Cinema Of Outsiders

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Cinema of Outsiders

Author : Emanuel Levy
Publisher : NYU Press
Page : 601 pages
File Size : 49,8 Mb
Release : 1999-09-01
Category : Social Science
ISBN : 9780814752890

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Cinema of Outsiders by Emanuel Levy Pdf

A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness. Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."

Cinema of Outsiders

Author : Emanuel Levy
Publisher : NYU Press
Page : 648 pages
File Size : 54,5 Mb
Release : 1999
Category : Performing Arts
ISBN : 9780814751244

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Cinema of Outsiders by Emanuel Levy Pdf

From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKET.

The Outsiders

Author : William Thorndike
Publisher : Harvard Business Press
Page : 274 pages
File Size : 40,7 Mb
Release : 2012
Category : BUSINESS & ECONOMICS
ISBN : 9781422162675

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The Outsiders by William Thorndike Pdf

It's time to redefine the CEO success story. Meet eight iconoclastic leaders who helmed firms where returns on average outperformed the S&P 500 by more than 20 times.

Parama and Other Outsiders

Author : Shoma A. Chatterji
Publisher : Unknown
Page : 358 pages
File Size : 43,7 Mb
Release : 2002
Category : Feminism and motion pictures
ISBN : UOM:39015058211841

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Parama and Other Outsiders by Shoma A. Chatterji Pdf

This Book Looks At The Cinema Of Aparna Sen In Acomprehensive Manner. Winner Of The National Award For Best Book On Cinema 2002.

Shock Value

Author : Jason Zinoman
Publisher : Penguin
Page : 267 pages
File Size : 41,5 Mb
Release : 2011-07-07
Category : Performing Arts
ISBN : 9781101516966

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Shock Value by Jason Zinoman Pdf

An enormously entertaining account of the gifted and eccentric directors who gave us the golden age of modern horror in the 1970s, bringing a new brand of politics and gritty realism to the genre. Much has been written about the storied New Hollywood of the 1970s, but at the same time as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film-aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, The New York Times's critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age. By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses, and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma- counterculture types operating largely outside the confines of Hollywood-revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror. Zinoman recounts how these directors produced such classics as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched. This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before. Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and starred porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice. The classic horror films of the 1970s have now spawned a billion-dollar industry, but they have also penetrated deep into the American consciousness. Quite literally, Zinoman reveals, these movies have taught us what to be afraid of. Drawing on interviews with hundreds of the most important artists in horror, Shock Value is an enthralling and personality-driven account of an overlooked but hugely influential golden age in American film.

The Outsiders

Author : S. E Hinton
Publisher : Unknown
Page : 180 pages
File Size : 48,6 Mb
Release : 1967
Category : Fugitives from justice
ISBN : 0137012608

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The Outsiders by S. E Hinton Pdf

The Visible Wall

Author : Rochelle Wright
Publisher : SIU Press
Page : 480 pages
File Size : 53,9 Mb
Release : 1998
Category : Performing Arts
ISBN : 0809321645

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The Visible Wall by Rochelle Wright Pdf

Focusing on films produced in Sweden for primarily Swedish audiences, Wright analyzes how the portrayal of the relatively small Jewish minority has evolved over the years. She also compares the images of Jews in Swedish film with those of other ethnic subcultures: long-term resident communities such as tattare ('travelers', an indigenous pariah group often confused with gypsies), Finns, the Sami, and recent immigrant populations such as Greeks, Italians, Turks, and Yugoslavians. She is also the first scholar to discuss Ingmar Bergman's presentation of Jewish characters. Wright confronts important - and exceedingly difficult - social questions. She deals head-on with xenophobia, anti-Semitism, immigration, assimilation, ethnicity, multiculturalism, and the national self-image of Swedes as reflected in their cinema. She also analyzes the manner in which Swedish film represents the persecution of Jews in Nazi-dominated Europe.

Film Directors and Emotion

Author : Darragh Greene,Graham Price
Publisher : McFarland
Page : 202 pages
File Size : 47,8 Mb
Release : 2020-04-22
Category : Performing Arts
ISBN : 9781476668895

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Film Directors and Emotion by Darragh Greene,Graham Price Pdf

Cinema is an affective medium. Films move us to feel wonder, joy, and love as well as fear, anger, and hatred. Today, we are living through a new age of sensibility when emotion is given priority over reason. Yet, there is a counter-cultural current in contemporary American cinema that offers a more nuanced treatment of emotion. Both aesthetically and eidetically, this new cinema of affect allows viewers to make up their own minds about what they feel and think. This book focuses on key films by important auteur-directors--David Fincher, Bryan Singer, Christopher Nolan, Kathryn Bigelow, Richard Linklater, Barry Jenkins, Greta Gerwig, and Pete Docter--who are to the forefront of this new cinema. It explores how they anatomize affect and how it functions in the creation or degradation of character and society.

Insiders and Outsiders in Russian Cinema

Author : Stephen M. Norris,Zara M. Torlone
Publisher : Indiana University Press
Page : 0 pages
File Size : 46,6 Mb
Release : 2008-05-14
Category : History
ISBN : 0253219825

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Insiders and Outsiders in Russian Cinema by Stephen M. Norris,Zara M. Torlone Pdf

Identifying who was "inside" and who was "outside" the Soviet/Russian body politic has been a matter of intense and violent urgency, especially in the high Stalinist and post-Soviet periods. It is a theme encountered prominently in film. Employing a range of interpretive methods practiced in Russian/Soviet film studies, Insiders and Outsiders in Russian Cinema highlights the varied ways that Russian and Soviet cinema constructed otherness and foreignness. While the essays explore the "us versus them" binary well known to students of Russian culture and the ways in which Russian films depicted these distinctions, the book demonstrates just how impossible maintaining this binary proved to be. Contributors are Anthony Anemone, Julian Graffy, Peter Kenez, Joan Neuberger, Stephen M. Norris, Oleg Sulkin, Yuri Tsivian, Emma Widdis, and Josephine Woll.

