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Does all human passion, all memory, all imagination come merely from the chemistry in our brains, like the movements of a clock follow from the arrangement of its cogs and wheels? Are we just clockwork dolls? Or is there an organizing principle at work, something we can ask for answers to the important questions of existence … something that might answer? Dave Burns has asked. Now he, and his friends, might not live long enough to understand the reply
Photos, descriptions, and fascinating history for dedicated doll collectors. In the 1950s, a new material—plastic—revolutionized the doll trade and made dolls affordable for people of all classes. This book focuses specifically on British dolls of that decade, offering not only useful information for collectors but a glimpse into the history and culture that surrounded these cherished toys. Along with photos and descriptions, this unique guide covers: doll manufacturers must-buy dolls what to spot when buying dolls how to avoid buying fakes a where-to-buy directory doll hospitals specialist museums
Clockwork Dolls [eBook - Biblioboard] by William Meikle Pdf
Does all human passion, all memory, all imagination come merely from the chemistry in our brains, like the movements of a clock follow from the arrangement of its cogs and wheels?Are we just clockwork dolls? Or is there an organizing principle at work, something we can ask for answers to the important questions of existence ... something that might answer? Dave Burns has asked. Now he, and his friends, might not live long enough to understand the reply.
Tottie is a loving little wooden doll who lives with her family in a shoebox. The doll family is owned by two sisters, Emily and Charlotte, and they are very happy, except for one thing: they long for a proper home. To their delight, their wish comes true when Emily and Charlotte fix up a Victorian dolls' house - just for them. It's perfect. But then a new arrival starts to wreak havoc in the dolls' house. For Marchpane might be a wonderfully beautiful doll, but she is also terribly cruel. And she always gets her own way . . . First published in 1947, Rumer Godden's classic The Dolls' House has been delighting children for years, and this beautiful edition, illustrated by Jane Ray, will delight future generations for years to come.
Tracing developments in toy making and marketing across the evolving landscape of the 20th century, this encyclopedia is a comprehensive reference guide to America's most popular playthings and the culture to which they belong. From the origins of favorite playthings to their associations with events and activities, the study of a nation's toys reveals the hopes, goals, values, and priorities of its people. Toys have influenced the science, art, and religion of the United States, and have contributed to the development of business, politics, and medicine. Toys and American Culture: An Encyclopedia documents America's shifting cultural values as they are embedded within and transmitted by the nation's favorite playthings. Alphabetically arranged entries trace developments in toy making and toy marketing across the evolving landscape of 20th-century America. In addition to discussing the history of America's most influential toys, the book contains specific entries on the individuals, organizations, companies, and publications that gave shape to America's culture of play from 1900 to 2000. Toys from the two decades that frame the 20th century are also included, as bridges to the fascinating past—and the inspiring future—of American toys.
na Wexford is thrilled to be adopted after the Great War, but an eerie secret lurks in her new home; the doll twin, a life-sized, animated copy of herself. Is "Ani" as innocent as she seems, or does she want to steal Unaʼs life?
Can dolls really become haunted? Can demons take possession of people’s playthings? According to a large number of paranormal investigators, exorcists, and demonologists, the answer is a resounding yes. Not only are such phenomena possible, they happen fairly often, with dolls being one of the most frequent targets of spirit attachment. Sometimes those spirits are benign, or at the most mischievous. But many are outright evil and dangerous. This book examines some of the world’s most famous haunted dolls. Some you may have heard about. Others will be new. All will make you reconsider the world you thought you knew. Here is some of what you’ll find inside: * Robert, the haunted doll from Key West. A lot of the information out there about him is wrong. Find out the truth behind the legend. But don’t think the truth is any less terrifying. * Annabelle, the demonic doll featured in the movies The Conjuring and Annabelle. Find out why the real Annabelle is much, much more frightening. * Peggy, the Internet sensation. Why you should think twice before looking at her picture. * Find out which doll started as a hoax, turned into a terrifying reality, and is now considered one of the most "active" haunted dolls in the world. * Discover which exotic locale and tourist attraction is a pediophobe’s biggest nightmare. You won’t believe such a place exists. * Clown dolls. Need more be said? These stories and many more are what you’ll find in this collection of true accounts from the frightening yet fascinating world of haunted and demonic dolls. Reading this book will undoubtedly raise more questions than it answers, but one thing is assured: you’ll never look at a doll the same again.
