Cinematic Howling Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Cinematic Howling book. This book definitely worth reading, it is an incredibly well-written.
Cinematic Howling presents a refreshingly unorthodox framework for feminist film studies. Instead of criticizing mainstream movies from feminist perspectives, Hoi Cheu focuses on women's filmmaking itself. Integrating systems theory and feminist aesthetics in his close readings of films and screenplays by women, he considers how women engage the process of storytelling in cinema. The importance of these films, he argues, is not merely that they reflect women's perceptions, but that they have the power to reframe experiences and, consequently, to transform life. A major contribution to feminist scholarship that will appeal to scholars of both gender and film, Cinematic Howling is written in an approachable and inviting style, full of vivid examples and attention to detail, which will suit both undergraduate and graduate courses in gender, film, and cultural studies.
Marvel Cinematic Universe Guidebook by Mike O'Sullivan,Ohotmu Team Pdf
CollectsÿGuidebook To The Marvel Cinematic Universe - Marvel's Iron Man, Marvel's Incredible Hulk, Marvel's Iron Man 2, Marvel's Thor, Marvel's Captain America: The First Avenger, Marvel's The Avengers, Marvel's Iron Man 3, Marvel's Thor: The Dark World. The official handbook of the Marvel Cinematic Universe takes you all the way through Phase One and to the dawn of Phase Two! Filled with fact sheets, movie-to-comic comparisons, behind-the-scenes art and production stills, this volume details the first eight blockbuster Marvel movies - from 2008's Iron Man to 2013's Thor: The Dark World. In-depth character profiles give you the whole story on heroes like Captain America, the Hulk, Black Widow, War Machine, Hawkeye and more! Deadly villains including Abomination, Loki, Red Skull and the Mandarin! Plus a universe of supporting characters like Nick Fury, Bucky Barnes, Peggy Carter and Phil Coulson! It's your indispensable guide to the MCU!
The Ashgate Encyclopedia of Literary and Cinematic Monsters by Jeffrey Andrew Weinstock Pdf
From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.
Situates Australian cinema in its historical and cultural perspective, offering detailed critiques of key films from 1970 onwards, and using them to illustrate the recent theories on the cinema industries.
Although its early films featured racial caricatures and exclusively Caucasian heroines, Disney has, in recent years, become more multicultural in its filmic fare and its image. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the first African American princess in The Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy Story 3, Disney films have come to both mirror and influence our increasingly diverse society. This essay collection gathers recent scholarship on representations of diversity in Disney and Disney/Pixar films, not only exploring race and gender, but also drawing on perspectives from newer areas of study, particularly sexuality/queer studies, critical whiteness studies, masculinity studies and disability studies. Covering a wide array of films, from Disney's early days and "Golden Age" to the Eisner era and current fare, these essays highlight the social impact and cultural significance of the entertainment giant. Instructors considering this book for use in a course may request an examination copy here.
Anni 80 Il Decennio d’oro del Cinema Horror by Matteo Tortora Pdf
Il presente libro nasce come tentativo di sintetico catalogo ragionato del cinema horror degli anni 80 compiuto da uno spettatore che nel 1980 aveva cinque anni e nel 1990 quindici, quindi uno spettatore fortemente influenzabile e che, pertanto, risente, nei giudizi, delle proprie memorie di giovane testimone, delle paure e delle inquietudini che le tematiche horror gli trasmettevano. L'approccio ai film avviene pertanto su basi fortemente affettive e nostalgiche. L'angolo di prospettiva seguito, è francamente unilaterale: non si è voluto rifare qui una storia generale ed approfondita del cinema horror dal 1980 al 1990, ma verificare l'influenza diretta delle varie tematiche sulla produzione internazionale, le imitazioni del passato e gli indirizzi e le nuove mete indicate dai maestri quali Tobe Hooper, Wes Craven, Kubrick, Carpenter, ect. ect.. Così analizzando le varie tematiche e le piccole o grandi ideologie che esse trasmettono potremo ritrovare alcuni tratti tipici di fortunatissimi filoni quali Halloween, Venerdì 13, solo per citare i più importanti. Inoltre un viaggio nel Cinema Horror degli anni 80 analizzato sotto un profilo laico ed il profilo religioso, prettamente cattolico. Diversificazioni di analisi, certo, ma un sicuro approfondimento delle tematiche che ci interessano. Infatti di tutti i film presi in considerazione, non solo si dà un sintetico giudizio laico, ma si riporta anche l’approfondita Scheda redatta dal Centro Cattolico Cinematografico che analizza la trama, valuta il film sotto il profilo etico-morale-religioso, al fine di indicare ai Cattolici se può essere visto o meno. Ne viene fuori uno spaccato veramente interessante e, a volte, addirittura divertente. Bisogna dare atto, però, che la critica cattolica sa diversificare il giudizio religioso da quello tecnico-creativo. Ciò vuol dire che un film può essere riconosciuto come un capolavoro, ma non per questo ottenere il nulla osta di visibilità. Il libro è stato concepito per l’editoria elettronica è come tale ha delle peculiarità che il libro cartaceo non ha. La principale è quella della interattività. Non indispensabile ma opportuna. Disponendo di una connessione internet sul proprio lettore di ebook sarà possibile collegarsi, ad esempio, a Wikipedia potendo così consultare una scheda approfondita del film e del suo regista. Inoltre subito dopo l’introduzione si riportano tutti i film horror usciti dal 1980 al 1989 linkati a IMDB e a MRQE per le recensioni in lingua inglese.
