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Author : Albert S. Gérard
Publisher : BRILL
Page : 181 pages
File Size : 49,8 Mb
Release : 2022-06-08
Category : Literary Criticism
ISBN : 9789004484900
Author : Bernth Lindfors
Publisher : Africa World Press
Page : 244 pages
File Size : 50,9 Mb
Release : 1997
Category : African literature
ISBN : 0865436169
African literary texts can be approached in a variety of ways. They may be examined in isolation as verbal artifacts that have a unique integrity. They may be studied in relation to other texts that preceded and followed them. Or they may be seen against the backdrop of the times, traditions and circumstances that helped to shape them. In this book, all these approaches have been utilized, sometimes singly, sometimes in combination.
Author : Charles Cantalupo
Publisher : Africa World Press
Page : 398 pages
File Size : 41,7 Mb
Release : 1995
Category : Literary Criticism
ISBN : 086543445X
Ngugi wa Thiong'o: Texts and Contexts contains a generous sampling of this unprecedented historic event. Containing many of the conference's most distinguished critical discussions of Ngugi's this self-described 'unrepentant universalist' still rooted in his home of Kenya regardless of his exile. In Ngugi wa Thiong'o: Texts and Contexts, the book and the conference, as in The World of Ngugi wa Thiong'o, the text upon which the conference was built, Ngugi's work becomes a site of accumulation, like many forms of African sculpture.
Author : Ce, Chin,Smith, Charles
Publisher : Handel Books
Page : 194 pages
File Size : 49,5 Mb
Release : 2015-09-04
Category : Literary Criticism
ISBN : 9789783603592
This study of oral tradition in African literature is borne from the awareness that African verbal arts still survive in works of discerning writers and in the conscious exploration of its tropes, perspectives, philosophy and consciousness, its complementary realism, and ontology, for the delineation of authentic African response to memory, history and other possible comparisons with modern existence such as witnessed in recent developments of the African novel. In this series we have strived to adopt innovative and multilayered perspectives on orality or indigeneity and its manifestations on contemporary African and new literatures. These studies use multi-faceted theories of orality which discuss and deconstruct notions of history, truth-claims and identity-making, not excluding gender and genealogy (cultural and biological) studies in African contexts.
Author : Mineke Schipper
Publisher : Ivan R. Dee Publisher
Page : 0 pages
File Size : 42,8 Mb
Release : 1990
Category : Fiction
ISBN : 0929587367
A fresh, innovative, and powerful case for African literature on its own terms. "Erudite, well executed, and politically committed....A magnificent and masterful critical reading."--V. Y. Mudimbe, Duke University.
Author : Mineke Schipper
Publisher : Unknown
Page : 212 pages
File Size : 45,9 Mb
Release : 1990
Category : African literature
ISBN : OCLC:1028721950
Author : Gaurav Desai
Publisher : Modern Language Association of America
Page : 0 pages
File Size : 46,8 Mb
Release : 2009-01-01
Category : Language Arts & Disciplines
ISBN : 1603290370
What is the African novel, and how should it be taught? The twenty-three essays of this volume address these two questions and in the process convey a wealth of information and ideas about the diverse regions, peoples, nations, languages, and writers of the African continent. Topics include Ngũgĩ wa Thiong'o's favoring of indigenous languages and literary traditions over European; the special place of Marxism in African letters;the influence of Frantz Fanon; women writers and the sub-Saharan novel;the Maghrebian novel;the novel and the griot epic in the Sahel;Islam in the West African novel;novels in Spanish from Equatorial Guinea;apartheid and postapartheid fiction;African writers in the diaspora;globalization in East African fiction; teaching Chinua Achebe's Things Fall Apart to students in different countries;the Onitsha market romance. The volume editor, Gaurav Desai, writes, "The point of the volume is to encourage a reading of Africa that is sensitive to its history of colonization but at the same time responsive to its present multiracial and multicultural condition."
