Cosmic Elements Of Meaning Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Cosmic Elements Of Meaning book. This book definitely worth reading, it is an incredibly well-written.
aUI The Language of Space is a symbolic, universal language designed to "heal the human mind from the slavery of slogans of hate into a peace through understanding, a cosmic consciousness of harmony with the universal Spirit." Whether you consider this an artificial or constructed language or cosmically inspired you will no doubt quickly see the genius of the 31 graphic symbols that make up aUI (space -mind - sound). Each symbol representing a concept and combined together to interpret and express feelings and concepts both simple and complex. Consider the nearly hundred words that describe "snow" in the Icelandic language and you can easily understand the concept of many more variations of concepts of "time", "space", "life" than we may have available in the English language. Consider among our popular culture from the series Game of Thrones and it constructed language, there is no word for "thank you " or "forgiveness" in Dothraki. The Cosmic Communication Foundation headed by Andrea Weigart Patten (daughter of the late Dr. John W. Weilgart) offer this Edition of Cosmic Elements of Meaning for the first time available via modern print-on-demand technology. This edition was prepared from an original printed copy of the 1975 edition by Robert Zumberge.
Cosmic Christology in Paul and the Pauline School by Geurt Hendrik van Kooten Pdf
"How did the understanding of Jesus as the universal Son of Man of Apocalyptic Judaism develop into the notion of a cosmic god, the cosmic Christ? George van Kooten traces the earliest encounters between antiquity and Christianity."
A major new work by Charles Taylor: the long-awaited follow-up to The Language Animal, exploring the Romantic poetics central to his theory of language. The Language Animal, Charles Taylor’s 2016 account of human linguistic capacity, was a revelation, toppling scholarly conventions and illuminating our most fundamental selves. But, as Taylor noted in that work, there was much more to be said. Cosmic Connections continues Taylor’s exploration of Romantic and post-Romantic responses to disenchantment and innovations in language. Reacting to the fall of cosmic orders that were at once metaphysical and moral, the Romantics used the symbols and music of poetry to recover contact with reality beyond fragmented existence. They sought to overcome disenchantment and groped toward a new meaning of life. Their accomplishments have been extended by post-Romantic generations into the present day. Taylor’s magisterial work takes us from Hölderlin, Novalis, Keats, and Shelley to Hopkins, Rilke, Baudelaire, and Mallarmé, and on to Eliot, Miłosz, and beyond. In seeking deeper understanding and a different orientation to life, the language of poetry is not merely a pleasurable presentation of doctrines already elaborated elsewhere. Rather, Taylor insists, poetry persuades us through the experience of connection. The resulting conviction is very different from that gained through the force of argument. By its very nature, poetry’s reasoning will often be incomplete, tentative, and enigmatic. But at the same time, its insight is too moving—too obviously true—to be ignored.
The Fire of Aether is the all-vivifying Spirit of Cosmic Matter by Helena Petrovna Blavatsky Pdf
Part 1. Aether is the Father of the Universe and the all-vivifying Spirit of Cosmic Matter. Myths always speak to those who listen. In Kosmos there are three higher principles: Chthonia (Chaos), Æther (Zeus) and Chronos (Time). Æther is the Spirit of Cosmic Matter, represented by Zeus, Osiris, and other androgynous deities; Astral Light is their shadow on earth. Fire is the unity of Æther in its universality. But there are two Kosmic “Fires,” and a distinction is made between them in the Occult teachings. Æther and Hemera are the light of the superior and the light of the inferior or terrestrial regions. Æther–Chaos–Akasha is Deity. The Æther of the Greeks is the Akasha of the Hindus; the Ether of modern physics is one of Æther’s subdivisions on our plane. Æther and Chaos (Plato’s Mind and Matter) are the two primeval and eternal principles of the universe, utterly independent of anything else. Æther is the all-vivifying intellectual principle; Chaos, a shapeless liquid principle, without “form or sense,” from the union of which two sprung into existence the Universe the first androgynous deity — the chaotic matter becoming its body, and æther its soul. Chaos–Theos–Kosmos are aspects of the Unknown Space. Deity, in the shape of Æther–Chaos–Akasha, Soul of the Universe and noumenon of Astral Light, pervades all things. The Theurgists called it the Living Fire, and the Spirit of Light. The science of physics, and of metaphysics for that matter, know nothing of Æther. Yet Father-Æther is re-welcomed with open arms; and wedded to gravitation. Æther is the source and cause of all forces, whether cohesive, chemical, thermal, electric, or magnetic. Æther