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Contemporary European Playwrights by Maria M. Delgado,Bryce Lease,Dan Rebellato Pdf
Contemporary European Playwrights presents and discusses a range of key writers that have radically reshaped European theatre by finding new ways to express the changing nature of the continent’s society and culture, and whose work is still in dialogue with Europe today. Traversing borders and languages, this volume offers a fresh approach to analyzing plays in production by some of the most widely-performed European playwrights, assessing how their work has revealed new meanings and theatrical possibilities as they move across the continent, building an unprecedented picture of the contemporary European repertoire. With chapters by leading scholars and contributions by the writers themselves, the chapters bring playwrights together to examine their work as part of a network and genealogy of writing, examining how these plays embody and interrogate the nature of contemporary Europe. Written for students and scholars of European theatre and playwriting, this book will leave the reader with an understanding of the shifting relationships between the subsidized and commercial, the alternative and the mainstream stage, and political stakes of playmaking in European theatre since 1989.
Contemporary European Theatre Directors by Maria M. Delgado,Dan Rebellato Pdf
This expanded second edition of Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past 30 years. This book is a vivid account of the vast range of work undertaken in European theatre during the last three decades, situated lucidly in its artistic, cultural, and political context. Each chapter discusses a particular director, showing the influences on their work, how it has developed over time, its reception, and the complex relation it has with its social and cultural context. The volume includes directors living and working in Italy, Germany, France, Spain, Poland, Russia, Romania, the UK, Belgium, Switzerland, and the Netherlands, offering a broad and international picture of the directing landscape. Now revised and updated, Contemporary European Theatre Directors is an ideal text for both undergraduate and postgraduate directing students, as well as those researching contemporary theatre practices, providing a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe following the end of the Cold War.
Contemporary European Theatre Directors by Maria M. Delgado,Dan Rebellato Pdf
"This expanded second edition of Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past thirty years. This book is a vivid account of the vast range of work undertaken in European theatre during the last three decades, situated lucidly in its artistic, cultural, and political context. Each chapter discusses a particular director, showing the influences on their work, how it has developed over time, its reception, and the complex relation it has with its social and cultural context. The volume includes directors living and working in Italy, Germany, France, Spain, Poland, Russia, Romania, the UK, Belgium, Switzerland, and the Netherlands, offering an all-encompassing, global approach across the directing field. Now revised and updated, Contemporary European Theatre Directors is an ideal text for both undergraduate and postgraduate directing students, as well as those researching contemporary theatre practices, providing a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe since the end of the Cold War"--
Twenty Best European Plays on the American Stage by John Gassner Pdf
Excerpt from Twenty Best European Plays on the American Stage: Edited With an Introduction Explanations do not alter the character of a book, but they may be useful in defining its limits. The present anthology is not an attempt to represent the modern European drama. Instead, it presents that drama as an element or factor in American professional stage production that my Crown anthologies of contemporary American plays have hitherto neglected. The neglect was intentional in my Best American Plays collections, which presented, and will continue to present, exclusively American playwriting. Readers of these compilations would have formed confused impressions of the qualities of American playwriting if European plays had been included for the sake of swelling my periodic chronicle of the American stage. It was long apparent, however, that the chronicle would be flagrantly incomplete unless it were supplemented by one or more volumes of European plays. The present volume is my first effort to enlarge the record of American stage production since World War I, and the character of the anthology may well explain why I postponed publishing it. The conventional compilations of plays from the time of Ibsen to the time of Sartre would not serve my purpose. These books and I compiled one of them, A Treasury (j the Theatre, myself are intended for the study of the European or the modern drama. The present anthology is intended primarily for the study of the American stage, as will any sequel to this volume that may appear later. I say study, because a comparison between the plays printed here and their original form will instruct the careful reader about Broadway's way of dealing with its imports. It may also dismay him at times, and that can be instructive, too. But it would be disingenuous for me to say that in preparing this anthology I hoped to instruct the general reader instead of merely interesting him. At most I wanted to show him another face of the American theatre, even if, in many instances, it may turn out to be the same face that some of us adore and others deplore. I could not have convinced my publishers to print so large a volume in so inflationary a period if I had been unable to offer a bounty to the public that takes its pleasure wherever it (can find it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This book maps contemporary playwriting and theatre translation practices and ecologies in the European continent. Whether you are a scholar researching contemporary drama and translation, or a theatre practitioner looking for ways to navigate theatrical conventions in other countries, this book is for you. Through questionnaires and one-to-one interviews with key stakeholders, Dr Laera collects qualitative and quantitative data about how each national theatre culture supports living dramatists, what conventions drive the production and translation (or lack thereof) of contemporary plays, and what perceptions are held by gatekeepers, theatre-makers and other cultural operators about the theatre system in which they work. Through country-by-country descriptions and analyses; interviews with playwrights, translators, directors and gatekeepers; a list of key facts and best practices; and a rigorous assessment of its methodologies, this volume is indispensable for those interested in contemporary European theatre practice.