Girl Culture [2 volumes] by Claudia Mitchell,Jacqueline Reid-Walsh Pdf
Never before has so much popular culture been produced about what it means to be a girl in today's society. From the first appearance of Nancy Drew in 1930, to Seventeen magazine in 1944 to the emergence of Bratz dolls in 2001, girl culture has been increasingly linked to popular culture and an escalating of commodities directed towards girls of all ages. Editors Claudia A. Mitchell and Jacqueline Reid-Walsh investigate the increasingly complex relationships, struggles, obsessions, and idols of American tween and teen girls who are growing up faster today than ever before. From pre-school to high school and beyond, Girl Culture tackles numerous hot-button issues, including the recent barrage of advertising geared toward very young girls emphasizing sexuality and extreme thinness. Nothing is off-limits: body image, peer pressure, cliques, gangs, and plastic surgery are among the over 250 in-depth entries highlighted. Comprehensive in its coverage of the twenty and twenty-first century trendsetters, fashion, literature, film, in-group rituals and hot-button issues that shape—and are shaped by—girl culture, this two-volume resource offers a wealth of information to help students, educators, and interested readers better understand the ongoing interplay between girls and mainstream culture.
Nadine Chan,Aaron Gerow,Jane Marie Gaines,Zhen Zhang,Thomas A. C. Barker,Nikki J. Y. Lee,José B. Capino
Author : Nadine Chan,Aaron Gerow,Jane Marie Gaines,Zhen Zhang,Thomas A. C. Barker,Nikki J. Y. Lee,José B. Capino Publisher : Indiana University Press Page : 304 pages File Size : 54,5 Mb Release : 2022-02 Category : History ISBN : 9780253059765
Theorizing Colonial Cinema by Nadine Chan,Aaron Gerow,Jane Marie Gaines,Zhen Zhang,Thomas A. C. Barker,Nikki J. Y. Lee,José B. Capino Pdf
Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past.
The Politics and Poetics of Cinematic Realism by Hermann Kappelhoff Pdf
Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein and Pedro Almodóvar, by the New Objectivity and the New Hollywood, to demonstrate how cinema situates spectators within society. Kappelhoff applies the Deleuzean practice of "thinking in images" to his analysis of films and incorporates the approaches of Jacques Rancière and Richard Rorty, who see politics in the permanent reconfiguration of poetic forms. This enables him to conceptualize film as a medium that continually renews the audiovisual spaces and temporalities through which audiences confront reality. Revitalizing the reading of films by Visconti, Fassbinder, Kubrick, Friedkin, and others, Kappelhoff affirms cinema's historical significance while discovering its engagement with politics as a realm of experience.
Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.
Mystery Movie Series of 1930s Hollywood by Ron Backer Pdf
This companion volume to Mystery Movie Series of 1940s Hollywood (McFarland, 2010) focuses on 22 series and 167 individual films, primarily released during the 1930s. It was a decade that featured some of the most famous cinema detectives of all time, among them Charlie Chan, Nick and Nora Charles, Philo Vance, Nancy Drew, and such lesser known but equally entertaining figures as Hildegarde Withers, Torchy Blane, Mr. Moto, Mr. Wong, and Brass Bancroft. Each mystery movie series is placed within its historical context, with emphasis on its source material and the changes or developments within the series over time. Also included are reviews of all the series' films, analyzing the quality and cohesiveness of the mystery plotlines. For titles based on literary sources, a comparison between the film and the written work is provided.