Cinematic Cuts

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Cinematic Cuts

Author : Sheila Kunkle
Publisher : SUNY Press
Page : 306 pages
File Size : 51,9 Mb
Release : 2016-05-09
Category : Performing Arts
ISBN : 9781438461373

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Cinematic Cuts by Sheila Kunkle Pdf

Explores the philosophical, literary, and psychoanalytic significance of film endings.
Editing has been called the language of cinema, and thus a film’s ending can be considered the final punctuation mark of this language, framing everything that came before and offering the key to both our interpretation and our enjoyment of a film. In Cinematic Cuts, scholars explore the philosophical, literary, and psychoanalytic significance of film endings, analyzing how film endings engage our fantasies of cheating death, finding true love, or determining the meaning of life. They examine how endings offer various forms of enjoyment for the spectator, from the momentary fulfillment of desire in the happy ending to the pleasurable torment of an indeterminate ending. The contributors also consider how film endings open onto larger questions relating to endings in our time. They suggest how a film ending’s hidden counternarrative can be read as a political act, how our interpretation of a film ending parallels the end of a psychoanalytical session, how film endings reveal our anxieties and fears, and how cinema itself might end with the increasing intervention of digital technologies that reorient the spectator’s sense of temporality and closure. Films by Akira Kurosawa, Lars von Trier, Joon-Hwan Jang, Claire Denis, Christopher Nolan, Jane Campion, John Huston, and Spike Jonze, among others, are discussed.

Film Editing

Author : Gael Chandler
Publisher : Unknown
Page : 0 pages
File Size : 47,8 Mb
Release : 2009
Category : Motion pictures
ISBN : 1932907629

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Film Editing by Gael Chandler Pdf

Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know makes the invisible art of editing visible by using nearly 600 colorful frames from popular, recent films. The frames, accompanied by brisk descriptions, make it perfectly suited for quick study readers who like to 'gaze' rather than 'graze' and don't want to read a book. Written by an editor and the author of Cut by Cut: How to Edit your Film or Video, it shows how editors can make or break a movie.

Toward a Structural Psychology of Cinema

Author : John M. Carroll
Publisher : Walter de Gruyter
Page : 241 pages
File Size : 41,8 Mb
Release : 2012-01-02
Category : Language Arts & Disciplines
ISBN : 9783110825619

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Toward a Structural Psychology of Cinema by John M. Carroll Pdf

Toward a Structural Psychology of Cinema Approaches to Semiotics [AS].

Cinematic Art and Reversals of Power

Author : Eugene B. Young
Publisher : Bloomsbury Publishing
Page : 345 pages
File Size : 54,7 Mb
Release : 2022-01-13
Category : Art
ISBN : 9781350176119

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Cinematic Art and Reversals of Power by Eugene B. Young Pdf

Bringing together Deleuze, Blanchot, and Foucault, this book provides a detailed and original exploration of the ideas that influenced Deleuze's thought leading up to and throughout his cinema volumes and, as a result, proposes a new definition of art. Examining Blanchot's suggestion that art and dream are “outside” of power, as imagination has neither reality nor truth, and Foucault's theory that power forms knowledge by valuing life, Eugene Brent Young relates these to both Deleuze's philosophy of time and his work with Guattari on art. In doing so, he uses case studies from literature and popular film, including Kafka's Castle, Villeneuve's Arrival, and Kubrick's Eyes Wide Shut. Providing important new insights for those working in literary and cinematic studies, this book advances a new definition of art as that which reverses the realities and truths of power to express obscure ideas and values beyond both our exterior and interior worlds.

Film Editing

Author : Valerie Orpen
Publisher : Columbia University Press
Page : 167 pages
File Size : 51,9 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9780231851367

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Film Editing by Valerie Orpen Pdf

Film Editing provides an introduction to the craft of editing in the non-silent film. In clear and accessible language, Valerie Orpen considers editing as an expressive strategy rather than a mere technique. She reveals that editing can be approached and studied in a similar way to other aspects of film. Traditionally, studies on editing or montage tend to focus on silent cinema, yet this book claims that an examination of editing should also consider the role of the soundtrack. The aim of Film Editing is to examine the way in which editing can make meaning. The book addresses editing as part of a wider context and as a crucial element of the overarching design and vision of a film. Consequently, this book incorporates other parameters, such as mise-en-scène, framing, sound, genre, history, and performance. By examining a number of mainstream and art films, such as Godard's A bout de souffle, Hitchcock's Rear Window, and Scorsese's Raging Bull, Film Editing seeks to dispel the notion that editing is necessarily polarized as continuity versus discontinuity.

Cutting Rhythms

Author : Karen Pearlman
Publisher : CRC Press
Page : 300 pages
File Size : 46,9 Mb
Release : 2012-08-21
Category : Performing Arts
ISBN : 9781136059902

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Cutting Rhythms by Karen Pearlman Pdf

This groundbreaking book presents a brand-new methodology for improving a film edit.

