Download Full eBooks in PDF
Clément Marot And The Inflections Of Poetic Voice Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Clément Marot And The Inflections Of Poetic Voice book. This book definitely worth reading, it is an incredibly well-written.
Author : Robert Griffin
Publisher : Univ of California Press
Page : 344 pages
File Size : 44,7 Mb
Release : 1974
Category : Poetry
ISBN : 0520025865
Author : Robert Griffin
Publisher : Univ of California Press
Page : 416 pages
File Size : 48,5 Mb
Release : 2023-11-10
Category : Electronic
ISBN : 9780520322097
Author : Dick Wursten
Publisher : BRILL
Page : 449 pages
File Size : 48,7 Mb
Release : 2010-05-20
Category : Religion
ISBN : 9789004193529
A far-reaching analysis of Clément Marot’s poetry (mainly his Psalm paraphrases) shows that this poet was much more than a frivolous court poet; he was touched by the humanist yearning to restore old texts (in this case the Jewish Psalter) to their original glory. In his translations he was inspired by Martin Bucer’s Commentary.
Author : H. P. Clive
Publisher : DS Brewer
Page : 234 pages
File Size : 51,8 Mb
Release : 1983
Category : Literary Criticism
ISBN : 0729301478
Author : Ehsan Ahmed
Publisher : Rookwood Press
Page : 102 pages
File Size : 48,7 Mb
Release : 2005
Category : Literary Criticism
ISBN : 9781886365575
Ahmed presents the political, religious, and poetic explorations of Marot's relation with King Francis I of France.
Author : Ullrich Langer
Publisher : Cambridge University Press
Page : 223 pages
File Size : 47,8 Mb
Release : 2023-02-28
Category : Literary Criticism
ISBN : 9781009225250
Ullrich Langer investigates why lyric representation holds a particular power to address our humanity from Virgil to Flaubert.
Author : Yvonne LeBlanc
Publisher : Summa Publications, Inc.
Page : 282 pages
File Size : 48,8 Mb
Release : 1995
Category : Poetry
ISBN : 1883479045
Author : Neil Kenny
Publisher : Oxford University Press
Page : 424 pages
File Size : 54,8 Mb
Release : 2020-02-27
Category : Literary Criticism
ISBN : 9780192593573
It is easy to forget how deeply embedded in social hierarchy was the literature and learning that has come down to us from the early modern European world. From fiction to philosophy, from poetry to history, works of all kinds emerged from and through the social hierarchy that was a fundamental fact of everyday life. Paying attention to it changes how we might understand and interpret the works themselves, whether canonical and familiar or largely forgotten. But a second, related fact is much overlooked too: works also often emanated from families, not just from individuals. Families were driving forces in the production—that is, in the composing, editing, translating, or publishing—of countless works. Relatives collaborated with each other, edited each other, or continued the unfinished works of deceased family members; some imitated or were inspired by the works of long-dead relatives. The reason why this second fact (about families) is connected to the first (about social hierarchy) is that families were in the period a basic social medium through which social status was claimed, maintained, threatened, or lost. So producing literary works was one of the many ways in which families claimed their place in the social world. The process was however often fraught, difficult, or disappointing. If families created works as a form of socio-cultural legacy that might continue to benefit their future members, not all members benefited equally; women sometimes produced or claimed the legacy for themselves, but they were often sidelined from it. Relatives sometimes disagreed bitterly about family history, identity (not least religious), and so about the picture of themselves and their family that they wished to project more widely in society through their written works, whether printed or manuscript. So although family was a fundamental social medium out of which so many works emerged, that process could be conflictual as well as harmonious. The intertwined role of family and social hierarchy within literary production is explored in this book through the case of France, from the late fifteenth to the mid-seventeenth century. Some families are studied here in detail, such as that of the most widely read French poet of the age, Clément Marot. But the extent of this phenomenon is quantified too: some two hundred families are identified as each containing more than one literary producer, and in the case of one family an extraordinary twenty-seven.
Author : Anonim
Publisher : Syracuse University Press
Page : 896 pages
File Size : 43,8 Mb
Release : 2024-06-29
Category : Electronic
ISBN : 8210379456XXX
Author : Adrian Armstrong
Publisher : Oxford University Press
Page : 264 pages
File Size : 52,8 Mb
Release : 2000
Category : Early printed books
ISBN : 0198159897
Literary studies cannot neglect the study of books, the physical objects through which literary texts are transmitted. Book form is especially relevant to the literature of the late fifteenth and early sixteenth centuries, which saw the crucial shift from manuscript to print in Western Europe.This book examines manuscripts and printed editions of three major French writers of this key period: Jean Molinet, Jean Lemaire de Belges and Jean Bouchet. Presentational features which influence the reading of poems, such as layout, illustration, anthologization and paratext, are analysed. Thedevelopment of these features reflects a gradual change in the ways in which literary self-consciousness is manifested. In earlier texts, produced within an essentially manuscript culture, poets' creative investment in their work is exhibited primarily as formal virtuosity. As printing becomesdominant, such virtuosity tends to be rejected in favour of self-commentary and an apparently more personal discourse.
