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Participating in the reframing of literary studies, Cosmopolitan Fictions identifies, as "cosmopolitan fiction", a genre of global literature that investigates the ethics and politics of complex and multiple belonging. The fictions studied by Katherine Stanton represent and revise the global histories of the past and present, including the "indigenous or native" narratives that are, in Homi Bhabha's words, "internal to" national identity itself. The works take as their subjects: * European unification * the human rights movement * the AIDS epidemic * the new South Africa. And they test the infinite demands for justice against the shifting borders of the nation, rethinking habits of feeling, modes of belonging and practices of citizenship for the global future. Scholars, teachers and students of global literary and cultural studies, Cosmopolitan Fictions is a book to want on your reading list.
Culture and Economics in Contemporary Cosmopolitan Fiction by Elif Toprak Sakız Pdf
This book investigates how culture and economics define novel forms of cosmopolitanism and cosmopolitan fiction. Tracing cosmopolitanism’s transition from universalism to vernacularism, the book opens up new avenues for reading cosmopolitan fiction by offering a precise and convenient set of terminology. The figure of the cosmoflâneur identifies a contemporary cosmopolitan character’s urban mobility and wandering consciousness in interaction with the global and the local. Posthuman cosmopolitanism also extends the meaning of cosmopolitan which comes to embrace the nonhuman alongside the human element. Defining narrative glocality, political hyper-awareness, and narrative immediacy, the book thoroughly explores how cosmopolitan narration forges direct responses to the contemporary world in postmillennial cosmopolitan novels. All of these concepts are elaborated in Ian McEwan’s Saturday (2005), Zadie Smith’s NW (2012), Salman Rushdie’s The Golden House (2017), and Kazuo Ishiguro’s Klara and the Sun (2021), to which world-engagement is central.
This study traces the connection of infinity and Levinasian ethics in 21st-century fiction. It tackles the paradox of how infinity can be (re-)presented in the finite space between the covers of a book and finds an answer that combines conceptual metaphor theory with concepts from classical narratology and beyond, such as mise en abyme, textual circularity, intertextuality or omniscient narration. It argues that texts with such structures may be conceptualised as infinite via Lakoff and Núñez’s Basic Metaphor of Infinity. The catachrestic transfer of infinity from structure to text means that the texts themselves are understood to be infinite. Taking its cue from the central role of the infinite in Emmanuel Levinas’s ethics, the function of such ‘fictions of infinity’ turns out to be ethical: infinite textuality disrupts reading patterns and calls into question the reader’s spontaneity to interpret. This hypothesis is put to the test in detailed readings of four 21st-century novels, David Mitchell’s Cloud Atlas, Jeanette Winterson’s The Stone Gods, Ian McEwan’s Saturday and John Banville’s The Infinities. This book thus combines ethical criticism with structural aesthetics to uncover ethical potential in fiction.
J.M. Coetzee and the Limits of Cosmopolitanism by K. Hallemeier Pdf
Drawing on postcolonial and gender studies, as well as affect theory, the book interrogates cosmopolitan philosophies. Through analysis of J.M. Coetzee's later fiction, Hallemeier invites the re-imagining of cosmopolitanism, particularly as it is performed through the reading of literature.
Deceptive Fictions: Narrating Trauma and Violence in Contemporary Writing explores the widespread narrative concern with trauma and violence, and their interactions with identity, meaning, ethics, history, memory and various other related issues in a selection of novels by prolific contemporary British and Irish writers. Interrogating the strategic functions of trauma and violence, the book argues that these texts can be read as counter-narratives to, or a backlash against, still-prevalent critical paradigms informed by poststructuralist and postmodern thought. Trauma and violence are invoked as narrative tools to communicate the centrality of the body and of biological and material constraints on human actions. This emphasis on reality and the experiential ties in with the novels’ consistent focus on the individual as an ethical agent and originator of meaning. In so doing, they signal a move in contemporary fiction towards a textual practice that can most fruitfully be approached along the lines of an individualistic, evolutionary, corporeal and experiential narratology, which self-consciously reflects on the manipulative potentials of narrative.
Winner of the 2013 CBC Overlookie Bookie Award for Most Underrated Canadian Book "These stories read like collaborations between Stephen King and TMZ with Borges and Nabokov on the edits. Each short story sounds with the thunder of a novel. Enthralling, dark, gut-busting stuff!"—Jeff Parker Actor Matthew McConaughey descends into a surreal desert of the soul, an admirer of Miley Cyrus performs a three thousand-word sentence in defense of his passion, an aging porn star dons a dinosaur costume to film the sex scene of a lifetime, and Leonard Cohen shills for Subway: these mercurial and wildly varied stories explode the conventions of short fiction. Spencer Gordon is the author of the acclaimed short story collection Cosmo (Coach House Books, 2012), the poetry collection Cruise Missile Liberals (forthcoming from Nightwood Editions in fall 2017), and three chapbooks. He is a co-founder of the ten-year-old literary magazine The Puritan, and his writing has appeared in The Globe and Mail, the National Post, the Toronto Star, and other forums. He works at a speakers bureau in Toronto.
The Best of Cosmopolitan Fiction by Kate Figes Pdf
The ideal literary form for contemporary urban life, the short story flourishes. This collection brings together the best stories published in Cosmpolitan in the past ten years. It includes household names of today and household names of tomorrow, Christine Harrison and Janice Galloway, recent winners of the Cosmopolitan Short Story Prize.
