Contemporary Storytelling Performance

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Contemporary Storytelling Performance

Author : Stephe Harrop
Publisher : Taylor & Francis
Page : 254 pages
File Size : 40,6 Mb
Release : 2023-08-04
Category : Performing Arts
ISBN : 9781000923414

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Contemporary Storytelling Performance by Stephe Harrop Pdf

This book focuses on a rising generation of female storytellers, analysing their innovation in interdisciplinary collaboration, and their creation of new multimedia platforms for story-led performance. It draws on an unprecedented series of in-depth interviews with artists including Jo Blake, Xanthe Gresham-Knight, Mara Menzies, Clare Murphy, Debs Newbold, Rachel Rose Reid, Sarah Liisa Wilkinson, and Vanessa Woolf, while Sally Pomme Clayton’s reflections on her extraordinary four-decade career provide long-term context for these cutting-edge conversations. Blending ethnographic research and performance analysis, this book documents the working lives of professional storytelling artists. It also sheds light on the practices, values, aspirations, and achievements of a generation actively redefining storytelling as a contemporary performance practice, taking on topics from ecology and maternity to griefwork and neuroscience, while working collaboratively with diverse creative partners to generate new, inclusive presences for a traditionally-inspired artform. This book will be of great interest to students, scholars, and practitioners in drama, theatre, performance, creative writing, education, and media.

A Multimodal Perspective on Applied Storytelling Performances

Author : Soe Marlar Lwin
Publisher : Routledge
Page : 186 pages
File Size : 52,5 Mb
Release : 2019-09-18
Category : Language Arts & Disciplines
ISBN : 9781351059978

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A Multimodal Perspective on Applied Storytelling Performances by Soe Marlar Lwin Pdf

In this volume, Soe Marlar Lwin proposes a contextualized multimodal framework that brings together storytelling practitioners’ and academic researchers’ conceptions of storytelling. It aims to highlight the ways in which various institutions in contemporary society have been using live storytelling performances as an effective communicative, educative and meaning-making tool. Drawing on theories of narrative from narratology as well as from related fields such as discourse analysis, multimodal analysis, communication and performance studies, the author proposes a contextualized multimodal framework to (a) uncover the potential narrativity of a live storytelling performance through an analysis of narrative elements constituting the story, (b) capture the process of developing actual narrativity through a multimodal analysis of performance features in the storytelling discourse, and (c) highlight the importance of context and dynamics between the storyteller and audience for an achievement of optimal narrativity in a particular storytelling event. The sample analysis shows how the framework not only describes the system governing institutionalized storytelling performances in general but also serves as a useful model to examine individual performance as a unique realization of the general system. The book also offers implications for possible applications of such contextualized multimodal frameworks more broadly across the disciplines.

Performance and Performativity in Contemporary Indian Fiction in English

Author : Maria-Sabina Draga Alexandru
Publisher : Hotei Publishing
Page : 301 pages
File Size : 43,6 Mb
Release : 2015-02-04
Category : Literary Criticism
ISBN : 9789004292604

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Performance and Performativity in Contemporary Indian Fiction in English by Maria-Sabina Draga Alexandru Pdf

Through a comparison with theatrical performance the argument develops that in both theatre and fiction the concepts of performance and performativity transform classical Indian mythic poetics. In the mythic symbiosis of performance and storytelling in Indian tradition, myth becomes a liberating space of consciousness, where rigid categories and boundaries are transcended.

The Knowing Body

Author : Louise Steinman
Publisher : North Atlantic Books
Page : 180 pages
File Size : 41,9 Mb
Release : 1995-11-29
Category : Art
ISBN : 155643202X

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The Knowing Body by Louise Steinman Pdf

Steinman's book really stands alone among performance art books. While there are many that document what particular artists are doing, this one offers a way in for a person who wants to perform (or know more about how performance artists work). Must reading for anyone interested in performance art, it will also be fascinating to those in theatre, playwriting, visual arts and performance of any sort.

Telling the Story in the Middle Ages

Author : Kathryn A. Duys,Elizabeth Emery,Elizabeth Nicole Emery,Laurie Postlewate
Publisher : Boydell & Brewer Ltd
Page : 284 pages
File Size : 49,6 Mb
Release : 2015
Category : Literary Criticism
ISBN : 9781843843917

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Telling the Story in the Middle Ages by Kathryn A. Duys,Elizabeth Emery,Elizabeth Nicole Emery,Laurie Postlewate Pdf

New examinations of the role storytelling played in medieval life.

