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From “the best writer of mayhem yarns since Raymond Chandler” (San Francisco Chronicle) comes a hard-hitting, entertaining entry in the trailblazing Harlem Detectives series about two NYPD detectives who must piece together the clues of the scam of a lifetime. Flim-flam man Deke O’Hara is no sooner out of Atlanta’s state penitentiary than he’s back on the streets working a big scam. As sponsor of the Back-to-Africa movement, he’s counting on a big Harlem rally to produce a massive collection—for his own private charity. But the take is hijacked by white gunmen and hidden in a bale of cotton that suddenly everyone wants to get his hands on. As NYPD detectives “Coffin Ed” Johnson and “Grave Digger” Jones face the complexity of the scheme, we are treated to Himes’s brand of hard-boiled crime fiction at its very best.
'The new crime and espionage series from Penguin Classics makes for a mouth-watering prospect' Daily Telegraph A con-man is swindling the poor folk of Harlem out of their life savings - and now all hell's broken loose. The 'Reverend' Deke O'Malley has just made $87,000 by duping his followers, only for white gunmen to hijack the rally and escape with the cash hidden inside a bale of cotton. Now ace detectives Grave Digger Jones and Coffin Ed Johnson must get the good people of Harlem their money back by any means necessary, in a raucous, breakneck adventure involving double-crosses, exotic dancers, a racist colonel and a whole pile of bodies...
Detectives Coffin Ed and Grave Digger Jones are in the hot seat in one of the most chaotic, brutally funny novels in the groundbreaking Harlem Detectives series. • "A rattlingly good action melodrama spiced with a maximum of humor and a minimum of self-consciousness." —The New York Times From the start, nothing goes right for Coffin Ed and Grave Digger. They are disciplined for use of excessive force. Grave Digger is shot and his death announced in a hoax radio bulletin. Bodies pile up faster than Coffin Ed and Grave Digger can run. Yet, try as they might, they always seem to be one hot step behind the cause of all the mayhem—three million dollars’ worth of heroin and a giant albino called Pinky.
Blaxploitation Films of the 1970s by Novotny Lawrence Pdf
This book examines a number of blaxploitation films – including Cotton Comes to Harlem (1970), Blacula (1972), and The Mack (1973) – and illustrates the manner in which 'blaxploitation' came to be understood as a separate genre.
'The greatest find in American crime fiction since Raymond Chandler' Sunday Times Jackson's woman has found him a foolproof way to make money - a technique for turning ten dollar bills into hundreds. But when the scheme somehow fails, Jackson is left broke, wanted by the police and desperately racing to get back both his money and his loving Imabelle. The first of Chester Himes's novels featuring the hardboiled Harlem detectives Coffin Ed Johnson and Grave Digger Jones, A Rage in Harlem has swagger, brutal humour, lurid violence, a hearse loaded with gold and a conman dressed as a Sister of Mercy. With an Introduction by Luc Sante
Author : Novotny Lawrence Publisher : Wayne State University Press Page : 272 pages File Size : 54,8 Mb Release : 2016-12-01 Category : Performing Arts ISBN : 9780814340776
Beyond Blaxploitation, the first book-length anthology of scholarly work on blaxploitation film, sustains the momentum that blaxploitation scholarship has recently gained, giving the films an even more prominent place in cinema history. This volume is made up of eleven essays employing historical and theoretical methodologies in the examination of spectatorship, marketing, melodrama, the transition of novel to screenplay, and racial politics and identity, among other significant topics. In doing so, the book fills a substantial gap that exists in the black cinematic narrative and, more broadly, in film history. Beyond Blaxploitation is divided into three sections that feature original essays on a variety of canonical blaxploitation films and others that either influenced the movement or in some form represent a significant extension of it. The first section titled, “From Pioneer to Precursor to Blaxploitation,” centers on three films—Cotton Comes to Harlem, Watermelon Man, and Sweet Sweetback’s Baadasssss Song—that ignited the African American film cycle. The second section, “The Canon and the Not so Canon,” is dedicated to forging alternative considerations of some of the most highly regarded blaxploitation films, while also bringing attention to lesser-known films in the movement. The final section, “Was, Is, or Isn’t Blaxploitation,” includes four essays that offer significant insights on films that are generally associated with blaxploitation but contest traditional definitions of the movement. Moreover, this section features chapters that address industrial factors that led to the creation of blaxploitation cinema and highlight the limitations of the term itself. Beyond Blaxploitation is a much-needed pedagogical tool, informing film scholars, critics, and fans alike, about blaxploitation’s richness and complexity.
From “one of the most important American writers of the 20th century” (Walter Mosley) comes a classic thriller in the trailblazing Harlem Detectives series, in which love and jealousy erupt into violence. One early morning, Reverend Short is watching from his bedroom window as the A&P across the street is robbed. As he tries to see the thief get away, the opium-addicted preacher leans too far and falls out--but he is unscathed, thanks to an enormous bread basket outside the bakery downstairs. As the crowd gathers to see what happened, a shocking discovery is made: There is another body in the bread basket, and Valentine Haines is dead, really dead. It's up to Grave Digger Jones and Coffin Ed Johnson to find out who murdered Val.
The book that Walter Kirn said was like “Hieronymus Bosch meets Miles Davis" (The New York Times). • Coffin Ed Johnson and Grave Digger Jones get personally involved in a gang dispute in one of the most provocative cases in Chester Himes’s groundbreaking Harlem Detectives series. Many people had reasons for killing Ulysses Galen, a big Greek with too much money and too great a liking for young black girls. But there are complications—like Sonny, found standing over the body, high on hash, with a gun in his hand that fires only blanks; a gang called the Moslems; a disappearing suspect; and the fact that Coffin Ed’s daughter is up to her pretty little neck in the whole explosive business.
