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Complete violin works of Ezra Pound by Ezra Pound Pdf
"Original compositions for solo violin and some arrangements for solo violin by the American poet and composer, Ezra pound, with ad introduction to the music and brief notes relating the musical form to poetic form, by robert hughes, music editor."
Edinburgh Companion to Ezra Pound and the Arts by Roxana Preda Pdf
Showcases Ezra Pound's close involvement with the arts throughout his careerThe present volume of new, interdisciplinary scholarship investigates the arts with which Pound had a lifelong interaction including architecture, ballet, cinema, music, painting, photography and sculpture. Divided into 5 historically and thematically arranged sections, the 28 chapters foreground the shifting significance of art forms throughout Pound's life which he spent in London, Paris, Rapallo and Washington. The Companion maps Pound's practices of engagement with the arts, deepening areas of study that have recently emerged, such as his musical compositions. At the same time, it opens up new fields, particularly Pound's interaction with the performing arts: opera, dance, and cinema. The volume demonstrates overall that Ezra Pound was no mere spectator of the modernist revolution in the arts; rather he was an agent of change, a doer and promoter who also had a deep emotional response to the arts.Key Features: The first book to gather together all the different aspects of the subject of Pound and the artsChapters are devoted to topics never covered before: (cinema; political anarchism; early music; Agnes Bedford; the artists Munch, Lekakis, Martinelli, Frampton) Presents the ways Pound's interests and activities in the arts change over time in a continuous story, from his beginnings to his old ageIncludes portraits of friendships and short biographies of artists connected to Pound, showing his personal impact in the arts world
Author : J. J. Wilhelm Publisher : Penn State Press Page : 416 pages File Size : 52,5 Mb Release : 2010-11-01 Category : Literary Criticism ISBN : 0271042982
This third and final volume of Wilhelm's life of Ezra Pound commences with Pound's departure from Paris at the height of his writing career for Italy, where he hoped to find a quieter life, and it takes him to his death in 1972. It tells how he settled in Rapallo and soon found Mussolini's fascism to be amenable to his own political and economic ideas, especially during the dark days of the Great Depression. As Italy girded itself for World War II, Pound was almost haphazardly drawn into the web, and he foolishly agreed to broadcast on Radio Rome for the Duce, even after the bombing of Pearl Harbor. When Italy fell to the Allies, Pound was put first into a dreadful American detention camp at Pisa and then was flown to Washington to be tried for treason. He escaped conviction on grounds of insanity, but he was then remanded to St. Elizabeths Hospital, where he languished for twelve years. Despite the incarcerations, Pound produced during this time some of his most magnificent poetry, including The Pisan Cantos and numerous excellent translations from the Chinese and Greek. He also heavily influenced an entire generation of poets ranging from Robert Lowell to Allen Ginsberg. With the help of Archibald MacLeish and Robert Frost, Pound was eventually freed in 1958. He returned to Italy, where he lived for a time with his wife and daughter. During the final years of his life, he eventually returned to live with his aged lover, Olga Rudge, in Venice and Rapallo. He died in Venice in 1972 and is buried next to Igor Stravinsky, whose work his own strongly resembles, since they both fought for liberation from traditional forms.
The long-awaited second volume of A. David Moody's critically acclaimed three-part biography of Ezra Pound weaves together the illuminating story of his life, his achievements as a poet and a composer, and his one-man crusade for economic justice. The years 1921-1939 were the most productive of Pound's career. In 1920s Paris, he was among the leading figures of the avant-garde and, in that ambience, he composed an opera, made original contributions to the theory of harmony, and wrote the first thirty cantos of his great epic. Moody explores this creativity in fascinating detail, examining the environment that allowed for some of Pound's greatest work. This period also brought Pound's politics firmly into view and Moody is able to shed new light on his sympathy for Mussolini's Fascism, his invoking Confucian China as a model of responsible government, and his abiding commitment to the democratic values of the American Constitution. Pound is revealed as a great poet and a flawed idealist caught up in the turmoil of his darkening time and struggling, sometimes blindly and in error and self-contradiction, to be a force for enlightenment.
Ezra Pound and the Career of Modern Criticism by Michael Coyle,Roxana Preda Pdf
This first book-length study of Pound criticism investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked.
Included here are all of Pound's concert reviews and statements; the biweekly columns written under the pen name William Atheling for The New Age in London; articles from other periodicals; the complete text of the 1924 landmark volume Antheil and the Treatise on Harmony; extracts from books and letters, and the poet's additional writings on the subject of music. The pieces are organized chronologically, with illuminating commentary, thorough footnotes, and an index. Three appendixes complete this comprehensive volume; an analysis of Pound's theories of "absolute rhythm" and "Great Bass;" a glossary of important musical personalities mentioned in the text and the composer George Antheil's 1924 appreciation, "Why a Poet Quit the Muses."
In this study of Pound's radio operas of the 1930s, Margaret Fisher draws on the unpublished correspondence between Pound and his maverick BBC producer, Edward Archibald Fraser Harding, to reveal a little-known aspect of Pound's career.
