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Cinema, Black Suffering, and Theodicy by Shayne Lee Pdf
This book analyzes how films depict God when black characters experience suffering and tragedy to elucidate how cinema often portrays a God that is considered supportive, yet who does little to mitigate suffering. This sparks theodical contemplation on the role of divinity in protecting people from the consequences of human depravity.
Barry Jenkins and the Legacies of Slavery by Delphine Letort Pdf
"In this book, Delphine Letort illuminates the intertwining of fiction and history in the TV series adaptation of The Underground Railroad. Letort highlights the narrative and audio/visual strategies used by Barry Jenkins to make for an "affective moment" on television"--
Moral Evil and Redemptive Suffering by Anthony B. Pinn Pdf
"This excellent, balanced, comprehensive, representative, and scholarly useful text lives up to the expectations of those acquainted with Anthony Pinn's work and will impress others who might be coming to the subject matter of African-American religious thought and issues of theodicy in the black tradition for the first time."--Sandy Dwayne Martin, University of Georgia This book, a collection of nineteenth- and twentieth-century documents by African-Americans, traces the progression of black Christian theology's dominant response to the dilemma of evil in a God-protected world: the notion of suffering as redemptive. As the first extensive historical treatment of the problem of evil in African- American religious thinking, this anthology consists in great part of primary documents authored by a range of black theologians, speaking for themselves on theodicy. Supplemented by the editor's analyses of redemptive-suffering arguments and their consequences for black Christian thought and practice, the selections trace the historical development of a primary strand of African-American theology. The authors challenge traditional understandings of radical black religious thought and point out contradictions inherent in the words of black religious leaders. Documents show that black religions historically regarded as progressive have at their theological core an understanding of human suffering as redemptive. The most significant writings by African-American thinkers in this area have been compiled along cross-denominational and doctrinal lines. They include documents from Methodists and Baptists, Muslims and Catholics--not only from church leaders but also from lay people and political leaders. The volume brings clarity to the historical and epistemological underpinnings of one of the most pressing issues faced by African-American Christians. Anthony B. Pinn is associate professor of religion and coordinator of African-American studies at Macalester College, St. Paul, Minnesota.
Tyler Perry is the most successful African-American filmmaker of his generation, garnering both accolades and controversies with each new film. In Tyler Perry’s America, Shayne Lee digs into eleven of Perry’s highest-grossing films to explore key themes of race, gender, class, and religion, and, ultimately, to discuss what Perry’s films reveal about contemporary African-American life. Filled with slapstick humor, musical wizardry, and religious imagery, Tyler Perry’s films have inspired legions of fans, and yet critics often dismiss them or demean their audience. Tyler Perry’s America takes the films seriously in their own right. After providing essential background information on Perry’s life and film career, the book looks at what the films reveal about post–civil rights America and why they inspire so many people. The book examines the way the films explore social class in America—featuring characters from super-rich Wesley Deeds to homeless Lindsey Wakefield—and the way Perry both celebrates upward mobility and critiques soulless wealth. The book discusses the way religion fills the films—from gospel music to biblical quotes, the power of sexuality, and more. Lee also devotes a chapter to Madea, one of Perry’s most controversial and complicated characters. Tyler Perry’s America is a thought-provoking examination of this powerhouse filmmaker which highlights the way Perry’s films appeal to viewers by connecting a rich African-American folk-cultural past with the promise of modern sophistication.
The Power of Unearned Suffering by Mika Edmondson Pdf
This book explores the roots and relevance of Martin Luther King, Jr.’s approach to black suffering. King’s conviction that “unearned suffering is redemptive” reflects a nearly 250-year-old tradition in the black church going back to the earliest Negro spirituals. From the bellies of slave ships, the foot of the lynching tree, and the back of segregated buses, black Christians have always maintained the hope that God could “make a way out of no way” and somehow bring good from the evils inflicted on them. As a product of the black church tradition, King inherited this widespread belief, developed it using Protestant liberal concepts, and deployed it throughout the Civil Rights Movement of the 50’s and 60’s as a central pillar of the whole non-violent movement. Recently, critics have maintained that King’s doctrine of redemptive suffering creates a martyr mentality which makes victims passive in the face of their suffering; this book argues against that critique. King’s concept offers real answers to important challenges, and it offers practical hope and guidance for how beleaguered black citizens can faithfully engage their suffering today.
In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.
Bible and Cinema: Fifty Key Films by Adele Reinhartz Pdf
Bible and Cinema: Fifty Key Films introduces a wide range of those movies - among the most important, critically-acclaimed and highest-grossing films of all time - which have drawn inspiration, either directly or indirectly, from the Bible.
