Conversations With Waheeda Rehman Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Conversations With Waheeda Rehman book. This book definitely worth reading, it is an incredibly well-written.
Conversations with Waheeda Rehman by Nasreen Munni Kabir Pdf
In this highly acclaimed book of conversations with Nasreen Munni Kabir, Waheeda Rehman speaks about her life and work with refreshing honesty, humour and insight: from detailing her personal triumphs and tribulations to giving enthralling accounts of working with cinematic personalities like Guru Dutt, Satyajit Ray, Raj Kapoor and Dev Anand. Against all odds, she successfully made a life in cinema on her own terms. Filled with compelling anecdotes and astute observations, this is a riveting slice of film history that provides a rare view of a much-adored and award-winning screen legend.
Ten Years with Guru Dutt by Sathya Saran,Abrar Alvi Pdf
Guru Dutt Is Probably The Only Indian Film-Maker Who, Within The Parameters Of The Box Office, Made A Personal Statement With His Cinema. His Films Stand Testimony Not Only To His Own Genius But Also To The Creativity Of His Team, Comprising Stalwarts Like Cameraman V.K. Murthy, Music Director S.D. Burman, And Writer Abrar Alvi, Among Others. In Ten Years With Guru Dutt: Abrar Alvi&Rsquo;S Journey, Sathya Saran Looks At The Tumultuous Yet Incredibly Fecund Relationship Between The Mercurial Director And His Equally Talented Albeit Unsung Writer, A Partnership That Evolved Over A Decade Till Guru Dutt&Rsquo;S Tragic Death In 1964. Starting His Career As A Driver And Chaperone To Guru Dutt&Rsquo;S Producer On The Sets Of Baaz, Abrar Soon Caught The Attention Of The Director With His Sharp Ear For And Understanding Of Film Dialogue. With Aar Paar In 1954, Abrar Rewrote The Rules Of Dialogue Writing In Hindi Cinema, Till Then Marked By Theatricality And Artificiality. He Followed It Up With Mr And Mrs &Rsquo;55, Pyaasa And Kaagaz Ke Phool&Mdash;All Veritable Treatises On The Art Of Scriptwriting&Mdash;Before Donning The Director&Rsquo;S Mantle With Great Success In Sahib Bibi Aur Ghulam. Full Of Anecdotes&Mdash;About How Abrar Honed His Skills By Writing Over 300 Love Letters; How An Accident Involving A Buffalo Led To The Discovery Of Waheeda Rehman; Guru Dutt&Rsquo;S Visit To A Kotha To Get The Ambience Right For Pyaasa&Mdash;Ten Years With Guru Dutt Is A Warm And Insightful Look At Two Remarkable Artistes Who Inspired Each Other To Create Movie Magic. It Is, At The Same Time, An Intimate Account Of The Ecstasy And The Agony That Marked The Making Of Some Of The Enduring Classics Of Indian Cinema.
Guru Dutt: An Unfinished Story by Yasser Usman Pdf
Guru Dutt’s filmography has some names which have long been considered as some of the best films to have ever been made in India. His masterpiece Pyaasa (1957) was featured in TIME magazine's All-Time 100 Movies list in 2005. His films are still celebrated and revered by viewers, critics and students of cinema the world over, not only for their technical brilliance but also for the eternal romanticism and their profound take on the emptiness of life and the shallowness of material success. He was Indian cinema’s Don Juan and Nietzsche rolled into one. But while much has been said and written on the film-maker and his art, little is known about his life behind the screens. This richly layered account takes a deep dive into the journey of a lonesome, troubled genius who was endlessly being pulled in contrary directions throughout his life. A child prodigy, who actually began as a dancer learning from the great Uday Shankar, an unconventional film-maker who desired commercial success without ever compromising on artistic satisfaction, a self-made entrepreneur who hated numbers yet single-handedly ran a film studio juggling the roles of a producer, director, actor, financier — all this while struggling silently with a deeply troubled personal life, at the centre of which was his tumultuous marriage with Geeta Dutt. Guru had it all — love, family, money, fame and validation from his audience. His untimely death by suicide, that too after multiple failed attempts, had shocked the entire film industry. But what led to that fateful night when he tipped his hat and said his final goodbye? Best-selling Bollywood biographer Yasser Usman explores the man and the myth Guru Dutt in this definitive biography of a nonconformist star, uncovering the extraordinary lives of the rich and the famous as well the incredible toll it takes on the emotional and mental health of a human being. With cameos from close friends and colleagues Dev Anand, Waheeda Rehman, Johnny Walker, S.D. Burman and most significantly Dutt’s sister, noted painter Lalitha Lajmi, a short but compassionate, ambitious and ultimately tragic life reveals itself in the pages of this book. This is a gripping, meticulously researched and moving portrait of an unfinished life — a tale of unrequited love, unresolved relationships and unmatched cinematic talent.
