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Cracking the Hard-Boiled Detective by Lewis D. Moore Pdf
The hard-boiled private detective is among the most recognizable characters in popular fiction since the 1920s--a tough product of a violent world, in which police forces are inadequate and people with money can choose private help when facing threatening circumstances. Though a relatively recent arrival, the hard-boiled detective has undergone steady development and assumed diverse forms. This critical study analyzes the character of the hard-boiled detective, from literary antecedents through the early 21st century. It follows change in the novels through three main periods: the Early (roughly 1927-1955), during which the character was defined by such writers as Carroll John Daly, Dashiell Hammett and Raymond Chandler; the Transitional, evident by 1964 in the works of John D. MacDonald and Michael Collins, and continuing to around 1977 via Joseph Hansen, Bill Pronzini and others; and the Modern, since the late 1970s, during which such writers as Loren D. Estleman, Liza Cody, Sara Paretsky, Sue Grafton and many others have expanded the genre and the detective character. Themes such as violence, love and sexuality, friendship, space and place, and work are examined throughout the text. Instructors considering this book for use in a course may request an examination copy here.
The Mystery of Merlin and the Gruesome Ghost by Vince Evans,Nate Evans,Paul Hindman Pdf
Guaranteed to crack you up! Bacon and Eggs walk into a diner. The waitress says, "We don't serve breakfast." (This has nothing to do with this book.) All kids have to go to school, even detectives' sidekicks. But Rat really doesn't want to. That is, until he finds out that he might be King Arthur reborn and gets invited to join Merlin's Institute for the Knowledge of Everything. But there is a problem. Princess Lily, Humpty and Rat's new friend, claims there is a ghost haunting the school. And not just any ghost one that eats magic! Can our three heroes banish the ghost from the school? Or will the ghost splatter and scramble Humpty and his friends? Don't forget to read Humpty's first egg*citing case: Humpty Dumpty Jr: Hardboiled Detective The Case of the Fiendish Flapjack Flop
The Case of the Fiendish Flapjack Flop by Nate Evans,Paul Hindman Pdf
Humpty Dumpty Jr. has always gotten the bad guy.Always. Except once, when the case got too personal. You know that case. The one about his Dad... And now, a frantic call for help tells him that someone is making it personal again. "Johnny" Cakes, a two-bit pancake punk, has escaped from jail. And Patty, of the famous (and delicious) Pat-A-Cake Bakery, has disappeared. Could "Johnny" Cakes be behind it? Whoever kidnappedPatty better watch out; Humpty is no soft-cooked Egg. He is 100% Hardboiled. From the (fairly) scrambled minds of three acclaimed children's writers and illustrators comes a hilarious new detective who always cracks the case. Set on the grimy streets of New Yolk City, where the Queen of Hearts lives in Queens (where else?), the adventures of Humpty Dumpty Jr. are sure to delight early and chapter-book readers alike. This is the start of a very funny, totally action-packed newseries no one will want to miss! "Once Upon a Crime: There was a detective. Me. Humpty Dumpty Jr., Hardboiled Detective. I'm a good egg who always cracks the case. One morning, sitting at my desk, I watched the sun rise out my grimy window. Dawn light played peek-a-boo through the tall skyscrapers of the gritty city. My city. New Yolk City."
What are the ingredients of a hard-boiled detective story? "Savagery, style, sophistication, sleuthing and sex," said Ellery Queen. Often a desperate blond, a jealous husband, and, of course, a tough-but-tender P.I. the likes of Sam Spade or Philop Marlowe. Perhaps Raymond Chandler summed it up best in his description of Dashiell Hammett's style: "Hammett gave murder back to the kind of people that commit it....He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes." Hard-Boiled: An Anthology of American Crime Stories is the largest and most comprehensive collection of its kind, with over half of the stories never published before in book form. Included are thirty-six sublimely suspenseful stories that chronicle the evolutiuon of this quintessentially American art form, from its earliest beginnings during the Golden Age of the legendary pulp magazine Black Mask in the 1920s, to the arrival of the tough digest Manhunt in the 1950s, and finally leading up to present-day hard-boiled stories by such writers as James Ellroy. Here are eight decades worth of the best writing about betrayal, murder, and mayhem: from Hammett's 1925 tour de force "The Scorched Face," in which the disappearance of two sisters leads Hammett's never-named detective, the Continental Op, straight into a web of sexual blackmail amidst the West Coast elite, to Ed Gorman's 1992 "The Long Silence After," a gripping and powerful rendezvous involving a middle class insurance executive, a Chicago streetwalker, and a loaded .38. Other delectable contributions include "Brush Fire" by James M. Cain, author of The Postman Always Rings Twice, Raymond Chandler's "I'll Be Waiting," where, for once, the femme fatale is not blond but a redhead, a Ross Macdonald mystery starring Macdonald's most famous creation, the cryptic Lew Archer, and "The Screen Test of Mike Hammer" by the one and only Micky Spillane. The hard-boiled cult has more in common with the legendary lawmen of the Wild West than with the gentleman and lady sleuths of traditional drawing room mysteries, and this direct line of descent is on brilliant display in two of the most subtle and tautly written stories in the collection, Elmore Leonard's "3:10 to Yuma" and John D. MacDonald's "Nor Iron Bars." Other contributors include Evan Hunter (better known as Ed McBain), Jim Thompson, Helen Nielsen, Margaret Maron, Andrew Vachss, Faye Kellerman, and Lawrence Block. Compellingly and compulsively readable, Hard-Boiled: An Anthology of American Crime Stories is a page-turner no mystery lover will want to be without. Containing many notable rarities, it celebrates a genre that has profoundly shaped not only American literature and film, but how we see our heroes and oursleves.