Author : Russell Kaschula
Publisher : New Africa Books
Page : 316 pages
File Size : 53,6 Mb
Release : 2001
Category : Literary Criticism
ISBN : 1919876073
Throughout Africa, oral literature is flourishing, though it is perceived by some as anachronistic to the modern world. This work refutes this idea in its entirety by presenting 22 chapters, which firmly place the study of oral literature within contemporary African existence. The study analyzes how oral literature relates to media, music, technology, text, gender, religion, power, politics and globalization.
Author : Simon Lewis
Publisher : Unknown
Page : 0 pages
File Size : 42,5 Mb
Release : 2011
Category : African literature (English)
ISBN : 081303602X
African identities have been written and rewritten about in both British and African literature for decades. These revisions have opened up new formulations of what it really means to be British or African. By comparing texts by authors from African and British backgrounds across a wide variety of political orientations, the book analyzes the deeper relationships between colonizer and colonized. It brings issues of race, gender, class, and sexuality into the analysis, providing new ways for cultural scholars to think about how empire and colony have impacted one another from the late eighteenth century through the decades following World War II. In these comparisons, the book focuses on commonalities rather than differences. By examining the work of writers including Chinua Achebe, Wole Soyinka, T. S. Eliot, Abdulrazak Gurnah, Zoe Wicomb, Yvette Christianse, and Chris van Wyk, the book demonstrates how Britain's former African colonies influence British culture just as much as African culture was influenced by British colonization. The book brings a uniquely informed perspective to the topic, having lived in South Africa, Tanzania, and Great Britain, and having taught African literature for over a decade. The book demonstrates expert knowledge of local cultural history from 1945 to the present, in both Africa and Britain.
Author : Mpalive-Hangson Msiska,Paul Hyland
Publisher : Routledge
Page : 421 pages
File Size : 44,9 Mb
Release : 2017-07-28
Category : Literary Criticism
ISBN : 9781315505152
This volume reflects one of the new areas of English Studies as it broadens to take in non-western literatures, and places more emphasis on the contexts and broader notions of `writing'. In discussing writing from and about Africa, this collection touches on studies in black writing, colonialism and imperialism and cultural development in the third world. It begins by providing a historical introduction to the main regional traditions, and then builds on this to discuss major issues, such as oral tradition, the significance of `literature' as a western import, representations of Africa in western writing, African writing against colonialism and its themes and politics in a post-colonial world, popular writing and the representation of women.
Author : Christel N. Temple
Publisher : Unknown
Page : 214 pages
File Size : 55,8 Mb
Release : 2005
Category : History
ISBN : UOM:39015060631762
"In a critical, well-researched, and illuminating analysis of history and literature, this study highlights the dynamics of the relationship between Africans and African-Americans since the original separation of the Middle Passage. The study emerges at a timely phase, as America struggles with its racial heritage, its ethnic future, and multiculturalism, and as people of African descent create new contexts for defining identity in a nation that struggles to embrace Africans who have arrived, this time, as voluntary migrants."--BOOK JACKET.
