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Author : Siegfried Wyler
Publisher : Gunter Narr Verlag
Page : 220 pages
File Size : 50,6 Mb
Release : 2006
Category : Art
ISBN : 3823362674
Author : Martina Plümacher,Peter Holz
Publisher : John Benjamins Publishing
Page : 264 pages
File Size : 45,8 Mb
Release : 2007-01-01
Category : Language Arts & Disciplines
ISBN : 9027238952
How to speak of colors and odors? In many cases, we have to think about an adequate description of a perceived odor or shade of color. Words are not fluently available.The contributions discuss color and odor perception and its linguistic representation from different disciplinary angles: from neurobiology, neuropsychology, psycholinguistics, cognitive linguistics and philosophy. They show that linguistic representation of colors and odors depends highly on cultures of communication. Experts are skilled in discerning finer differences between their sense impressions and have at their disposal a special language which non-experts do not master. The color and odor vocabulary is rare, if there is no cultural habit to communicate the very sense impression. In cases where individuals have to speak of their sensory experiences more precisely they often turn to metaphors. The contributions discuss the lack of inter-individual conventions of naming and describing odors compared to the more expanded linguistic representation of colors.
Author : Roy Osborne
Publisher : Lulu.com
Page : 294 pages
File Size : 43,5 Mb
Release : 2015-10-25
Category : History
ISBN : 9781326459710
Updated to 2020, BOOKS ON COLOUR 1495-2015 offers quick and easy reference to 2,500 authors and editors and over 3,000 titles published by them. Following a concise historical survey of colour literature, authors are listed in an A-Z directory, together with titles, dates and places of publication, and translations for non-English titles. Biographical references are included where known. Chronological indexes of authors precede the bibliographical listing and alphabetical indexes of authors follow it. Publications are categorised under 27 general headings: Architecture, Chemistry, Classification, Colorants, Computing & Television, Decoration, Design, Dress & Cosmetics, Dyeing, Flora & Fauna, Food, Glass, History, Lighting, Metrology, Music, Optics, Painting, Perception, Philosophy, Photography & Cinema, Printing, Psychology, Symbolism, Terminology, Therapy, and Vision.
Author : Sarah Street
Publisher : Bloomsbury Publishing
Page : 320 pages
File Size : 49,8 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838715151
How did the coming of colour change the British film industry? Unlike sound, the arrival of colour did not revolutionise the industry overnight. For British film-makers and enthusiasts, colour was a controversial topic. While it was greeted by some as an exciting development – with scope for developing a uniquely British aesthetic – others were deeply concerned. How would audiences accustomed to seeing black-and-white films – which were commonly regarded as being superior to their garish colour counterparts – react? Yet despite this initial trepidation, colour captivated many British inventors and film-makers. Using different colour processes, these innovators produced films that demonstrated remarkable experimentation and quality. Sarah Street's illuminating study is the first to trace the history of colour in British cinema, and analyses the use of colour in a range of films, both fiction and non-fiction, including The Open Road, The Glorious Adventure, This is Colour, Blithe Spirit, This Happy Breed, Black Narcissus, The Red Shoes, The Tales of Hoffmann and Moulin Rouge. Beautifully illustrated with full colour film stills, this important study provides fascinating insights into the complex process whereby the challenges and opportunities of new technologies are negotiated within creative practice. The book also includes a Technical Appendix by Simon Brown (Kingston University, UK), which provides further details of the range of colour processes used by British film-makers.
Author : William Jervis Jones
Publisher : John Benjamins Publishing
Page : 679 pages
File Size : 49,8 Mb
Release : 2013-06-15
Category : Language Arts & Disciplines
ISBN : 9789027272027
This monograph provides, for the first time, a comprehensive historical analysis of German colour words from early beginnings to the present, based on data obtained from over one thousand texts.Part 1 reviews previous work in colour linguistics. Part 2 describes and documents the formation of popular colour taxonomies and specialised nomenclatures in German across many periods and fields. The textual data examined will be of relevance to cultural historians in fields as far apart as philosophy, religious symbolism, medicine, mineralogy, optics, fine art, fashion, and dyeing technology. Part 3 — the core of the work — traces linguistic developments in systematic detail across more than twelve centuries. Special attention is given to the evolving meanings of colour terms, their connotative values, figurative extensions, morphological productivity, and lexicographical registration. New light is shed on a range of scholarly issues and controversies, in ways relevant to German lexicologists and to specialists in other languages, notably French and English.