is septenary, whether Akasha is meant by the term, or its lower principle — Ether. Akasha is the Matrix of the Universe and the “Mysterium Magnum,” from which all that exists is born by separation or differentiation: it is the cause of existence; it fills the infinite Space; and is Space itself, in one sense. But as the finite within the Infinite, this light must have its shadowy side — the “Astral Light,” which is no light. Individual human beings can overpower that “fatal light” but only by the holiness of their lives, and by acts of kindness and brotherly love. In Buddhism there are no compulsory beliefs. We are to believe only when the writing, doctrine, or teaching is corroborated by our own reason and consciousness. But then, we have to act accordingly and abundantly. Nihil is synonym for the impersonal divine Principle, the Infinite All, which is neither “being” nor “thing.” It is the Parabrahman of the Vedantist, The One Life of the Buddhist, “That” of the Chhandogya Upanishad, the Ain-Soph of the Kabbalah, The Absolute of Hegel. Lord Buddha taught that the Primitive Substance is eternal and unchangeable. Its vehicle is the pure, luminous Æther, boundless, infinite Space — still a creation of maya. Mastery of Buddhist dogmas can be attained only by following the Platonic deductive method, i.e., proceeding from universals to particulars. In Buddhist philosophy annihilation implies only a dispersion of matter in whatever form or semblance of form it may be. Even our astral bodies, pure ether, are but illusions of matter, so long as they retain their terrestrial outline. Æther is incorruptible. The spirits of creatures, who are emanations of the most sublimated portions of Æther, are Breaths not forms. The body of Jesus was abandoned to the earth while Christos, the Inner Man, was clothed with a luminous body made up of Æther. Part 2. Ether is the Mother of differentiated matter vivified by the formless Fire of Aether. When we recall pictures from the ether, the returning current meeting the outgoing wave of crystallised sound takes it up by magnetic attraction, and returns to us simultaneously the images of the past and the vibrations of its sounds. Each particle of matter is the register of all that has happened and previsionally apprehends even unspoken thought which, once conceived, displaces the particles of the brain by setting them in motion, and scatters its ideas throughout the universe, thus impressing them indelibly upon the eternal and boundless expanse of ether. The Divine Intellect is veiled in man. His animal brain alone philosophizes. When “astral light” circulates in harmony with the divine spirit, the occult powers of plants, animals, and minerals magically sympathize with the “superior natures,” and the divine soul of man attunes with the “inferior” ones. But during the barren periods, the latter lose their magic sympathy, and the spiritual sight of the majority of mankind is so blinded as to lose every notion of the innate powers of its divine lineage and essence. Spirit is the personal god of each mortal and his only divine element. The dual soul, on the contrary, is semidivine, i.e., potentially divine. It is only when the human individuality, soiled with earthly impurities, overcomes separateness and identifies itself with the divine intelligence within, that the aroma of personal experience can become immortal. Although invisible, thought is a material force. Let the least cerebral motion reverberate in the Ether of Space and it will produce a disturbance reaching to infinity. Akasha is not the Holy Ghost, because it would then be Shekh?nah (M?laprakriti). Akasha is the noumenon of the Cosmic Septenary, whose soul is Ether. Ether is the lining of Akasha, and Akasha is the Anima Mundi and Mother of Kosmos. Akasha, whose lowest form is the Ether of Space, is entirely different from the medium of Science. Fire is the Spirit of Deity, the active, male, generative principle; and Ether, the Soul of Matter, is the light of the Fire, the passive female principle from which everything in this Universe emanated. Hence, Ether or “Water” is Mother, and Fire is Father. Sound is the characteristic of Akasha (Ether): it generates air, the property of which is touch, and which, by friction, generates colour and light. The ether of Science is the grossest manifestation of Akasha, though on our plane, it is the seventh principle of the astral light, and three degrees higher than “radiant matter.” When ether penetrates or informs something, it may be molecular because it takes on the form of the latter, and its atoms inform the particles of that “something.” We may perhaps call matter “crystallised ether.” There is no such things as light, heat, sound, or electricity. There is nothing but radiant energy due to one thing — Motion of Ether. Modern Science may divide its hypothetically conceived ether in as many ways as it likes; the real Ether of Space, i.e., Æther, will remain as it is throughout. Ether is the vibrating sound-board in Nature, in all of her seven differentiations. Where there was no Ether