Cinema In The Digital Age

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Cinema in the Digital Age

Author : Nicholas Rombes
Publisher : Columbia University Press
Page : 250 pages
File Size : 45,8 Mb
Release : 2017-12-19
Category : Performing Arts
ISBN : 9780231851183

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Cinema in the Digital Age by Nicholas Rombes Pdf

Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes—blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)—both shot digitally—have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.

Japanese Cinema in the Digital Age

Author : Mitsuyo Wada-Marciano
Publisher : University of Hawaii Press
Page : 194 pages
File Size : 55,6 Mb
Release : 2012-05-31
Category : Performing Arts
ISBN : 9780824865887

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Japanese Cinema in the Digital Age by Mitsuyo Wada-Marciano Pdf

Digital technology has transformed cinema’s production, distribution, and consumption patterns and pushed contemporary cinema toward increasingly global markets. In the case of Japanese cinema, a once moribund industry has been revitalized as regional genres such as anime and Japanese horror now challenge Hollywood’s preeminence in global cinema. In her rigorous investigations of J-horror, personal documentary, anime, and ethnic cinema, Mitsuyo Wada-Marciano deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal B-movie genres. She argues persuasively that convergence culture, which these films represent, constitutes Japan’s response to the variegated flows of global economics and culture. With its timely analysis of new modes of production emerging from the struggles of Japanese filmmakers and animators to finance and market their work in a post-studio era, this book holds critical implications for the future of other national cinemas fighting to remain viable in a global marketplace. As academics in film and media studies prepare a wholesale shift toward a transnational perspective of film, Wada-Marciano cautions against jettisoning the entire national cinema paradigm. Discussing the technological advances and the new cinematic flows of consumption, she demonstrates that while contemporary Japanese film, on the one hand, expresses the transnational as an object of desire (i.e., a form of total cosmopolitanism), on the other hand, that desire is indeed inseparable from Japan’s national identity. Drawing on a substantial number of interviews with auteur directors such as Kore’eda Hirokazu, Kurosawa Kiyoshi, and Kawase Naomi, and incisive analysis of select film texts, this compelling, original work challenges the presumption that Hollywood is the only authentically “global” cinema.

Process Cinema

Author : Scott MacKenzie,Janine Marchessault
Publisher : McGill-Queen's Press - MQUP
Page : 569 pages
File Size : 47,8 Mb
Release : 2019-07-11
Category : Performing Arts
ISBN : 9780773558106

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Process Cinema by Scott MacKenzie,Janine Marchessault Pdf

Handmade films stretch back to cinema's beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective. Mapping the genealogy of handmade film, and uncovering confluences, influences, and interstices between various international movements, sites, and practices, Process Cinema positions the resurgence of handmade and process cinema as a counter-practice to the rise of digital filmmaking. This volume brings together a range of renowned academics and artists to examine contemporary artisanal films, DIY labs, and filmmakers typically left out of the avant-garde canon, addressing the convergence between the analog and the digital in contemporary process cinema. Contributors investigate the history of process cinema – unscripted, improvisatory manipulation of the physicality of film – with chapters on pioneering filmmakers such as Len Lye and Marie Menken, while others discuss an international array of collectives devoted to processing films in artist-run labs from South Korea to Finland, Australia to Austria, and Greenland to Morocco, along with historical and contemporary practices in Canada and the United States. Addressing the turn to a new, sustainable creative ecology that is central to handmade films in the twenty-first century, and that defines today's reinvigorated film cultures, Process Cinema features some of the most beautiful handcrafted films and the most forward-thinking filmmakers within a global context.

Experimental Cinema in the Digital Age

Author : Malcolm Le Grice
Publisher : Bloomsbury Publishing
Page : 522 pages
File Size : 44,9 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838715601

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Experimental Cinema in the Digital Age by Malcolm Le Grice Pdf

Michael Le Grice, a pioneer of 'structural film' in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays. The essays shed light on the work of other artists and film-makers and documents a period, especially the 70s, when artists' film was at the centre of polemical debate about the nature of avant-garde and the future of radical or experimental film. The book contributes to the contemporary debates about film, video, art and new technology.

American Film in the Digital Age

Author : Robert C. Sickels
Publisher : Bloomsbury Publishing USA
Page : 305 pages
File Size : 49,8 Mb
Release : 2010-12-08
Category : Performing Arts
ISBN : 9798216045830

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American Film in the Digital Age by Robert C. Sickels Pdf

This eclectic, yet comprehensive analytical overview of the cataclysmic changes in the American film industry since 1990 shows how they have collectively resulted in a new era—The Digital Age. The American film industry has entered a new era. American Film in the Digital Age traces the industrial changes since 1990 that have brought us to this point, namely: the rise of media conglomerates, the proliferation of pornography through peripheral avenues of mainstream media, the role of star actors and directors in distributing and publicizing their own pet projects, the development of digital technology, and the death of truly independent films. Author Robert Sickels draws straight lines from the movies to music, DVDs, video games, fast food, digital-on-demand, and more, to demonstrate how all forms of media are merging into one. He explores the irony that the success of independent films essentially killed independent cinema, showing how it has become almost impossible to get a film released without the imprimatur of one of the big six media companies—Fox, Viacom, TimeWarner, Disney, General Electric, or CBS. In the end, using recent, popular films as examples, he explains not only how we got where we are, but where we're likely headed as well.

The End of Cinema?

Author : André Gaudreault,Philippe Marion
Publisher : Columbia University Press
Page : 257 pages
File Size : 42,8 Mb
Release : 2015-04-14
Category : Performing Arts
ISBN : 9780231539388

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The End of Cinema? by André Gaudreault,Philippe Marion Pdf

Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.

