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Debussy's Pelléas et Mélisande by Lawrence Gilman Pdf
DigiCat Publishing presents to you this special edition of "Debussy's Pelléas et Mélisande" (A Guide to the Opera with Musical Examples from the Score) by Lawrence Gilman. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Claude Debussy: Pelléas et Mélisande by Roger Nichols,Richard Langham Smith Pdf
This first comprehensive guide to Debussy's only completed opera, Pelléas et Mélisande was written by the leading authorities on French music of the period. As a background to the opera, the authors, together with David Grayson, discuss various aspects of the play. They consider its literary roots, trace its genesis and composition, and illuminate Debussy's compositional strategies. A detailed synopsis of Debussy's musical response to the text forms a central chapter. This is followed by an examination of the symbols and musical motives employed by Debussy as well as an analysis of his themes. The book concludes with a detailed bibliography and a discography.
Claude Debussy: Pelléas Et Mélisande by Roger Nichols,Richard Langham Smith Pdf
This first comprehensive guide to Debussy's only completed opera, Pelléas et Mélisande was written by the leading authorities on French music of the period. As a background to the opera, the authors, together with David Grayson, discuss various aspects of the play. They consider its literary roots, trace its genesis and composition, and illuminate Debussy's compositional strategies. A detailed synopsis of Debussy's musical response to the text forms a central chapter. This is followed by an examination of the symbols and musical motives employed by Debussy as well as an analysis of his themes. The book concludes with a detailed bibliography and a discography.
Interpretation of Debussy's Pelléas Et Mélisande and the Story Behind It by Myunghwa Jang,Kim Bo Kyung Pdf
Research Paper (undergraduate) from the year 2012 in the subject Musicology, The University of Malaya, language: English, abstract: In the world of music, Claude Debussy became the foremost composer of the new musical impressionism. His aim was to express "the inexpressible," in a manner that would ultimately reinvent music drama as "drama in music." Through his only completed opera, Pelléas et Mélisande, Debussy created a new technique designed to "convey the état d'âme of the characters and the maze of unconscious conflicts between them." Debussy chose to set the poetry of Materlinck's drama, Pelléas et Mélisande, possibly because of the importance of nature within the drama, a quality that appealed to both artists' impressionist in expressing the changing aspects of nature, especially of light. Debussy began composition on the work in August 1893, starting with the climactic love scene in the fourth act. Throughout the process of composition, Debussy worked to create a new original technique away from the prevailing contemporary German and Italian style, although he found it difficult to fight the influence of Wagner. The general subdued character of Debussy's score is evident due to its subtlety, restraint, and understatement, resulting from his radically revised approach to text-setting and employment of the orchestra. The use of aria and recitative in their conventional forms is abandoned. Debussy's vocal line carries the text in long, soft declamation that sets one syllable to one note.
English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. In this Guide to Pelleas, Maeterlinck's play is reprinted in full, so that the opera-lover can read the scenes that Debussy did not set to music. Hugh Macdonald's much praised English translation is published here for the first time, with an essay uncovering the musical roots of Pelleas and illustrating its importance to music of the twentieth century. Alain Raitt, author of several studies of Symbolist writers, evaluates Maeterlinck's status as a dramatist, and Roger Nichols analyzes the score. Proust's short pastiche of the opera and Arthur Symons' review of the first English performances challenge us to come to terms with this eternally intriguing masterpiece.
Debussy's Pelléas Et Mélisande by Lawrence Gilman Pdf
With the production at Paris in the spring of 1902 of Claude Debussy's Pelléas et Mélisande, based on the play of Maeterlinck, the history of music turned a new and surprising page. "It is necessary," declared an acute French critic, M. Jean Marnold, writing shortly after the event, "to go back perhaps to Tristan to find in the opera house an event so important in certain respects for the evolution of musical art." The assertion strikes one to-day, five years after, as, if anything, over-cautious. Pelléas et Mélisande exhibited not simply a new manner of writing opera, but a new kind of music--a new way of evolving and combining tones, a new order of harmonic, melodic and rhythmic structure.
Musical Symbolism in the Operas of Debussy and Bartok by Elliot Antokoletz Pdf
Musical Symbolism in the Operas of Debussy and Bart?k explores the means by which two early 20th century operas - Debussy's Pell?as et M?lisande (1902) and Bart?k's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, B?la Bal?zs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist dramatic conception and the new musical language. Duke Bluebeard's Castle is based almost exclusively on interactions between pentatonic/diatonic folk modalities and their more abstract symmetrical transformations (including whole-tone, octatonic, and other pitch constructions derived from the system of the interval cycles). The opposition of these two harmonic extremes serve as the basis for dramatic polarity between the characters as real-life beings and as instruments of fate. The book also explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts.
Debussy's Resonance by François De Médicis,Steven Huebner Pdf
Some of Debussy's most beloved pieces, as well as lesser-known ones from his early years, set in a rich cultural context by leading experts from the English- and French-speaking worlds.