there would be no sound. The “Astral Light,” or Ether of Space, preserves the images of all beings and things on its sensitised waves. An occult explanation of “Spirit” photographs is that they are objective copies from subjective photographs impressed upon the ether, and constantly thrown out by our thoughts, words, and deeds. There exists an infinite ocean of ether, in which all material substance floats, and through which are transmitted all forces in the physical universe. So long as “Spirit” photography, instead of being regarded a science, is presented to the public as a new revelation from the God of Israel and Jacob, the jury will go on deliberating much longer. The mediumistic rapping is a correlation of vital force, emitted from the person of the rapper, with the potential energy of the ether. Cyprianus, the reformed sorcerer of Antioch, confessed that he knew of the Chaldæan division of ether into parts. Part 3. The Seven Cosmic Elements, with their numberless sub-Elements, are modifications of One Element. There is but One Element in Nature, and at its rootless root is Deity. The so-called Seven Elements, of which five have already manifested and asserted their existence, are the fabric veiling Deity. Father-Æther has pre-eminence over, and is the synthesis of, all elements. Chaos-Theos-Kosmos is Unknown Space, producing the four primary Elements, which are known on the terrestrial plane as Seven Cosmic Elements. The attempt to derive God from the Anglo-Saxon word “good” is an abandoned idea. God is Jod, a phallic hook. He may be the creator of physical man, “out of nothing,” but not the spark of divine intelligence that “fell” in order to make animal man divine. The Seven “immortal gods who give birth and life to all” are constantly forming matter under the never-ceasing impulse of the One Element. The Seven Cosmic Elements, with their numberless sub-Elements, are modifications and aspects of the One and only Element. Four are entirely physical, and the fifth (Ether) semi-material. Akasha, of which Ether is the grossest form, is the Fifth Cosmic Principle which corresponds to, and from which unfolds, the human Manas. The first four numbers in German are named after four elements. But the Ancients represented the world by five elements. Had they been ignorant of the heterogeneity of the elements they would have had no personifications of Fire, Air, Water, Earth, and Æther. Of the Seven Elements on our Earth, four are now fully manifested, while the fifth — Ether — is only partially so, as we are hardly in the second half of the Fourth Round and, consequently, the Fifth Element will manifest fully only in the Fifth Round. It will only be in the next, or Fifth Round, that Ether, the gross body of Akasha, will become a familiar fact of Nature to all men, as air is familiar to us now. Cosmic Elements are the noumena of the terrestrial elements. “Water” is Matter in its precosmic state. Ether contains all other states of matter and their properties. The “waters” of creation are not the liquid we know, but Æther — the Fiery Waters of Invisible Space. Fohat is the “Son of Æther,” in its highest aspect. From Mahat-Intelligence proceeds ether; from ether, air; from air, heat; from heat, water; and from water, earth with everything on her. Æther is universal Fire — imponderable power and potency. Ether is one of Seven Cosmic Principles. Akasha is the synthesis of Æther; and Ether, an aspect of Akasha. The Astral Light is no “light,” it is the dark side of Ether, teeming with conscious, semi-conscious, and unconscious entities.
The letters of First and Second Peter and Jude are often neglected but they have much wisdom to offer. With this volume, Lewis Donelson integrates historical-critical concerns with theological issues, illustrating how many of the matters facing early Christian communities, and how they chose to deal with them, remain relevant to contemporary readers. --From publisher's description.
Sometime in the distant past, some fourteen billion years ago, all that is and all that was burst into creation in a tumultuous event. Time and space had no meaning before this genesis event that sparked creation. Cosmic Entity describes how space and time--the universe--came from nothing--a perfect balance of positive and negative energy. All matter that exists today, from the rings of Saturn to the dirt beneath your feet, was created from the seething fireball when the infant universe was less than one second old. This raw material existed in the form of protons (or hydrogen). Cosmic Entity explains how the elements were formed, how matter is synthesized within the cores of stars, and how supernovae (exploding stars) serve to create even heavier elements and seed the galaxies with this raw material. A billion or so years after creation, give or take an eon, the universe expanded and cooled enough for interesting structures--beautiful spiral and elliptical islands of stars called galaxies--to form from the sea of matter. Galaxies grouped together into clusters and colossal super cluster walls of galaxies evident today.
