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Since its rediscovery by nineteenth-century scholarship, Oxford, Bodleian Library MS Ashmole 61 has never been ignored, though it has also not gained a great deal of notoriety beyond the scholars of Middle English romance. It is hoped that the present volume will encourage study of the entire manuscript as a valuable witness to the devotional habits, cultural values, and popular tastes of late medieval England.
Romance and the Gentry in Late Medieval England by Michael Johnston Pdf
showing that contrary to the commonly held view that romances are representative of the "popular culture" of their day, in fact such texts appealed primarily to the gentry, England's elite landowners who lacked titles of nobility.
A bourde is an English comedic poem similar to a French fabliau but with a moralizing element and less of an emphasis on violence. In this fresh edition of ten Middle English bourdes, Melissa M. Furrow "aims to put funny (or would-be funny) Middle English poems under the eyes of a much broader readership" than the scholarly researchers she appealed to in her earlier edition of many of the same poems. This collection is specifically designed for students, and has contextualizing introductions, copious notes, glosses, and a glossary.
St. Margaret of Antioch was one of the most popular saints in medieval England and, throughout the Middle Ages, the various Lives of St. Margaret functioned as a blueprint for a virginal life and supernatural assistance to pregnant women during the dangerous process of labor. In her narrative, Margaret is accosted by various demons and, having defeated each monster in turn, she is taken to the place of her martyrdom where she prays for supernatural boons for her adherents. This book argues that Margaret’s monsters are a key element in understanding Margaret’s importance to her adherents, specifically how the sexual identities of her adherents were constructed and maintained. More broadly, this study offers three major contributions to the field of medieval studies: first, it argues for the utility of a diachronic analysis of Saints’ Lives literature in a field dominated by synchronic analyses; second, this diachronic analysis is important to interpreting the intertext of Saints’ Lives, not only between different Lives but also different versions of the same Life; and third, the approach further suggests that the most valuable socio-cultural information in hagiographic literature is found in the auxiliary characters and not in the figure of the saint him/herself.
New Medieval Literatures 23 by Philip Knox,Laura Ashe,Kellie Robertson,Wendy Scase Pdf
Annual volume on medieval textual cultures, engaging with intellectual and cultural pluralism in the Middle Ages, showcasing the best new work in this field. New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Essays in this volume engage with widely varied themes: law and literature; manuscript production, patronage, and aesthetics; real and imagined geographies; gender and its connections to narrative theory and to psychoanalysis. Investigations range from the eleventh to the fifteenth centuries, from England to the eastern Mediterranean. New arguments are put forward about the dating, context, and occasion of Geoffrey Chaucer's Boece, while the narrative dynamics of Chaucer's Franklin's Tale and Tale of Melibee are examined from new perspectives. The topography of the Holy Lands appears both as a set of emotional sites, depicted in the Prick of Conscience in its account of the end of the world, and as co-ordinates in the cultural imaginary of medieval the wine-trade. Grendel's mother emerges as the invisible and unavowable centre of male heroic culture in Beowulf, and the fourteenth-century St Erkenwald is brought into contact with the community-building project of the medieval death investigation. Finally, the late medieval Speculum Christiani is revealed to be a work with deep aesthetic investments when read through the framework of how its medieval scribes encountered and shaped that work.
Beds and Chambers in Late Medieval England by Hollie L. S. Morgan Pdf
First full-length interdisciplinary study of the effect of these everyday surroundings on literature, culture and the collective consciousness of the late middle ages.
Glenn D. Burger argues that, over the course of the long fourteenth century, the "invention" of the good wife in discourses of sacramental marriage, private devotion, and personal conduct reconfigures how female embodiment is understood.
Literature and the Senses by Annette Kern-Stähler,Elizabeth Robertson Pdf
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception. Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including: the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the 'Great Stink' that recurs in the Victorian novel; the taste of an eggplant registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of, the senses.
Objects of affection recovers the emotional attraction of the medieval book through an engagement with a fifteenth-century literary collection known as Oxford, Bodleian Library Manuscript Ashmole 61. Exploring how the inhabitants of the book's pages - human and nonhuman, tangible and intangible - collaborate with its readers then and now, this book addresses the manuscript's material appeal in the ways it binds itself to different cultural, historical and material environments. In doing so it traces the affective literacy training that the manuscript provided its late-medieval English household, whose diverse inhabitants are incorporated into the ecology of the book itself as it fashions spiritually generous and socially mindful household members.
