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Author : Wassily Kandinsky
Publisher : Courier Corporation
Page : 111 pages
File Size : 54,6 Mb
Release : 2012-04-20
Category : Art
ISBN : 9780486132488
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
Author : Wassily Kandinsky
Publisher : Unknown
Page : 93 pages
File Size : 44,9 Mb
Release : 1963
Category : Aesthetics
ISBN : OCLC:1014422293
Author : Wassily 1866-1944 Kandinsky
Publisher : Hassell Street Press
Page : 94 pages
File Size : 50,6 Mb
Release : 2021-09-09
Category : Electronic
ISBN : 1013717880
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Wassily Kandinsky
Publisher : Unknown
Page : 128 pages
File Size : 44,7 Mb
Release : 2020
Category : Aesthetics
ISBN : 1839745509
Author : Wassily Kandinsky
Publisher : New York : G. Wittenborn
Page : 96 pages
File Size : 50,5 Mb
Release : 1947
Category : Aesthetics
ISBN : MINN:31951002107227R
Author : Wassily Kandinsky
Publisher : e-artnow
Page : 69 pages
File Size : 41,9 Mb
Release : 2020-12-17
Category : Art
ISBN : EAN:4064066397067
Kandinsky in this book defines the three types of painting; impressions, improvisations and compositions. While impressions are based on an external reality that serves as a starting point, improvisations and compositions depict images emergent from the unconscious, though composition is developed from a more formal point of view. Kandinsky compares the spiritual life of humanity to a pyramid—the artist has a mission to lead others to the pinnacle with his work. The point of the pyramid is those few, great artists. It is a spiritual pyramid, advancing and ascending slowly even if it sometimes appears immobile. During decadent periods, the soul sinks to the bottom of the pyramid; humanity searches only for external success, ignoring spiritual forces.
Author : Wassily Kandinsky
Publisher : Penguin UK
Page : 191 pages
File Size : 46,7 Mb
Release : 2024-05-30
Category : Art
ISBN : 9780241384817
A seminal text in the history of modern art, from one of the most famous artists of the twentieth century ‘Art is the language that speaks to the soul’ Why do we make art? In Concerning the Spiritual in Art Wassily Kandinsky, one of the earliest and most famous abstract painters, argued against ‘art for art’s sake’. Exploring form and colour, spirituality and tradition, Kandinsky instead predicted a future for painting in its potential to redirect the attention of viewers away from the shallow materialism of the modern world toward the more profound intellectual and emotional concerns of their interior lives. His revolutionary work became a landmark in modern art history, helping to usher in the age of non-representational painting. This new translation also includes Kandinsky’s later essay, ‘The Question of Form’, in which he interrogates and sharpens many of his earlier ideas. A new translation by Ruth Ahmedzai Kemp With an introduction by Lisa Florman
Author : Wassily Kandinsky
Publisher : Unknown
Page : 91 pages
File Size : 42,8 Mb
Release : 1970
Category : Aesthetics
ISBN : OCLC:1005314960
Author : Wassily Kandinsky
Publisher : Unknown
Page : 106 pages
File Size : 42,7 Mb
Release : 1947
Category : Aesthetics
ISBN : UOM:39015021570836
Author : Wassily Kandinsky
Publisher : Unknown
Page : 96 pages
File Size : 40,8 Mb
Release : 2014-07-09
Category : Art
ISBN : 161427665X
2014 Reprint of 1947 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. An updated version of the Sadleir translation, with considerable re-translation by Francis Golffing, Michael Harrison and Ferdinand Ostertag. Published in 1912, Kandinsky's book defines three types of painting; impressions, improvisations and compositions. While impressions are based on an external reality that serves as a starting point, improvisations and compositions depict images emergent from the unconscious, though composition is developed from a more formal point of view. Kandinsky compares the spiritual life of humanity to a pyramid-the artist has a mission to lead others to the pinnacle with his work. The point of the pyramid is occupied by few great artists. It is a spiritual pyramid, advancing and ascending slowly even if it sometimes appears immobile. During decadent periods, the soul sinks to the bottom of the pyramid; humanity searches only for external success, ignoring spiritual forces. This edition contains a new introduction by Nina Kandinsky, his widow, providing Kandinsky's own corrections and additions for a new edition that never appeared in his lifetime. She has also written for this edition a memoir of Kandinsky's development.
