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Confessions of a Hollywood Agent by William Louis Gardner Pdf
"A novel of a Hollywood courtesan and her procurer, who rise in the film world of the 50's and early 60's. Clint the agent, and Dorothy the star, manipulate the Hollywood Godfather, Castro, JFK, an international playboy ... and one another"--Cover
For more than 60 years, Arthur Wilde has been a motion picture publicist. In that time, he has been threatened with death, with bankruptcy, with blacklisting, and with lawsuits. He's been seduced, beloved, betrayed, divorced, and fired more times than he can remember. Now, Wilde has paused long enough to write down his memories of Hollywood as it was in the good old days, revealing his dealings with a veritable rogues' gallery of famous people.
For fans of Argo and Fair Game, "a lively, absorbing investigation." —Library Journal Spies are supposed to keep quiet, never betraying their agents or discussing their operations. Somehow, this doesn’t apply to the CIA, whose former officers have written memoirs commanding huge advances and attracting enormous publicity. As an intelligence service dependent on its ability to protect sensitive information, however, it’s no surprise that the CIA has fought back. In Company Confessions, award-winning author Christopher Moran digs deep into this tumultuous relationship between the CIA and former agents who try to go public about their careers. He delves into the motivations of spies like CIA officer Valerie Plame, whose identity was leaked by the Bush White House and who reportedly received $2.5 million for her book Fair Game, and exposes the politics and practices of the CIA and its Publications Review Board, including breaking into publishing houses and secretly authorizing pro-agency “memoirs.” Drawing on interviews; the private correspondence of such legendary spies as Allen Dulles, William Colby, and Richard Helms; and declassified CIA files, Company Confessions examines why America’s spies are so willing to share their stories, the damage inflicted when they leak the nation’s secrets, and the fine line between censorship on the grounds of security and censorship for the sake of reputation.
Features a history of the Hollywood community and its wartime films. Seeing Hollywood as a forcefield, the author examines the social networks, working relationships, and political activities of artists, intellectuals, and film workers who flocked to Hollywood from Europe and the eastern United States before and during the second world war.
Everyone who has ever thought about writing or working in Hollywood will want to read this book. These are the personal and often outrageous adventures of a veteran screenwriter who has worked extensively for the major studios, as well as with major directors such as Richard Donner and James Cameron. There are abundant writing lessons to be learned here, but "life" lessons, as well. In fact, this story is about "getting over" Hollywood, more than just "getting into" Hollywood. Readers looking past the material or superficial (e.g., celebrity) for something more meaningful in their lives, will find this book truly uplifting. "If youre thinking of being a screenwriter, jamming all your possessions into a subcompact and driving cross-country, then it behooves you to read Carters experiences." Tim CliftonRenaissance Magazine
Real, Low Down, Dirty Truth about Hollywood Agenting by Rima Greer Pdf
In this book you'll find everything you always wanted to know about the real, honest-to-not-so-goodness, day-to-day inner workings of Hollywood. Not the glamorous Oscar-winning-Spielberg-red-carpet Hollywood, but the real-life daily grind of working Hollywood. For the very first time, a Hollywood film agent has opened up her phone sheet and crackberry to show us how agents, writers, and directors function in a world of producers, development executives, and studio executives. This isn't another book dishing the dirt about the rich and famous; it's a fresh, tell-all translation from Hollywood-speak to plain English, a peek behind the wizard's curtain into a culture that's rarely captured without cliche and hyperbole. You'll learn how to get an agent, how to keep one, what they do, and what they don't do. You'll learn how agents navigate through the murky, film-world politics and even why agents are such infamous liars.
Confessions of a Secular Jew by Eugene Goodheart Pdf
What it means to be a Jew lies at the very heart of Confessions of a Secular Jew, a provocative memoir and a thoughtful speculation on the nature of Jewish identity and experience in an increasingly secular world. The legacy bequeathed to Eugene Goodheart was a "progressive" secular Yiddish education which identifi ed Jewish struggles against oppression with working class struggles against exploitation. In the vanguard was the Soviet Union. Goodheart's heroes were Moses, Bar Kochbah, Judah Maccabee, Karl Marx and that strange honorary Jew, Joseph Stalin, whose anti-Semitism would later become known to the world. Confessions of a Secular Jew is the story of Goodheart's disillusionment with the naive, even false, progressivism of that education. At the same time, it is an attempt to rescue and come to grips with the positive remains of that education and heritage.
