Colonial Era Caribbean Theatre

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Colonial-Era Caribbean Theatre

Julia Prest
Colonial Era Caribbean Theatre Book PDF

Author : Julia Prest
Publisher : Liverpool University Press
Page : 280 pages
File Size : 43,8 Mb
Release : 2023-10-15
Category : Performing Arts
ISBN : 9781837644810

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Colonial-Era Caribbean Theatre by Julia Prest Pdf

Cutting across academic boundaries, this volume brings together scholars from different disciplines who have explored together the richness and complexity of colonial-era Caribbean theatre. The volume offers a series of original essays that showcase individual expertise in light of broader group discussions. Asking how we can research effectively and write responsibly about colonial-era Caribbean theatre today, our primary concern is methodology. Key questions are examined via new research into individual case studies on topics ranging from Cuban blackface, commedia dell’arte in Suriname and Jamaican oratorio to travelling performers and the influence of the military and of enslaved people on theatre in Saint-Domingue. Specifically, we ask what particular methodological challenges we as scholars of colonial-era Caribbean theatre face and what methodological solutions we can find to meet those challenges. Areas addressed include our linguistic limitations in the face of Caribbean multilingualism; issues raised by national, geographical or imperial approaches to the field; the vexed relationship between metropole and colony; and, crucially, gaps in the archive. We also ask what implications our findings have for theatre performance today – a question that has led to the creation of a new work set in a colonial theatre and outlined in the volume’s concluding chapter.

Public Theatre and the Enslaved People of Colonial Saint-Domingue

Julia Prest
Public Theatre and the Enslaved People of Colonial Saint Domingue Book PDF

Author : Julia Prest
Publisher : Springer Nature
Page : 287 pages
File Size : 46,7 Mb
Release : 2023-04-13
Category : Performing Arts
ISBN : 9783031226915

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Public Theatre and the Enslaved People of Colonial Saint-Domingue by Julia Prest Pdf

The French colony of Saint-Domingue (now Haiti) was home to one of the richest public theatre traditions of the colonial-era Caribbean. This book examines the relationship between public theatre and the enslaved people of Saint-Domingue—something that is generally given short shrift owing to a perceived lack of documentation. Here, a range of materials and methodologies are used to explore pressing questions including the ‘mitigated spectatorship’ of the enslaved, portrayals of enslaved people in French and Creole repertoire, the contributions of enslaved people to theatre-making, and shifting attitudes during the revolutionary era. The book demonstrates that slavery was no mere backdrop to this portion of theatre history but an integral part of its story. It also helps recover the hidden experiences of some of the enslaved individuals who became entangled in that story.

The Jamaican Stage, 1655-1900

Errol Hill
The Jamaican Stage 1655 1900 Book PDF

Author : Errol Hill
Publisher : Univ of Massachusetts Press
Page : 368 pages
File Size : 51,6 Mb
Release : 1992
Category : Performing Arts
ISBN : UOM:39015025220263

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The Jamaican Stage, 1655-1900 by Errol Hill Pdf

A distinguished scholar here offers a thorough lively account of the Jamaican stage, arguably the most prominent theatre of its kind in the British colonies through 1900. Errol Hill discusses the struggle to maintain viable playhouses, the fortunes of visiting professional troupes, and the emergence of an indigenous theatre. He documents the plays written and produced through the end of the nineteenth century, presenting them against the background of a society emerging in the 1830s from a slave-holding system. He also explores the rituals, festivals, and other forms of entertainment enjoyed by the broad underclass of Jamaicans, most of whom were slaves or slave descendants, and who today number over 90 percent of the island's population. By examining the record of theatrical production on the one hand, and the variety of indigenous performance on the other, Hill shows how a synthesis of native and foreign elements has occurred. He calls particular attention to the use of the Creole language, new performance patterns, and the integration of music, dance, mime, and masking. In the Epilogue, he extends his discussion to the anglophone Caribbean which has become politically independent of Britain.

