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Twain: Collected Tales, Sketches, Speeches, and Essays, Volume 1: 1852-1890 by Mark Twain Pdf
This Library of America book, with its companion volume, is the most comprehensive collection ever published of Mark Twain's short writings — the incomparable stories, sketches, burlesques, hoaxes, tall tales, speeches, satires, and maxims of America's greatest humorist. Arranged chronologically and containing many pieces restored to the form in which Twain intended them to appear, the volumes show with unprecedented clarity the literary evolution of Mark Twain over six decades of his career. The nearly two hundred separate items in this volume cover the years from 1852 to 1890. As a riverboat pilot, Confederate irregular, silver miner, frontier journalist, and publisher, Twain witnessed the tragicomic beginning of the Civil War in Missouri, the frenzied opening of the West, and the feverish corruption, avarice, and ambition of the Reconstruction era. He wrote about political bosses, jumping frogs, robber barons, cats, women's suffrage, temperance, petrified men, the bicycle, the Franco-Prussian War, the telephone, the income tax, the insanity defense, injudicious swearing, and the advisability of political candidates preemptively telling the worst about themselves before others get around to it. Among the stories included here are "Jim Smiley and His Jumping Frog," which won him instant fame when published in 1865, "Cannibalism in the Cars," "The Invalid's Story," and the charming "A Cat's Tale," written for his daughters' private amusement. This volume also presents several of his famous and successful speeches and toasts, such as "Woman — God Bless Her," "The Babies," and "Advice to Youth." Such writings brought Twain immense success on the public lecture and banquet circuit, as did his controversial "Whittier Birthday Speech," which portrayed Boston's most revered men of letters as a band of desperadoes.
"I was made in His image," Mark Twain once said, "but have never been mistaken for Him." God may have made Mark Twain in His image, but Twain frequently remade himself by adopting divine personae as part of his literary burlesque. Readers were delighted, rather than fooled, when Twain adopted the image of religious vocation throughout his writing career: Theologian, Missionary, Priest, Preacher, Prophet, Saint, Brother Twain, Holy Samuel, the Bishop of New Jersey, and of course, the Reverend Mark Twain. Joe B. Fulton has not written a study of Samuel Langhorne Clemens's religious beliefs, but rather one about Twain's use of theological form and content in a number of his works-some well-known, others not so widely read. Twain adopted such religious personae to burlesque the religious literary genres associated with those vocations. He wrote catechisms, prophecies, psalms, and creeds, all in the theological tradition, but with a comic twist. Twain even wrote a burlesque life of Christ that has the son of God sporting blue jeans and cowboy boots. With his distinctive comic genius, Twain entered the religious dialogue of his time, employing the genres of belief as his vehicle for criticizing church and society. Twain's burlesques of religious form and content reveal a writer fully engaged with the religious ferment of his day. Works like The Innocents Abroad, Adventures of Huckleberry Finn, Personal Recollections of Joan of Arc, Roughing It, and What Is Man? are the productions of a writer skilled at adopting and adapting established literary and religious forms for his own purposes. Twain is sometimes viewed as a haphazard writer, but in The Reverend Mark Twain, Fulton demonstrates how carefully Twain studied established literary and theological genres to entertain-and criticize-his society. Book jacket.
Tracks the genesis and evolution of Twain's reputation as a writer, revealing how and why the writer has been under fire since the advent of his career.
Author : Harold K. Bush Publisher : University of Alabama Press Page : 354 pages File Size : 48,9 Mb Release : 2007-01-07 Category : Literary Criticism ISBN : 9780817315382
Mark Twain and the Spiritual Crisis of His Age by Harold K. Bush Pdf
Mark Twain is often pictured as a severe critic of religious piety, shaking his fist at God and mocking the devout. This book highlights Twain's attractions to and engagements with the variety of religious phenomena of America in his lifetime. It offers a more complicated understanding of Twain and his literary output.
Handbook of the American Short Story by Erik Redling,Oliver Scheiding Pdf
The American short story has always been characterized by exciting aesthetic innovations and an immense range of topics. This handbook offers students and researchers a comprehensive introduction to the multifaceted genre with a special focus on recent developments due to the rise of new media. Part I provides systematic overviews of significant contexts ranging from historical-political backgrounds, short story theories developed by writers, print and digital culture, to current theoretical approaches and canon formation. Part II consists of 35 paired readings of representative short stories by eminent authors, charting major steps in the evolution of the American short story from its beginnings as an art form in the early nineteenth century up to the digital age. The handbook examines historically, methodologically, and theoretically the coming together of the enduring narrative practice of compression and concision in American literature. It offers fresh and original readings relevant to studying the American short story and shows how the genre performs American culture.