A literary examination of the influence of 19th century sleuths on the early hard-boiled investigators, this book explores the importance of works by Edgar Allan Poe, Charles Dickens, Wilkie Collins and Sir Arthur Conan Doyle to the development of detective series by Carroll John Daly, Dashiell Hammett, Raymond Chandler, Brett Halliday, Mickey Spillane, Thomas B. Dewey, John D. MacDonald, Ross Macdonald, Richard S. Prather and William Campbell Gault. Authors from the transitional (1964-1977) and modern periods (1979 to the present) are also discussed to show the ongoing influence of the 19th century detective writers.
A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice. Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers. Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success. Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.
From the dime novels of the Civil War era to the pulp magazines of the early 20th century to modern paperbacks, lurid fiction has provided thrilling escapism for the masses. Cranking out formulaic stories of melodrama, crime and mild erotica--often by uncredited authors focused more on volume than quality--publishers realized high profits playing to low tastes. Estimates put pulp magazine circulation in the 1930s at 30 million monthly. This vast body of "disposable literature" has received little critical attention, in large part because much of it has been lost--the cheaply made books were either discarded after reading or soon disintegrated. Covering the history of pulp literature from 1850 through 1960, the author describes how sensational tales filled a public need and flowered during the evolving social conditions of the Industrial Revolution.
For anyone interested in crime fiction and television, or for those wanting to understand America's idolization of the good guy with a gun, Detectives in the Shadows is essential reading.
The Figure of the Detective by Charles Brownson Pdf
This book begins with a history of the detective genre, coextensive with the novel itself, identifying the attitudes and institutions needed for the genre to emerge in its mature form around 1880. The theory of the genre is laid out along with its central theme of the getting and deployment of knowledge. Sherlock Holmes, the English Classic stories and their inheritors are examined in light of this theme and the balance of two forms of knowledge used in fictional detection--cool or rational, and warm or emotional. The evolution of the genre formula is driven by changes in the social climate in which it is embedded. These changes explain the decay of the English Classic and its replacement by noir, hardboiled and spy stories, to end in the cul-de-sac of the thriller and the nostalgic Neo-Classic. Possible new forms of the detective story are suggested.
Spanish and Latin American Women’s Crime Fiction in the New Millennium by Nancy Vosburg Pdf
Crime fiction written by women in Spain and Latin America since the late 1980s has been successful in shifting attention to crimes often overlooked by their male counterparts, such as rape and sexual battery, domestic violence, child pornography, pederasty, and incest. In the twenty-first century, social, economic, and political issues, including institutional corruption, class inequality, criminalized oppression of immigrant women, crass capitalist market forces, and mediatized political and religious bodies, have at their core a gendered dimension. The conventions of the original noir, or novela negra, genre have evolved, such that some women authors challenge the noir formulas by foregrounding gender concerns while others imagine new models of crime fiction that depart drastically from the old paradigms. This volume, highlighting such evolution in the crime fiction genre, will be of interest to students, teachers, and scholars of crime fiction in Latin America and Spain, to those interested in crime fiction by women, and to readers familiar with the sub-genres of crime fiction, which include noir, the thriller, the police procedural, and the “cozy” novel.
Detective fiction and philosophy¾moral philosophy in particular¾may seem like an odd combination. Working within the framework offered by neo-Aristotelian virtue ethics, this book makes the case that moral philosophers ought to take murder mysteries seriously, seeing them as a source of ethical insight, and as a tool that can be used to spark the ethical imagination. Detective fiction is a literary genre that asks readers to consider questions of good and evil, justice and injustice, virtue and vice, and is, consequently, a profoundly and inescapably ethical genre. Moreover, in the figure of the detective, readers are presented with an accessible role model who demonstrates the virtues of honesty, courage, and a commitment to justice that are required by those who want to live well as a virtue ethicist would understand it. This book also offers a critique of contemporary moral philosophy, and considers what features a neo-Aristotelian conception of autonomy might display.