Author : Hugh Webb
Publisher : Unknown
Page : 237 pages
File Size : 42,7 Mb
Release : 1991
Category : African literature
ISBN : 0646043161
Author : Stephanie Newell
Publisher : Oxford University Press, USA
Page : 287 pages
File Size : 48,6 Mb
Release : 2006-06-08
Category : Literary Criticism
ISBN : 9780199273973
The Oxford Studies in Postcolonial Literatures series (general editor: Elleke Boehmer) offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English.This study of West African literatures interweaves the analysis of fiction, drama, and poetry with an exploration of the broader political, cultural, and intellectual contexts within which West African writers work. Anglophone literatures form the central focus of the book, with comparative comments on vernacular literature, francophone writing and oral literatures, and detailed discussion of selected francophone texts in translation (e.g., Senghor, Tadjo, Beyala, Bâ, Sembene). Movingfrom a discussion of nationalist and anti-colonial writing in the period before independence, towards the more experimental writings of contemporary authors such as Véronique Tadjo (Ivory Coast), Syl Cheney-Coker (Sierra Leone), and Kojo Laing (Ghana), the book constantly relates texts to the social andpolitical history of West Africa. Canonical, internationally well-known writers such as Chinua Achebe and Wole Soyinka are positioned in relation to the literary cultures and debates which surrounded them when they first produced their seminal texts; the discussions and disagreements which have grown up around their work in subsequent decades are also considered. The work of new and lesser-known writers is also considered, including Niyi Osundare (Nigeria) and Kofi Anyidoho (Ghana). In order toconvey a sense of the rich and complex societies that are clustered beneath the umbrella-term 'postcolonial', emphasis is placed on West Africa's diverse oral and popular cultures, and the ways in which local intellectuals and readers have responded to the most prominent authors through theaesthetic frameworks generated by these forms.
Author : Ruth Bush
Publisher : Cambridge University Press
Page : 173 pages
File Size : 53,6 Mb
Release : 2022-06-02
Category : Language Arts & Disciplines
ISBN : 9781108804868
This Element explores the politics of literary translation via case studies from the Heinemann African Writers Series and the work of twenty-first-century literary translators in Cameroon. It intervenes in debates concerning multilingualism, race and decolonization, as well as methodological discussion in African literary studies, world literature, comparative literature and translation studies. The task of translating African literary texts has developed according to political and socio-economic contexts. It has contributed to the consecration of a canon of African classics and fuelled polemics around African languages. Yet retranslation remains rare and early translations are frequently criticised. This Element's primary focus on the labour rather than craft or art of translation emphasises the material basis that underpins who gets to translate and how that embodied labour occurs within the process of book production and reception. The arguments draw on close readings, fresh archival material, interviews, and co-production and observation of literary translation workshops.
Author : Regina Hartmann
Publisher : diplom.de
Page : 128 pages
File Size : 54,8 Mb
Release : 2014-04-11
Category : Literary Criticism
ISBN : 9783836626729
Inhaltsangabe:Introduction: As the Black African writers have taught us, we must dance our word, for in human speech as in dance, lies an offering; to speak and to write is also to offer oneself to the other; it is to be reborn together . This quotation by M. Rombaut locates African literature close to the performing arts. According to his statement African literature seems to transcend the conventional European conception of writing, which is conceiving literature as something planned and permanent. The idea of a literary performance in African writing places the author much closer to the story-teller, who is dependent on his audience and trying to keep in touch with them. By processing their feelings in his performance he gives expression to a common consciousness. In contrast to the Western author who often wants to stand apart from his society, African authors tend to aim their participation in the formation of a shared identity. This paper tries to find out how authors from the framework of East Africa conceive of cultural identity. Basically, I will proceed in two steps: part A is dedicated to the development of a pattern within which the complex issue of identity can be adequately discussed in an East African context. In Part B I will then apply this discussion scheme to three novels which as I will explain are representative for East African writing, in far as this term is justified. Part A starts off from some basic observations about identity, on the foundation of which I want to deduce the structure of my analysis. I will argue that identity is based on ones observation of the environment and on the influence of outsiders. All this is to some extent true for two concepts: individual and cultural identity. The latter develops when a group of individuals feels or is ascribed a common bond apt to correspond to several individual self-concepts. These individuals may then share a feeling of home, which can act as a physical but also mental commitment. Departing form these ideas I will show that four issues might be interesting in dealing with cultural identity, which can be expressed by some central questions: 1.Identity imposed and adopted: In how far can others influence our identity? 2.Identity rediscovered and reinvented:To what extent does our history work on identity? 3.Identity displaced: How does our feeling of physical or mental bond to a physical or mental space I will call home work on identity? 4.Identity integrated: How [...]