Author : Athalya Brenner-Idan
Publisher : Bloomsbury Publishing
Page : 307 pages
File Size : 45,5 Mb
Release : 1983-02-01
Category : Religion
ISBN : 9780567078315
The OT semantic field of 'colour' is presented as a coherent, interdependent, and graded linguistic structure. The relevant lexical items are organized under the following categories: primary (basic) terms; secondary and tertiary terms; terms for pigments, dyes, painting and paints; and terms for stains, speckles, and other phenomena related to colour. Proper names, and names of objects which carry 'colour' associations are discussed as well. Many OT texts are discussed in detail. Finally, the OT colour field is compared to its Mishnaic Hebrew counterpart, and an Appendix dealing with the renewal of the same lexical sector within modern spoken Hebrew brings the study up to the present.
Author : Janet Best
Publisher : Woodhead Publishing
Page : 704 pages
File Size : 46,5 Mb
Release : 2017-06-08
Category : Psychology
ISBN : 9780081018897
Colour Design: Theories and Applications, Second Edition, provides information on a broad spectrum of colour subjects written by seasoned industry professionals and academics. It is a multidisciplinary book that addresses the use of colour across a range of industries, with a particular focus on textile colouration. Part One deals with the human visual system, colour perception and colour psychology, while Part Two focuses on the practical application of colour in design, including specifically in textiles and fashion. Part Three covers cultural and historical aspects of colour, as well as recent developments, addressing areas such as dyes and pigments, architecture, colour theory, virtual reality games, colour printing, website development, and sustainability. This revised, expanded, and updated edition reflects recent technological developments, and new industry priorities. Bringing together the science of colouration and the more artistic elements of design, this book supports students, academics, and industry professionals in developing a deep knowledge of colour use. It will also be an important reference for those involved in textile dyeing, design and manufacture. Provides a comprehensive review of the issues surrounding the use of color in textiles Discusses the application of color across a wide range of industries, supporting interdisciplinary knowledge and research Offers a revised, expanded, and updated look that reflects the rise of new technology and industry priorities
Author : Siegfried Wyler
Publisher : Gunter Narr Verlag
Page : 210 pages
File Size : 48,5 Mb
Release : 1992
Category : Color
ISBN : 3823342193
Author : Jonathan Brindle,Geda Paulsen,Mari Uusküla
Publisher : Cambridge Scholars Publishing
Page : 446 pages
File Size : 42,8 Mb
Release : 2016-08-17
Category : Electronic
ISBN : 9781443898157
This volume represents a unique collection of chapters on the way in which color is categorized and named in a number of languages. Although color research has been a topic of focus for researchers for decades, the contributions here show that many aspects of color language and categorization are as yet unexplored, and that current theories and methodologies which investigate color language are still evolving. Some core questions addressed here include: How is color conceptualized through language? What kind of linguistic tools do languages use to describe color? Which factors tend to bias color language? What methodologies could be used to understand human color categorization and language better? How do color vocabularies evolve? How does context impact the color cognition? The chapters collected here adopt different theoretical and methodological approaches in describing new empirical research on how the concept of color is represented in a variety of different languages. Researchers in linguistics, psychology, and cognitive science present a set of new explorations and challenges in the area of color language. The book promotes several methodological and disciplinary dimensions to color studies. The color category is given an in-depth and broad-based examination, so a reader interested in color conceptualization for itself will be able to form a solid vision of the subject.
Author : Victoria Bogushevskaya,Elisabetta Colla
Publisher : Cambridge Scholars Publishing
Page : 280 pages
File Size : 41,7 Mb
Release : 2015-10-05
Category : Social Science
ISBN : 9781443884365
The essays collected into this volume are organized into five interrelated sections exploring discourse on the interaction between sensation, perceptions of colour and the various forms of their cultural representation. The contributors analyse aspects related to colour 'labelling', its mediation and representation, consider traditional and new approaches to colour, and explore the cultural productivity of colour across different fields. Colour is presented within a conceptual framework that fosters alliances between the humanities and the social and natural sciences. Part I is dedicated to stu.
Author : Chloë N. Duckworth,Anne E. Sassin
Publisher : Routledge
Page : 302 pages
File Size : 55,6 Mb
Release : 2017-12-15
Category : Art
ISBN : 9781351682961
The myriad ways in which colour and light have been adapted and applied in the art, architecture, and material culture of past societies is the focus of this interdisciplinary volume. Light and colour’s iconographic, economic, and socio-cultural implications are considered by established and emerging scholars including art historians, archaeologists, and conservators, who address the variety of human experience of these sensory phenomena. In today’s world it is the norm for humans to be surrounded by strong, artificial colours, and even to see colour as perhaps an inessential or surface property of the objects around us. Similarly, electric lighting has provided the power and ability to illuminate and manipulate environments in increasingly unprecedented ways. In the context of such a saturated experience, it becomes difficult to identify what is universal, and what is culturally specific about the human experience of light and colour. Failing to do so, however, hinders the capacity to approach how they were experienced by people of centuries past. By means of case studies spanning a broad historical and geographical context and covering such diverse themes as architecture, cave art, the invention of metallurgy, and medieval manuscript illumination, the contributors to this volume provide an up-to-date discussion of these themes from a uniquely interdisciplinary perspective. The papers range in scope from the meaning of colour in European prehistoric art to the technical art of the glazed tiles of the Shah mosque in Isfahan. Their aim is to explore a multifarious range of evidence and to evaluate and illuminate what is a truly enigmatic topic in the history of art and visual culture.
