Cosmopolitan Criticism And Postcolonial Literature
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Cosmopolitan Criticism and Postcolonial Literature by R. Spencer Pdf
Via readings of novels by J.M. Coetzee, Timothy Mo and Salman Rushdie and the later poetry of W.B. Yeats, this book reveals how postcolonial writing can encourage the enlarged sense of moral and political responsibility needed to supplant ongoing forms of imperial violence with cosmopolitan institutions, relationships and ways of thinking.
Cosmopolitanism in Twenty-First Century Fiction by Kristian Shaw Pdf
“Cosmopolitanism contains some of the most polished and enviably well-written chapters of literary criticism that have ever come my way. Shaw’s readings are critically informed and theoretically sophisticated, yet at the same time remarkably lucid and clear. This is a work of very fine, well-balanced, and – for a first book – astonishingly mature scholarship.” — Prof Berthold Schoene, Head of Research and Knowledge Exchange, Manchester Metropolitan University, UK “The first study to fully appreciate contemporary literature's engagement with cosmopolitanism. A persuasive and articulate engagement with questions of ethics, community, transnationalism and cultural identity, it's an essential read for anyone interested in the contribution of contemporary fiction to our world today”. — Dr Sara Upstone, Principal Lecturer in English Literature, Kingston University, UK. This study of cosmopolitanism in contemporary British and American fiction identifies several authors who forge new and intensified dialogues between local experience and global flows. The twenty-first century has been marked by an unprecedented intensification in globalisation, transnational mobility and technological change. The theories and values of cosmopolitanism will be argued to provide a direct response to ways of being-in-relation to others and answer urgent fears surrounding cultural convergence. The four chapters examine works by David Mitchell, Zadie Smith, Teju Cole, Dave Eggers and Hari Kunzru. The study will demonstrate how these authors imagine new cosmopolitan modes of belonging and point towards the need for an emergent and affirmative cosmopolitics attuned to the diversity and complexity of twenty-first century globality. The study assumes an interdisciplinary approach and will appeal to literature academics, under-/ postgraduate students, and researchers interested in the culture and politics of contemporary life.
J.M. Coetzee and the Limits of Cosmopolitanism by K. Hallemeier Pdf
Drawing on postcolonial and gender studies, as well as affect theory, the book interrogates cosmopolitan philosophies. Through analysis of J.M. Coetzee's later fiction, Hallemeier invites the re-imagining of cosmopolitanism, particularly as it is performed through the reading of literature.
In What Is a World? Pheng Cheah, a leading theorist of cosmopolitanism, offers the first critical consideration of world literature’s cosmopolitan vocation. Addressing the failure of recent theories of world literature to inquire about the meaning of world, Cheah articulates a normative theory of literature’s world-making power by creatively synthesizing four philosophical accounts of the world as a temporal process: idealism, Marxist materialism, phenomenology, and deconstruction. Literature opens worlds, he provocatively suggests, because it is a force of receptivity. Cheah compellingly argues for postcolonial literature’s exemplarity as world literature through readings of narrative fiction by Michelle Cliff, Amitav Ghosh, Nuruddin Farah, Ninotchka Rosca, and Timothy Mo that show how these texts open up new possibilities for remaking the world by negotiating with the inhuman force that gives time and deploying alternative temporalities to resist capitalist globalization.
Whose Cosmopolitanism? by Nina Glick Schiller,Andrew Irving Pdf
The term cosmopolitan is increasingly used within different social, cultural and political settings, including academia, popular media and national politics. However those who invoke the cosmopolitan project rarely ask whose experience, understanding, or vision of cosmopolitanism is being described and for whose purposes? In response, this volume assembles contributors from different disciplines and theoretical backgrounds to examine cosmopolitanism’s possibilities, aspirations and applications—as well as its tensions, contradictions, and discontents—so as to offer a critical commentary on the vital but often neglected question: whose cosmopolitanism? The book investigates when, where, and how cosmopolitanism emerges as a contemporary social process, global aspiration or emancipatory political project and asks whether it can serve as a political or methodological framework for action in a world of conflict and difference.
The Postcolonial Country in Contemporary Literature by L. Loh Pdf
By situating a range of contemporary literary texts against the backdrop of the legacies of a vast rural network of empire, this book collectively critiques not only the rural heritage industry of the 1980s in Britain but also the effect of neocolonial globalisation on postcolonial rural spaces.
Humanity and The Global Odyssey: Cosmopolitanism in Postcolonial Fiction by Dr.Anjutha Ranganathan Pdf
Humanity and the Global Odyssey: Cosmopolitanism in Postcolonial Fiction explores the diverse ingredients of cosmopolitanism as the need of the hour in the globalised era. It is a qualitative study that includes sociological (socio-cultural and socio-political), philosophical (moral and existential), and diasporic perspectives. It addresses the key questions of inequality, justice, belonging, freedom, and democracy in the postcolonial world. The book is positioned in postcolonial literature as it paves the way to analyse the set of issues that shape our socio-cultural and political environment of the present day. This book holds an introduction to the various literatures and the epistemology of the sister concepts associated with cosmopolitanism. It also contains an exclusive chapter on cosmopolitanism by first delving into human reasoning, cosmopolitanism —its origin, its practice in different societies, as a literary theory, its application in literature, postcolonial literature, fiction, and its positioning in other disciplines from various theorists, its types, implementation, cosmopolitan life, various personalities’ views, and its relevance in contemporary society. The three core chapters examine the selected postcolonial novels of Aravind Adiga, M.G. Vassanji, Chinua Achebe, Hanif Kureishi, and Arun Joshi, thrusting on the different types of moral, existential, political, diasporic, and cultural cosmopolitanism as the theoretical framework to bring to the fore various social issues, including casteism, familial determinism, politics, hegemony of power, cultural convergence, diasporic exclusions, and its brunt to engender a cosmopolitan future.
