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Conversations with Raymond Carver by Raymond Carver Pdf
The twenty-five interviews gathered here, several available in English for the first time, include craft interviews, biographical portraits, self-analyses, & wide-ranging reflections on the current literary scene.
What We Talk about when We Talk about Anne Frank by Nathan Englander Pdf
The author of the sensational national bestseller "For the Relief of Unbearable Urges" and "The Ministry of Special Cases" returns with a commanding new collection of short stories.
What We Talk About When We Talk About Love by Raymond Carver Pdf
In his second collection, including the iconic and much-referenced title story featured in the Academy Award-winning film Birdman, Carver establishes his reputation as one of the most celebrated short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.
Here is the original manuscript of Raymond Carver’s seminal 1981 collection, What We Talk About When We Talk About Love. Carver is one of the most celebrated short-story writers in American literature—his style is both instantly recognizable and hugely influential—and the pieces in What We Talk About . . ., which portray the gritty loves and lives of the American working class, are counted among the foundation stones of the contemporary short story. In this unedited text, we gain insight into the process of a great writer. These expansive stories illuminate the many dimensions of Carver’s style, and are indispensable to our understanding of his legacy. Text established by William L. Stull and Maureen P. Carroll
Featuring David Sedaris's unique blend of hilarity and heart, this new collection of keen-eyed animal-themed tales is an utter delight. Though the characters may not be human, the situations in these stories bear an uncanny resemblance to the insanity of everyday life. In "The Toad, the Turtle, and the Duck," three strangers commiserate about animal bureaucracy while waiting in a complaint line. In "Hello Kitty," a cynical feline struggles to sit through his prison-mandated AA meetings. In "The Squirrel and the Chipmunk," a pair of star-crossed lovers is separated by prejudiced family members. With original illustrations by Ian Falconer, author of the bestselling Olivia series of children's books, these stories are David Sedaris at his most observant, poignant, and surprising.
PULITZER PRIZE FINALIST • Twelve short stories that mark a turning point in the work of “one of the true American masters" (The New York Review of Books). “A writer of astonishing compassion and honesty … His eye is so clear, it almost breaks your heart.” —The Washington Post Book World A remarkable collection that includes the canonical titular story about blindness and learning to enter the very different world of another. These twelve stories “overflow with the danger, excitement, mystery and possibility of life.” —The Washington Post Book World
The first biography of america’s best-known short story writer of the late twentieth century. The London Times called Raymond Carver "the American Chekhov." The beloved, mischievous, but more modest short-story writer and poet thought of himself as "a lucky man" whose renunciation of alcohol allowed him to live "ten years longer than I or anyone expected." In that last decade, Carver became the leading figure in a resurgence of the short story. Readers embraced his precise, sad, often funny and poignant tales of ordinary people and their troubles: poverty, drunkenness, embittered marriages, difficulties brought on by neglect rather than intent. Since Carver died in 1988 at age fifty, his legacy has been mythologized by admirers and tainted by controversy over a zealous editor’s shaping of his first two story collections. Carol Sklenicka penetrates the myths and controversies. Her decade-long search of archives across the United States and her extensive interviews with Carver’s relatives, friends, and colleagues have enabled her to write the definitive story of the iconic literary figure. Laced with the voices of people who knew Carver intimately, her biography offers a fresh appreciation of his work and an unbiased, vivid portrait of the writer.
This prodigiously rich collection suggests that Raymond Carver was not only America’s finest writer of short fiction, but also one of its most large-hearted and affecting poets. Like Carver’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy. This complete edition brings together all the poems of Carver’s five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual notes on individual poems; a chronology of Carver’s life and work; and a moving introduction by Carver’s widow, the poet Tess Gallagher.
In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce. Looking at ideas such as the Intrusive Author, Suspense, the Epistolary Novel, Magic Realism and Symbolism, and illustrating each topic with a passage taken from a classic or modern novel, David Lodge makes the richness and variety of British and American fiction accessible to the general reader. He provides essential reading for students, aspiring writers and anyone who wants to understand how fiction works.
These seven stories were the last that Carver wrote. Among them is one of his longest, 'Errand', in which he imagines the death of Chekhov, a writer Carver hugely admired and to whose work his own was often compared. This fine story suggests that the greatest of modern short-story writers may, in the year before his untimely death, have been flexing his muscles for a longer work.
What It Used to Be Like by Maryann Burk Carver Pdf
Maryann Burk Carver met Raymond Carver in 1955, when she was fifteen years old and he was seventeen. In What It Used to Be Like, she recounts a tale of love at first sight in which two teenagers got to know each other by sharing a two-year long-distance correspondence that soon after found them married and with two small children. Over the next twenty-five years, as Carver's fame grew, the family led a nomadic life, moving from school to school and teaching post to teaching post. In 1972, they settled in Cupertino, California, where Raymond Carver gave his wife one of his sharpened pencils and asked her to write an account of their history. The result is a memoir of a marriage, replete with an intimacy of detail that fully reveals the talents and failings of this larger-than-life man, his complicated relationships, and his profound loves and losses. What It Used to Be Like brings to light for the first time Raymond Carver's lost years and the "stories behind the stories" of this brilliant writer.