City Folk Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of City Folk book. This book definitely worth reading, it is an incredibly well-written.
The legend of the Camel Hump Hillbillies is no joke. No one goes to the north side of Camel Hump Mountain because no one comes back from there. How did these hillbillies come to be? How did they get there? What are they really? Get ready for a ride in horror. Meet Trans, Kesha Satomomo, Marco Hernandez, Conway Addable, and Tubby Timms. The misfit guardian hunters have bonded, and now they hunt the hillbillies. Join them on a harrowing adventure into terror. See how these college misfits become the hunters and meet their guardians. All the blood and guts you would expect from hillbilly horror and more. It has terrifying images, blood-soaked scenes, gut-busting laughs, and a story that will haunt you to your core. City Folk is a terrifying adventure that is going to gross you out, creep you out, and freak you out.
City Folk and Country Folk by Sofia Khvoshchinskaya Pdf
“This scathingly funny comedy of manners” by the rediscovered female Russian novelist “will deeply satisfy fans of 19th-century Russian literature” (Publishers Weekly, starred review). City Folk and Country Folk is a seemingly gentle yet devastating satire of the aristocratic and pseudo-intellectual elites of 1860s Russia. Translated into English for the first time, the novel weaves a tale of manipulation, infatuation, and female assertiveness that takes place one year after the liberation of the empire's serfs. Upending Russian literary clichés of female passivity and rural gentry benightedness, Sofia Khvoshchinskaya centers her story on a common-sense, hardworking noblewoman and her self-assured daughter living on their small rural estate. Throwing off the imposed sense of duty toward their "betters", these two women ultimately triumph over the urbanites' financial, amorous, and matrimonial machinations. Sofia Khvoshchinskaya and her writer sisters closely mirror Britain's Brontës, yet Khvoshchinskaya's work contains more of Jane Austen's wit and social repartee, as well as an intellectual engagement reminiscent of Elizabeth Gaskell's condition-of-England novels. Written by a woman under a male pseudonym, this exploration of gender dynamics in post-emancipation Russian offers a new and vital point of comparison with the better-known classics of nineteenth-century world literature.
This is the story of English Country Dance, from its 18th century roots in the English cities and countryside, to its transatlantic leap to the U.S. in the 20th century, told by not only a renowned historian but also a folk dancer, who has both immersed himself in the rich history of the folk tradition and rehearsed its steps. In City Folk, Daniel J. Walkowitz argues that the history of country and folk dancing in America is deeply intermeshed with that of political liberalism and the ‘old left.’ He situates folk dancing within surprisingly diverse contexts, from progressive era reform, and playground and school movements, to the changes in consumer culture, and the project of a modernizing, cosmopolitan middle class society. Tracing the spread of folk dancing, with particular emphases on English Country Dance, International Folk Dance, and Contra, Walkowitz connects the history of folk dance to social and international political influences in America. Through archival research, oral histories, and ethnography of dance communities, City Folk allows dancers and dancing bodies to speak. From the norms of the first half of the century, marked strongly by Anglo-Saxon traditions, to the Cold War nationalism of the post-war era, and finally on to the counterculture movements of the 1970s, City Folk injects the riveting history of folk dance in the middle of the story of modern America.
Author : Stephen Petrus,Ronald D. Cohen Publisher : Oxford University Press, USA Page : 321 pages File Size : 54,7 Mb Release : 2015 Category : Music ISBN : 9780190231026
"'Folk City: New York and the American Folk Music Revival' was published to accompany the exhibition of the same name presented at the Museum of the City of New York from June 17-November 29, 2015."--Page 6.