Author : William J. Kennedy
Publisher : JHU Press
Page : 412 pages
File Size : 45,9 Mb
Release : 2003-08-15
Category : Literary Criticism
ISBN : 0801871441
Drawing upon poststructuralist theories of nationalism and national identity developed by such writers as Etienne Balibar, Emmanuel Levinas, Julia Kristeva, Antonio Negri, and Slavoj Zizek, noted Renaissance scholar William J. Kennedy argues that the Petrarchan sonnet serves as a site for early modern expressions of national sentiment in Italy, France, England, Spain, and Germany. Kennedy pursues this argument through historical research into Renaissance commentaries on Petrarch's poetry and critical studies of such poets as Lorenzo de' Medici, Joachim du Bellay and the Pléiade brigade, Philip and Mary Sidney, and Mary Wroth. Kennedy begins with a survey of Petrarch's poetry and its citation in Italy, explaining how major commentators tried to present Petrarch as a spokesperson for competing versions of national identity. He then shows how Petrarch's model helped define social class, political power, and national identity in mid-sixteenth-century France, particularly in the nationalistic sonnet cycles of Joachim Du Bellay. Finally, Kennedy discusses how Philip Sidney and his sister Mary and niece Mary Wroth reworked Petrarch's model to secure their family's involvement in forging a national policy under Elizabeth I and James I. Treating the subject of early modern national expression from a broad comparative perspective, The Site of Petrarchism will be of interest to scholars of late medieval and early modern literature in Europe, historians of culture, and critical theorists. -- Richard Helgerson
Author : Paul Maurice Clogan
Publisher : Rowman & Littlefield
Page : 198 pages
File Size : 46,8 Mb
Release : 2005
Category : History
ISBN : 0742549496
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardbound volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume thirty-one in the new series contains six original and refereed articles that represent a reengagement with history. They focus on a variety of topics, ranging from reception theory in Andreas Capellanus and the ideal sovereign in Christine de Pizan to peasant rebel leaders in late-medieval and early-modern Europe. Don Monson's article makes good usage of Jauss's reception theory and analyzes the third Dialogue of Book I, Chapter 6 of De Amore in a thorough and intelligent way. Important aspects of the relationship between "scientific" Latin treaties and Proven al courtly poetry are neatly demonstrated. Karen Gross examines structural and thematic resemblances between the Aeneid and De Casibus, arguing that Anchises' "pageant of future Roman worthies" (Aen. VI) is connected to the frame structure of De casibus. The author is interested in "global similarities, not local verbal echoes," and believes that the "structure resonances" have implications for "how Boccaccio understood the interaction between history and poetry, between the living and the dead." Especially thought-provoking and original are the discussion of the motif of father/son piety and commemoration and the contrast of Virgil's fortuna in Roman history and Boccaccio's in world history. Daisy Delogu's article on Christine de Pizan is a timely one, and also represents reengagement with history th
Author : Tom Conley
Publisher : Cambridge University Press
Page : 242 pages
File Size : 54,9 Mb
Release : 1992-10-08
Category : Design
ISBN : 0521410312
This book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing. Focusing on the poetry of Clement Marot, Rabelais's Gargantua, Ronsard's sonnets and the Essais of Montaigne, it argues that printed characters can either supplement or betray what they appear to articulate. They often reveal compositional patterns that do not appear to be under authorial control, and open political and subjective dimensions through the interaction of verbal and visual materials. This unconscious, proto-Freudian writing has complex historical relations with practices found in the media of the twentieth century.
Author : Phyllis Mack,Margaret C. Jacob
Publisher : Cambridge University Press
Page : 332 pages
File Size : 42,7 Mb
Release : 1987
Category : History
ISBN : 0521527023
Essays taking up themes that have resonated through Professor Koenigsberger's lectures, seminars and public writings.
Author : Leonard W. Johnson
Publisher : Stanford University Press
Page : 384 pages
File Size : 48,8 Mb
Release : 1990
Category : Poetry
ISBN : 0804718288
In close readings of a wide range of texts significant during their own time but little studied today, the author presents a new view of late medieval French poetry in all its subtle variety: its quirkiness, its sumptuous and acrobatic rhyming, its frequent moral seriousness, its occasional bawdiness, and the ambiguities of its authorial 'I'. The book is centered on the rich metaphor of poetry as play - a joyous activity, a game in which both the poet and the public may be players. The number of word games is legion, and the late medieval poets play different kinds involving puns, rhymes, riddles, sexual jokes, irony, and ambiguity. Sometimes the game is blindman's buff, where the poet's identity is hidden, changed, multiplied. Some poems are farces or high comedy; others are morality plays, in which the poet casts himself as a player. Identifying the role played by the poet, the place of his or her 'I' in its various embodiments, is a major concern in the reading of the texts. Guillaume de Machaut serves as the first player of the poetic game and, particularly in his ballades, as a kind of magister ludi, who is the source of the rules.