Colonialism and Slavery in Performance

Jeffrey M. Leichman,Karine Bénac-Giroux
Colonialism and Slavery in Performance Book PDF

Author : Jeffrey M. Leichman,Karine Bénac-Giroux
Publisher : Unknown
Page : 368 pages
File Size : 54,7 Mb
Release : 2021-03-08
Category : Electronic
ISBN : 1800348045

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Colonialism and Slavery in Performance by Jeffrey M. Leichman,Karine Bénac-Giroux Pdf

Colonialism and Slavery in Performance brings together original archival research with recent critical perspectives to argue for the importance of theatrical culture to the understanding of the French Caribbean sugar colonies in the eighteenth century. Fifteen English-language essays from both established and emerging scholars apply insights and methodologies from performance studies and theatre history in order to propose a new understanding of Old Regime culture and identity as a trans-Atlantic continuum that includes the Antillean possessions whose slave labour provided enormous wealth to the metropole. Carefully documented studies of performances in Saint-Domingue, the most prosperous French colony, illustrate how the crucible of a brutally racialized colonial space gave rise to a new French identity by adapting many of the cherished theatrical traditions that colonists imported directly from the mainland, resulting in a Creole performance culture that reflected the strong influence of African practices brought to the islands by plantation slaves. Other essays focus on how European theatregoers reconciled the contradiction inherent in the eighteenth century's progressive embrace of human rights, with an increasing dependence on the economic spoils of slavery, thus illustrating how the stage served as a means to negotiate new tensions within "French" identity, in the metropole as well as in the colonies. In the final section of the volume, essays explore the enduring legacy of the Old Regime in contemporary Antillean stage culture, illustrating how performance traditions continue to structure the understanding of what it means to be French in France's former Atlantic slave colonies.

Colonialism and Slavery in Performance

Jeffrey Leichman
Colonialism and Slavery in Performance Book PDF

Author : Jeffrey Leichman
Publisher : Unknown
Page : 368 pages
File Size : 51,8 Mb
Release : 2021
Category : Slavery & abolition of slavery
ISBN : 1800857810

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Colonialism and Slavery in Performance by Jeffrey Leichman Pdf

Colonialism and Slavery in Performance brings together original archival research with recent critical perspectives to argue for the importance of theatrical culture to the understanding of the French Caribbean sugar colonies in the eighteenth century. Fifteen English-language essays from both established and emerging scholars apply insights and methodologies from performance studies and theatre history in order to propose a new understanding of Old Regime culture and identity as a trans-Atlantic continuum that includes the Antillean possessions whose slave labour provided enormous wealth to the metropole. Carefully documented studies of performances in Saint-Domingue, the most prosperous French colony, illustrate how the crucible of a brutally racialized colonial space gave rise to a new French identity by adapting many of the cherished theatrical traditions that colonists imported directly from the mainland, resulting in a Creole performance culture that reflected the strong influence of African practices brought to the islands by plantation slaves. Other essays focus on how European theatregoers reconciled the contradiction inherent in the eighteenth century's progressive embrace of human rights, with an increasing dependence on the economic spoils of slavery, thus illustrating how the stage served as a means to negotiate new tensions within "French" identity, in the metropole as well as in the colonies. In the final section of the volume, essays explore the place of performance in representations of the Old Regime Antilles, from the Haitian literary diaspora to contemporary performing artists from Martinique and Guadeloupe, as the stage remains central to understanding history and identity in France's former Atlantic slave colonies.Featuring contributions from Sean Anderson, Karine Bénac-Giroux, Bernard Camier, Nadia Chonville, Laurent Dubois, Logan J. Connors, Béatrice Ferrier, Kaiama L. Glover, Jeffrey M. Leichman, Laurence Marie, Pascale Pellerin, Julia Prest, Catherine Ramond, Emily Sahakian, Pierre Saint-Amand, and Fredrik Thomasson. Jeffrey M. Leichman is Jacques Arnaud Associate Professor in the Department of French Studies at Louisiana State University, where his research and teaching focus on French theatrical literature and culture. He is also project director for the NEH-supported VESPACE project, an international digital humanities collaboration building an interactive VR model of an eighteenth-century Paris Fair theatre. Karine Bénac-Giroux is maîtresse de conférences at Université des Antilles. A specialist in questions of personal identity in 18th century comedy, she has opened a field of research on racial/gender stereotypes in literature and contemporary dance in the West Indies. She is a member of the steering team of the project Matrimoine-Afro-Américano-Caribéen, https://matrimoine.art, and has created several research-creation pieces.