Hollywood, Walter Winchell quipped, is where they shoot too many movies and not enough actors. Always looking for an angle, always, scheming, always the scene of clashing egos, the movie industry is where they place you under contract instead of observation--and if you don't have anything nice to say, write it down. "In 1940, I had my choice between Hitler and Hollywood," French director Ren'e Clair recalled, "and I preferred Hollywood--just a little." In Movie Anecdotes, Peter Hay treats us to a delightful ride through the world that has captivated audiences for almost a century, with stories that are often hilarious, sometimes tragic, and always entertaining. He takes us from the rough-and tumble early days (when one studio paid Pancho Villa $25,000 to launch his attacks only in daylight, after a film crew had set up) to the studio era (when Joan Crawford refused to cross the street on the MGM lot except in a chauffeured limousine) to the shenanigans of today's global industry. Here are stories about all the legends: Charlie Chaplin, Greta Garbo, John Barrymore, Mae West, Lucille Ball, Marilyn Monroe, Errol Flynn, Humphrey Bogart, Bette Davis, Judy Garland, Sophia Loren, John Wayne, and, of course, Ronald Reagan. There are the great directors from D.W. Griffith, Hitchcock, and Eisenstein, to Kurosawa, Bergman, Visconti, Huston, Ford, and Woody Allen. And Hay has selected tales of the writers, the wits, and the grand moguls, including perhaps the largest collection of Goldwynisms--both genuine and apocryphal. Along with the laughter, this volume recreates the conflicts that have torn the movie world, from battles over money and contracts, to discrimination, divorces, and scandals. Colorful, incredible, bitter, funny--the stories about moviemaking are as fantastic as the pictures themselves. Now they have been gathered together in an irresistible bouquet that is certain to delight every movie buff and provide fascinating insights for serious students of film.
The Confessions of a Number One Son by Frank Chin Pdf
In the early 1970s, Frank Chin, the outspoken Chinese American author of such plays as The Chickencoop Chinaman and The Year of the Dragon, wrote a full-length novel that was never published and presumably lost. Nearly four decades later, Calvin McMillin, a literary scholar specializing in Asian American literature, would discover Chin’s original manuscripts and embark on an extensive restoration project. Meticulously reassembled from multiple extant drafts, Frank Chin’s “forgotten” novel is a sequel to The Chickencoop Chinaman and follows the further misadventures of Tam Lum, the original play’s witty protagonist. Haunted by the bitter memories of a failed marriage and the untimely death of a beloved family member, Tam flees San Francisco’s Chinatown for a life of self-imposed exile on the Hawaiian island of Maui. After burning his sole copy of a manuscript he believed would someday be hailed as “The Great Chinese American Novel,” Tam stumbles into an unlikely romance with Lily, a former nun fresh out of the convent and looking for love. In the process, he also develops an unusual friendship with Lily’s father, a washed-up Hollywood actor once famous for portraying Charlie Chan on the big screen. Thanks in no small part to this bizarre father/daughter pair, not to mention an array of equally quirky locals, Tam soon discovers that his otherwise laidback island existence has been transformed into a farce of epic proportions. Had it been published in the 1970s as originally intended, The Confessions of a Number One Son might have changed the face of Asian American literature as we know it. Written at the height of Frank Chin’s creative powers, this formerly “lost” novel ranks as the author’s funniest, most powerful, and most poignant work to date. Now, some forty years after its initial conception, The Confessions of a Number One Son is finally available to readers everywhere.
The Hollywood Propaganda of World War II by Robert Fyne Pdf
During the Second World War, over 300 Hollywood motion pictures were produced that, in one way or another, bore the propaganda imprimatur. These popular movies -- and they consistently glorified the achievements of the American fighting man while vilifying all the members of the Axis pact -- and fostered morale on the Home Front and stood as tangible reminders that Old Glory, mom, apple pie, and the St. Louis Browns would emerge victorious from this global conflict. But how successful was Hollywood's effort? Citing numerous examples of flag-waving dialogue, Professor Fyne has produced an in-depth study that examines these WWII movies, analyzing many motifs, stereotypes, fiction-as-fact, distortions, and prevarications that permeate this genre. His book lists the ten best titles of the war and discusses such topics as the World War I influence, the different approaches toward the Italian, German, and Japanese military machines, the glorification of the Soviet forces, the image of the Chinese nationals, the light-hearted B-comedies, musicals, and Westerns, plus the American GI's inner frustration with his fabricated photoplay image. For historians, film watchers, or social commentators, this book, complete with elaborate filmography, offers important information about Hollywood's role in shaping the Home Front mores.