Tales, Speeches, Essays, and Sketches by Mark Twain Pdf
These short fiction and prose pieces display the variety of Twain's imaginative invention, his diverse talents, and his extraordinary emotional range. Twain was a master of virtually every prose genre; in fables and stories, speeches and essays, he skilfully adapted, extended or satirized literary conventions, guided only by his unruly imagination. From the comic wit that sparkles in maxims from 'Pudd'nhead Wilson's Calendar,' to the parodic perfection of 'An Awful - Terrible Medieval Romance,' to the satirical delights of The Innocents Abroad and Roughing It; from the warm nostalgia of 'Early Days' to the bitter, brooding tone of 'The Man That Corrupted Hadleyburg' to the anti-imperial vehemence of 'To the Person Sitting in the Darkness' and the poignant grief expressed in 'Death of Jean', Twain emerges in this volume in many guises, all touched by genius. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Jamesian Cultural Anxiety in the East and West by Choon-Hee Kim Pdf
This volume explores the world that shaped Henry James’s work and influenced his legacy through the themes of Jamesian cultural anxiety between and beyond spatio-temporal boundaries. As such, each chapter constructs a mode of reading to map and formulate one’s own cultural perspective in various contexts relying on their unique engagement with James’s and Jamesian creative acts of writing—aesthetics and science, the (auto-)biographical as social aspects, genre as literary-social context, the artistic and the economic, editorship and readership, and Asian perspectives on cultural influences and identities—to generate insights and establish new intercultural understandings. These are the traces of the contributors’ national, social, cultural consciousness that allow the definition of the Jamesian worldview as a particularly universal one in a global context.
The Reconstruction of Mark Twain by Joe B. Fulton Pdf
When Confederate forces fired on Fort Sumter in April 1861, thousands of patriotic southerners rushed to enlist for the Confederate cause. Samuel Langhorne Clemens, who grew up in the border state of Missouri in a slave-holding family, was among them. Clemens, who later achieved fame as the writer Mark Twain, served as second lieutenant in a Confederate militia, but only for two weeks, leading many to describe his loyalty to the Confederate cause as halfhearted at best. After all, Mark Twain's novel The Adventures of Huckleberry Finn (1885) and his numerous speeches celebrating Abraham Lincoln, with their trenchant call for racial justice, inspired his crowning as "the Lincoln of our Literature." In The Reconstruction of Mark Twain, Joe B. Fulton challenges these long-held assumptions about Twain's advocacy of the Union cause, arguing that Clemens traveled a long and arduous path, moving from pro-slavery, secession, and the Confederacy to pro-union, and racially enlightened. Scattered and long-neglected texts written by Clemens before, during, and immediately after the Civil War, Fulton shows, tout pro-southern sentiments critical of abolitionists, free blacks, and the North for failing to enforce the Fugitive Slave Act. These obscure works reveal the dynamic process that reconstructed Twain in parallel with and response to events on American battlefields and in American politics. Beginning with Clemens's youth in Missouri, Fulton tracks the writer's transformation through the turbulent Civil War years as a southern-leaning reporter in Nevada and San Francisco to his raucous burlesques written while he worked as a Washington correspondent during the impeachment crises of 1867--1868. Fulton concludes with the writer's emergence as the country's satirist-in-chief in the postwar era. By explaining the relationship between the author's early pro-southern writings and his later stance as a champion for racial justice throughout the world, Fulton provides a new perspective on Twain's views and on his deep involvement with Civil War politics. A deft blend of biography, history, and literary studies, The Reconstruction of Mark Twain offers a bold new assessment of the work of one of America's most celebrated writers.
Washington Irving: History, Tales & Sketches (LOA #16) by Washington Irving Pdf
Washington Irving’s career as a writer began obscurely at age seventeen, when his brother’s newspaper published his series of comic reports on the theater, theater-goers, fashions, balls, courtships, duels, and marriages of his contemporary New York, called Letters of Jonathan Oldstyle, Gent. Written in the persona of an elderly gentleman of the old school, these letters captured his fellow townsmen at play in their most incongruous attitudes of simple sophistication. Irving’s next work, Salmagundi, written in collaboration with his brother William and James Kirke Paulding, and published at irregular intervals in 1805–06, continued this roguish style of satire and burlesque. A History of New York, publicized by an elaborate hoax in the local newspapers concerning the disappearance of the elderly “Diedrich Knickerbocker,” turned out to be a wild and hilarious spoof that combined real New York history with political satire. Quickly reprinted in England, it was admired by Walter Scott and Charles Dickens (who carried his copy in his pocket). In later years, as Irving revised and re-revised his History, he softened his gibes at Thomas Jefferson, the Dutch, and the Yankees of New England; this Library of America volume presents the work in its original, exuberant, robust, and unexpurgated form, giving modern readers a chance to enjoy the version that brought him immediate international acclaim. The Sketch Book contains Irving’s two best-loved stories, “Rip Van Winkle” and “The Legend of Sleepy Hollow.” It also includes many sketches of English country and city life, as well as nostalgic portraits of vanishing traditions, like the old celebrations of Christmas. A writer of great urbanity and poise, acutely sensitive to the nostalgia of a passing age, Washington Irving was a central figure in America’s emergence on the international scene. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.