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Bands from Jimmy Eat World to Green Day have one thing in common--they would be nothing without punk. This book explores punks earliest roots and takes the reader all the way to the present--from Second Wave and New Wave to Oi! and Punk, it's all here. Along the way, you will read all about the feuds, the gossip, and the rock and roll partying. HistoryCaps is an imprint of BookCaps Study Guides. With each book, a brief period of history is recapped. We publish a wide array of topics (from baseball and music to science and philosophy), so check our growing catalogue regularly to see our newest books.
Best Climbs Rocky Mountain National Park by Stewart M. Green Pdf
A new type of climbing guide to a cherished national park—with stunning action photos Best Climbs Rocky Mountain National Park showcases the classic routes and best climbs in America’s largest national park. Ideal for both local and nonlocal climbers who want to hit as many select climbs as possible in a weekend or a short visit, it provides visually appealing, to-the-point information. Longtime Colorado climber Stewart Green filters out more than 150 first-rate routes—from moderate beginner routes to challenging expert climbs. Each section covers a different climbing area and route history, and also includes entertaining sidebars on local climbing history and trivia. All routes are shown clearly on detailed color photo topos, alongside stunning action photos and a contemporary, exciting design. * This is the third volume in FalconGuides’ Best Climbs series, which made its debut in 2009 and represents a new type of guidebook to America’s most popular climbing destinations.
A collection featuring the best of the acclaimed clash City Showdown website and new material focusing on the true legacy of the legendary Punk Rock Band. Featuring biographical and historical information, reviews and in-depth analysis lavishly illustrated with cartoons and rare photographs.
The Clash Takes on the World by Samuel Cohen,James Peacock Pdf
On their debut, The Clash famously claimed to be “bored with the USA,” but The Clash wasn't a parochial record. Mick Jones' licks on songs such as “Hate and War” were heavily influenced by classic American rock and roll, and the cover of Junior Murvin's reggae hit “Police and Thieves” showed that the band's musical influences were already wide-ranging. Later albums such as Sandinista! and Combat Rock saw them experimenting with a huge range of musical genres, lyrical themes and visual aesthetics. The Clash Takes on the World explores the transnational aspects of The Clash's music, lyrics and politics, and it does so from a truly transnational perspective. It brings together literary scholars, historians, media theorists, musicologists, social activists and geographers from Europe and the US, and applies a range of critical approaches to The Clash's work in order to tackle a number of key questions: How should we interpret their negotiations with reggae music and culture? How did The Clash respond to the specific socio-political issues of their time, such as the economic recession, the Reagan-Thatcher era and burgeoning neoliberalism, and international conflicts in Nicaragua and the Falkland Islands? How did they reconcile their anti-capitalist stance with their own success and status as a global commodity? And how did their avowedly inclusive, multicultural stance, reflected in their musical diversity, square with the experience of watching the band in performance? The Clash Takes on the World is essential reading for scholars, students and general readers interested in a band whose popularity endures.
Punk Rock Warlord: the Life and Work of Joe Strummer by Barry J. Faulk,Brady Harrison Pdf
Punk Rock Warlord explores the relevance of Joe Strummer within the continuing legacies of both punk rock and progressive politics. It is aimed at scholars and general readers interested in The Clash, punk culture, and the intersections between pop music and politics, on both sides of the Atlantic. Contributors to the collection represent a wide range of disciplines, including history, sociology, musicology, and literature; their work examines all phases of Strummer’s career, from his early days as ’Woody’ the busker to the whirlwind years as front man for The Clash, to the ’wilderness years’ and Strummer’s final days with the Mescaleros. Punk Rock Warlord offers an engaging survey of its subject, while at the same time challenging some of the historical narratives that have been constructed around Strummer the Punk Icon. The essays in Punk Rock Warlord address issues including John Graham Mellor’s self-fashioning as ’Joe Strummer, rock revolutionary’; critical and media constructions of punk; and the singer’s complicated and changing relationship to feminism and anti-racist politics. These diverse essays nevertheless cohere around the claim that Strummer’s look, style, and musical repertoire are so rooted in both English and American cultures that he cannot finally be extricated from either.
Rat Race is a semi-autobiographical novel set in the 1980s in Margaret Thatcher’s Britain. It focuses on Paul, who has just graduated and wants to be a writer. He faces overwhelming pressure from everyone around him, however, to ‘get on’ and join the Rat Race, against his will and in sharp contrast to the alternative lifestyle he wants to live. Pretty soon he finds himself on the scrapheap and having to compromise his beliefs in order to make something of himself. Rat Race is one year in his life, charting his fluctuating fortunes, set against a background of the music and fashion of the alternative scene at the time. It is also a love story, as he meets and falls in love with the girl of his dreams, and all the trials and tribulations that brings with it. Rat Race is an alternative view of growing up in the 1980s, the flipside, a savage indictment of the Thatcher regime, punctuated with some of the writer’s own poems written at the time, which provide a juxtaposition to the sometimes hard- hitting and brutal prose. Rat Race is a novel about many things, but most of all the pressures on the young to achieve at any cost in the get- rich-quick society in which they find themselves.