Author : Wassily Kandinsky
Publisher : CreateSpace
Page : 76 pages
File Size : 54,7 Mb
Release : 2010-06-01
Category : Art
ISBN : 1453627421
All art students are advised to read "Concerning the Spiritual in Art," a short masterpiece by Wassily Kandinsky. This classic best explains the concepts that lead to abstract painting in the modern era Kandinsky recognized the connection between music and painting. He also suggested that artists free themselves from the material world so that they can express their inner impulses. Thus the abstract painting requires contemplation to reveal its meaning. Furthermore, the meaning may be a projection of the inner life of the viewer as much as it is the inner life of the artists. This concept is not new to music but it certainly was new to painting in 1911. Once considered a radical idea, the spiritual aspect of abstract art is now a given in culture. Wassily Kandinsky offers some very insightful comments regarding his contemporaries, recognizing Matisse as the 20th century master of color and Picasso as the 20th century master of line. He faults them both, however, for not making the final step toward complete abandonment of the physical world. In "Concerning the Spiritual in Art," Kandinsky also asserts that imitative painting of other eras was a deadly trap for the artist, yet responding to the eternal call of the unconscious forces in an earlier period of art history was a valid area of exploration. Kandinsky believed that art progressed, that artistic concepts built on each other and that there was a triangle of artistic conception that moved forward to some end point, yet to be discovered. Kandinsky warns against pattern painting, which he thought would lead to monotony and away from spirituality. Every artist owes it to themselves to read "Concerning the Spiritual in Art." Though short, this book is the classic on which much art history, philosophy, and practice has been based.
Author : Wassily Kandinsky
Publisher : Unknown
Page : 0 pages
File Size : 48,9 Mb
Release : 1955
Category : Aesthetics
ISBN : OCLC:1162854472
Author : Vasilij Vasil'evič Kandinskij
Publisher : Unknown
Page : 128 pages
File Size : 43,6 Mb
Release : 1966
Category : Electronic
ISBN : OCLC:1199650671
Author : Wassily Kandinsky,Michael T. H. Sadler
Publisher : CreateSpace
Page : 80 pages
File Size : 46,8 Mb
Release : 2015-01-05
Category : Art
ISBN : 1505987741
Concerning the Spiritual in Art by Wassily Kandinsky. About the Author: Kandinsky was born in the year 1866 and differently from what people can suppose he wasn't originally a painter. In fact in Odessa he went to the university of law and economics. Just in a second part of his life he will rediscover the passion for art and colours that he used to have when he was a child. The first period of Kandisnsky life and career as a painter will be based on paints dedicated to the expression of intense and deep thoughts of the artist. Is during this period that the artist together with a group of other people will give birth to "der blaue reiter" translated with the blue knight. It was a group of artists heart of the German expressionism. During his studies as artist and painter Kandinsky will meet a wide variety of sources of inspiration but topics that will most affect his work will be the colour symbolism and the psychology. To give fame to Kandinsky, or at last, to make his fame so great is the fact that to this artist is attributable one of the first abstract works of the modern art. During his life the artist will get in touch and become a member of symbolists groups and in particular will be part of the group known as the blue rose which will be (or critics think so) somehow involved in the creation of the painting: The blue mountain. In the painting the use of horses symbolize the battle of the author against traditional art in fact in the same period during which he completed "The blue mountain" he also achieved to realize many other paintings about horses and riders, actually the amount of these paintings is of at last seven. To better understand this artist, anyway, there are mainly other two elements to know and understand. These elements are the artistic movements that inspired and, in different periods, attracted the artist. Of all the possible movements to list two were particularly important to Kandinsky: Fauvism and pointillism. Fauvism was mainly known in France, it wasn't a real and officially known group of artists but they were very close to themes of the impressionism following the experiences made by Van Gogh and Gaugin. The use of bright and unnatural colours was the element that attracted Kandinsky. For basically the same reason, the artist, will spend a period close to the other group: the group of pointillist artists. Where other than the colours' use Kandinsky will be interested also to the loss of unitary shapes.
Author : Wassily Kandinsky
Publisher : Unknown
Page : 182 pages
File Size : 48,8 Mb
Release : 1914
Category : Aesthetics
ISBN : PRNC:32101075433340