The Transformative Power of Literature and Narrative: Promoting Positive Change by Corinna Assmann,Jan Rupp,Christine Schwanecke Pdf
Narrative plays a central role for individual and collective lives - this insight has arguably only grown at a time of multiple social and cultural challenges in the 21st century. The present volume aims to actualize and further substantiate the case for literature and narrative, taking inspiration from Vera Nünning's eminent scholarship over the past decades. Engaging with her formative interdisciplinary work, the volume seeks to explore potentials of change through the transformative power of literature and narrative - to be harnessed by individuals and groups as agents of positive change in today's world. The book is located at the intersection of cognitive and cultural narratology and is concerned with the way literature affects individuals, how it works at an intersubjective level, enabling communication and community, and how it furthers social and cultural change.
The Importance of Place in Contemporary Italian Crime Fiction by Barbara Pezzotti Pdf
By taking as its point of departure the privileged relationship between the crime novel and its setting, this book is the most wide-ranging examination of the way in which Italian detective fiction in the last 20 years has become a means to articulate the changes in the social landscape of the country. Nowadays there is a general acknowledgment of the importance of place in Italian crime novels. However, apart from a limited scholarship on single cities, the genre has never been systematically studied in a way that so comprehensively spans Italian national boundaries. The originality of this volume also lies in the fact that the author have not limited her investigation to a series of cities, but rather she has considered the different forms of (social) landscape in which Italian crime novels are set. Through the analysis of the way in which cities, the "urban sprawl," and islands are represented in the serial novels of 11 of the most important contemporary crime writers in Italy of the 1990s, Pezzotti articulates the different ways in which individual authors appropriate the structures and tropes of the genre to reflect the social transformations and dysfunctions of contemporary Italy. In so doing, this volume also makes a case for the genre as an instrument of social critique and analysis of a still elusive Italian national identity, thus bringing further evidence in support of the thesis that in Italy detective fiction has come to play the role of the new "social novel."
Recall: A Gritty Hardboiled Crime Thriller by Meghan O'Flynn Pdf
Wise-cracking detectives pursue a justice-driven killer with a vendetta in this shocking and suspenseful murder mystery. "A captivating thriller about the power of the things we wish we could forget." ~Bestselling Author Mary Widdicks Where is the line between killer and hero? Things are finally looking up for Detective Petrosky. Sure, his daughter’s still dead, his granddaughter’s in another state, and they keep putting lemon in his freaking water, but he’s sober, his ex-wife no longer hates him—as much—and his new partner is as good at police work as she is at matching his snarky comebacks. But criminals don’t take a break; those bastards never sleep. When a councilman’s son is brutally murdered, the city explodes into controversy. Though the teen appears to have been ambushed in a random attack, there’s no forensic evidence at the scene, and the boy’s neck was snapped as quickly and efficiently as if it were a professional hit. Was the murder politically motivated? Or was the victim involved in something else—something bigger? Perhaps the slaying is linked to the old crime scene photos the victim had been collecting, some from cases Petrosky himself worked. And whoever murdered their victim killed at least two others. Ash Park may be dealing with a serial killer five years in the making. But the victims from these older cases are far from innocent—each appears to have been killed during an attempted rape. Is their suspect a cold-blooded murderer, or a hero vigilante? And what does any of it have to do with the councilman’s son? All Petrosky knows is that until now, their perp has been protecting the most vulnerable citizens of Ash Park from the very worst of humanity—from the criminals Petrosky himself has spent his entire career trying to put away. And Petrosky isn’t sure he wants him to stop. Riveting, and as dark as it is mysterious, Recall pushes the boundaries of right and wrong and turns the notion of justice on its head. Recall is the seventh book in the Ash Park series, though all novels in the Ash Park world can be read as standalones. Fans of Harlan Corben, Lee Child, and Karin Slaughter will love the Ash Park series. *** KEYWORDS: Vigilante justice, dark crime, serial killer, revenge, vengeance, hardboiled, mystery suspense thriller series, hard-boiled mysteries, female protagonist, pulp, murder, female lawyer protagonist, noir, noir thriller, crime noir, hard-boiled mystery, military killer, police procedural, mystery series, crime, noir, gritty detective novels, psychological thrillers, serial killers, crime thrillers, crime fiction, hard boiled detective, hardboiled detective fiction, hard boiled noir, hard boiled crime, gritty mysteries, mystery series books, psychological thrillers, psychological suspense, dark and suspenseful, psychological thriller books, noir, pulp, nail biter mysteries, wise cracking detective, detective partners, crime fiction, urban murder mystery, serial killer thriller, female protagonist, whodunit, whodunnit, nail biter, intense mystery, suspense fiction, psychological domestic suspense