Truth of Ups & Downs Cosmic Inequality by Chung,Lily Chung, Ph.D. Pdf
Truths of Ups & Downs introduces Chinas most practical and influential divination system. This system maps an individuals energy and explains endowments as well as the potential for ups and downs over ones lifetime. This analysis helps people to calculate their future and plan a timetable for their life. And it includes many simple guidelines that are open for interpretation. Author Lily Chung, Ph.D., University of Minnesota, has taught in colleges in the United States and Hong Kong. She has hosted workshops in metaphysics in Europe, Canada and California. A columnist on the subject, she is currently practicing and tutoring metaphysics in the Bay Area of California. Publishers website: http: //www.eloquentbooks.com/TruthOfUps&Downs.htm
A New Heaven and a New Earth by J. Richard Middleton Pdf
In recent years, more and more Christians have come to appreciate the Bible's teaching that the ultimate blessed hope for the believer is not an otherworldly heaven; instead, it is full-bodied participation in a new heaven and a new earth brought into fullness through the coming of God's kingdom. Drawing on the full sweep of the biblical narrative, J. Richard Middleton unpacks key Old Testament and New Testament texts to make a case for the new earth as the appropriate Christian hope. He suggests its ethical and ecclesial implications, exploring the difference a holistic eschatology can make for living in a broken world.
Cosmic Commons explores terrestrial-extraterrestrial intelligent life Contact. It uses a thought experiment to consider the ecological-economic-ethical-ecclesial impacts of Contact, analyzing incidents around the world described by credible witnesses (two of whom are interviewed for the book), including Roswell and the Hudson River Valley. It discusses government and academic efforts to use ridicule and coercion to suppress Contact investigations, supports a scientific method to research ETI reports in a field that should excite scientists, and calls on academics to publicly disclose their Contact experiences. It traces Earth ecological and economic injustices to the European Enlightenment and the Discovery Doctrine by which European nations rationalized invasion of distant continents, genocide, and seizure of the territories and natural goods of native peoples. It advocates a change in humans' Earth conduct to avoid replicating in space the policies and practices that wrought economic injustice and ecological devastation on Earth, provides an innovative cosmosociological praxis ethics theory and practice toward that end, and develops a Cosmic Charter, based on UN documents, to guide humankind in space and in ETI encounters. Permeated by a profound sense of the sacred, Cosmic Commons explores a positive relationship between religion and science as humankind ventures into space.
Cosmos, Liturgy, and the Arts in the Twelfth Century by Margot E. Fassler Pdf
In Cosmos, Liturgy, and the Arts in the Twelfth Century, Margot E. Fassler takes readers into the rich, complex world of Hildegard of Bingen’s Scivias (meaning “Know the ways”) to explore how medieval thinkers understood and imagined the universe. Hildegard, renowned for her contributions to theology, music, literature, and art, developed unique methods for integrating these forms of thought and expression into a complete vision of the cosmos and of the human journey. Scivias was Hildegard’s first major theological work and the only one of her writings that was both illuminated and copied by scribes from her monastery during her lifetime. It contains not just religious visions and theological commentary, but also a shortened version of Hildegard’s play Ordo virtutum (“Play of the virtues”), plus the texts of fourteen musical compositions. These elements of Scivias, Fassler contends, form a coherent whole demonstrating how Hildegard used theology and the liturgical arts to lead and to teach the nuns of her community. Hildegard’s visual and sonic images unfold slowly and deliberately, opening up varied paths of knowing. Hildegard and her nuns adapted forms of singing that they believed to be crucial to the reform of the Church in their day and central to the ongoing turning of the heavens and to the nature of time itself. Hildegard’s vision of the universe is a “Cosmic Egg,” as described in Scivias, filled with strife and striving, and at its center unfolds the epic drama of every human soul, embodied through sound and singing. Though Hildegard’s view of the cosmos is far removed from modern understanding, Fassler’s analysis reveals how this dynamic cosmological framework from the Middle Ages resonates with contemporary thinking in surprising ways, and underscores the vitality of the arts as embodied modes of theological expression and knowledge.
Toward an Ecological Society by Murray Bookchin Pdf
Visionary essays from a founder of the modern ecology movement. In this collection of essays, Murray Bookchin's vision for an ecological society remains central as he addresses questions of urbanism and city planning, technology, self-management, energy, utopianism, and more. Throughout, he opposes efforts to reduce ecology to a toothless “environmentalism,” a task as vital today as when these essays were first published. Written between 1969 and 1979, the essays in this collection represent a fascinating and fertile period in Bookchin’s life. Coming out of the unfulfilled promise of the sixties and trying to develop a revolutionary critique of social life that avoided the pitfalls of Marxism, he was entering his creative intellectual peak. He was laying the foundations of a truly social ecology: a society based on decentralization, interdependence, democratic self-management, mutual aid, and solidarity. Presented with clarity and fervor, these key works contain the kernels of concerns that would occupy him until his death in 2006. This edition also includes a new foreword by Dan Chodorkoff, someone who was with Bookchin at the founding of his Institute for Social Ecology and who understand his work better than anyone.