New York State Folklife Reader by Elizabeth Tucker,Ellen E. McHale Pdf
New York and its folklore scholars hold an important place in the history of the discipline. In New York dialogue between folklore researchers in the academy and those working in the public arena has been highly productive. In this volume, the works of New York's academic and public folklorists are presented together. Unlike some folklore anthologies, New York State Folklife Reader does not follow an organizational plan based on regions or genres. Because the New York Folklore Society has always tried to "give folklore back to the people," the editors decided to divide the edited volume into sections about life processes that all New York state residents share. The book begins with five essays on various aspects of folk cultural memory: personal, family, community, and historical processes of remembrance expressed through narrative, ritual, and other forms of folklore. Following these essays, subsequent sections explore aspects of life in New York through the lens of Play, Work, Resistance, and Food. Both the New York Folklore Society and its journal were, as society cofounder Louis Jones explained, "intended to reach not just the professional folklorists but those of the general public who were interested in the oral traditions of the State." Written in an accessible and readable style, this volume offers a glimpse into New York State's rich cultural diversity.
The Oxford Handbook of American Folklore and Folklife Studies by Simon J. Bronner Pdf
The Oxford Handbook of American Folklore and Folklife Studies surveys the materials, approaches, concepts, and applications of the field to provide a sweeping guide to American folklore and folklife, culture, history, and society. Forty-three comprehensive and diverse chapters delve into significant themes and methods of folklore and folklife study; established expressions and activities; spheres and locations of folkloric action; and shared cultures and common identities. Beyond the longstanding arenas of academic focus developed throughout the 350-year legacy of folklore and folklife study, contributors at the forefront of the field also explore exciting new areas of attention that have emerged in the twenty-first century such as the Internet, bodylore, folklore of organizations and networks, sexual orientation, neurodiverse identities, and disability groups. Encompassing a wide range of cultural traditions in the United States, from bits of slang in private conversations to massive public demonstrations, ancient beliefs to contemporary viral memes, and a simple handshake greeting to group festivals, these chapters consider the meanings in oral, social, and material genres of dance, ritual, drama, play, speech, song, and story while drawing attention to tradition-centered communities such as the Amish and Hasidim, occupational groups and their workaday worlds, and children and other age groups. Weaving together such varied and manifest traditions, this handbook pays significant attention to the cultural diversity and changing national boundaries that have always been distinctive in the American experience, reflecting on the relative youth of the nation; global connections of customs brought by immigrants; mobility of residents and their relation to an indigenous, urbanized, and racialized population; and a varied landscape and settlement pattern. Edited by leading folklore scholar Simon J. Bronner, this handbook celebrates the extraordinary richness of the American social and cultural fabric, offering a valuable resource not only for scholars and students of American studies, but also for the global study of tradition, folk arts, and cultural practice.
"Fascinating insights into modern urban religious practice make Orsi's collection a must-read." -- Publishers Weekly "The essays provide insight into the cultural creativity, reinterpretation of worship and religious ingenuity of city people over the last 50 years." -- Library Journal "At last, a major dissection of the great mystery in modern Americanlife -- how religion and spirituality prospered amidst industrialization,urbanization, and rampant technological change after 1880!" -- Jon Butler, Yale University "Urban religion" strikes many as an oxymoron. How can religion thrive in the alienated, secular, fast-paced, and materialistic world of the modern, Western city? The authors in this collection believe that cities not only can provide the settings for religious expression, but also are material to the experiences which give rise to those religious expressions. In this book, they explore the distinctly urban forms of religious experience and practice that have developed in relation to the spaces, social conditions, and history of American cities.
Folk Music: TheBasics gives a brief introduction to British and American folk music. It is an excellent introduction to the players, the music, and the styles that make folk music an enduring and well-loved musical style.