Handbook of Research on Contemporary Storytelling Methods Across New Media and Disciplines

Author : Mih?e?, Lorena Clara,Andreescu, Raluca,Dimitriu, Anda
Publisher : IGI Global
Page : 467 pages
File Size : 52,9 Mb
Release : 2021-01-15
Category : Language Arts & Disciplines
ISBN : 9781799866077

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Handbook of Research on Contemporary Storytelling Methods Across New Media and Disciplines by Mih?e?, Lorena Clara,Andreescu, Raluca,Dimitriu, Anda Pdf

Stories are everywhere around us, from the ads on TV or music video clips to the more sophisticated stories told by books or movies. Everything comes wrapped in a story, and the means employed to weave the narrative thread are just as important as the story itself. In this context, there is a need to understand the role storytelling plays in contemporary society, which has changed drastically in recent decades. Modern global society is no longer exclusively dominated by the time-tested narrative media such as literature or films because new media such as videogames or social platforms have changed the way we understand, create, and replicate stories. The Handbook of Research on Contemporary Storytelling Methods Across New Media and Disciplines is a comprehensive reference book that provides the relevant theoretical framework that concerns storytelling in modern society, as well as the newest and most varied analyses and case studies in the field. The chapters of this extensive volume follow the construction and interpretation of stories across a plethora of contemporary media and disciplines. By bringing together radical forms of storytelling in traditional disciplines and methods of telling stories across newer media, this book intersects themes that include interactive storytelling and narrative theory across advertisements, social media, and knowledge-sharing platforms, among others. It is targeted towards professionals, researchers, and students working or studying in the fields of narratology, literature, media studies, marketing and communication, anthropology, religion, or film studies. Moreover, for interested executives and entrepreneurs or prospective influencers, the chapters dedicated to marketing and social media may also provide insights into both the theoretical and the practical aspects of harnessing the power of storytelling in order to create a cohesive and impactful online image.

Epic Performances from the Middle Ages into the Twenty-First Century

Author : Fiona Macintosh,Justine McConnell,Stephen Harrison,Claire Kenward
Publisher : Oxford University Press
Page : 640 pages
File Size : 46,8 Mb
Release : 2018-10-26
Category : Literary Criticism
ISBN : 9780192526250

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Epic Performances from the Middle Ages into the Twenty-First Century by Fiona Macintosh,Justine McConnell,Stephen Harrison,Claire Kenward Pdf

Greek and Roman epic poetry has always provided creative artists in the modern world with a rich storehouse of themes. Tim Supple and Simon Reade's 1999 stage adaptation of Ted Hughes' Tales from Ovid for the RSC heralded a new lease of life for receptions of the genre, and it now routinely provides raw material for the performance repertoire of both major cultural institutions and emergent, experimental theatre companies. This volume represents the first systematic attempt to chart the afterlife of epic in modern performance traditions, with chapters covering not only a significant chronological span, but also ranging widely across both place and genre, analysing lyric, film, dance, and opera from Europe to Asia and the Americas. What emerges most clearly is how anxieties about the ability to write epic in the early modern world, together with the ancient precedent of Greek tragedy's reworking of epic material, explain its migration to the theatre. This move, though, was not without problems, as epic encountered the barriers imposed by neo-classicists, who sought to restrict serious theatre to a narrowly defined reality that precluded its broad sweeps across time and place. In many instances in recent years, the fact that the Homeric epics were composed orally has rendered reinvention not only legitimate, but also deeply appropriate, opening up a range of forms and traditions within which epic themes and structures may be explored. Drawing on the expertise of specialists from the fields of classical studies, English and comparative literature, modern languages, music, dance, and theatre and performance studies, as well as from practitioners within the creative industries, the volume is able to offer an unprecedented modern and dynamic study of 'epic' content and form across myriad diverse performance arenas.

