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Classical Myths in Italian Renaissance Painting by Luba Freedman Pdf
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.
The Myth of Apollo and Marsyas in Italian Renaissance Art by Edith Wyss Pdf
Titian's great late painting of Apollo and Marsyas has been included in several recent exhibitions of Venetian painting in Europe and the United States. In this study, art historian Edith Wyss sheds light on the perception of the theme in the fifteenth and sixteenth centuries. Renaissance artists knew several outstanding antique sculptures representing the myth and drew often on these prestigious models for inspiration. Only from the third decade of the sixteenth century onward did autonomous artistic interpretations of the myth assert themselves. Among the artists who devoted their skills to this myth are Perugino, Raphael, and several of his followers - Giulio Romano, Parmigianino, Bronzino, Salviati, Tintoretto, and Titian. Wyss demonstrates that some depictions encode messages that transcend the obvious exhortation against pride. Taking their cue from a popular edition of the Metamorphoses, some patrons and artists viewed the myth as an allegory of the revelation of truth. Others, following Pythagorean teachings, perceived the sun god's lyre music as the music of the spheres. In this perception, Apollo's victory assures the continued harmonious functioning of the universe, and Marsyas's defiance of the sun god's authority called for the severest retribution. In a few instances the author demonstrates that the Pythagorean allegorical reading of the myth was borrowed for political ends, with Apollo's victorious lyre standing as metaphor for the supposedly harmonious government of the ruling power. The discussion allows the Marsyas myth to unfold in a theme of extraordinary richness and depth and touches on issues that were at the core of the Renaissance culture.
By the end of the 15th century, the remains of the ancient gods littered the landscape of Western Europe. Christianity had erased the religions of ancient Greece and Rome and most Europeans believed the destruction of classical art was God's judgment on the pagan deities. How, then, didEuropean artists during the next three centuries create such monumental works as Botticelli's The Birth of Venus and Raphael's Parnassus? In The Mirror of the Gods, Malcolm Bull tells the revolutionary story of how the great artists of Western Europe--from Botticelli and Leonardo to Titian and Rubens--revived the gods of ancient Greece and Rome. Each chapter focuses on a different deity and sheds dazzling new light on suchfamiliar figures as Venus, Hercules, and Bacchus. Bull draws on hundreds of illustrations to illuminate the ancient myths through the eyes of Renaissance and Baroque artists, not as they appear in classical literature. When the wealthy and powerful princes of Christian Europe began to identify withthe pagan gods, myth became the artist's medium for telling the story of his own time. The Mirror of the Gods is the fascinating and extraordinary story of how Renaissance artists combined mythological imagery and artistic virtuosity to change the course of western art. The Mirror of the Gods profoundly deepens our understanding of some of the greatest and most subversive artwork in European history. This delightfully told, lavishly illustrated, and extraordinary book amply rewards our ongoing fascination with classical myth and Renaissance art.
A Handbook to the Reception of Classical Mythology by Vanda Zajko,Helena Hoyle Pdf
A Handbook to the Reception of Classical Mythology presents a collection of essays that explore a wide variety of aspects of Greek and Roman myths and their critical reception from antiquity to the present day. Reveals the importance of mythography to the survival, dissemination, and popularization of classical myth from the ancient world to the present day Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Offers a series of carefully selected in-depth readings, including both popular and less well-known examples
Perhaps the single most revolutionary aspect of the Renaissance was the re-emergence of the gods and goddesses of antiquity. In the midst of Christian Europe, artists began to decorate luxury goods with scandalous stories from classical mythology, and rulers to identify themselves with the deities of ancient religion. The resulting fusion of erotic fantasy and political power changed the course of Western art and produced many of its most magical and subversive works. The first book ever to survey this extraordinary phenomenon in its entirety, The Mirror of the Gods takes the story from the Renaissance to the Baroque. Each chapter focuses on a particular god (Diana, Apollo, Hercules, Venus, Bacchus, Jupiter) and recounts the tales about that deity, not as they appear in classical literature but as they were re-created by artists such as Botticelli, Titian, Bernini and Rembrandt. And yet this is not a book simply about painting and sculpture. It is an attempt to re-imagine the entire designed world of the Renaissance, where the gods also appeared in carnival floats and in banquet displays, and entertained the public in the form of snow men and fireworks. This rich and original new portrait of the Renaissance will ensure that readers never see the period in quite the same way again.