The Correspondence of Ezra Pound and the Frobenius Institute, 1930-1959 by Ezra Pound Pdf
Collecting in full for the first time the correspondence between Ezra Pound and members of Leo Frobenius' Forschungsinstitut für Kulturmorphologie in Frankfurt across a 30 year period, this book sheds new light on an important but previously unexplored influence on Pound's controversial intellectual development in the Fascist era. Ezra Pound's long-term interest in anthropology and ethnography exerted a profound influence on early 20th century literary Modernism. These letters reveal the extent of the influence of Frobenius' concept of 'Paideuma' on Pound's poetic and political writings during this period and his growing engagement with the culture of Nazi Germany. Annotated throughout, the letters are supported by contextualising essays by leading Modernist scholars as well as relevant contemporary published articles by Pound himself and his leading correspondent at the Institute, the American Douglas C. Fox.
Essays on Music and Language in Modernist Literature by Katherine O'Callaghan Pdf
This volume explores the role of music as a source of inspiration and provocation for modernist writers. In its consideration of modernist literature within a broad political, postcolonial, and internationalist context, this book is an important intervention in the growing field of Words and Music studies. It expands the existing critical debate to include lesser-known writers alongside Joyce, Woolf, and Beckett, a wide-ranging definition of modernism, and the influence of contemporary music on modernist writers. From the rhythm of Tagore’s poetry to the influence of jazz improvisation, the tonality of traditional Irish music to the operas of Wagner, these essays reframe our sense of how music inspired Literary Modernism. Exploring the points at which the art forms of music and literature collide, repel, and combine, contributors draw on their deep musical knowledge to produce close readings of prose, poetry, and drama, confronting the concept of what makes writing "musical." In doing so, they uncover commonalities: modernist writers pursue simultaneity and polyphony, evolve the leitmotif for literary purposes, and adapt the formal innovations of twentieth-century music. The essays explore whether it is possible for literature to achieve that unity of form and subject which music enjoys, and whether literary texts can resist paraphrase, can be simply themselves. This book demonstrates how attention to the role of music in text in turn illuminates the manner in which we read literature.
divA loving and admiring companion for half a century to literary titan Ezra Pound, concert violinist Olga Rudge was the muse who inspired the poet to complete his epic poem, The Cantos, and the mother of his only daughter, Mary. Strong-minded and defiant of conventions, Rudge knew the best and worst of times with Pound. With him, she coped with the wrenching dislocations brought about by two catastrophic world wars and experienced modernism’s radical transformation of the arts. In this enlightening biography, Anne Conover offers a full portrait of Olga Rudge (1895–1996), drawing for the first time on Rudge’s extensive unpublished personal notebooks and correspondence. Conover explores Rudge’s relationship with Pound, her influence on his life and career, and her perspective on many details of his controversial life, as well as her own musical career as a violinist and musicologist and a key figure in the revival of Vivaldi’s music in the 1930s. In addition to mining documentary sources, the author interviewed Rudge and family members and friends. The result is a vivid account of a highly intelligent and talented woman and the controversial poet whose flame she tended to the end of her long life. The book quotes extensively from the Rudge–Pound letters--an almost daily correspondence that began in the 1920s and continued until Pound’s death in 1972. These letters shed light on many aspects of Pound’s disturbing personality; the complicated and delicate balance he maintained between the two most significant women in his life, Olga and his wife Dorothy, for fifty years; the birth of Olga and Ezra’s daughter Mary de Rachewiltz; Pound’s alleged anti-Semitism and Fascist sympathies; his wartime broadcasts over Rome radio and indictment for treason; and his twelve-year incarceration in St. Elizabeth’s Hospital for the mentally ill. /DIV
Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's work, underlining the magnitude of his contribution and drawing on new archival, textual and theoretical studies. Pound's political and economic ideas also receive attention. With its concentration on the contexts of history, sociology, aesthetics and politics, the volume will provide a portrait of Pound's unusually international reach: an American-born, modern poet absorbing the cultures of England, France, Italy and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism.
Ezra Pound and 'Globe' Magazine: The Complete Correspondence by Ezra Pound Pdf
In the summer of 1936, Ezra Pound agreed to take on the role of European Correspondent for a newly launched travel journal entitled Globe: The International Magazine. Ezra Pound and 'Globe' Magazine: The Complete Correspondence collects for the first time Pound's writings for the journal and his extensive correspondence with one of its editors, James Taylor Dunn, and the leading writers who Pound himself attempted to recruit for the magazine. Numbering almost forty letters and twenty published and unpublished articles, these writings represent a darkly significant time in Pound's thought as his infatuation with the rise of fascism took root. Annotated throughout and supported by substantial explorations of the historical and cultural contexts of the writings, the book also includes a substantial bibliography of related writings and a biographical glossary of the major figures discussed in the correspondence and writing. Together, these texts represent an important resource for anyone interested in an important phase of 20th-Century literary modernism.