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Beginner Jazz Soloing for Saxophone & Clarinet by Buster Birch,Joseph Alexander Pdf
Many woodwind players come from a classical background which may not have taught you how to play by ear. While this can provide an excellent grounding in music, it doesn't teach you how to improvise, and often it's difficult for classically trained musicians to learn Jazz soloing. Beginner Jazz Soloing For Saxophone & Clarinet is the perfect guide to bridge the gap. Devised by Buster Birch (visiting jazz professor at Trinity Conservatoire), this book teaches a creative method for improvisation that's been road-tested at hundreds of workshops.
Clarinet and Saxophone Experience by Stanley Richmond Pdf
This book brings together the many aspects involved in full and accurate control of the instruments. It gives the reader all the information and explanations which enable instrumental failings to be understood and remedied. It is hoped that they will offer a new approach to eliminating playing hazards encountered by musically proficient players as well as by the less experienced. The basic relationship between the sound-producing unit and other instrument parts is commonly given insufficient consideration. Important dimensions therefore are reviewed for matching parts to each other and to the notes of the instruments. Fine tuning, specific keywork positions for personal needs and other essential adjustments are dealt with and illustrated. The adjustments quoted enable players to appreciate what degree of improvement these might give to their instrumental ability, whether choosing to direct an instrument adjuster or to undertake adjustments themselves. The respective chapters include tables and examples of alternative and extended-range fingerings, transposition and playing effects, which all facilitate performance of the highest standard. -- Preface.
This concise guide is aimed at adult beginners. Working on the basis that if one can read music, one can play an instrument, it examines the language of music, thereby providing a solid theoretical foundation. Practical exercises are also included as well as a brief history of the instruments.
The Clarinet and Saxophone Book by Melvin Berger Pdf
Discusses the history of the clarinet and saxophone, how they are made, music that has been composed for them, outstanding performers on these instruments, and advice for the would-be student.
Woodwind Basics: Core concepts for playing and teaching flute, oboe, clarinet, bassoon, and saxophone is a fresh, no-nonsense approach to woodwind technique. It outlines the principles common to playing all of the woodwind instruments, and explains their application to each one.The ideas in this book are critical for woodwind players at all levels, and have been battle-tested in university woodwind methods courses, private studios, and school band halls. Fundamental questions answered with newfound clarity include:- What should I listen for in good woodwind playing?- Why is breath support so important, and how do I do and teach it?- What is voicing? How does it relate to ideas like air speed, air temperature, and vowel shapes?- What things does an embouchure need to accomplish?- How can I (or my students) play better in tune?- What role does the tongue really play in articulation?- Which alternate fingering should I choose in a given situation?- How do I select the best reeds, mouthpieces, and instruments?- How should a beginner choose which instrument is the best fit?Woodwind Basics by Bret Pimentel is the new go-to reference for woodwind players and teachers.
Intermediate Classic Duets for Clarinet and Alto Saxophone by Amanda Oosthuizen,Jemima Oosthuizen Pdf
22 classical and traditional pieces arranged for equal Bb clarinet and alto sax. players of intermediate standard. There are a few easier pieces but most explore the range of notes and techniques expected of players that are Grades 4-6, and some are quite tricky! The pieces are arranged for players of equal standard, so each player gets to play the tune!The clarinet part requires some fluency across the break. The sax part ventures to low B. Most are in easy keys. There are 22 pieces in the book, some are longer, but most are short - one page, several are two or three pages. I've tried to be as varied as possible and have included both classical and traditional tunes, slow and fast pieces, easy and difficult, ones to play straight away and others to work on, but I hope you find them all enjoyable and fun. Arrangements include extracts from: Beethoven's Für Elise, Prokofiev's The Duck from Peter and the Wolf, Dvorák's Humoresque, Holst's Jupiter from The Planets, Loch Lomond, Grieg's Morning from Peer Gynt, Elgar's March from Pomp and Circumstance, Chopin's Prelude Op.28, Boccherini's Minuet, Bizet's Air de Toréador from Carmen, Beethoven's Minuet in G, Glinka's Intermezzo, Tchaikovsky's Andante Cantabile from Symphony No.5 , Brahms' Waltz Op.39 and more, some of which I expect you're unlikely to know because I wanted to include an element of musical exploration and adventure. Have fun!Look out for music arranged for mixed instruments: Flute, Clarinet, Bassoon, Oboe, Saxophone, Recorder, Trumpet, Trombone, Tuba, Violin, Cello and Double Bass! We have a spectacular variety of duet books, a gargantuan selection of festive books (including Halloween!) and even downloadable playalong and backing tracks and sheet music on our website. Just visit http://WildMusicPublications.com
Clarinet and saxophone rhapsodies by Claude Debussy Pdf
Claude Debussy’s Première Rhapsodie pour Clarinette and his Rapsodie pour Saxophone were originally composed as chamber works with piano; later, they were arranged by the composer as works for full orchestra. This volume consists of both works with piano accompaniment and in full score. Debussy’s Première Rhapsodie pour Clarinette is the instrument's first truly important twentieth-century work. Like the Rapsodie pour Saxophone, it offers revealing insights into the composer's sense of orchestration. The piano versions of both works, stripped to their essentials, provide intriguing glimpses into Debussy's harmonic mind. Both pieces are staples of the repertoire for their respective instruments, and this new edition is the only one available that includes both chamber and orchestral versions of these popular works.
Duets for Clarinet and Saxophone by Mark Wheadon Pdf
Twelve fun duets of traditional pieces arranged for Bb clarinet and alto saxophone by Mark Wheadon. The pieces cover a range of styles and complexities and are arranged to allow both the clarinet and the saxophone to shine - nobody takes a back seat for long in these arrangements. The book contains sheet music for the twelve arrangements and information on where to download audio files for all the pieces. There are three audio files for each piece: the duet, a clarinet part to play along with your sax, and a sax part to play along with your clarinet. The pieces are: Scarborough Fair Tiger Rag -- Hold That Tiger Swing Low, Sweet Chariot Country Gardens Whiskey In The Jar My Bonnie When The Saints Go Marching In Sloop John B Tom Dooley All Around My Hat Early One Morning Michael Rowed The Boat Ashore.
Encompasses every aspect of the saxophone, including its history, the instrument, teaching and repertoire. The book also features music examples and photograph
The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.
