Costuming For Opera Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Costuming For Opera book. This book definitely worth reading, it is an incredibly well-written.
Profusely illustrated. Reproductions of paintings and engravings in the period of a given opera's historical setting illuminate the author's interpretations.
Beijing Opera Costumes: The Visual Communication of Character and Culture illuminates the links between theatrical attire and social customs and aesthetics of China, covering both the theory and practice of stage dress. Distinguishing attributes include an introduction to the performance style, the delineation of the costume conventions, an analysis of the costumes through their historical precedents and theatrical modifications, and the use of garment shape, color, and embroidery for symbolic effect. Practical information covers dressing the performers and a costume plot, the design and creation of the make-up and hairstyles, and pattern drafts of the major garments. Photographs from live performances, as well as details of embroidery, and close-up photographs of the headdresses thoroughly portray the stunning beauty of this incomparable performance style. Presenting the brilliant colors of the elaborately embroidered silk costumes together with the intricate makeup and glittering headdresses, this volume embodies the elegance of the Beijing opera.
Profusely illustrated. Reproductions of paintings and engravings in the period of a given opera's historical setting illuminate the author's interpretations.
Chinese Opera Costumes Paper Dolls by Ming-Ju Sun Pdf
Splendid collection of 2 figures and 16 dazzling costumes designed for traditional characters in Chinese opera. Lavishly embroidered robes, elegant headdresses, and painted faces for male and female characters.
Performance Costume by Sofia Pantouvaki,Peter McNeil Pdf
Costume is an active agent for performance-making; it is a material object that embodies ideas shaped through collaborative creative work. A new focus in recent years on research in the area of costume has connected this practice in vital and new ways with theories of the body and embodiment, design practices, artistic and other forms of collaboration. Costume, like fashion and dress, is now viewed as an area of dynamic social significance and not simply as passive reflector of a pre-conceived social state or practice. This book offers new approaches to the study of costume, as well as fresh insights into the better-understood frames of historical, theoretical, practice-based and archival research into costume for performance. This anthology draws on the experience of a global group of established researchers as well as emerging voices. Below is a list of just some of the things it achieves: 1. Introduces diverse perspectives, innovative new research methods and approaches for researching design and the costumed body in performance. 2. Contributes towards a new understanding of how costume actually 'performs' in time and space. 3. Offers new insights into existing practices, as well as creating a space of connection between practitioners and researchers from design, the humanities and social sciences.
For more than 100 years, Vancouver has been home to a vibrant and thriving Cantonese opera scene. As a performance art carried out by transient troupes, it is an ephemeral medium that rarely leaves a trace in the historic records. However, an extraordinary treasure trove of early 20th-century Cantonese opera costumes, props, and stage dressings made its way to the Museum of Anthropology in Vancouver, BC. In the first book-length study of this little known collection, April Liu retraces the arduous journeys of early Cantonese opera troupes who began arriving along the west coast of North America during the mid-19th century. A close examination of the costumes and props reveal the moving songs, stories, performances, and ritual practices of early Chinese migrant communities who struggled to make a home in a foreign and often hostile land.
Fashion Designers At the Opera by Helena Matheopoulos Pdf
The most theatrical of arts inspires the most visionary fashion designers to create extraordinary costumes for extraordinary productions: a glorious book for fashionistas and opera fans. Fashion and opera are natural arenas for collaboration. In 2009–2010 alone, Viktor & Rolf, Miuccia Prada, Emanuel Ungaro, and Christian Lacroix made successful sorties as costumers for operas in New York, Baden-Baden, Naples, and Berlin. In this sumptuous new book, leading figures in the world of fashion— Giorgio Armani, Marc Bohan, Christian Lacroix, Karl Lagerfeld, Ottavio and Rosita Missoni, Miuccia Prada, Zandra Rhodes, Emanuel Ungaro, Gianni Versace, and Viktor & Rolf—are profiled, together with illustrations of their costume designs. Helena Matheopoulos’s interviews with many of the designers illuminate the journey that led each to the opera and the challenges of working in a demanding new medium. Costume designs for many well-loved operas—including Don Giovanni, Lucia di Lammermoor, Carmen, Aida, Thai¨s, Agrippina, Cosi` fan tutte, Attila, and The Magic Flute—are featured. The opera houses commissioning the costume designs include La Scala, the Metropolitan Opera, the The´a^tre Royal de la Monnaie, the Are`nes de Ni^mes, the Royal Opera House in Covent Garden, and the San Diego Opera, among many others. Hundreds of color illustrations include original designers’ sketches, photographs of the finished costumes, and images of the actual productions, many of which feature breathtaking stage sets as well.
Inventing the Business of Opera by Beth Glixon,Jonathan Glixon Pdf
Inventing the Business of Opera explores public opera in its infancy, bringing to life the men and women who successfully established the new genre on the stages of Venice during the seventeenth century. All of the components necessary to opera production are highlighted, from the financial backing, to the libretto and the score, to the singers, dancers, the scenery, and the costumes.
In the 1910s, thirteen-year-old Leong Ping Hung comes to Singapore from China to seek his fortune. Decades later, he is a lonely old man mourning his shattered dreams. His granddaughter Yu Sau struggles to take care of him while trying to make sense of her own life in a rapidly changing country. He speaks Cantonese, and she Mandarin - but will they be able to find common ground through a shared love of Cantonese opera? As Yu Sau looks to her family's past to understand her present, she begins to uncover the secrets that went missing along with the old man's cherished opera costume.
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
The Oxford Handbook of Opera by Helen M. Greenwald Pdf
Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.
These essays by respected scholars examine representative operatic productions from diverse national schools and periods, together forming a comprehensive history of the staging techniques of opera over the centuries.
Chinese Opera looks at Chinese society through an exciting series of photographs of operatic performances from many regions of the country. The book introduces the reader to this unique theatrical form and tells the traditional stories that are its narrative foundation. Siu Wang-Ngai's extraordinary images, taken in natural light during performances, lovingly reveal the visual excitement of Chinese opera and point to the differences in costuming and presentation that distinguish each regional style and character type.