Beowulf in Contemporary Culture

Author : David Clark
Publisher : Cambridge Scholars Publishing
Page : 263 pages
File Size : 53,6 Mb
Release : 2019-11-29
Category : Poetry
ISBN : 9781527544062

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Beowulf in Contemporary Culture by David Clark Pdf

This collection explores Beowulf’s extensive impact on contemporary culture across a wide range of forms. The last 15 years have seen an intensification of scholarly interest in medievalism and reimaginings of the Middle Ages. However, in spite of the growing prominence of medievalism both in academic discourse and popular culture—and in spite of the position Beowulf itself holds in both areas—no study such as this has yet been undertaken. Beowulf in Contemporary Culture therefore makes a significant contribution both to early medieval studies and to our understanding of Beowulf’s continuing cultural impact. It should inspire further research into this topic and medievalist responses to other aspects of early medieval culture. Topics covered here range from film and television to video games, graphic novels, children’s literature, translations, and versions, along with original responses published here for the first time. The collection not only provides an overview of the positions Beowulf holds in the contemporary imagination, but also demonstrates the range of avenues yet to be explored, or even fully acknowledged, in the study of medievalism.

Storytelling and Theatre

Author : Michael Wilson,Mike Wilson
Publisher : Red Globe Press
Page : 0 pages
File Size : 43,9 Mb
Release : 2006
Category : Performing Arts
ISBN : 9781403906649

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Storytelling and Theatre by Michael Wilson,Mike Wilson Pdf

Wilson addresses the recent rise of storytelling as a professional performance art by providing a critical survey of current practice and a critical framework for those debates currently taking place, and those debated which will undoubtedly emerge in future.

Greek Tragedy and the Contemporary Actor

Author : Zachary Dunbar,Stephe Harrop
Publisher : Springer
Page : 237 pages
File Size : 47,6 Mb
Release : 2018-11-11
Category : Performing Arts
ISBN : 9783319954714

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Greek Tragedy and the Contemporary Actor by Zachary Dunbar,Stephe Harrop Pdf

This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski’s (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.

From Stage to Screen

Author : Shuang Wang
Publisher : Springer Nature
Page : 166 pages
File Size : 45,6 Mb
Release : 2023-05-16
Category : Performing Arts
ISBN : 9789811970375

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From Stage to Screen by Shuang Wang Pdf

Chinese martial arts cinema is held to be a synthesis drawing on artistic conventions of traditional Chinese theatre. Film sound and music perform as the legitimate heirs of some of the aesthetic ideas and norms of traditional Chinese theatre. This book critically examines the history of this under-explored field of inquiry from a theoretically comparative perspective, demonstrating that the musical codes drawn from traditional theatre are a constantly changing component integral to Chinese martial arts cinema. It explores the interaction between traditional Chinese theatre and Chinese martial arts cinema in how the musical codes of the former have shaped the aesthetics of the latter uniquely. This departs from conventional existing studies that focus on “adaptation.” The book’s historical and theoretical approach connects film, theatre and music, and re-defines the status of distinctive domains of filmic expression, grounding theatre as the pivot – or “hinge” – of film aesthetics. The book proffers this unique angle of research to rethink and re-imagine film sound and audiovisual synchronisation. Primarily intended for scholars in Chinese cinema, film music, Chinese theatre and visual culture, this monograph also presents introductory and comprehensive material for undergraduate and graduate-level courses in film and media studies, film music, Chinese cinema, and Chinese theatre.

Performance, Trauma and Puerto Rico in Musical Theatre

Author : Colleen Rua
Publisher : Taylor & Francis
Page : 130 pages
File Size : 45,7 Mb
Release : 2023-08-11
Category : Performing Arts
ISBN : 9781000925593

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Performance, Trauma and Puerto Rico in Musical Theatre by Colleen Rua Pdf

This study positions four musicals and their associated artists as mobilizers of defiant joy in relation to trauma and healing in Puerto Rico. This book argues that the historical trajectory of these musicals has formed a canon of works that have reiterated, resisted or transformed experiences of trauma through linguistic, ritual, and geographic interventions. These traumas may be disaster-related, migrant-related, colonial or patriarchal. Bilingualism and translation, ritual action, and geographic space engage moments of trauma (natural disaster, incarceration, death) and healing (community celebration, grieving, emancipation) in these works. The musicals considered are West Side Story (1957, 2009, 2019), The Capeman (1998), In the Heights (2008), and Hamilton (2015). Central to this argument is that each of the musicals discussed is tied to Puerto Rico, either through the representation of Puerto Rican characters and stories, or through the Puerto Rican positionality of its creators. The author moves beyond the musicals to consider Lin-Manuel Miranda as an embodied site of healing, that has been met with controversy, as well as post-Hurricane Maria relief efforts led by Miranda on the island and from a distance. In each of the works discussed, acts of belonging shape notions of survivorship and witness. This book also opens a dialogue between these musicals and the work of island-based artists Y no había luz, that has served as sites of first response to disaster. This book will be of interest to students and scholars in Latinx Theatre, Musical Theatre and Translation studies.