While traditionally the novel has been seen as tracking the development of the nation state, Schoene queries if globalisation might currently be prompting the emergence of a new sub-genre of the novel that is adept at imagining global community. The book introduces a new generation of contemporary British writers (Rachel Cusk, Kiran Desai, Hari Kunzru, Jon McGregor and David Mitchell) whose work is read against that of established novelists Arundhati Roy, James Kelman and Ian McEwan. Each chapter explores a different theoretical key concept, including 'glocality', 'glomicity', 'tour du monde', 'connectivity' and 'compearance'. Key Features:* Defines the new genre of the 'cosmopolitan novel' by reading contemporary British fiction as responsive to new global socio-economic formations* Expands knowledge of world culture, national identity, literary creativity and political agency by introducing concepts from globalisation and cosmopolitan theory into literary studies * Explores debates on Britishness and 'the contemporary' with close reference to the fall of the Berlin Wall on 9/11/1989 and the World Trade Centre attacks on 11/9/2001 * Introduces a new generation of British writers within a complex global context by drawing on Jean-Luc Nancy's work on community and creative world-formation
Magical Realism and Cosmopolitanism by K. Sasser Pdf
Magical Realism and Cosmopolitanism details a variety of functionalities of the mode of magical realism, focusing on its capacity to construct sociological representations of belonging. This usage is traced closely in the novels of Ben Okri, Salman Rushdie, Cristina García, and Helen Oyeyemi.
Cosmopolitanism and Place considers the way contemporary Anglophone fiction connects global identities with the experience in local places. Looking at fiction set in metropolises, regional cities, and rural communities, this book argues that the everyday experience of these places produces forms of wide connections that emphasize social justice.
National Consciousness and Literary Cosmopolitics by Weihsin Gui Pdf
National Consciousness and Literary Cosmopolitics: Postcolonial Literature in a Global Moment by Weihsin Gui argues that postcolonial literature written within a framework of globalization still takes nationalism seriously rather than dismissing it as obsolete. Authors and texts often regarded as cosmopolitan, diasporic, or migrant actually challenge globalization's tendency to treat nations as absolute and homogenous sociocultural entities. While social scientific theories of globalization after 1945 represent nationalism as antithetical to transnational economic and cultural flows, National Consciousness and Literary Cosmopolitics contends that postcolonial literature represents nationalism as a form of cosmopolitical engagement with what lies beyond the nation's borders. Postcolonial literature never gave up on anticolonial nationalism but rather revised its meaning, extending the idea of the nation beyond an identity position into an interrogation of globalization and the neocolonial state through political consciousness and cultural critique. The literary cosmopolitics evident in the works of Kazuo Ishiguro, Derek Walcott, Shirley Geok-lin Lim, Preeta Samarasan, and Twan Eng Tan distinguish between an instrumental national identity and a critical nationality that negates the subordination of nationalism by neocolonial regimes and global capitalism. Through their formal innovations, these writers represent nationalism not as a monolithic or essentialized identity or body of people but as a cosmopolitcal constellation of political, social, and cultural forces.
Rerouting the Postcolonial by Janet Wilson,Cristina Sandru,Sarah Lawson Welsh Pdf
Rerouting the Postcolonial re-orientates and re-invigorates the field of Postcolonial Studies in line with recent trends in critical theory, reconnecting the ethical and political with the aesthetic aspect of postcolonial culture. Bringing together a group of leading and emerging intellectuals, this volume charts and challenges the diversity of postcolonial studies, including sections on: new directions and growth areas from performance and autobiography to diaspora and transnationalism new subject matters such as sexuality and queer theory, ecocriticism and discussions of areas of Europe as postcolonial spaces new theoretical directions such as globalization, fundamentalism, terror and theories of ‘affect’. Each section incorporates a clear, concise introduction, making this volume both an accessible overview of the field whilst also an invigorating collection of scholarship for the new millennium.
Critique of Cosmopolitan Reason by Rebecka Lettevall,Kristian Petrov Pdf
This book's critical approach addresses the anachronism, essentialism and ethnocentrism that underlie contemporary theoretical and methodological uses of the term «cosmopolitanism». It explores the concept of cosmopolitan reason from the viewpoints of comparative literature, psychoanalysis, phenomenology, postcolonialism and moral philosophy.
The Postcolonial Short Story by Maggie Awadalla,Paul March-Russell Pdf
This book puts the short story at the heart of contemporary postcolonial studies and questions what postcolonial literary criticism may be. Focusing on short fiction between 1975 and today – the period in which critical theory came to determine postcolonial studies – it argues for a sophisticated critique exemplified by the ambiguity of the form.