Hollywood Outsiders

Author : Anne Morey
Publisher : U of Minnesota Press
Page : 276 pages
File Size : 51,9 Mb
Release : 2003
Category : Performing Arts
ISBN : 0816637326

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Hollywood Outsiders by Anne Morey Pdf

An innovative approach to the relationship between filmmaking and society during Hollywood's golden age. The 1910s and 1920s witnessed the inception of a particular brand of negotiation between filmdom and its public in the United States. Hollywood, its proponents, and its critics sought to establish new connections between audience and industry, suggesting means by which Hollywood outsiders could become insiders. Hollywood Outsiders looks at how four disparate entities--the Palmer Photoplay correspondence school of screenwriting, juvenile series fiction about youngsters involved in the film industry, film appreciation and character education programs for high school students, and Catholic and Protestant efforts to use and influence filmmaking--conceived of these connections, and thus of the relationship of Hollywood to the individual and society. Anne Morey's exploration of the diverse discourses generated by these different conjunctions leads to a fresh and compelling interpretation of Hollywood's place in American cultural history. In its analysis of how four distinct groups, each addressing constituencies of various ages and degrees of social authority, defined their interest in the film industry, Hollywood Outsiders combines concrete discussions of cultural politics with a broader argument about how outsiders viewed the film industry as a vehicle of self-validation and of democratic ideals.

North Korean Cinema

Author : Johannes Schönherr
Publisher : McFarland
Page : 225 pages
File Size : 53,5 Mb
Release : 2012-08-10
Category : Performing Arts
ISBN : 9780786490523

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North Korean Cinema by Johannes Schönherr Pdf

Like many ideological dictatorships of the twentieth century, North Korea has always considered cinema an indispensible propaganda tool. No other medium penetrated the whole of the population so thoroughly, and no other medium remained so strictly and exclusively under state control. Through movies, the two successive leaders Kim Il Sung and Kim Jong Il propagandized their policies and sought to rally the masses behind them, with great success. This volume chronicles the history of North Korean cinema from its beginnings to today, examining the obstacles the film industry faced as well as the many social problems the films themselves reveal. It provides detailed analyses of major and minor films and explores important developments in the industry within the context of the concurrent social and political atmosphere. Through the lens of cinema emerges a fresh perspective on the history of North Korean politics, culture, and ideology.

Rumble Fish

Author : S.E. Hinton
Publisher : Diversion Books
Page : 98 pages
File Size : 48,5 Mb
Release : 2014-01-15
Category : Young Adult Fiction
ISBN : 9781938120824

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Rumble Fish by S.E. Hinton Pdf

From the author of The Outsiders: This novel about two brothers in a tough world “packs a punch that will leave readers of any age reeling” (School Library Journal). An ALA Best Book for Young Adults A School Library Journal Best Book of the Year Rusty-James wants to be just like his big brother Motorcycle Boy—tough enough to be respected by everyone in the neighborhood. But Motorcycle Boy is also smart, so smart that Rusty-James relies on him to bail him out of trouble. The brothers are inseparable, and Motorcycle Boy will always be there to watch his back, so there's nothing to worry about, right? Or so Rusty-James believes, until his world falls apart and Motorcycle Boy isn't there to pick up the pieces. An edgy, emotional portrait of a troubled kid trying to navigate the chaotic world around him, Rumble Fish was made into a film by Francis Ford Coppola and has become a modern classic praised by School Library Journal as “stylistically superb” and beloved by multiple generations of readers. “Hinton knows how to plunge us right into [Rusty-James’s] dead-end mentality—his inability to verbalize much of anything, to come to grips with his anger about his alcoholic father and the mother who deserted him, even his distance from his own feelings.”—Kirkus Reviews

Honor Among Thieves: The Cinema of Jean-Pierre Melville

Author : Andrew Dickos
Publisher : Contra Mundum Press
Page : 244 pages
File Size : 53,8 Mb
Release : 2021-06-23
Category : Performing Arts
ISBN : 1940625475

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Honor Among Thieves: The Cinema of Jean-Pierre Melville by Andrew Dickos Pdf

Honor Among Thieves profiles Melville's eventful life & discusses his cinema as an essential body of work in our reckoning of postwar European cinema.

Anti-Heimat Cinema

Author : Ofer Ashkenazi
Publisher : University of Michigan Press
Page : 315 pages
File Size : 42,5 Mb
Release : 2020-09-08
Category : Social Science
ISBN : 9780472132010

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Anti-Heimat Cinema by Ofer Ashkenazi Pdf

Anti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers’ contemplations of “Heimat”—a provincial German landscape associated with belonging and authenticity—it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers’ contribution to this endeavor. It shows how they devised the landscapes of the German “Homeland” as Jews, namely, as acculturated “outsiders within.” Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War I to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.

Lost and Othered Children in Contemporary Cinema

Author : Debbie C. Olson,Andrew Scahill
Publisher : Lexington Books
Page : 330 pages
File Size : 44,6 Mb
Release : 2012-05-18
Category : Performing Arts
ISBN : 9780739170267

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Lost and Othered Children in Contemporary Cinema by Debbie C. Olson,Andrew Scahill Pdf

Lost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, is an edited collection that challenges notions of the innocent child through an exploration of the dark side of childhood in contemporary cinema. The contributors to this multidisciplinary study offer a global perspective that explores the multiple conditions of marginalized childhood as cinematically imagined within political, geographical, sociological, and cultural contexts.