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Collecting China is a unique collection of essays that brings together theories of materiality and what collecting has meant to various peoples over time. Collecting China grew out of a simple question: how does a thing become Chinese? Fifteen essays explore this question from different angles, ranging from close examination of world-renowned private collections to critical reinterpretations of historical writings.
During a relatively short period, from around 1765 to 1780, the Dutch lawyer Jean Theodore Royer (1737-1807) was intensely engaged in the study of Chinese culture. Befriended VOC officials and their Chinese relations in Canton collected Chinese objects for him and helped him with his greatest ambition: the composition of a Chinese dictionary. The objects were given a home in his museum on the Herengracht in The Hague. Better than travel journals, they gave a picture of life in China in Royer’s time. Because the selection was largely made by modest Chinese traders, the collection does not so much give a picture of the material culture of the Chinese elite, but rather that of the ambitious, upwardly-mobile world of small traders and craftsmen. These are mostly ephemeral objects that have rarely been preserved, but they came to The Hague, thanks to Royer and his Chinese contacts. A bequest from his widow then ensured that the collection ended up in two Dutch museums: Museum Volkenkunde in Leiden and the Rijksmuseum in Amsterdam, where the objects are still present today.
China Collecting in America by Alice Morse Earle Pdf
An extensive and delightful survey of "China-Hunting" in Mew England. Chapter include: China Hunting; Trencher Treen and Pewter Bright; Early Use and Importation of China in America; Early Fictile Art in America; Earliest Pottery Wares, English Porcelain in America; Liverpool and Other Printed Ware; Oriental China; The Cosey Teapot; Punch-Bowls and Punches; George and Martha Washington's China; Presidential China; Designs Relating to Washington; Designs Relating to Franklin; Designs Relating to Lafayette; Patriotic and Political Designs; Staffordshire Wares; China Memories; China Collections.
Centring the Periphery: New Perspectives on Collecting East Asian Objects by Anonim Pdf
Centring the Periphery: New Perspectives on Collecting East Asian Objects, edited by Nataša Vampelj Suhadolnik, explores East Asian collections in "peripheral" areas of Europe and North America and their relationship with the East Asian collections in former imperial and colonial centres. The authors not only present the stories of a number of less well-known individual objects and collections, but also discuss the evolution of fashions and tastes in East Asian objects in areas that were not centres of European colonial power, and the socioeconomic conditions in which they were collected. To date, research on the collecting of East Asian objects in the Euro-American region has focused primarily on larger collections and collectors. The stories from the periphery, however, deserve to be told. They point to important departures from the dominant discourses and practices of East Asian collecting, thus raising questions about established taxonomies and knowledge systems. With contributions by Tina Berdajs, Chou Wei-Chiang, Györgyi Fajcsák, Jin Han, Sarah Laursen, Beatrix Mecsi, Motoh Helena, Stacey Pierson, Maria Sobotka, Filip Suchomel, Barbara Trnovec, Nataša Vampelj Suhadolnik, Brigid Vance, Maja Veselič, Nataša Visočnik Gerželj, Bettina Zorn.
Collecting the Revolution by Emily R. Williams Pdf
In the late 1960s, student protests broke out throughout much of the world, and while Britain’s anti-Vietnam protestors and China’s Red Guards were clearly radically different, these movements at times shared inspirations, aspirations, and aesthetics. Within Western popular media, Mao’s China was portrayed as a danger to world peace, but at the same time, for some on the counter-cultural left, the Cultural Revolution (1966–1976) contained ideas worthy of exploration. Moreover, because of Britain’s continued colonial possession of Hong Kong, Britain had a specific interest in ongoing events in China, and information was highly sought after. Thus, the objects that China exported—propaganda posters, paintings, Mao badges, periodicals, ceramics, etc.—became a crucial avenue through which China was known at this time, and interest in them crossed the political divide. Collecting the Revolution uses the objects that the Chinese government sent abroad and that visitors brought back with them to open up the stories of diplomats, journalists, activists, students, and others and how they imagined, engaged with, and later remembered Mao’s China through its objects. It chronicles the story of how these objects were later incorporated into the collections of some of Britain’s most prominent museums, thus allowing later generations to continue to engage with one of the most controversial and important periods of China’s recent history.
Collecting and Displaying China's “Summer Palace” in the West by Louise Tythacott Pdf
In October 1860, at the culmination of the Second Opium War, British and French troops looted and destroyed one of the most important palace complexes in imperial China—the Yuanmingyuan. Known in the West as the "Summer Palace," this site consisted of thousands of buildings housing a vast art collection. It is estimated that over a million objects may have been taken from the palaces in the Yuanmingyuan—and many of these are now scattered around the world, in private collections and public museums. With contributions from leading specialists, this is the first book to focus on the collecting and display of "Summer Palace" material over the past 150 years in museums in Britain and France. It examines the way museums placed their own cultural, political and aesthetic concerns upon Yuanmingyuan material, and how displays—especially those at the Royal Engineers Museum in Kent, the National Museum of Scotland and the Musée Chinois at the Château of Fontainebleau—tell us more about European representations and images of China, than they do about the Yuanmingyuan itself.
Contemporary Collecting by Kevin M. Moist,David Banash Pdf
In Contemporary Collecting: Objects, Practices, and the Fate of Things, Kevin M. Moist and David Banash have assembled several essays that examine collecting practices on both a personal and professional level. These essays situate collectors and collections in a contemporary context and also show how our changing world finds new meaning in the legacy of older collections. Arranged by such themes as “Collecting in a Virtual World,” “Changing Relationships with Things,” “Collecting and Identity—Personal and Political,” and “Collecting Practices and Cultural Hierarchies,” these essays help illuminate the role of objects in our lives.
Chinese Art Objects, Collecting, and Interior Design in Twentieth-Century Britain by Helen Glaister Pdf
This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War. The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study – defined by its design hybridity – offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors. The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.
China Collecting in America by Alice Morse Earle Pdf
An extensive and delightful survey of "China-Hunting" in Mew England. Chapter include: China Hunting; Trencher Treen and Pewter Bright; Early Use and Importation of China in America; Early Fictile Art in America; Earliest Pottery Wares, English Porcelain in America; Liverpool and Other Printed Ware; Oriental China; The Cosey Teapot; Punch-Bowls and Punches; George and Martha Washington's China; Presidential China; Designs Relating to Washington; Designs Relating to Franklin; Designs Relating to Lafayette; Patriotic and Political Designs; Staffordshire Wares; China Memories; China Collections.
After serving as a missionary and then foreign advisor to Qing officials from 1887 to 1911, John Ferguson became a leading dealer of Chinese art, providing the Metropolitan Museum of Art, the Cleveland Museum of Art, and other museums with their inaugural collections of paintings and bronzes. In multiple publications dating to the 1920s and 1930s, Ferguson made the controversial claim that China’s autochthonous culture was the basis of Chinese art. His two Chinese language reference works, still in use today, were produced with essential help from Chinese scholars. Emulating these “men of culture” with whom he lived and worked in Peking, Ferguson gathered paintings, bronzes, rubbings, and other artifacts. In 1934, he donated this group of over one thousand objects to Nanjing University, the school he had helped to found as a young missionary. This work offers a significant contribution to the history of Chinese art collection. John Ferguson learned from and worked with Qing dynasty collectors and scholars, and then Republican-era dealers and archeologists, while simultaneously supplying the objects he had come to know as Chinese art to American museums and individuals. He is an ideal subject to help us see the interconnections between increased Western interest in Chinese art and archeology in the modern era, and cultural change taking place in China.