Modernism in European Drama by Frederick J. Marker,Christopher Innes Pdf
This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.
World Encyclopedia of Contemporary Theatre by Peter Nagy,Philippe Rouyer Pdf
The World Encyclopedia of Contemporary Theatre:Europe covers theatre since World War II in forty-seven European nations, including the nations which re-emerged following the break-up of the former USSR, Czechoslovakia and Yugoslavia. Each national article is divided into twelve sections - History, Structure of the National Theatre Community, Artistic Profile, Music Theatre, Theatre for Young Audiences, Puppet Theatre, Design, Theatre, Space and Architecture, Training, Criticism, Scholarship and Publishing and Further Reading - allowing the reader to use the book as a source for both area and subject studies.
The Routledge Companion to Contemporary European Theatre and Performance by Ralf Remshardt,Aneta Mancewicz Pdf
This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making, both in particular countries and across borders, that are shaping European stage practice. With the geography, geopolitics, and cultural politics of Europe more unsettled than at any point in recent memory, this book’s combination of national and thematic coverage offers a balanced understanding of the continent’s theatre and performance cultures. Employing a range of methodologies and critical approaches across its three parts and ninety-four chapters, this book’s first part contains a comprehensive listing of European nations, the second part charts responses to thematic complexes that define current European performance, and the third section gathers a series of case studies that explore the contribution of some of Europe’s foremost theatre makers. Rather than rehearsing rote knowledge, this is a collection of carefully curated, interpretive accounts from an international roster of scholars and practitioners. The Routledge Companion to Contemporary European Theatre and Performance gives undergraduate and graduate students as well as researchers and practitioners an indispensable reference resource that can be used broadly across curricula.
Excerpt from Modern Dramatists This look aims at a critical study of the modern European Theatre. It is not intended as a guide to the popular authors of the day, either in England or abroad; indeed, many successful playwrights are not even mentioned in its pages. It is dogmatic, because it is written from a definite standpoint, and its judgments depend upon an absolute standard of value. To write of any group of authors, dramatic or otherwise, without such a standard, is to debase the coinage of criticism and to insult the artist. I need not define my criterion here, for I have endeavoured to make it clear in the opening chapters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Ecology and Environment in European Drama by Downing Cless Pdf
Looking at European drama through an ecological lens, this book chronicles nature and the environment as primary topics in major plays from ancient to recent times. Cless focuses on the few, yet well-known plays in which nature is at stake in the action or the environment is a dramatic force. Though theater predominantly explores human and cultural themes, these plays fully display the power of the other-than-human world and its endangerment during the history of Europe. While offering a broad overview, the book features extensive case studies of several playwrights, plays, and eco-theater productions: Aristophanes’ The Birds, Marlowe’s Doctor Faustus, Shakespeare’s A Midsummer Night’s Dream and The Tempest, and Giraudoux’s The Madwoman of Chaillot. In each case, Cless connects nature in the play to nature in the life of the playwright based on biographical research into the understanding of natural philosophy and awareness of the immediate environment that influenced the specific play. The book is one of the first of its kind in a growing field of ecocriticism and emerging eco-studies of theater.
