion of lesser-known directors such as Guy Gilles, Jean-Daniel Pollet and Jacques Demy alongside renowned Nouvelle Vague filmmakers

Caught In-Between

Petho Agnes Petho
Caught In Between Book PDF

Author : Petho Agnes Petho
Publisher : Edinburgh University Press
Page : 254 pages
File Size : 43,8 Mb
Release : 2020-05-04
Category : History
ISBN : 9781474435505

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Caught In-Between by Petho Agnes Petho Pdf

This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole.

Feel-Bad Film

Nikolaj Luebecker
Feel Bad Film Book PDF

Author : Nikolaj Luebecker
Publisher : Edinburgh University Press
Page : 192 pages
File Size : 48,6 Mb
Release : 2015-05-19
Category : Performing Arts
ISBN : 9780748698004

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Feel-Bad Film by Nikolaj Luebecker Pdf

An analysis of what contemporary directors seek to attain by putting their spectators in a position of strong discomfort

Mapping Intermediality in Performance

Sarah Bay-Cheng,Chiel Kattenbelt,Andy Lavender
Mapping Intermediality in Performance Book PDF

Author : Sarah Bay-Cheng,Chiel Kattenbelt,Andy Lavender
Publisher : Amsterdam University Press
Page : 305 pages
File Size : 55,5 Mb
Release : 2010
Category : Performing Arts
ISBN : 9789089642554

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Mapping Intermediality in Performance by Sarah Bay-Cheng,Chiel Kattenbelt,Andy Lavender Pdf

This insightful book explores the relationship between theater and digital culture. The authors show that the marriage of traditional performance with new technologies leads to an upheaval of the implicit “live” quality of theatre by introducing media interfaces and Internet protocols, all the while blurring the barriers between theater-makers and their audience.

Theatre Through the Camera Eye

Sava Laura Sava
Theatre Through the Camera Eye Book PDF

Author : Sava Laura Sava
Publisher : Edinburgh University Press
Page : 330 pages
File Size : 41,5 Mb
Release : 2019-06-24
Category : Performing Arts
ISBN : 9781474445900

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Theatre Through the Camera Eye by Sava Laura Sava Pdf

How do we experience theatre through film? Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media. Through an in-depth analysis of films such as Jacques Rivette's L'Amour fou, Pedro Almodvar's All About My Mother and Charlie Kaufman's Synecdoche, New York, this book analyses the embedment of theatre in film and the notion of spectatorial address. Using textual analysis in conjunction with concepts derived from narratology, performance philosophy, and film and theatre phenomenology, it explores the mechanisms of representation involved in the intermedial diegetisation of theatre in film.

Realist Cinema as World Cinema

Lúcia Nagib
Realist Cinema as World Cinema Book PDF

Author : Lúcia Nagib
Publisher : Film Culture in Transition
Page : 300 pages
File Size : 43,9 Mb
Release : 2020-10-19
Category : Electronic
ISBN : 9462987513

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Realist Cinema as World Cinema by Lúcia Nagib Pdf

This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.

Impure Cinema

Lúcia Nagib,Anne Jerslev
Impure Cinema Book PDF

Author : Lúcia Nagib,Anne Jerslev
Publisher : Unknown
Page : 304 pages
File Size : 52,7 Mb
Release : 2019
Category : Electronic books
ISBN : 0755694384

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Impure Cinema by Lúcia Nagib,Anne Jerslev Pdf

"Impure Cinema goes back to Bazin's original title precisely for its defence of impurity, applying it on the one hand to cinema's interbreeding with other arts and on the other to its ability to convey and promote cultural diversity. In contemporary progressive film criticism, ideas of purity, essence and origin have been superseded by favourable approaches to 'hybridization', 'transnationalism', 'multiculturalism' and cross-fertilizations of all sorts. Impure Cinema builds on this idea in novel and exciting ways, as it draws on cinema's combination of intermedial and intercultural aspects as a means to bridge the divide between studies of aesthetics and culture. Film is revealed here as the location par excellence of media encounters, mutual questioning and self-dissolution into post-medium experiments. Most importantly, the book argues, film's intermedial relations can only be properly understood if their cultural determinants are taken into account. Scholars and students of film, cinefiles and students of the arts will discover here unexpected connections across many artistic practices."--

Memory and Intermediality in Artists’ Moving Image

Sarah Durcan
Memory and Intermediality in Artists Moving Image Book PDF

Author : Sarah Durcan
Publisher : Springer Nature
Page : 258 pages
File Size : 45,7 Mb
Release : 2020-10-19
Category : Art
ISBN : 9783030473969

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Memory and Intermediality in Artists’ Moving Image by Sarah Durcan Pdf

This book addresses the preoccupation with memory in contemporary artists’ moving image installations. It situates artists’ moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists’ remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists’ film and video, the following chapters identify five different mnemonic modes in artists’ moving image: critical nostalgia, database narrative, the ‘echo-chamber’, documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.