The 100 Greatest Bands of All Time [2 volumes] by David V. Moskowitz Pdf
This one-of-a-kind reference investigates the music and the musicians that set the popular trends of the last half century in America. Many rock fans have, at one time or another, ranked their favorite artists in order of talent, charisma, and musical influence on the world as they see it. In this same spirit, author and music historian David V. Moskowitz expands on the concept of "top ten" lists to provide a lineup of the best 100 musical groups from the past 60 years. Since the chosen bands are based on the author's personal taste, this two-volume set provokes discussion of which performers are included and why, offering insights into the surprising influences behind them. From the Everly Brothers, to the Ramones, to Public Enemy, the work covers a wide variety of styles and genres, clearly illustrating the connections between them. Entries focus on the group's history, touring, membership, major releases, selected discography, bibliography, and influence. Contributions from leading scholars in popular music shed light on derivative artists and underscore the overall impact of the performers on the music industry.
Basics of Game Design is for anyone wanting to become a professional game designer. Focusing on creating the game mechanics for data-driven games, it covers role-playing, real-time strategy, first-person shooter, simulation, and other games. Written by a 25-year veteran of the game industry, the guide offers detailed explanations of how to design t
Punk rock innovators the Clash were the first group to bring this style of high-energy music to the top of the charts. Their songs were explosive acts of defiance that combined the sounds of rockabilly, reggae, funk, and hip-hop. This engaging book examines how the group used music, art, and fashion to deliver a strong political message. Through full-color photographs, fascinating direct quotations, and informative sidebars, readers will discover how in the band's short history, the Clash created exciting and brand-new sounds and spoke out against racism and consumerism. Moving beyond hits such as "Rock the Casbah" and "Should I Stay or Should I Go?" this text reveals why some called the group "the only band that matters."
Political Rock features luminary figures in rock music that have stood out not only for their performances, but also for their politics. The book opens with a comparative, cultural history of artists who have played important roles in social movements. Individual chapters are devoted to The Clash and Fugazi, Billy Bragg, Bob Dylan, Rage Against the Machine, Pearl Jam, Sinead O'Connor, Peter Gabriel, Ani DiFranco, Bruce Cockburn, Steve Earle and Kim Gordon. These artists have been chosen for their status as rock musicians and connections to political moments, movements, and art. The artists and authors show that rock retains a critical strain, continuing a tradition of rock politics that matters to fans, activists, and movements alike.
The Clash: The Music That Matters by Tony Fletcher Pdf
The ultimate book on records by The Clash. An album by album, track by track, examination of every song released by The Clash, from their first single 'White Riot' to Combat Rock and beyond. Includes sections on compilations, live recordings, films, and post-Clash work by Joe Strummer and Mick Jones. Features include: A chronology of key events in the story of the Clash An album by album, track by track analysis Details of reissues and the state of the current Clash catalogue 16 pages of pictures
We Are The Clash by Mark Andersen,Ralph Heibutzki Pdf
“An ambitious look at the last days of the Clash . . . as much a political history of the 1980s as it is a look at an influential band in its final years.”—Publishers Weekly The Clash was a paradox of revolutionary conviction, musical ambition, and commercial drive. We Are The Clash is a gripping tale of the band’s struggle to reinvent itself as George Orwell’s 1984 loomed. This bold campaign crashed headlong into a wall of internal contradictions and rising right-wing power. While the world teetered on the edge of the nuclear abyss, British miners waged a life-or-death strike, and tens of thousands died from US guns in Central America, Clash cofounders Joe Strummer, Paul Simonon, and Bernard Rhodes waged a desperate last stand after ejecting guitarist Mick Jones and drummer Topper Headon. The band shattered just as its controversial final album, Cut the Crap, was emerging. Andersen and Heibutzki weave together extensive archival research and in-depth original interviews with virtually all of the key players involved to tell a moving story of idealism undone by human frailty amid a climatic turning point for our world. “The Clash’s final chapter, after guitarist Mick Jones’ 1983 departure, has largely been forgotten—until this book, in which authors Mark Andersen and Ralph Heibutzki argue that the punk pioneers were still creating vital music to the very end.”—Rolling Stone, an RS Picks/New Books “Focuses on a very different moment in the band’s history: the point at which the group splintered in the early 1980s, and its members grappled with an onset of reactionary governments around the world.”—Vol. 1 Brooklyn “One of the most rewarding music books you’ll come across this year.”—Johns Hopkins Magazine
Contemporary World Musicians by Clifford Thompson Pdf
Music lovers, researchers, students, librarians, and teachers can trace the personal and artistic influences behind music makers from Elton John to Leontyne Price. Individual entries on over 400 of the world's most renowned and accomplished living performers, composers, conductors, and band leaders in musical genres from opera to hip-hop. Also includes an in-depth Index covering musicians of all eras, so that readers can learn which artists, alive or dead, influenced the work of today's most important figures in the music industry.
Revised and updated to cover the Clash's induction into the Rock and Roll Hall of Fame and the band members' post-Clash careers, The Clash: Return of the Last Gang in Town now includes the first full account of Joe Strummer's "Wilderness Years," his triumphant comeback with the Mescaleros, and his sudden and tragic early death. Extensively revised and updated from both its 1995 and 2001 incarnations, The Clash traces the band members' progress from dispiriting rehearsals in damp London basements to packed American stadiums. A fascinatingly detailed account of the first band to take punk's radical politics to the masses and survive for a decade against all the odds, it also offers an intriguing investigation into the gap between rock mythology and rock reality.
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. This two-volume set comprises Volume I: British and American Music, and Volume II: World Music.