Author : Stephen John Campbell,Stephen L. Campbell Publisher : Yale University Press Page : 430 pages File Size : 45,6 Mb Release : 2004-01-01 Category : Art ISBN : 0300117531
The Cabinet of Eros by Stephen John Campbell,Stephen L. Campbell Pdf
The Renaissance studiolo was a space devoted in theory to private reading. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua. This work explores the function of the mythological image within a Renaissance culture of collectors.
Italian Renaissance Painting According to Genres by Jacob Burckhardt Pdf
Jacob Burckhardt (1818-1897) was one of the first great historians of culture and art. In his manuscript on the genres of Italian Renaissance painting-still unpublished in the original German and published here in English for the first time-Burckhardt assayed a transformative approach to the study of art history. Rather than undertaking a biographical or a chronological reading of artistic development, Burckhardt chose to read the source materials and extant works of the Italian Renaissance synchronically, by genre. Probably written between 1885 and 1893, this manuscript takes up twelve different categories of paintings, ranging from the allegorical to the historical, from the biblical to the mythological, from the glorification of saints to the denunciation of sinners. Maurizio Ghelardi's introductory essay analyzes Burckhardt's innovative treatment of his subject, establishing the importance of this text not only within Burckhardt's oeuvre but also within the continuum of art historical research.
The Renaissance of the 14th–16th centuries was, and forever will be, one of the most pivotal periods in the development of Western art. Its roots spread wide and deep, and much social and intellectual revitalization had begun before this revered time, but the renewed interest in ancient Greek and Roman texts and the development of expanding trade, which brought greater wealth, meant that classical and humanist thought combined with lavish patronage resulted in major breakthroughs across all spheres of human endeavour – art, architecture, music, literature, science, philosophy and more. And, while it spread across Europe, it was Italy that was to be its crucible. With 2020 marking the 500th anniversary of the death of Raphael, one of the stars of the Renaissance, this sumptuous book celebrates the prolific output of this era. From the radical perspective of Giotto di Bondone (1267–1337), breaking out of the Middles Ages, to the giants of the High Renaissance: Leonardo da Vinci, Michelangelo and Raphael, and many more, the reader will delight in the fascinating insights offered by the text accompanied by lush reproductions.
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 by Marice Rose,Alison C. Poe Pdf
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 examines the way in which late medieval and early modern visual culture engaged with Greek and Roman antiquity to construct and challenge contemporary gender norms.
Rewriting Classical Mythology in the Hispanic Baroque by Isabel Torres Pdf
The treatment of mythological material in the poetry, prose, drama, art and music of the Hispanic Baroque. Thirteen essays engage with one of the most obsessive aspects of the Baroque aesthetic, a dedicated commitment in distinct artistic contexts to the treatment of mythological material. Within the various 'Baroques' uncovered, thereis a single unity of purpose. Meaning is always negotiable, but the process of interpretation is dependent upon intertextual forms of understanding, and presupposes the active participation of the receiver. The volume explores how the paradigmatic mythical symbols of a Renaissance epistemological world view can be considered a barometer of rupture and a gauge of the contradictory impulses of the time. Essays explore the differing functions of mythology in poetry [Quevedo, Espinosa, Góngora], prose [Cervantes], drama [Lope de Vega, Sor Juana, Calderón], art [Velázquez], and music [Latin American opera]. Collectively they trace the dialectic of continuity and rupture that underpins the appropriation of classical mythology in the period; demonstrating that the mythological legacy was not as uniform, as allegorically dominated, nor as depleted of potential as we are sometimes led to believe. ISABEL TORRES is Head of Spanish and Portuguese Studies at Queen's University, Belfast. Contributors: JEAN ANDREWS, STEPHEN BOYD, D. W. CRUICKSHANK, TREVOR. J. DADSON, B.W. IFE, ANTHONY LAPPIN, OLIVER NOBLE WOOD, JEREMY ROBBINS, BRUCE SWANSEY, BARRY TAYLOR, ISABEL TORRES, D. GARETH WALTERS
This richly illustrated book examines the legacy of Greek mythology in Western art from the classical era to the present. Tracing the emergence, survival, and transformation of key mythological figures and motifs from ancient Greece through the modern era, it explores the enduring importance of such myths for artists and viewers in their own time and over the millennia that followed.
The Art of Renaissance Europe by Bosiljka Raditsa Pdf
Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.