Asha Parekh was to the movies born. Ever since she was knee-high, she faced the camera as a child artiste, while performing simultaneously at dance fetes. An alumnus of Bombay’s The J. B. Petit Girls’ High School, she devoted after-school hours to learning classical dance from exacting gurus. Given a break as a leading lady by Filmalaya Studio’s Sashadhar Mukherjee, she debuted opposite Shammi Kapoor in the romantic entertainer Dil Deke Dekho. Instantaneously, the audience and the critics agreed: “A star is born.” Followed a concatenation of silver and golden jubilee hits, which established her as the quintessential Hit Girl. Possessed of all the requisites of the cinema of the 1960s and the ’70s – felicity at instinctive acting, intricate dance skills and the ability to invest conviction into the roles of zestful, glamour-exuding film heroines – she made an impact, too, with parts demanding gravitas. Apart from films in Hindi, she has also acted in films in Gujarati, Punjabi and a film in Kannada. The Mumbai film trade, to date, acknowledges her as one of the heroines with the highest number of successes. Her innumerable dance ballets on stage have earned her untold acclaim, at home and overseas. Among her other facets, she has been involved since decades in running a charitable hospital. She was Chairperson of the Central Board of Film Certification (1998-2001) and has been associated with the Cine and TV Artistes’ Associations and other organisations dedicated to the welfare of film industry workers, technicians and actors. She turned producer and director with several top TRP-rated TV serials like ‘Kora Kagaz’ and ‘Palash ke Phool’ and programmes like ‘Baaje Paayal’. Currently she has chosen to retire from acting, but adds, “Never say never.” She lives by the famed Juhu shoreline in Mumbai.
Talking Films and Songs by Nasreen Munni Kabir Pdf
One of the great thinkers of Indian cinema, Javed Akhtar needs no introduction. As a screenplay writer, he and Salim Khan wrote the dialogue for blockbusters like Zanjeer, Deewar, and Sholay; as a songwriter, he has composed a huge variety of songs including, ‘Yeh kahaan aa gaye hum’, ‘Kuchh na kaho’, and ‘Kal ha na ho’. Talking Films and Songs showcases both these aspects of Javed Akhtar’s versatile genius, through freewheeling conversations with Nasreen Munni Kabir. Originally published in 1999 (Talking Films) and 2005 (Talking Songs), these extremely popular books have delighted readers, researchers, and scholars of Indian film. Full of wit and wisdom, this edition is a must-read for Hindi cinema enthusiasts.
