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Explaining the major forces at play behind the making of Hollywood films, this text assesses how changing values have influenced censorship in Hollywood. The text also analyses the major cultural, social, legal and religious changes and their effect on Hollywood.
Hollywood's Last Golden Age by Jonathan Kirshner Pdf
Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period—including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves—were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times. These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood’s embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters’ interior lives.
In Reforming Hollywood, William Romanowski tells the long and complex story of the relationship between Protestants of all stripes--from Episcopalians to evangelicals--and the American film industry. Drawing on personal interviews and previously unexamined primary sources, he chronicles Protestant efforts to exert influence on the industry and use movies to promote the moral health of the nation. At the same time, Romanowski shows, mainline Protestants were surprisingly averse to censorship, which they saw as intruding upon individual conscience and antithetical to American democracy--of which they saw themselves as the guardians.
Author : Allan H. Ryskind Publisher : Simon and Schuster Page : 538 pages File Size : 52,5 Mb Release : 2015-01-05 Category : Political Science ISBN : 9781621572336
Allan Ryskind, son of Marx Brothers screenwriter Morrie Ryskind (Animal Crackers, A Night at the Opera, Room Service), exposes the ugly truth about the Communists blacklisted from the film industry. Too often, the "Hollywood Ten" brought before the House Un-American Activities Committee are memorialized as victims of an unjust witch-hunt and heroes who stood up for free speech. The truth is shocking: Not only did these supposed liberal paragons adore Josef Stalin and take their orders directly from the Communist Party, but they also sympathized with Adolf Hitler. Ryskind, who grew up in the heart of the Hollywood scene and personally knew many of the key players in this real-life Hollywood drama, has penned a definitive, myth-busting account of the Hollywood Ten and Hollywood Blacklist that will forever change the way you think about the ideological battle waged in the movie capital of the world.
Hollywood's America by Steven Mintz,Randy W. Roberts,David Welky Pdf
Fully revised, updated, and extended, the fifth edition of Hollywood’s America provides an important compilation of interpretive essays and primary documents that allows students to read films as cultural artifacts within the contexts of actual past events. A new edition of this classic textbook, which ties movies into the broader narrative of US and film history This fifth edition contains nine new chapters, with a greater overall emphasis on recent film history, and new primary source documents which are unavailable online Entries range from the first experiments with motion pictures all the way to the present day Well-organized within a chronological framework with thematic treatments to provide a valuable resource for students of the history of American film
Feminist reform comes to Hollywood -- 1970s cultures of production: studio, art house, and exploitation -- New women: women directors and the 1970s new woman film -- Radicalizing the directors guild of america -- Desperately seeking the eighties: 1970s perseverance turns to 1980s progress
Hollywood Diplomacy contends that, rather than simply reflect the West’s cultural fantasies of an imagined “Orient,” images of Chinese, Japanese, and Korean ethnicities have long been contested sites where the commercial interests of Hollywood studios and the political mandates of U.S. foreign policy collide, compete against one another, and often become compromised in the process. While tracing both Hollywood’s internal foreign relations protocols—from the “Open Door” policy of the silent era to the “National Feelings” provision of the Production Code—and external regulatory interventions by the Chinese government, the U.S. State Department, the Office of War Information, and the Department of Defense, Hye Seung Chung reevaluates such American classics as Shanghai Express and The Great Dictator and applies historical insights to the controversies surrounding contemporary productions including Die Another Day and The Interview. This richly detailed book redefines the concept of “creative freedom” in the context of commerce: shifting focus away from the artistic entitlement to offend foreign audiences toward the opportunity to build new, better relationships with partners around the world through diplomatic representations of race, ethnicity, and nationality.
The Story of Hollywood by Gregory Paul Williams Pdf
The Story of Hollywood follows Hollywood from its dusty origins to its glorious rise to stardom. Lavishly illustrated with over 800 vintage images from the author's private collection, the book tells the complete story of Hollywood including its eventual decline and urban renewal. The Story of Hollywood brings new insights to readers with a passion for Hollywood and its place in the history of film, radio, and television.
Hollywood Fantasies of Miscegenation by Susan Courtney Pdf
Hollywood Fantasies of Miscegenation analyzes white fantasies of interracial desire in the history of popular American film. From the first interracial screen kiss of 1903, through the Production Code's nearly thirty-year ban on depictions of "miscegenation," to the contemplation of mixed marriage in Guess Who's Coming to Dinner (1967), this book demonstrates a long, popular, yet underexamined record of cultural fantasy at the movies. With ambitious new readings of well-known films like D.W. Griffith's 1915 epic The Birth of a Nation and of key forgotten films and censorship documents, Susan Courtney argues that dominant fantasies of miscegenation have had a profound impact on the form and content of American cinema. What does it mean, Courtney asks, that the image of the black rapist became a virtual cliché, while the sexual exploitation of black women by white men under slavery was perpetually repressed? What has this popular film legacy invited spectators to remember and forget? How has it shaped our conceptions of, and relationships to, race and gender? Richly illustrated with more than 140 images, Hollywood Fantasies of Miscegenation carefully attends to cinematic detail, revising theories of identity and spectatorship as it expands critical histories of race, sex, and film. Courtney's new research on the Production Code's miscegenation clause also makes an important contribution, inviting us to consider how that clause was routinely interpreted and applied, and with what effects.
Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's most valued treasures, from Modern Times (1936) to Star Wars (1977), cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture.
From the Gates of Babylon to the Kodak Center, what does Hollywood have in common with the creation of civilization? Where there is royalty there are subjects and slaves. Learn how pop culture is a magickal spell leading humanity down the path of social Darwinian stratification and class warfare. See how the military uses the entertainment industry for propaganda and covert operations. Are celebrities victims of mind control? Who is the Scarlet Woman and how many times can she be incarnated at one awards ceremony? Learn about the revelation of the occult method, the Super Bowl-Grammy Ritual Spectacular, and much more!
Hollywood has a world view, and it's coming to a television in your home soon-- and you may not even be aware of it! If you are only checking for ratings, you're missing a whole other level of humanism and anti-Christianity that is being slipped quietly and unobstrusively into your entertainment choices. Break Hollywood's grip on your entertainment choices-- and get tuned into its real agenda with this unique new book. A great format for an entertainment critique that is entertaining in itself. It will be popular with youth pastors, parents, and ministries.
The Evolution of Hollywood's Calculated Blockbuster Films by Alexander Ross Pdf
The book highlights how creative entrepreneurs saved the Hollywood studios in the 1970's by making the calculated blockbuster, consisting of key replicable markers of success, Hollywood's preeminent business model. Scholars of film studies, screenwriting, and popular culture will find this book of particular interest.
American silent film actress Mabel Normand (1892-1930) appeared in a string of popular movies opposite stars like Charlie Chaplin and Fatty Arbuckle before dying of tuberculosis at 37. Her brief but remarkable career--which included directorial and writing credits and heading her own studio and production company--was eclipsed by scandal when police connected her to the unsolved 1922 murder of director William Desmond Taylor.Tracing her life from humble beginnings on Staten Island to the heights of world superstardom, this book highlights Normand's substantial yet largely overlooked contributions to film history and popular culture.