Culture and Identity in African and Caribbean Theatre

Osita Okagbue
Culture and Identity in African and Caribbean Theatre Book PDF

Author : Osita Okagbue
Publisher : Adonis & Abbey Publishers Ltd
Page : 277 pages
File Size : 44,9 Mb
Release : 2009-09-30
Category : Drama
ISBN : 9781912234264

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Culture and Identity in African and Caribbean Theatre by Osita Okagbue Pdf

What connects Africa and the Caribbean is trans-Atlantic slavery which transported numerous sons and daughters of Africa to the plantations of the New World in the service of Western European capitalism. Because of this shared experience of trans-Atlantic slavery and European colonialism, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanisation and loss of freedom, which left imprints on the collective psyches of the colonised Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case.

Four Caribbean Women Playwrights

Vanessa Lee
Four Caribbean Women Playwrights Book PDF

Author : Vanessa Lee
Publisher : Springer Nature
Page : 192 pages
File Size : 47,9 Mb
Release : 2021-10-18
Category : Performing Arts
ISBN : 9783030833640

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Four Caribbean Women Playwrights by Vanessa Lee Pdf

Four Caribbean Women Playwrights aims to expand Caribbean and postcolonial studies beyond fiction and poetry by bringing to the fore innovative women playwrights from the French Caribbean: Ina Césaire, Maryse Condé, Gerty Dambury, Suzanne Dracius. Focussing on the significance of these women writers to the French and French Caribbean cultural scenes, the author illustrates how their work participates in global trends within postcolonial theatre. The playwrights discussed here all address socio-political issues, gender stereotypes, and the traumatic slave and colonial pasts of the Caribbean people. Investigating a range of plays from the 1980s to the early 2010s, including some works that have not yet featured in academic studies of Caribbean theatre, and applying theories of postcolonial theatre and local Caribbean theatre criticism, Four Caribbean Women Playwrights should appeal to scholars and students in the Humanities, and to all those interested in the postcolonial, the Caribbean, and contemporary theatre.

An Introduction to Post-Colonial Theatre

Brian Crow,Chris Banfield
An Introduction to Post Colonial Theatre Book PDF

Author : Brian Crow,Chris Banfield
Publisher : Cambridge University Press
Page : 208 pages
File Size : 55,9 Mb
Release : 1996-03-21
Category : Drama
ISBN : 052156722X

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An Introduction to Post-Colonial Theatre by Brian Crow,Chris Banfield Pdf

In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.

Culture and Identity in African and Caribbean Theatre

Osita Okagbue,Osy A. Okagbue
Culture and Identity in African and Caribbean Theatre Book PDF

Author : Osita Okagbue,Osy A. Okagbue
Publisher : Adonis & Abbey Publishers
Page : 0 pages
File Size : 49,9 Mb
Release : 2009
Category : Drama
ISBN : 1905068603

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Culture and Identity in African and Caribbean Theatre by Osita Okagbue,Osy A. Okagbue Pdf

Because of a shared experience of European colonialism and trans-Atlantic slavery, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanization and loss of freedom, which left imprints on the collective psyches of the colonized Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case.

America in the French Imaginary, 1789-1914

Diana R. Hallman,César A. Leal
America in the French Imaginary 1789 1914 Book PDF

Author : Diana R. Hallman,César A. Leal
Publisher : Boydell & Brewer
Page : 410 pages
File Size : 40,8 Mb
Release : 2022-05-17
Category : Music
ISBN : 9781783277001

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America in the French Imaginary, 1789-1914 by Diana R. Hallman,César A. Leal Pdf

Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.