An authentic, heartfelt and compelling narrative – straight from the horse’s mouth – that reveals for the first time numerous unknown aspects of the life and times of one of the greatest legends of all time who stands out as a symbol of secular India. Dilip Kumar (born as Yousuf Khan), who began as a diffident novice in Hindi cinema in the early 1940s, went on to attain the pinnacle of stardom within a short time. He came up with spellbinding performances in one hit film after another – in his almost six-decade-long career – on the basis of his innovative capability, determination, hard work and never-say-die attitude. In this unique volume, Dilip Kumar traces his journey right from his birth to the present. In the process, he candidly recounts his interactions and relationships with a wide variety of people not only from his family and the film fraternity but also from other walks of life, including politicians. While seeking to set the record straight, as he feels that a lot of what has been written about him so far is ‘full of distortions and misinformation’, he narrates, in graphic detail, how he got married to Saira Banu, which reads like a fairy tale! Dilip Kumar relates, matter-of-factly, the event that changed his life: his meeting with Devika Rani, the boss of Bombay Talkies, when she offered him an acting job. His first film was Jwar Bhata (1944). He details how he had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries. After that, he soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. In these movies he played the tragedian with such intensity that his psyche was adversely affected. He consulted a British psychiatrist, who advised him to switch over to comedy. The result was spectacular performances in laugh riots such as Azaad and Kohinoor, apart from a scintillating portrayal as a gritty tonga driver in Naya Daur. After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma, Saudagar and Qila.
Indian cinema is the only body of world cinema that depicts courtesans as important characters. In early films courtesan characters transmitted Indian classical dance, music and aesthetics to large audiences. They represent the nation's past, tracing their heritage to the fourth-century Kamasutra and to nineteenth-century courtly cultures, but they are also the first group of modern women in Hindi films. They are working professionals living on their own or in matrilineal families. Like male protagonists, they travel widely and develop networks of friends and chosen kin. They have relations with men outside marriage and become single mothers. Courtesan films are heroine-oriented and almost every major female actor has played this role. Challenging received wisdom, Vanita demonstrates that a larger number of courtesans in Bombay cinema are Hindu and indeterminate than are Muslim, and that films depict their culture as hybrid Hindu-Muslim, not Islamicate. Courtesans speak in the ambiguous voice of the modern nation, inviting spectators to seize pleasure here and now but also to search for the meaning of life. Vanita's groundbreaking study of courtesans and courtesan imagery in 235 films brings fresh evidence to show that the courtesan figure shapes the modern Indian erotic, political and religious imagination.
Zakir Hussain by Nasreen Munni Kabir,Zakir Hussain Pdf
Tabla virtuoso, composer and percussionist Zakir Hussain is an international music phenomenon. The eldest son of the legendary Ustad Allarakha, Zakir gave his first public concert at the age of seven and was immediately hailed a child prodigy. In later years, his masterful dexterity and creative genius led to his becoming one of the most sought-after accompanists to the very best of Hindustani classical musicians and dancers. Zakir Hussain is equally recognized as one of the foremost contemporary jazz and world music percussionists; he has performed at innumerable concerts both as a solo artist and with renowned jazz musicians on the grand stages of the world, from the Royal Albert Hall to Madison Square Garden. With John McLaughlin, L. Shankar and T.H. Vinayakram, Zakir Hussain created music history with the band Shakti. He has acted in James Ivory's Heat and Dust and Sai Paranjpye's Saaz, and scored music for directors such as Bernardo Bertolucci (Little Buddha), Aparna Sen (Mr. & Mrs. Iyer) and Ismail Merchant (In Custody, The Mystic Masseur); he has also played the tabla for countless 1960s Hindi film soundtracks. In an in-depth conversation with Zakir Hussain, Nasreen Munni Kabir takes the readers through the story of his life: how he was deemed an 'unlucky' child; the early years of growing up in Mahim; his training from age four with his extraordinary father; and his experiences and memories working with a host of legendary musicians, including Pandit Ravi Shankar, Ustad Ali Akbar Khan and Ustad Vilayat Khan. A born storyteller, Zakir speaks with humour and humility of his understanding of music, his relationship with his students, his dedication and love for the tabla, and the way he negotiates life as an acclaimed celebrity living in both America and India. Zakir Hussain: A Life in Music is a brilliant introduction to the life and times of a huge music star, a revered role model and a visionary world musician.
