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May We Be Spared to Meet on Earth by Russell A. Potter,Regina Koellner,Peter Carney,Mary Williamson Pdf
May We Be Spared to Meet on Earth is a privileged glimpse into the private correspondence of the officers and sailors who set out in May 1845 on the Erebus and Terror for Sir John Franklin’s fateful expedition to the Arctic. The letters of the crew and their correspondents begin with the journey’s inception and early planning, going on to recount the ships’ departure from the river Thames, their progress up the eastern coast of Great Britain to Stromness in Orkney, and the crew’s exploits as far as the Whalefish Islands off the western coast of Greenland, from where the ships forever departed the society that sent them forth. As the realization dawned that something was amiss, heartfelt letters to the missing were sent with search expeditions; those letters, returned unread, tell poignant stories of hope. Assembled completely and conclusively from extensive archival research, including in far-flung family and private collections, the correspondence allows the reader to peer over the shoulders of these men, to experience their excitement and anticipation, their foolhardiness, and their fears. The Franklin expedition continues to excite enthusiasts and scholars worldwide. May We Be Spared to Meet on Earth provides new insights into the personalities of those on board, the significance of the voyage as they saw it, and the dawning awareness of the possibility that they would never return to British shores or their families.
How the nature illustrations of a Renaissance polymath reflect his turbulent age This pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel’s encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens. Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel’s writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.
A captivating exploration of Britain's most iconic contemporary buildings, from the Barratt home to the Millennium Dome.***TIMES BOOK OF THE WEEK*** 'A punchy polemic ... Highly readable.''A love letter to contemporary buildings and a fantastic account of recent British history, rich in humour.' NINA STIBBE'Brilliant, encyclopaedic, funny and often cutting.' DANNY DORLING'An eloquent, witty, passionate tour of Britain since the 1980s.' JOHN BOUGHTON'Recounts the stories of our lived landscapes with wit, passion and a shot of anger.' TOM DYCKHOFF'Grindrod has spoken to everyone and his observations are humane and acute.' OWEN HATHERLEYWimpey homes. Millennium monuments. Riverside flats. Wind farms. Spectacular skyscrapers. City centre apartments. Out of town malls.The buildings designed in our lifetimes encapsulate the dreams and aspirations of our culture, while also revealing the sobering realities. Whether modest or monumental, they offer a living history of Britain, symbols of the forces that have shaped our modern landscape and icons in their own right.ICONICON is an enthralling journey around the Britain we have created since 1980: the horrors and delights, the triumphs and failures. From space-age tower blocks to suburban business parks, and from postmodernist exuberance to Passivhaus eco-efficiency, this is at once a revelatory architectural grand tour and an endlessly witty and engaging piece of social history.
Collecting Antique Meerschaum Pipes by Ben Rapaport Pdf
Antique meerschaum pipes and tobacciana are presented in text and nearly 300 color photos, from diminutive cigarette holders to massive sculptured pipes, many made over 150 years ago. No wonder pipe collectors are passionate about these exceptional works of art!
A vivid account of Dutch seventeenth-century art and material culture against the backdrop of the geopolitics of the early modern world The seventeenth century witnessed a great flourishing of Dutch trade and culture. Over the course of the first half of the century, the northern Netherlands secured independence from the Spanish crown, and the nascent republic sought to establish its might in global trade, often by way of diplomatic relations with the Ottoman Empire and other Muslim powers. Central to the political and cultural identity of the Dutch Republic were curious foreign goods the Dutch called "rarities." Rarities of These Lands explores how these rarities were obtained, exchanged, stolen, valued, and collected, tracing their global trajectories and considering their role within the politics of the new state. Claudia Swan’s insightful, engaging analysis offers a novel and compelling account of how the Dutch Republic turned foreign objects into expressions of its national self-conception. Rarities of These Lands traces key elements of the formation of the Dutch Republic—artistic and colonialist ventures alike—offering new perspectives on this momentous period in the history of the Netherlands and its material culture.
"The early years of the seventeenth century saw a great flourishing of Dutch culture. In the arts, this was the era of Vermeer and Rembrandt, as well as the development of a local art market. Commerce extended around the world, with state-sponsored trading companies importing foreign goods. Politically, the Netherlands became the first nation-state in Europe, in 1648. In this book, Claudia Swan considers all these aspects together, examining the material culture of the period-the designed, manufactured, and hand-crafted materials and wares-to show how the Dutch encounter with so-called "exotic" goods played a fundamental role in the country's political formation"--
A History of Norfolk in 100 Places by David Robertson,Peter Wade-Martins,Susanna Wade Martins Pdf
Norfolk has a wealth of important archaeological sites, historic buildings and landscapes. This guide is the first to use them to tell the county's rich history. Starting with real footprints of people who lived here nearly 1 million years ago, A History of Norfolk in 100 Places will take you on a chronological journey through prehistoric monuments, Roman forts, medieval churches and Nelson's Monument, right up to twentieth-century defensive sites. With detailed entries illustrated by aerial photographs and ground-level shots, here you will find a reliable guide to historic places that are either open to the public, or are visible from public roads or footpaths for you to explore.