The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives. Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody. My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how “living dolls” have been manufactured as real-world fetish objects. But it also examines the many works in which the “perfect” woman turns out to be artificial—a robot or doll—and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers—from Cindy Sherman to Shelley Jackson to Zoe Kazan—who have cleverly crafted their own images of simulated women. Anything but dry, My Fair Ladies draws upon Wosk’s own experiences as a young female Playboy copywriter and as a child of the “feminine mystique” era to show how images of the artificial woman have loomed large over real women’s lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation.
Clockwork Dolls, which is written in a minimalist way, refers to the narrow, precise, yet minor parts that exist in everyday life, where each of these issues alone embrace the entire life of the present characters of the story. In this collection, the author attempts, in addition to showing the behavioural complexities of the characters, to create harsh and terrible conditions, each of which reflects the social status of people in society. Moreover, the characters soliloquise, and events take place in their minds. On the other hand, the frustration and distressing of characters in most cases show them, like 'Clockwork Dolls', that they no longer have the power to concentrate and become puppets that do not have the power to make decisions and continue along the path until they are tuned. The succinctness and conciseness of these stories is considered to be a point in which the author explicitly describes the deep stories briefly and it depicts a contemporary modern life and emphasises that at any moment, every single person in the community may have these or similar events for himself. Another feature of this collection is that the author takes on the silence throughout the story and explicitly and unbiasedly refers to these problems on a daily basis, and in no way does he try to provide a solution for them, and the reader is also able to pay attention to it and will try to analyse and conclude the subject matter according to his mental resources.
By the middle 1800s, toys were appearing in forms that drew upon--and that inspired--advances in areas such as optics, biology, geography, transportation, and automation. In these decades, too, a new type of wonder tale was being brought to maturity by a Poe-inspired Jules Verne. The modern wonder tale's highly-charged vision expressed the hopes and the fears, and the delights and the traumas, engendered by "new worlds idealism"--that Western pursuit of both mechanical and geographical conquest. Exploring realms belonging to childhood, literature, science, and history, this innovative study weaves together the histories of wonder tales and children's toys, focusing specifically on their modern aspects and how they reflect and express the social attitudes of that time period beginning around 1859 and ending around 1957.
Androids and Intelligent Networks in Early Modern Literature and Culture by Kevin LaGrandeur Pdf
Awarded a 2014 Science Fiction and Technoculture Studies Prize Honourable Mention. This book explores the creation and use of artificially made humanoid servants and servant networks by fictional and non-fictional scientists of the early modern period. Beginning with an investigation of the roots of artificial servants, humanoids, and automata from earlier times, LaGrandeur traces how these literary representations coincide with a surging interest in automata and experimentation, and how they blend with the magical science that preceded the empirical era. In the instances that this book considers, the idea of the artificial factotum is connected with an emotional paradox: the joy of self-enhancement is counterpoised with the anxiety of self-displacement that comes with distribution of agency.In this way, the older accounts of creating artificial slaves are accounts of modernity in the making—a modernity characterized by the project of extending the self and its powers, in which the vision of the extended self is fundamentally inseparable from the vision of an attenuated self. This book discusses the idea that fictional, artificial servants embody at once the ambitions of the scientific wizards who make them and society’s perception of the dangers of those ambitions, and represent the cultural fears triggered by independent, experimental thinkers—the type of thinkers from whom our modern cyberneticists descend.