Boundaries of Violence in Early Modern England

Author : Samantha Dressel,Matthew Carter
Publisher : Taylor & Francis
Page : 166 pages
File Size : 50,5 Mb
Release : 2023-08-25
Category : Performing Arts
ISBN : 9781000933482

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Boundaries of Violence in Early Modern England by Samantha Dressel,Matthew Carter Pdf

This book explores the possibilities and limitations of violence on the Early Modern stage and in the Early Modern world. This collection is divided into three sections: History-cal Violence, (Un)Comic Violence, and Revenge Violence. This division allows scholars to easily find intertextual materials; comic violence may function similarly across multiple comedies but is vastly different from most tragic violence. While the source texts move beyond Shakespeare, this book follows the classic division of Shakespeare’s plays into history, comedy, and tragedy. Each section of the book contains one chapter engaging with modern dramatic practice along with several that take textual or historical approaches. This wide-ranging approach means that the book will be appropriate both for specialists in Early Modern violence who are looking across multiple perspectives, and for students or scholars researching texts or approaches.

Who Says?

Author : Carol L. Birch,Melissa A. Heckler
Publisher : august house
Page : 238 pages
File Size : 51,5 Mb
Release : 1996
Category : Literary Collections
ISBN : 0874834538

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Who Says? by Carol L. Birch,Melissa A. Heckler Pdf

In the last two decades, the storytelling movement has gained momentum, both as an educational tool and an entertainment form. But the revival is so young that there is no common vocabulary for discussing it. Contemporary storytelling has its roots in the oral and literary trditions. Performances are often judged according to the aesthetics of print, theater or music even television and film.

Greek Tragedy, Education, and Theatre Practices in the UK Classics Ecology

Author : David Bullen,Christine Plastow
Publisher : Taylor & Francis
Page : 114 pages
File Size : 54,7 Mb
Release : 2024-06-12
Category : History
ISBN : 9781040095263

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Greek Tragedy, Education, and Theatre Practices in the UK Classics Ecology by David Bullen,Christine Plastow Pdf

Through a series of case studies, this book explores the interrelations among Greek tragedy, theatre practices, and education in the United Kingdom. This is situated within what the volume proposes as ‘the Classics ecology’. The term ‘ecology’, frequently used in Theatre Studies, understands Classics as a field of cultural production dependent on shared knowledge circulated via formal and informal networks, which operate on the basis of mutually beneficial exchange. Productions of Greek tragedy may be influenced by members of the team studying Classics subjects at school or university, or reading popular works of Classical scholarship, or else by working with an academic consultant. All of these have some degree of connection to academic Classics, albeit filtered through different lenses, creating a network of mutual influence and benefit (the ecology). In this way, theatrical productions of Greek drama may, in the long term, influence Classics as an academic discipline, and certainly contribute to attesting to the relevance of Classics in the modern world. The chapters in this volume include contributions by both theatre makers and academics, whose backgrounds vary between Theatre Studies and Classics. They comprise a variety of case studies and approaches, exploring the dissemination of knowledge about the ancient world through projects that engage with Greek tragedy, theories and practices of theatre making through the chorus, and practical relationships between scholars and theatre makers. By understanding the staging of Greek tragedy in the United Kingdom today as being part of the Classics ecology, the book examines practices and processes as key areas in which the value of engaging with the ancient past is (re)negotiated. This book is primarily suitable for students and scholars working in Classical Reception and Theatre Studies who are interested in the reception history of Greek tragedy and the intersection of the two fields. It is also of use to more general Classics and Theatre Studies audiences, especially those engaged with current debates around ‘saving Classics’ and those interested in a structural, systemic approach to the intersection between theatre, culture, and class.