From the bestselling author of The Long Weekend: a wild, sad and sometimes hilarious tour of the English country house after the Second World War, when Swinging London collided with aristocratic values. 'Preposterously entertaining' Observer 'Brilliant' Daily Telegraph 'Rollicking' Sunday Times As the sun set slowly on the British Empire in the years after the Second World War, the nation's stately homes were in crisis. Tottering under the weight of rising taxes and a growing sense that they had no place in twentieth-century Britain, hundreds of ancestral piles were dismantled and demolished. Yet - perhaps surprisingly - many of these great houses survived, as dukes and duchesses clung desperately to their ancestral seats and tenants' balls gave way to rock concerts, safari parks and day trippers. From the Rolling Stones rocking Longleat to Christine Keeler rocking Cliveden, Noble Ambitions takes us on a lively tour of these crumbling halls of power. * A Daily Telegraph Book of the Year * * Longlisted for the William MB Berger Prize for British Art History *
Jan Gossart and the Invention of Netherlandish Antiquity by Marisa Bass Pdf
This is the first in-depth historical study of Jan Gossart (ca. 1478–1532), one of the most important painters of the Renaissance in northern Europe. Providing a richly illustrated narrative of the Netherlandish artist's life and art, Marisa Anne Bass shows how Gossart’s paintings were part of a larger cultural effort in the Netherlands to assert the region’s ancient heritage as distinct from the antiquity and presumed cultural hegemony of Rome. Focusing on Gossart’s vibrant, monumental mythological nudes, the book challenges previous interpretations by arguing that Gossart and his patrons did not slavishly imitate Italian Renaissance models but instead sought to contest the idea that the Roman past gave the Italians a monopoly on antiquity. Drawing on many previously unused primary sources in Latin, Dutch, and French, Jan Gossart and the Invention of Netherlandish Antiquity offers a fascinating new understanding of both the painter and the history of northern European art at large.
Through this catalog, readers will experience Aminah Robinson's amazing house, her art, and her profuse journals. In them, as was so often the case, she succinctly defined the importance of art in general and of her relationship with the Columbus Museum of Art.
Author : Anne Goldgar Publisher : University of Chicago Press Page : 458 pages File Size : 44,8 Mb Release : 2008-09-15 Category : History ISBN : 9780226301303
In the 1630s the Netherlands was gripped by tulipmania: a speculative fever unprecedented in scale and, as popular history would have it, folly. We all know the outline of the story—how otherwise sensible merchants, nobles, and artisans spent all they had (and much that they didn’t) on tulip bulbs. We have heard how these bulbs changed hands hundreds of times in a single day, and how some bulbs, sold and resold for thousands of guilders, never even existed. Tulipmania is seen as an example of the gullibility of crowds and the dangers of financial speculation. But it wasn’t like that. As Anne Goldgar reveals in Tulipmania, not one of these stories is true. Making use of extensive archival research, she lays waste to the legends, revealing that while the 1630s did see a speculative bubble in tulip prices, neither the height of the bubble nor its bursting were anywhere near as dramatic as we tend to think. By clearing away the accumulated myths, Goldgar is able to show us instead the far more interesting reality: the ways in which tulipmania reflected deep anxieties about the transformation of Dutch society in the Golden Age. “Goldgar tells us at the start of her excellent debunking book: ‘Most of what we have heard of [tulipmania] is not true.’. . . She tells a new story.”—Simon Kuper, Financial Times
Seeking a broad reexamination of visual culture through the lenses of ecocriticism, environmental justice, and animal studies, this compendium offers a diverse range of art-historical criticism formulated within an ecological context. Picture Ecology brings together scholars whose contributions extend chronologically and geographically from 11th-century Chinese painting to contemporary photography of California wildfires. The book's 17 interdisciplinary essays provide a dynamic, cross-cultural approach to an increasingly vital area of study, emphasizing the environmental dimensions inherent in the content and materials of aesthetic objects. Picture Ecology provides valuable new approaches for considering works of art, in ways that are timely, intellectually stimulating, and universally significant.
Candela Isler Müther by Matthias Beckh,Juan Ignacio del Cueto Ruiz-Funes,Matthias Ludwig,Andreas Schätzke,Rainer Schützeichel Pdf
Die Meister der Betonschalen Mitte des 20. Jahrhunderts begann die Hochphase des Betonschalenbaus. Weltweit entstanden technisch avancierte Konstruktionen von aufsehenerregender Expressivität. Mit Félix Candela, Heinz Isler und Ulrich Müther nimmt dieses Buch exemplarisch drei Protagonisten dieser Bauweise in den Blick. Ihr Wirken – vorwiegend in Mexiko, der Schweiz und der DDR – fand unter sehr verschiedenen politischen, ökonomisch-sozialen und kulturellen Bedingungen statt. Die Autoren analysieren die Bauten und Projekte vor dem Hintergrund der Entwicklungen der Architektur und des Ingenieurwesens jener Zeit. Sie thematisieren wechselseitige Einflüsse, Gemeinsamkeiten wie Unterschiede in den Entwurfsprozessen, der Konstruktion und der Ausführung. Darüber hinaus werden Fragen der Rezeption und der heutigen Nutzung behandelt. Lernen von Félix Candela (1910–1997), Heinz Isler (1926–2009) und Ulrich Müther (1934–2007) und ihren historischen Schalenbauten Unbekanntes aus den Planarchiven Englisch mit Zusammenfassungen auf Deutsch und Spanisch