Author : Thomas J. Davis,Thomas Joseph Davis Publisher : Unknown Page : 310 pages File Size : 49,6 Mb Release : 1987 Category : Good and evil ISBN : STANFORD:36105040826955
Author : Daniel S. Cutrara Publisher : University of Texas Press Page : 281 pages File Size : 51,6 Mb Release : 2015-05-01 Category : Performing Arts ISBN : 9781477307533
From struggles over identity politics in the 1990s to current concerns about a clash of civilizations between Islam and Christianity, culture wars play a prominent role in the twenty-first century. Movies help to define and drive these conflicts by both reflecting and shaping cultural norms, as well as showing what violates those norms. In this pathfinding book, Daniel S. Cutrara employs queer theory, cultural studies, theological studies, and film studies to investigate how cinema represents and often denigrates religion and religious believers—an issue that has received little attention in film studies, despite the fact that faith in its varied manifestations is at the heart of so many cultural conflicts today. Wicked Cinema examines films from the United States, Europe, and the Middle East, including Crimes and Misdemeanors, The Circle, Breaking the Waves, Closed Doors, Agnes of God, Priest, The Last Temptation of Christ, and Dogma. Central to all of the films is their protagonists' struggles with sexual transgression and traditional belief systems within Christianity, Judaism, or Islam—a struggle, Cutrara argues, that positions believers as the Other and magnifies the abuses of religion while ignoring its positive aspects. Uncovering a hazardous web of ideological assumptions informed by patriarchy, the spirit/flesh dichotomy, and heteronormativity, Cutrara demonstrates that ultimately these films emphasize the "Otherness" of the faithful through a variety of strategies commonly used to denigrate the queer, from erasing their existence, to using feminization to make them appear weak, to presenting them as dangerous fanatics.
Socrates and Dionysus engages and seeks to redraw the boundaries between philosophy and poetry, science and art. Friedrich Nietzsche argues in his work The Birth of Tragedy that science conquers art, especially the tragic art of the Dionysian poet of ancient Greece. Appealing to the natural, primeval self that is suppressed but not extinguished by the knowledge of culture, Dionysian tragedy establishes contact with our bodies and their deepest longings. Science and philosophy, associated with the ‘Socratism’ of the theoretical man, celebrate the human mind in particular and the mind or rationality of the universe more generally. According to Nietzsche, it is Euripides who destroys the Dionysian entirely. Euripides celebrated the unadorned individual because only the individual, separated from their god, is intelligible or accessible to human reason; he insisted that art be comprehended by mind or that it be rationally understood. Euripides was possessed of such a rationalizing drive, Nietzsche claims, because his primary audience was Socrates. It is Socrates, therefore, who is the true opponent of Dionysus. Following Nietzsche’s bifurcation between philosophy and art, postmodern political philosopher Richard Rorty rejects the tendency of philosophy to posit absolute, universal truths and turns to the concept of ‘redescription’ which he associates with the ‘wisdom of the novel’. The novel is wise because it posits the relative truths and perspectives of the various individuals, societies and cultures that it represents. As an art form, it can therefore include every possible perspective of every particular situation, event or person. New interdisciplinary fields in politics, literature and film are giving rise to an expanding community of scholars who disagree with the approaches taken by Nietzsche and Rorty. These scholars are shedding light on the ways in which philosophy and art are friends rather than enemies. They seek to bridge the theoretical and ethical gaps between the world of ‘fiction’ and the world of ‘fact’, of art and science. There appears to be a fundamental tension between literary-artistic and scientific projects. Whereas the artist seeks to recreate human experience, thereby evoking basic ethical issues, the scientist apparently seeks ethically-neutral, evidence-based facts as the constituents of our knowledge of reality. Chapters in this volume, however, will reconsider how artists, philosophers and film-makers have addressed and attempted to reconcile the artist’s language of normativity and the scientist’s language of facticity.
Author : Joanne Morra,Marquard Smith Publisher : Taylor & Francis Page : 482 pages File Size : 44,5 Mb Release : 2006 Category : Art and society ISBN : 0415326451
Visual Culture: Experiences in visual culture by Joanne Morra,Marquard Smith Pdf
These texts represent both the formation of visual culture, and the ways in which it has transformed, and continues to transform, our understanding and experience of the world as a visual domain.
The Princeton Encyclopedia of Islamic Political Thought by Gerhard Bowering,Patricia Crone,Wadad Kadi,Mahan Mirza,Devin J. Stewart,Muhammad Qasim Zaman Pdf
"In 2012, the year 1433 of the Muslim calendar, the Islamic population throughout the world was estimated at approximately a billion and a half, representing about one-fifth of humanity. In geographical terms, Islam occupies the center of the world, stretching like a big belt across the globe from east to west."--P. vii.
This study explores the 'imaginary of disaster' that appears in popular fictions about the apocalyptic breakdown of society. Focusing on representations of crime, law, violence, vengeance and justice, it argues that an exploration post-apocalyptic story-telling offer us valuable insights into social anxieties.
A Cultural History of Tragedy in the Modern Age by Jennifer Wallace Pdf
In this book leading scholars come together to provide a comprehensive, wide-ranging overview of tragedy in theatre and other media from 1920 to the present. The 20th century is often considered to have witnessed the death of tragedy as a theatrical genre, but it was marked by many tragic events and historical catastrophes, from two world wars and genocide to the proliferation of nuclear weapons and the anticipation and onset of climate change. The authors in this volume wrestle with this paradox and consider the degree to which the definitions, forms and media of tragedy were transformed in the modern period and how far the tragic tradition-updated in performance-still spoke to 20th- and 21st-century challenges. While theater remains the primary focus of investigation in this strikingly illustrated book, the essays also cover tragic representation-often re-mediated, fragmented and provocatively questioned-in film, art and installation, photography, fiction and creative non-fiction, documentary reporting, political theory and activism. Since 24/7 news cycles travel fast and modern crises cross borders and are reported across the globe more swiftly than in previous centuries, this volume includes intercultural encounters, various forms of hybridity, and postcolonial tragic representations. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.