Medieval Romance and Material Culture by Nicholas Perkins Pdf
Studies of how the physical manifests itself in medieval romance - and medieval romances as objects themselves. Medieval romance narratives glitter with the material objects that were valued and exchanged in late-medieval society: lovers' rings and warriors' swords, holy relics and desirable or corrupted bodies. Romance, however, is also agenre in which such objects make meaning on numerous levels, and not always in predictable ways. These new essays examine from diverse perspectives how romances respond to material culture, but also show how romance as a genre helps to constitute and transmit that culture. Focusing on romances circulating in Britain and Ireland between the twelfth and sixteenth centuries, individual chapters address such questions as the relationship between objects and protagonists in romance narrative; the materiality of male and female bodies; the interaction between visual and verbal representations of romance; poetic form and manuscript textuality; and how a nineteenth-century edition of medieval romances provoked artists to homage and satire. NICHOLAS PERKINS is Associate Professor and Tutor in English at St Hugh's College, University of Oxford. Contributors: Siobhain Bly Calkin, Nancy Mason Bradbury, Aisling Byrne, Anna Caughey, Neil Cartlidge, Mark Cruse, Morgan Dickson, Rosalind Field, Elliot Kendall, Megan G. Leitch, Henrike Manuwald, Nicholas Perkins, Ad Putter, Raluca L. Radulescu, Robert Allen Rouse,
The Agency of Things in Medieval and Early Modern Art by Grażyna Jurkowlaniec,Ika Matyjaszkiewicz,Zuzanna Sarnecka Pdf
This volume explores the late medieval and early modern periods from the perspective of objects. While the agency of things has been studied in anthropology and archaeology, it is an innovative approach for art historical investigations. Each contributor takes as a point of departure active things: objects that were collected, exchanged, held in hand, carried on a body, assembled, cared for or pawned. Through a series of case studies set in various geographic locations, this volume examines a rich variety of systems throughout Europe and beyond. The Open Access version of this book, available at http://www.taylorfrancis.com/doi/view/10.4324/9781315401867, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license
The Oxford History of Poetry in English by Julia Boffey,A. S. G. Edwards Pdf
The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. This volume explores the developing range of English verse in the century after the death of Chaucer in 1400, years that saw both change and consolidation in traditions of poetic writing in English in the regions of Britain. Chaucer himself was an important shaping presence in the poetry of this period, providing a stimulus to imitation and to creative expansion of the modes he had favoured. In addition to assessing his role, this volume considers a range of literary factors significant to the poetry of the century, including verse forms, literary language, translation, and the idea of the author. It also signals features of the century's history that were important for the production of English verse: responses to wars at home and abroad, dynastic uncertainty, and movements towards religious reform, as well as technological innovations such as the introduction of printing, which brought influential changes to the transmission and reception of verse writing. The volume is shaped to include chapters on the contexts and forms of poetry in English, on the important genres of verse produced in the period, on some of the fifteenth-century's major writers (Lydgate, Hoccleve, Dunbar, and Henryson), and a consideration of the influence of the verse of this century on what was to follow.
Food and Feast in Premodern Outlaw Tales by Melissa Ridley Elmes,Kristin Bovaird-Abbo Pdf
In Food and Feast in Premodern Outlaw Tales editors Melissa Ridley Elmes and Kristin Bovaird-Abbo gather eleven original studies examining scenes of food and feasting in premodern outlaw texts ranging from the tenth through the seventeenth centuries and forward to their cinematic adaptations. Along with fresh insights into the popular Robin Hood legend, these essays investigate the intersections of outlawry, food studies, and feasting in Old English, Middle English, and French outlaw narratives, Anglo-Scottish border ballads, early modern ballads and dramatic works, and cinematic medievalism. The range of critical and disciplinary approaches employed, including history, literary studies, cultural studies, food studies, gender studies, and film studies, highlights the inherently interdisciplinary nature of outlaw narratives. The overall volume offers an example of the ways in which examining a subject through interdisciplinary, cross-geographic and cross-temporal lenses can yield fresh insights; places canonic and well-known works in conversation with lesser-known texts to showcase the dynamic nature and cultural influence and impact of premodern outlaw tales; and presents an introductory foray into the intersection of literary and food studies in premodern contexts which will be of value and interest to specialists and a general audience, alike.
Romance and Its Contexts in Fifteenth-century England by Raluca L. Radulescu Pdf
Although the anonymous pious Middle English romances and Sir Thomas Malory's 'Morte Darthur' have rarely been studied in relation to each other, they in fact share at least two thematic concerns, vocabularies of suffering and genealogical concerns, as this book demonstrates. By examining a broad cultural and political framework stretching from Richard II's deposition to the end of the Wars of the Roses through the prism of piety, politics and penitence, the author draws attention to the specific circumstances in which Sir Isumbras, Sir Gowther, Roberd of Cisely, Henry Lovelich's 'History of the Holy Grail' and Malory's 'Morte' were read in fifteenth-century England. In the case of the pious romances this implies a study of their reception long after their original composition or translation centuries earlier; in Lovelich's case, an examination of metropolitan culture leads to an opening of the discussion to French romance models as well as English chronicle writing.