Author : Eleanor Irwin
Publisher : Dundurn Press
Page : 268 pages
File Size : 41,7 Mb
Release : 1974
Category : Literary Criticism
ISBN : UOM:39015046456375
Colour Terms In Greek Poetry
Author : Lourdes García Ureña,Emanuela Valeriani,Anna Angelini,Carlos Santos Carretero,Marina Salvador Gimeno
Publisher : Walter de Gruyter GmbH & Co KG
Page : 254 pages
File Size : 51,6 Mb
Release : 2022-04-19
Category : Religion
ISBN : 9783110767704
The Bible is one of the books that has aroused the most interest throughout history to the present day. However, there is one topic that has mostly been neglected and which today constitutes one of the most emblematic elements of the visual culture in which we live immersed: the language of colour. Colour is present in the biblical text from its beginning to its end, but it has hardly been studied, and we appear to have forgotten that the detailed study of the colour terms in the Bible is essential to understanding the use and symbolism that the language of colour has acquired in the literature that has forged European culture and art. The objective of the present study is to provide the modern reader with the meaning of colour terms of the lexical families related to the green tonality in order to determine whether they denote only color and, if so, what is the coloration expressed, or whether, together with the chromatic denotation, another reality inseparable from colour underlies/along with the chromatic denotation, there is another underlying reality that is inseparable from colour. We will study the symbolism that/which underpins some of these colour terms, and which European culture has inherited. This lexicographical study requires a methodology that allows us to approach colour not in accordance with our modern and abstract concept of colour, but with the concept of the ancient civilations. This is why the concept of colour that emerges from each of the versions of the Bible is studied and compared with that found in theoretical reflection in both Greek and Latin. Colour thus emerges as a concrete reality, visible on the surface of objects, reflecting in many cases, not an intrinsic quality, but their state. This concept has a reflection in the biblical languages, since the terms of colour always describe an entity (in this sense one can say that they are embodied) and include within them a wide chromatic spectrum, that is, they are mostly polysemic. Structuralism through the componential analysis, although providing interesting contributions, had at the same time serious shortcomings when it came to the study of colour. These were addressed through the theoretical framework provided by cognitive linguistics and some of its tools such as: cognitive domains, metonymy and metaphor. Our study, then, is one of the first to apply some of the contributions of cognitive linguistics to lexicography in general, and particularly with reference to the Hebrew, Greek and Latin versions of the Bible. A further novel contribution of this research is that the meaning is expressed through a definition and not through a list of possible colour terms as happens in dictionaries or in studies referring to colour in antiquity. The definition allows us to delve deeper and discover new nuances that enrich the understanding of colour in the three great civilizations involved in our study: Israel, Greece and Rome.
Author : Bríd Phillips
Publisher : Routledge
Page : 189 pages
File Size : 40,5 Mb
Release : 2022-03-31
Category : Drama
ISBN : 9781000556391
Shakespeare and Emotional Expression offers an exciting new way of considering emotional transactions in Shakespearean drama. The book is significant in its scope and originality as it uses the innovative medium of colour terms and references to interrogate the early modern emotional register. By examining contextual and cultural influences, this work explores the impact these influences have on the relationship between colour and emotion and argues for the importance of considering chromatic references as a means to uncover emotional significances. Using a broad range of documents, it offers a wider understanding of affective expression in the early modern period through a detailed examination of several dramatic works. Although colour meanings fluctuate, by paying particular attention to contextual clues and the historically specific cultural situations of Shakespeare’s plays, this book uncovers emotional significances that are not always apparent to modern audiences and readers. Through its examination of the nexus between the history of emotions and the social and cultural uses of colour in early modern drama, Shakespeare and Emotional Expression adds to our understanding of the expressive and affective possibilities in Shakespearean drama.
Author : Barbara Ann Christine Saunders
Publisher : Unknown
Page : 300 pages
File Size : 42,7 Mb
Release : 1992
Category : Anthropological linguistics
ISBN : STANFORD:36105043371785