New Francophone African and Caribbean Theatres

John Conteh-Morgan
New Francophone African and Caribbean Theatres Book PDF

Author : John Conteh-Morgan
Publisher : Indiana University Press
Page : 230 pages
File Size : 55,8 Mb
Release : 2010-08-03
Category : Literary Criticism
ISBN : 9780253004581

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New Francophone African and Caribbean Theatres by John Conteh-Morgan Pdf

John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-garde practices in order to achieve sharp critiques of the nationalist and postnationalist state and to elucidate the concerns of the francophone world. More recent changes have introduced a transnational dimension, replacing concerns with national and ethnic solidarity in favor of irony and self-reflexivity. New Francophone African and Caribbean Theatres places these theatres at the heart of contemporary debates on global cultural and political practices and offers a more finely tuned understanding of performance in diverse diasporic networks.

Traditional Enactments of Trinidad

Rawle Gibbons
Traditional Enactments of Trinidad Book PDF

Author : Rawle Gibbons
Publisher : Resource Publications (CA)
Page : 0 pages
File Size : 42,6 Mb
Release : 2023-05-08
Category : Electronic
ISBN : 1666769835

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Traditional Enactments of Trinidad by Rawle Gibbons Pdf

Gibbons' version of a third theatre is an exciting, insightful, very well informed and thoroughly researched analysis of national theatre in Trinidad and the West Indies. This study takes us from its origins with roots in the 'First Theatre' - traditional enactments that evolved in slavery and indentureship, through a colonial era of domination and resistance, influenced by the 'Second Theatre' - the imported western performance on the formal stage, to what emerged in the twentieth century. Revealing definitions and analyses of modern Caribbean society by Rex Nettleford in the ground-breaking Mirror, Mirror, and Stuart Hall, for instance, opened the doors for scholarship in Caribbean studies. In this context Errol Hill, Derek Walcott and Dennis Scott have been standouts where theatre is concerned. But Gibbons offers new light through a fiercely postcolonial lens with deep sensitivity to the proletarian consciousness that is at the root of this concept of Trinidadian and Caribbean theatre. - Al Creighton Jr., University of Guyana

The Cambridge Guide to African and Caribbean Theatre

Martin Banham,Errol Hill,George Woodyard
The Cambridge Guide to African and Caribbean Theatre Book PDF

Author : Martin Banham,Errol Hill,George Woodyard
Publisher : Cambridge University Press
Page : 276 pages
File Size : 42,7 Mb
Release : 1994-08-04
Category : Drama
ISBN : 0521411394

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The Cambridge Guide to African and Caribbean Theatre by Martin Banham,Errol Hill,George Woodyard Pdf

Comprehensive alphabetical guide to theatre in Africa and the Caribbean: national essays and entries on countries and performers.

Post-Colonial Drama

Helen Gilbert,Joanne Tompkins
Post Colonial Drama Book PDF

Author : Helen Gilbert,Joanne Tompkins
Publisher : Routledge
Page : 360 pages
File Size : 54,6 Mb
Release : 2002-09-11
Category : Performing Arts
ISBN : 9781134877003

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Post-Colonial Drama by Helen Gilbert,Joanne Tompkins Pdf

Post-Colonial Drama is the first full-length study to address the ways in which performance has been instrumental in resisting the continuing effects of imperialism. It brings to bear the latest theoretical approaches from post-colonial and performance studies to a range of plays from Australia, Africa, Canada, New Zealand, the Caribbean and other former colonial regions. Some of the major topics discussed in Post-Colonial Drama include: * the interactions of post-colonial and performance theories * the post-colonial re-stagings of language and history * the specific enactments of ritual and carnival * the theatrical citations of the post-colonial body Post-Colonial Drama combines a rich intersection of theoretical approaches with close attention to a wide range of performance texts.

From Plantation to Paradise?

David M. Powers
From Plantation to Paradise Book PDF

Author : David M. Powers
Publisher : Michigan State University Press
Page : 0 pages
File Size : 55,5 Mb
Release : 2014-05-01
Category : History
ISBN : 1611861209

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From Plantation to Paradise? by David M. Powers Pdf

In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre–French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, décor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of créole texts and white actors/singers à visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States.