Author : Alan P. Barr Publisher : Oxford University Press on Demand Page : 592 pages File Size : 50,7 Mb Release : 2001 Category : Drama ISBN : 0195135369
Modern Women Playwrights of Europe by Alan P. Barr Pdf
Modern Women Playwrights of Europe brings together seventeen major plays by European women of the twentieth century. Some of these works are internationally known, while others appear here in translation for the first time. Featuring selections by playwrights from several European countries--from Spain and Greece to Iceland and Scandinavia--this volume presents plays that have been largely overlooked by most existing anthologies of Continental drama. This unique collection includes important plays from the beginning of the twentieth century, such as Gabriela Zapolska's The Morality of Mrs. Dulski (essentially unavailable in English until now) and Kalliroi Siganou-Parren's The New Woman (never before translated into English). It also offers modern classics from such dramatists as Ana Diosdado, Marguerite Duras, Elfriede Jelinek, Dacia Maraini, Paloma Pedrero, and Gerlind Reinshagen, and some very recent plays from Nordic women. Representing both a significant re-examination of the canon and a valuable contribution to the study of comparative literature, Modern Women Playwrights of Europe can be used as a core text or a supplement for courses in modern European drama, modern drama, comparative drama, women's literature, and women's studies.
Twentieth-Century European Drama by Brian Docherty Pdf
This volume offers critical and theoretical perspectives on some of the major figures in European drama in the twentieth century. There are thirteen essays covering Luigi Pirandello, Bertolt Brecht, Stanislaw Witkiewicz, Samuel Beckett, Antonin Artaud, Eugene Ionesco, Jean Anouilh, Fernando Arrabal, Jean Genet, Peter Weiss, Vaclav Havel, comtemporary German theatre, and Dario Fo and Franca Rame. These specially commissioned essays combine contemporary theory with a discussion of the dramatic work of the playwrights who created modern drama in Europe.
Susan Glaspell and Sophie Treadwell by Barbara Ozieblo,Jerry Dickey Pdf
Susan Glaspell and Sophie Treadwell presents critical introductions to two of the most significant American dramatists of the early twentieth century. Glaspell and Treadwell led American Theatre from outdated melodrama to the experimentation of great European playwrights like Ibsen, Strindberg and Shaw. This is the first book to deal with Glaspell and Treadwell’s plays from a theatrical, rather than literary, perspective, and presents a comprehensive overview of their work from lesser known plays to seminal productions of Trifles and Machinal. Although each woman pursued her own themes, subjects and manner of stage production, this shared volume underscores the theatrical and cultural conditions influencing female playwrights in modern America.
Modern British Playwriting: 2000-2009 by Dan Rebellato Pdf
Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four/five key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period . Edited by Dan Rebellato, Modern British Playwriting: 2000-2009 provides an authoritative and stimulating reassessment of the theatre of the decade, together with a detailed study of the work of David Greig (Nadine Holdsworth), Simon Stephens (Jacqueline Bolton), Tim Crouch (Dan Rebellato), Roy Williams (Michael Pearce) and Debbie Tucker Green (Lynette Goddard). The volume sets the context by providing a chronological survey of the decade, one marked by the War on Terror, the excesses of economic globalization and the digital revolution. In surveying the theatrical activity and climate, Andrew Haydon explores the response to the political events, the rise of verbatim theatre, the increasing experimentation and the effect of both the Boyden Report and changes in the Arts Council's priorities. Five scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts and the critical receptions of the time. Interviews with each playwright further illuminate this stimulating final volume in the Decades of Modern British Playwriting series.