Cantopop was once the leading pop genre of pan-Chinese popular music around the world. In this pioneering study of Cantopop in English, Yiu-Wai Chu shows how the rise of Cantopop is related to the emergence of a Hong Kong identity and consciousness. Chu charts the fortune of this important genre of twentieth-century Chinese music from its humble, lower-class origins in the 1950s to its rise to a multimillion-dollar business in the mid-1990s. As the voice of Hong Kong, Cantopop has given generations of people born in the city a sense of belonging. It was only in the late 1990s, when transformations in the music industry, and more importantly, changes in the geopolitical situation of Hong Kong, that Cantopop showed signs of decline. As such, Hong Kong Cantopop: A Concise History is not only a brief history of Cantonese pop songs, but also of Hong Kong culture. The book concludes with a chapter on the eclipse of Cantopop by Mandapop (Mandarin popular music), and an analysis of the relevance of Cantopop to Hong Kong people in the age of a dominant China. Drawing extensively from Chinese-language sources, this work is a most informative introduction to Hong Kong popular music studies. “Few scholars I know of have as thorough a knowledge of Cantopop as Yiu-Wai Chu. The account he provides here—of pop music as a nexus of creative talent, commoditized culture, and geopolitical change—is not only a story about postwar Hong Kong; it is also a resource for understanding the term ‘localism’ in the era of globalization.” —Rey Chow, Duke University “Yiu-Wai Chu’s book presents a remarkable accomplishment: it is not only the first history of Cantopop published in English; it also manages to interweave the sound of Cantopop with the geopolitical changes taking place in East Asia. Combining a lucid theoretical approach with rich empirical insights, this book will be a milestone in the study of East Asian popular cultures.” —Jeroen de Kloet, University of Amsterdam
It's game on, Animal Crossing fans! This title explores the inception and evolution of Animal Crossing, highlighting the game's key creators, super players, and the cultural crazes inspired by the game. Special features include side-by-side comparisons of the game over time and a behind-the-screen look into the franchise. Other features include a table of contents, fun facts, a timeline and an index. Full-color photos and action-packed screenshots will transport readers to the heart the Animal Crossing empire! Aligned to Common Core Standards and correlated to state standards. Checkerboard Library is an imprint of Abdo Publishing, a division of ABDO.
This overview of folk dancing in the United States showcases an important historical movement and explains how folk dance communities evolved to fulfill the needs of specific groups of people over time. While the general term "folk dance" encompasses a surprising variety of specific dances, there are three major recreational communities or forms: international folk dance, modern western square dance, and contra dance. Throughout the last century, millions of people have enjoyed folk dancing as an educational and recreational activity, regardless of the particular style. Folk Dancing explains the reasons for the folk dance movement that exploded in Europe and North America in the late 19th century. It describes the clubs, camps, festivals, and communities that sprang up, and examines the culture of the movement—the music, key individuals and events, types of clothing, and influences of technologies and popular culture. The book contains authoritative, original information gleaned from the author's own research conducted with hundreds of folk dance enthusiasts across America.
For nearly thirty years, Kevin C. Kearns collected the memories and recollections of Dubliners on tape. These interviews have formed the basis of an extraordinary body of work, one whose subjects have included the life of the Dublin pub and the tenement house. In this ambitious book, he considers their contributions in aggregate, drawing on the voices of ordinary Dubliners to build an oral folk history of the city in the twentieth century. Firemen, engine drivers, bell ringers, gatekeepers, cinema ushers, gravediggers, dockers, factory workers, butchers, hatters, booksellers and many more: all contribute their own words to this epic portrait of Dublin city life in the turbulent decades separating the Victorian and modern eras. In Dublin Voices, the words of ordinary Dubliners can be heard as they recall their lives and times. Lucid, witty and compelling, these oral narratives bring the city to life in a manner that conventional histories simply cannot match.
This book introduces readers to the anthropology of urban life in Africa, showing what ethnography can teach us about African city dwellers’ own notions, practices, and reflections. Social anthropologists have studied city life in Africa since the early 20th century. Their works have addressed a number of questions that are relevant until today: What happens to rural people who move to the city? What kinds of livelihoods do they pursue? How does city life affect moralities and practices connected with gender roles, marriage, parenthood, and intergenerational relations? In which social situations are ethnic and other collective identifications relevant? How do people make a home in the city? What forms of authority and leadership become relevant in urban governance? How do people talk about city life? This book asks what anthropologists have come to learn about Africans’ views on city life. It provides a critical acclaim of ethnographies in English, French, and German and elucidates anthropology’s contribution to understanding city life in Africa. It highlights the significance of female, African and Diaspora scholars for an emerging urban anthropology of Africa. The chapters are organized according to everyday activities of city dwellers: moving, connecting, governing, working, dwelling, and wayfinding. The book will be an essential read for students and researchers of social anthropology, African and urban studies, but also for professionals in research and development organizations, thinktanks, and other institutions concerned with urban Africa.