Neuroscience and the Media

Author : Celia Andreu-Sánchez,Miguel Ángel Martín-Pascual,José M. Delgado-García
Publisher : Frontiers Media SA
Page : 179 pages
File Size : 40,8 Mb
Release : 2023-12-04
Category : Science
ISBN : 9782832540404

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Neuroscience and the Media by Celia Andreu-Sánchez,Miguel Ángel Martín-Pascual,José M. Delgado-García Pdf

Cinema after Fascism

Author : S. Craig
Publisher : Springer
Page : 199 pages
File Size : 47,6 Mb
Release : 2010-07-19
Category : Performing Arts
ISBN : 9780230109742

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Cinema after Fascism by S. Craig Pdf

Cinema After Fascism considers how postwar European films glance ambivalently backward from the postwar period to the fascist era and delves into issues of gender certainties and spectatorship. In this period of film, familiar structures of epistemology and historiography reappear as ghostly imprints on postwar celluloid, and the remnants of fascist subjectivity walk the streets of postwar cities. Through new perspectives on the films of Roberto Rossellini, Billy Wilder, Carol Reed, Alain Resnais, and Marguerite Duras, this book examines the ways in which filmmakers acknowledge the fascist past. Siobhan S. Craig reveals that the attempts to reconfigure the idioms of cinema are never fully naturalized and remain highly precarious constructions.

Transnational Chinese Cinema

Author : Brian Bergen-Aurand,Mary Mazzilli,Hee Wai-Siam
Publisher : Transaction Publishers
Page : 282 pages
File Size : 41,7 Mb
Release : 2015-03-26
Category : Art
ISBN : 9781626430112

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Transnational Chinese Cinema by Brian Bergen-Aurand,Mary Mazzilli,Hee Wai-Siam Pdf

This collection of essays on transnational Chinese cinema explores the corporal, psychological, and affective aspects of experiencing bodies on screen; engages with the material and discursive elements of embodiment; and highlights the dynamics between the mind and body involved in bio-cultural practices of cinematic production, distribution, exhibition, and reception.

A Quick Guide to Film Directing

Author : Ray Morton
Publisher : Hal Leonard Corporation
Page : 62 pages
File Size : 48,5 Mb
Release : 2014-04-01
Category : Music
ISBN : 9780879109004

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A Quick Guide to Film Directing by Ray Morton Pdf

(Quick Guide). A Quick Guide to Film Directing provides the reader with a concise and comprehensive overview of this creative and exciting occupation. Written in a fast-paced, easy-to-understand fashion, the book addresses such topics as what film direction is; the history of the profession; how to become a director; the creative and practical duties and challenges of a film director in the three stages of making a movie (preproduction, production, and postproduction); working with actors; working with the members of the technical crew (cinematographers, editors, production designers, etc.); the director's support team (assistant director, production manager, and so on); and the business of being a film director. It also offers a brief look at some of the greatest and most influential film directors in the history of the cinema.

Temporality and Film Analysis

Author : Matilda Mroz
Publisher : Edinburgh University Press
Page : 240 pages
File Size : 46,9 Mb
Release : 2012-08-06
Category : Performing Arts
ISBN : 9780748643479

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Temporality and Film Analysis by Matilda Mroz Pdf

Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. In close readings of Michelangelo Antonioni's L'Avventura, Andrei Tarkovsky's Mirror, and the ten short films that make up Krzysztof Kie?lowski's Decalogue series, Mroz highlights how film analysis must consider both particular moments in cinema which are critically significant, and the way in which such moments interrelate in temporal flux. She explores the concepts of duration and rhythm, resonance and uncertainty, affect, sense and texture, to bring a fresh perspective to film analysis and criticism.Essential reading for students and scholars in Film Studies, this engaging study will also be a valuable resource for critical theorists.

Classical Film Violence

Author : Stephen Prince
Publisher : Rutgers University Press
Page : 350 pages
File Size : 43,5 Mb
Release : 2003
Category : Performing Arts
ISBN : 0813532817

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Classical Film Violence by Stephen Prince Pdf

Examines the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production. A stylistic history of American screen violence that is grounded in industry documentation. [back cover].

Barthes/Burgin

Author : Ryan Bishop
Publisher : Edinburgh University Press
Page : 128 pages
File Size : 46,5 Mb
Release : 2016-09-22
Category : Art
ISBN : 9781474415545

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Barthes/Burgin by Ryan Bishop Pdf

The influence of Roland Barthes on Burgin's work is well documented. Equally, Burgin's prominence as an artist and theorist concerned with text and image offers a productive dialogue with Barthes' work. Victor Burgin has long been considered both theorist and practitioner, while Barthes is more known as a theorist and writer. In bringing to the fore Barthes's practice of painting and drawing, Barthes/Burgin prompts a new critical consideration of Barthes/Burgin, theory/practice, writing/making and criticality/visuality. Barthes/Burgin features two new interviews with Burgin, one concerned with his turn to new digital practices and the other a reflection on his reading of Roland Barthes. Also included are images and texts from the artists and an essay critically examining Barthes' exercises in drawing and painting.

The American Theatrical Film

Author : John C. Tibbetts
Publisher : Popular Press
Page : 300 pages
File Size : 44,6 Mb
Release : 1985
Category : Performing Arts
ISBN : 0879722894

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The American Theatrical Film by John C. Tibbetts Pdf

This book provides needed information on the collaborations between filmmakers and theater personnel before 1930 and completes our understanding of how two art forms influenced each other. It begins with the vaudeville and "faerie" dramas captured in brief films by the Edison and Biograph companies; follows the development of feature-length Sarah Bernhardt and James O'Neill films after 1912; examines the formation of theater/film combination companies in 1914-15; and details later collaborations during the talking picture revolution of 1927. Includes detailed analyses of important theatrical films like The Count of Monte Cristo, The Virginian, Coquette, and Paramount on Parade.

Mobility and Migration in Film and Moving Image Art

Author : Nilgun Bayraktar
Publisher : Routledge
Page : 214 pages
File Size : 50,8 Mb
Release : 2015-12-07
Category : Social Science
ISBN : 9781317510734

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Mobility and Migration in Film and Moving Image Art by Nilgun Bayraktar Pdf

Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Ergin Çavuşoğlu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.