The Light at the End of the World by Siddhartha Deb Pdf
Connecting India’s tumultuous 19th and 20th centuries to its distant past and its potentially apocalyptic future, this sweeping tale of rebellion, courage, and brutality reinvents fiction for our time. Delhi, the near future: Bibi, a low-ranking employee of a global consulting firm, is tasked with finding a man long thought to be dead but who now appears to be the source of a vast collection of documents. The trove purports to reveal the secrets of the Indian government, including detention centers, mutated creatures, engineered viruses, experimental weapons, and alien wrecks discovered in remote mountain areas. Bhopal, 1984: an assassin tracks his prey through an Indian city that will shortly be the site of the worst industrial disaster in the history of the world. Calcutta, 1947: a veterinary student’s life and work connect him to an ancient Vedic aircraft that might stave off genocide. And in 1859, a British soldier rides with his detachment to the Himalayas in search of the last surviving leader of an anti-colonial rebellion. These timelines interweave to form a kaleidoscopic, epic novel in which each protagonist must come to terms with the buried truths of their times as well as with the parallel universe that connects them all, through automatons, spirits, spacecraft, and aliens. The Light at the End of the World, Siddhartha Deb’s first novel in fifteen years, is a magisterial work of shifting forms, expanding the possibilities of fiction while bringing to life the India of our times.
This engaging book is a welcome guide to the most successful and loved ballets seen on the stage today. Dance writer and critic Zoe Anderson focuses on 140 ballets, a core international repertory that encompasses works from the ethereal world of romantic ballet to the edgy, muscular works of modern choreographers. She provides a wealth of facts and insights, including information familiar only to dance world insiders, and considers such recent works as Alexei Ramansky's Shostakovich Trilogy and Christopher Wheeldon's The Winter's Tale as well as older ballets once forgotten but now returned to the repertory, such as Sylvia. To enhance enjoyment of each ballet, Anderson also offers tips on what to look for during a performance. Each chapter introduces a period of ballet history and provides an overview of innovations and advancement in the art form. In the individual entries that follow, Anderson includes essential facts about each ballet’s themes, plot, composers, choreographers, dance style, and music. The author also addresses the circumstances of each ballet’s creation and its effect in the theater, and she recounts anecdotes that illuminate performance history and reception. Reliable, accessible, and fully up to date, this book will delight anyone who attends the ballet, participates in ballet, or simply loves ballet and wants to know much more about it.
Blade Runner 2049 and Philosophy by Robin Bunce,Trip McCrossin Pdf
Blade Runner 2049 is a 2017 sequel to the 1982 movie Blade Runner, about a world in which some human-looking replicants have become dangerous, so that other human-looking replicants, as well as humans, have the job of hunting down the dangerous models and “retiring” (destroying) them. Both films have been widely hailed as among the greatest science-fiction movies of all time, and Ridley Scott, director of the original Blade Runner, has announced that there will be a third Blade Runner movie. Blade Runner 2049 and Philosophy is a collection of entertaining articles on both Blade Runner movies (and on the spin-off short films and Blade Runner novels) by twenty philosophers representing diverse backgrounds and philosophical perspectives. Among the issues addressed in the book: What does Blade Runner 2049 tell us about the interactions of state power and corporate power? Can machines ever become truly conscious, or will they always lack some essential human qualities? The most popular theory of personhood says that a person is defined by their memories, so what happens when memories can be manufactured and inserted at will? We already interact with non-human decision-makers via the Internet. When embodied AI becomes reality, how can we know what is human and what is simulation? Does it matter? Do AI-endowed human-looking replicants have civil and political rights, or can they be destroyed whenever “real” humans decide they are inconvenient? The blade runner Deckard (Harrison Ford) appears in both movies, and is generally assumed to be human, but some claim he may be a replicant. What’s the evidence on both sides? Is Niander Wallace (the-mad-scientist-cum-evil-corporate-CEO in Blade Runner 2049) himself a replicant? What motivates him? What are the impacts of decision-making AI entities on the world of business? Both Blade Runner and Blade Runner 2049 have been praised for their hauntingly beautiful depictions of a bleak future, but the two futures are very different (and the 2019 future imagined in the original Blade Runner is considerably different from the actual world of 2019). How have our expectations and visions of the future changed between the two movies? The “dream maker” character Ana Stelline in Blade Runner 2049 has a small but pivotal role. What are the implications of a person whose dedicated mission and task is to invent and install false memories? What are the social and psychological implications of human-AI sexual relations?
