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Colour and Culture in South Africa by Sheila Patterson Pdf
This is Volume VI of twenty-one in a series on Race, Class and Social Structure. Originally published in 1953 and using language of the time, this is a study of the status of the Cape coloured people within the social structure of the Union of South Africa.
Colour and Culture in South Africa by Sheila Patterson Pdf
This is Volume VI of twenty-one in a series on Race, Class and Social Structure. Originally published in 1953 and using language of the time, this is a study of the status of the Cape coloured people within the social structure of the Union of South Africa.
Colour and Culture in South Africa. A Study of the Status of the Cape Coloured People Within the Social Structure of the Union of South Africa by Sheila Caffyn PATTERSON Pdf
This book is essentially about stereotypes as found in the literature and culture of South Africa. It deals specifically with those people referred to in the South African racial legislation as โcolouredsโ. The book is also an illustration of the way in which stereotypes function as a means of social control and repression. First published in 1981. Routledge is an imprint of Taylor & Francis, an informa company.
An account of the author's journey through Africa recounts his experiences as an observer during a big-game safari hunt, with local villagers, and in caves and overhangs, where he examined ancient cave paintings. (Travel)
White on Black in South Africa by Michael Wade Pdf
The English-speaking whites of South Africa participate in the larger culture of the English-speaking world while rejecting its unspoken consensual positions on many basic issues. This study analyses texts of different kinds produced by the group to examine the way these deviant English-speakers see themselves, and particularly how this self-image is influenced by the presence of the blacks who constitute a crucial part of their perceptual field. Economically powerful but politically marginal for many years, the English-speaking whites have always been mediators of their community's experience to the world culture of the English language; the study shows how the act of mediation operates in more than one direction, producing a literary tradition that is essentially - and perhaps surprisingly - dissident.
Designing Spatial Culture investigates a powerful experiential dialogue formed between the habitation of space and a diversified cultural realm. This creative proposition binds and positions human activity and experience framing its histories, currency and future. Whilst the book distinguishes between the conditions of the existing urban/ architecture/ interior canon, it embraces a new agency of space, showcasing the encounters, assemblies and designs that shape human behaviours and the cultural forms of the built environment. Using authoritative case studies, the book examines many locations and spaces, ranging from new urban landscapes, historical domestic spaces and contemporary architecture. It embraces the most lavish and flamboyant to the most simplistic and minimal, establishing a connected cultural narrative. The book shifts the focus in the spatial realm from an object-based experience (where space is filled with things) to a more complete immersive experience (combining physical and digital). A key part of this exploration is the relationship between the architecture and the interior which is often the most predominant spatial experience and fundamental to the understanding spatial experience and existing cultures. Without the architectural enclosure, the interior would lose its site context and structure for its existence. Without an interior, architecture would not fully develop an engaging spatial experience for the user. The book rationalises this through extended use of a spatial probe which documents and summarises an evidence-based research project capturing spatial culture data from a predominantly domestic setting. The book is essential reading for students and researchers in architecture, interior design and urban design.
'Extraordinary. An intellectual feast as well as a visual one' Edmund de Waal, author of The Hare with Amber Eyes The world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each colour offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.'