Film Criticism in the Digital Age

Author : Mattias Frey,Cecilia Sayad
Publisher : Rutgers University Press
Page : 284 pages
File Size : 52,5 Mb
Release : 2015-04-20
Category : Performing Arts
ISBN : 9780813570747

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Film Criticism in the Digital Age by Mattias Frey,Cecilia Sayad Pdf

Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.

Supercinema

Author : William Brown
Publisher : Berghahn Books
Page : 196 pages
File Size : 52,6 Mb
Release : 2013-05-01
Category : Performing Arts
ISBN : 9780857459503

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Supercinema by William Brown Pdf

Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the use of continued conventions more suited to analogue cinema, in a way that is analogous to that of Superman hiding his powers behind the persona of Clark Kent. Locating itself on the cusp of film theory, film-philosophy and cognitive approaches to cinema, Supercinema also looks at the relationship between the spectator and film that utilizes digital technology to maximum, ‘supercinematic’ effect.

Reinventing Cinema

Author : Chuck Tryon
Publisher : Rutgers University Press
Page : 229 pages
File Size : 52,6 Mb
Release : 2009-06-29
Category : Performing Arts
ISBN : 9780813548548

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Reinventing Cinema by Chuck Tryon Pdf

For over a century, movies have played an important role in our lives, entertaining us, often provoking conversation and debate. Now, with the rise of digital cinema, audiences often encounter movies outside the theater and even outside the home. Traditional distribution models are challenged by new media entrepreneurs and independent film makers, usergenerated video, film blogs, mashups, downloads, and other expanding networks. Reinventing Cinema examines film culture at the turn of this century, at the precise moment when digital media are altering our historical relationship with the movies. Spanning multiple disciplines, Chuck Tryon addresses the interaction between production, distribution, and reception of films, television, and other new and emerging media.Through close readings of trade publications, DVD extras, public lectures by new media leaders, movie blogs, and YouTube videos, Tryon navigates the shift to digital cinema and examines how it is altering film and popular culture.

Film Distribution in the Digital Age

Author : Virginia Crisp
Publisher : Palgrave Macmillan
Page : 0 pages
File Size : 43,5 Mb
Release : 2017-12-05
Category : Social Science
ISBN : 1349560782

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Film Distribution in the Digital Age by Virginia Crisp Pdf

Film Distribution in the Digital Age critically examines the evolution of the landscape of film distribution in recent years. In doing so, it argues that the interlocking ecosystem(s) of media dissemination must be considered holistically and culturally if we are to truly understand the transnational flows of cultural texts.

Cinema Futures

Author : Thomas Elsaesser,Kay Hoffmann
Publisher : Leiden University Press
Page : 320 pages
File Size : 40,5 Mb
Release : 1998
Category : Performing Arts
ISBN : UOM:39015045679563

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Cinema Futures by Thomas Elsaesser,Kay Hoffmann Pdf

Cinema Futures: Cain, Abel or Cable? presents a careful and forceful argument about predictions that tend to be made when new technologies appear. Examining the complex dynamics of convergence and divergence among the audio-visual media, the authors are realistic in their estimate of the future of the cinema's aesthetic identity, and robustly optimistic that the different social needs audiences bring to the public and domestic media will ensure their distinctiveness, as well as the necessary openness of cultural meaning and creative input.

Global Cities

Author : Linda Krause,Patrice Petro
Publisher : Rutgers University Press
Page : 228 pages
File Size : 51,7 Mb
Release : 2003
Category : Art
ISBN : 0813532760

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Global Cities by Linda Krause,Patrice Petro Pdf

Table of contents

The Body Onscreen in the Digital Age

Author : Susan Flynn
Publisher : McFarland
Page : 200 pages
File Size : 53,6 Mb
Release : 2021-01-28
Category : Performing Arts
ISBN : 9781476641874

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The Body Onscreen in the Digital Age by Susan Flynn Pdf

This collection examines the peculiarly modern phenomenon of voyeurism as it is experienced through the digital screen. Violence, voyeurism, and power populate film more than ever, and the centrality of the terrified body to many digital narratives suggests new forms of terror and angst, where bodies are subjected to an endless knowing look. The particular perils of the digital age can be seen on, by, and through screen bodies as they are made, remade, represented, and used. The essays in this book examine the machinations of voyeurism in the digital age and the realization of power through digital visual forms. They look at the uses of power over the female body, at the domination and repression of women through symbolic violence, at discourses of power as they are played out onscreen, and at how the digital realm might engage the active/passive dichotomy in new ways.

Beyond Dolby (Stereo)

Author : Mark Kerins
Publisher : Indiana University Press
Page : 392 pages
File Size : 54,9 Mb
Release : 2010-11-23
Category : Performing Arts
ISBN : 9780253004857

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Beyond Dolby (Stereo) by Mark Kerins Pdf

Since digital surround sound technology first appeared in cinemas 20 years ago, it has spread from theaters to homes and from movies to television, music, and video games. Yet even as 5.1 has become the standard for audiovisual media, its impact has gone unexamined. Drawing on works from the past two decades, as well as dozens of interviews with sound designers, mixers, and editors, Mark Kerins uncovers how 5.1 surround has affected not just sound design, but cinematography and editing as well. Beyond Dolby (Stereo) includes detailed analyses of Fight Club, The Matrix, Hairspray, Disturbia, The Rock, Saving Private Ryan, and Joy Ride, among other films, to illustrate the value of a truly audiovisual approach to cinema studies.

Documentary in the Digital Age

Author : Maxine Baker
Publisher : Taylor & Francis
Page : 319 pages
File Size : 52,6 Mb
Release : 2006
Category : Computers
ISBN : 9780240516882

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Documentary in the Digital Age by Maxine Baker Pdf

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.