Sociability and Cosmopolitanism by David Burrow,Scott Brueninger Pdf
This collection of essays expands the focus of Enlightenment studies to include countries outside the core nations of France, Germany and Britain. Notions of sociability and cosmopolitanism are explored as ways in which people sought to improve society.
Author : Jennifer Dubrow Publisher : University of Hawaii Press Page : 194 pages File Size : 50,9 Mb Release : 2018-10-31 Category : History ISBN : 9780824876692
In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class. The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu’s strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture.
"The book explores the role of empathy and emotion in the emergence of cosmopolitan imaginations through the works of a diverse set of American writers who during World War II and the early Cold War period lived in Europe, Asia, and Africa. It draws on theories of emotion and literary imagination from cognitive psychology, philosophy, and cognitive literary studies to offer a new perspective on the affective and imaginative underpinnings of critical and reflexive cosmopolitanism. It argues that our emotional engagements with others -- real and imagined -- are crucially important for the development of cosmopolitan imaginations. The book concentrates on specifically American cosmopolitan imaginations in the mid-twentieth century, focusing on a core of transnational writers who, for various reasons, had highly conflicted relationships with the American nation: Kay Boyle, Pearl S. Buck, Richard Wright, William Gardner Smith, and Paul Bowles. Their literary works are emotionally powerful indictments of institutionalized racism and national violence inside and outside of the United States; at the same time, they testify to the complex cosmopolitan identities of their authors. Reading these texts as affective cosmopolitan critiques, the book works out important and complex role played by imaginative and emotional engagements in the development of solidarities that go beyond self, family, community, and nation. Reading transnational American literature from a cognitive perspective, the book adds a new dimension to recent work in American literary history that seeks to reconceptualize U.S. literary and cultural production in its global context. At the same time, it also widens and deepens the array of literature available to researchers in cognitive literary studies" --
Novels of Turkish German Settlement by Tom Cheesman Pdf
Tom Cheesman focuses on Turkish German writers' perspectives on cosmopolitan ideals and aspirations, ranging from glib affirmation to cynical transgression and melancholy nihilism.
Cosmopolitanism in Contemporary British Fiction by F. McCulloch Pdf
This book is a concise and engaging analysis of contemporary literature viewed through the critical lens of cosmopolitan theory. It covers a wide spectrum of issues including globalisation, cosmopolitanism, nationhood, identity, philosophical nomadism, posthumanism, climate change, devolution and love.
While traditionally the novel has been seen as tracking the development of the nation state, Schoene queries if globalisation might currently be prompting the emergence of a new sub-genre of the novel that is adept at imagining global community. The book introduces a new generation of contemporary British writers (Rachel Cusk, Kiran Desai, Hari Kunzru, Jon McGregor and David Mitchell) whose work is read against that of established novelists Arundhati Roy, James Kelman and Ian McEwan. Each chapter explores a different theoretical key concept, including 'glocality', 'glomicity', 'tour du monde', 'connectivity' and 'compearance'. Key Features:* Defines the new genre of the 'cosmopolitan novel' by reading contemporary British fiction as responsive to new global socio-economic formations* Expands knowledge of world culture, national identity, literary creativity and political agency by introducing concepts from globalisation and cosmopolitan theory into literary studies * Explores debates on Britishness and 'the contemporary' with close reference to the fall of the Berlin Wall on 9/11/1989 and the World Trade Centre attacks on 11/9/2001 * Introduces a new generation of British writers within a complex global context by drawing on Jean-Luc Nancy's work on community and creative world-formation
Illustration in Fin-de-Siècle Transatlantic Romance Fiction by Kate Holterhoff Pdf
This book examines illustrations created to accompany fictions written by several of the most popular authors published in Britain and America between 1885 and 1920. By studying the lavish illustrations that complemented not only initial serializations, but also subsequent publications of fictions by H. Rider Haggard, Rudyard Kipling, James De Mille, Robert Louis Stevenson, and H. G. Wells, the book demonstrates the significance of images to the fin de siècle romance form. In order to make fantastic plots seem possible, graphic artists worked hand in hand with authors to not only fill gaps in audience understanding, but also expand and deepen the meaning of these marvels. The book will be of interest to scholars working in art history, visual culture, illustration studies, British and American history, and British and American literature.
Irish Urban Fictions by Maria Beville,Deirdre Flynn Pdf
This collection is the first to examine how the city is written in modern Irish fiction. Focusing on the multi-faceted, layered, and ever-changing topography of the city in Irish writing, it brings together studies of Irish and Northern Irish fictions which contribute to a more complete picture of modern Irish literature and Irish urban cultural identities. It offers a critical introduction to the Irish city as it represented in fiction as a plural space to mirror the plurality of contemporary Irish identities north and south of the border. The chapters combine to provide a platform for new research in the field of Irish urban literary studies, including analyses of the fiction of authors including James Joyce, Roddy Doyle, Kate O’Brien, Hugo Hamilton, Kevin Barry, and Rosemary Jenkinson. An exciting and diverse range of fictions is introduced and examined with the aim of generating a cohesive perspective on Irish urban fictions and to stimulate further discussion in this emerging area.