After applying for his agency licence in 1987, lawyer and part time DJ/Presenter Phil Green founded the "Supermodel Agency". This autobiography contains personal confessions of astonishing stories and events he has encountered over the last 30 years while running the agency. Revealing all about the glamorous parties; the fame and fortune of the Supermodel girls; dating an internationally famous model, a Paris liaison with a Hollywood star; working with a Spice Girl; filming with Stanley Kubrick; hanging out with a world famous rock band, to the career implosions of drug taking models - this book really does contain ...sex, drugs and rock and roll. Learn the truth about glamour modelling, from Page 3, cover shoots, working on prime time TV game shows and the many eventful photo trips abroad - to the more deeply worrying issues within the agency relating to suicide, kidnapping and insecurity.
American Film History by Cynthia Lucia,Roy Grundmann,Art Simon Pdf
This authoritative collection of introductory and specialized readings explores the rich and innovative history of this period in American cinema. Spanning an essential range of subjects from the early 1900s Nickelodeon to the decline of the studio system in the 1960s, it combines a broad historical context with careful readings of individual films. Charts the rise of film in early twentieth-century America from its origins to 1960, exploring mainstream trends and developments, along with topics often relegated to the margins of standard film histories Covers diverse issues ranging from silent film and its iconic figures such as Charlie Chaplin, to the coming of sound and the rise of film genres, studio moguls, and, later, the Production Code and Cold War Blacklist Designed with both students and scholars in mind: each section opens with an historical overview and includes chapters that provide close, careful readings of individual films clustered around specific topics Accessibly structured by historical period, offering valuable cultural, social, and political contexts Contains careful, close analysis of key filmmakers and films from the era including D.W. Griffith, Charles Chaplin, Buster Keaton, Erich von Stroheim, Cecil B. DeMille, Don Juan, The Jazz Singer, I Am a Fugitive from a Chain Gang, Scarface, Red Dust, Glorifying the American Girl, Meet Me in St. Louis, Citizen Kane, Bambi, Frank Capra’s Why We Fight series, The Strange Love of Martha Ivers, Rebel Without a Cause, Force of Evil, and selected American avant-garde and underground films, among many others. Additional online resources such as sample syllabi, which include suggested readings and filmographies for both general specialized courses, will be available online. May be used alongside American Film History: Selected Readings, 1960 to the Present, to provide an authoritative study of American cinema through the new millennium
More than a book, more than a non-fiction read, more than a memoir, CONFESSIONS OF A SURVIVING ALIEN will engage the reader like most have never experienced. It will take them through a maze of lifes pathos, and elicit the emotions of sadness, joy, pain, regret, guilt, remorse, pride, fear, revenge, happiness, forgiveness, evil, good, and much uniquely intertwined with humor, often times outrageously so. Although defined by the premise of Vietnam, it is much more than another war account, to the contrary. It is more often the dredge of a neophyte Marine trying to get more into the war and action, than out of it. It is more about his disillusionment in practically every aspect of that officially declared police action, but not in ways one might expect. It is more about his evolution and regression as a human being and inner torment, including feelings of alienation. The book starts at the end, and ends with the start, with a chronological account in between, covering four parts: Before Vietnam (BV), During Vietnam (DV), After Vietnam (AV), and finally, After Marines (AM). The story covers the life of a young American, and follows his incredible journey through the decades to find himself, to explore every possibility of livingand nearly dyingand reach some hopeful level of success, however that is defined. From having a unique tour in Vietnam, to escorting deceased Marines to their families and final resting place, to his life threatened by a mob guy, to learning about a deeply held family secret concerning his father, to experiencing a profound spiritual experience in the unlikely locale of Beverly Hills, California, and much more, author Jon Meades biggest challenge may be getting readers to believe his surreal story. He merely shrugs and says, I am just a very ordinary guy, with an extraordinary life to convey. It is nothing less, nor more than that. Maybe, he admits, in the end analysis, success in life is merely surviving life, failures and all. With that admission and a very personal and engaging approach and writing style, the genre of Memoirs may never be the same.