NEW YORK TIMES BESTSELLER • “Dapper Dan is a legend, an icon, a beacon of inspiration to many in the Black community. His story isn’t just about fashion. It’s about tenacity, curiosity, artistry, hustle, love, and a singular determination to live our dreams out loud.”—Ava DuVernay, director of Selma, 13th, and A Wrinkle in Time NAMED ONE OF THE BEST BOOKS OF THE YEAR BY VANITY FAIR • DAPPER DAN NAMED ONE OF TIME’S 100 MOST INFLUENTIAL PEOPLE IN THE WORLD With his now-legendary store on 125th Street in Harlem, Dapper Dan pioneered high-end streetwear in the 1980s, remixing classic luxury-brand logos into his own innovative, glamorous designs. But before he reinvented haute couture, he was a hungry boy with holes in his shoes, a teen who daringly gambled drug dealers out of their money, and a young man in a prison cell who found nourishment in books. In this remarkable memoir, he tells his full story for the first time. Decade after decade, Dapper Dan discovered creative ways to flourish in a country designed to privilege certain Americans over others. He witnessed, profited from, and despised the rise of two drug epidemics. He invented stunningly bold credit card frauds that took him around the world. He paid neighborhood kids to jog with him in an effort to keep them out of the drug game. And when he turned his attention to fashion, he did so with the energy and curiosity with which he approaches all things: learning how to treat fur himself when no one would sell finished fur coats to a Black man; finding the best dressed hustler in the neighborhood and converting him into a customer; staying open twenty-four hours a day for nine years straight to meet demand; and, finally, emerging as a world-famous designer whose looks went on to define an era, dressing cultural icons including Eric B. and Rakim, Salt-N-Pepa, Big Daddy Kane, Mike Tyson, Alpo Martinez, LL Cool J, Jam Master Jay, Diddy, Naomi Campbell, and Jay-Z. By turns playful, poignant, thrilling, and inspiring, Dapper Dan: Made in Harlem is a high-stakes coming-of-age story spanning more than seventy years and set against the backdrop of an America where, as in the life of its narrator, the only constant is change. Praise for Dapper Dan: Made in Harlem “Dapper Dan is a true one of a kind, self-made, self-liberated, and the sharpest man you will ever see. He is couture himself.”—Marcus Samuelsson, New York Times bestselling author of Yes, Chef “What James Baldwin is to American literature, Dapper Dan is to American fashion. He is the ultimate success saga, an iconic fashion hero to multiple generations, fusing street with high sartorial elegance. He is pure American style.”—André Leon Talley, Vogue contributing editor and author
The Writings of Chester Himes are colored by a fascinating blend of hatred and tenderness, of hard-boiled realism and generous idealism. His life was complex, his relationships complicated. How did this gifted son of a respectable southern black family become a juvenile delinquent? How did he acquire self-esteem and a new sense of identity by writing short stories while in the Ohio state penitentiary? Drawn from his letters, notebooks, memoirs, and fiction, this straightforward account of Himes's varied, episodic life attempts to trace the origins of his significant literary gift. It details the socioeconomic, familial, and cultural background that fed his ambivalent views on race in America. His Deep South childhood, his adolescence in the Midwest, his young manhood in prison, his years as a menial laborer, his struggle as an author in California and New York City, and finally his glory days as an expatriate and celebrity in France and Spain are plumbed deeply for their effects upon his creative urges and his works. In his native country Himes is recalled more as the author of successful detective novels such as Cotton Comes to Harlem than as a practitioner of the art of fiction. In France and Spain, his adopted countries, he is regarded as a literary master. This critical biography is the bittersweet story of a troubled man who found salvation in writing.
Robert ‘Bob’ Jones – crew leader, shipyard worker, educated, employed – is finding life impossible. Though he has recently been promoted to supervisor at the Los Angeles shipyard where he works, he is disrespected and resented by white colleagues; and despite his relationship with the high-class Alice, he is crudely baited by white woman Madge. Over the course of four fraught days, he is plagued with increasingly violent urges as the bigotry and cruelty he faces in day-to-day interactions mounts. A masterful reckoning with the poisonous effects of racism and a monumental classic in the protest novel tradition, this 1945 novel is as shattering and trenchant today as it was on first publication.
Exploring the interface between the cultural politics of the Black Power and the Black Arts movements and the production of postwar African American popular culture, Amy Ongiri shows how the reliance of Black politics on an oppositional image of African Americans was the formative moment in the construction of "authentic blackness" as a cultural identity. While other books have adopted either a literary approach to the language, poetry, and arts of these movements or a historical analysis of them, Ongiri's captures the cultural and political interconnections of the postwar period by using an interdisciplinary methodology drawn from cinema studies and music theory. She traces the emergence of this Black aesthetic from its origin in the Black Power movement's emphasis on the creation of visual icons and the Black Arts movement's celebration of urban vernacular culture.
New York is sweltering in the summer heat, and Harlem is close to the boiling point. To Coffin Ed Johnson and Grave Digger Jones, at times it seems as if the whole world has gone mad. Trying, as always, to keep some kind of peace, their legendary nickel-plated Colts very much in evidence, Coffin Ed and Grave Digger find themselves pursuing two completely different cases through a maze of knifings, beatings, and riots that threaten to tear Harlem apart.