The untold story of Hindi cinema’s first superstar Obsessed female fans routinely sent him love letters written in blood. Hysterical crowds camped outside his house to catch a glimpse of the superstar. And the frenzy unleashed by his public appearances was enough to give law-enforcers a nightmare. In the 1970s, Rajesh Khanna achieved the kind of fame that no film star had ever experienced before—or has since. But having climbed to the pinnacle of success, he then saw it all vanish. And through it all, he remained a fighter till the very end. In this riveting biography, journalist Yasser Usman examines Rajesh Khanna’s dramatic, colourful life in its entirety: from little-known facts about his childhood to the low-down on his relationships and rivalries, from his ambitious hopes to his deep-seated insecurities. What emerges is a tantalizingly written, meticulously researched chronicle of a fascinating and mercurial man—one who was both loved and feared by those closest to him. It is a story that encapsulates the glittering, seductive, cut-throat world of Bollywood at its best and its worst.
In the Company of a Poet by Gulazāra,Nasreen Munni Kabir Pdf
In this richly entertaining book, Gulzar shares his life and passions with inimitable charm and candour. Poet, storyteller, director, scriptwriter and lyricist, Gulzar is a towering figure of contemporary Indian literature and cinema. Ever since he wrote his first song the unforgettable Mora gora ang lai le for Bimal Roys Bandini (1963) he has won countless admirers with his nuanced, sensitive and quietly innovative work. From the endearing Lakdi ki kaathi, that a generation grew up singing, to the Oscar-winning Jai ho his songs have enthralled millions. His unique and much acclaimed contribution to the world of poetry continues to reflect our changing times, with fresh idiom and delicate turn of phrase. In this book of conversations with Nasreen Munni Kabir, Gulzar speaks with insight, candour and gentle humour about his life and work: his school days in Old Delhi, where he wrote his early poems; working in a garage in Mumbai before entering films; his association with legends such as Bimal Roy, Balraj Sahni, Sahir Ludhianvi, Meena Kumari, Shailendra, S. D. Burman, Hemant Kumar, Hrishikesh Mukherjee, Lata Mangeshkar and R. D. Burman among others; his love of tennis; and his deep connection with his wife, the legendary Raakhee, his daughter Meghna and his grandson Samay.
Anup a happy go lucky boy next door, finds himself a misfit in an IT company. However sinister happenings at work force him to make some life changing decisions.
Talking Films by Jāvīd Ak̲h̲tar,Nasreen Munni Kabir Pdf
Poet, lyricist and screenplay writer, Javed Akhtar is that rare individual celebrated in the diverse worlds of popular cinema and of literature and letters. Zanjeer, Deewaar and Sholay, with screenplays written by him in partnership with Salim Khan, are milestones in the history of Indian cinema. Javed Akhtar's book of poetry, Tarkash, published both in Urdu and Hindi, has enjoyed enormous critical as well as commercial success. The songs he has written for the Hindi screen have also been trendsetters, and today Javed Akhtar is among the most respected names in the Indian film industry. Here, Nasreen Munni Kabir talks with this hugely creative writer about his early influences, his relationship with his parents, his life and work in films where he began as a clapper boy in the mid-sixties, and his successful partnership with Salim Khan. An original thinker, Javed Akhtar turns his analytical gaze to the conventions of Hindi cinema, its songs and its stories. He is illuminating about many aspects of screenplay, dialogue writing and lyric writing, bringing alive his understanding of these creative forms with his descriptions of the way well-known film dialogue and famous songs canme to be written. Akhtar speaks with clarity and honesty about his development as a poet and his growth as a politically-aware person. Sparkling with Akhtar's wit, intelligence and skill as a raconteur, this well-illustrated book will appeal to everyone interested in cinema and the arts.
Full of wit and delicious observations, Mrs Funnybones captures the life of the modern Indian woman a woman who organizes dinner each evening after having been at work all day, who runs her own life but has to listen to her mummyji, who worries about her weight and the state of the country. Based on Twinkle Khanna’s super-hit column, Mrs Funnybones marks the debut of one of our funniest, most original voices.
