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Dawn Light: Dancing with Cranes and Other Ways to Start the Day by Diane Ackerman Pdf
A celebrated storyteller-poet-naturalist explores a year of dawns in her most personal book to date. In an eye-opening sequence of personal meditations through the cycle of seasons, Diane Ackerman awakens us to the world at dawn—drawing on sources as diverse as meteorology, world religion, etymology, art history, poetry, organic farming, and beekeeping. As a patient and learned observer of animal and human physiology and behavior, she introduces us to varieties of bird music and other signs of avian intelligence, while she herself “migrates” from winter in Florida to spring, summer, and fall in upstate New York. Humans might luxuriate in the idea of being “in” nature, Ackerman points out, but we often forget that we are nature—for “no facet of nature is as unlikely as we, the tiny bipeds with the giant dreams.” Joining science’s devotion to detail with religion’s appreciation of the sublime, Dawn Light is an impassioned celebration of the miracles of evolution—especially human consciousness of our numbered days on a turning earth.
Stephen Crane's Literary Family by Thomas A. Gullason Pdf
Stephen Crane was a prodigious American author whose bohemian ways seemed to contradict his conscientious upbringing. Drawing on little-known and unpublished documents by Crane's father, mother, and sister, and preeminent scholar Thomas A. Gullason shows how their vitality and versatility galvanized Crane's imagination, spurred his literary career, and affected his lifestyle. The Cranes emerge as a spirited and serious lot who were passionately concerned with social and cultural issues of the day. Newly discovered papers—from reflections on the Civil War to a funeral oration for Lincoln—paint Crane's pastor father as a man of sardonic wit whose obsession with alcohol would be mirrored in his son's work. Crane's mother is revealed to have had an eye for politics and an ear for dialogue that would vastly inform Crane's masterpiece, The Red Badge of Courage. His sister Agnes rounds out the portrait with recently recovered stories and poems. Replete with rare works and keen insights, this edition is a crucial reference for students of nineteenth century American literature and devotees of Stephen Crane.
Meet the Dino Diggers – the best in Dino Town! The second in the series for fans of dinosaurs and diggers, with a fantastic slot-together novelty included in every book. Collect the whole series for hours of dino fun!
A fascinating behind-the-scenes look at Friends, published for the twenty-fifth anniversary of the show's premiere. Howyoudoin’? In September 1994, six friends sat down in their favorite coffee shop and began bantering about sex, relationships, jobs, and just about everything else. A quarter of a century later, new fans are still finding their way into the lives of Rachel, Ross, Joey, Chandler, Monica, and Phoebe, and thanks to the show’s immensely talented creators, its intimate understanding of its youthful audience, and its reign during network television’s last moment of dominance, Friends has become the most influential and beloved show of its era. Friends has never gone on a break, and this is the story of how it all happened. Noted pop culture historian Saul Austerlitz utilizes exclusive interviews with creators David Crane and Marta Kauffman, executive producer Kevin Bright, director James Burrows, and many other producers, writers, and cast members to tell the story of Friends’ creation, its remarkable decade-long run, and its astonishing Netflix-fueled afterlife. Readers will go behind the scenes to hear from the people who were present as the show was developed and cast, written and filmed. There will be talk of trivia contests, prom videos, trips to London, Super Bowls, lesbian weddings, wildly popular hairstyles, superstar cameos, mad dashes to the airport, and million-dollar contracts. They’ll also discover surprising details—that Monica and Joey were the show’s original romantic couple, how Danielle Steel probably saved Jennifer Aniston’s career, and why Friends is still so popular that if it was a new show, its over-the-air broadcast reruns would be the ninth-highest-rated program on TV. The show that defined the 1990s has a legacy that has endured beyond wildest expectations. And in this hilarious, informative, and entertaining book, readers will now understand why.
The ethics of literature, formalists have insisted, resides in the moral quality of a character, a story, perhaps the relation between author and reader. But in the wake of deconstruction and various forms of criticism focusing on difference, the ethical question has been freshly negotiated by literary studies, and to this approach Adam Newton brings a startling new thrust. His book makes a compelling case for understanding narrative as ethics. Assuming an intrinsic and necessary connection between the two, Newton explores the ethical consequences of telling stories and fictionalizing character, and the reciprocal claims binding teller, listener, witness, and reader in the process. He treats these relations as defining properties of prose fiction, of particular import in nineteenth- and twentieth-century texts. Newton's fresh and nuanced readings cover a wide range of authors and periods, from Charles Dickens to Kazuo Ishiguro and Julian Barnes, from Herman Melville to Richard Wright, from Joseph Conrad and Henry James to Sherwood Anderson and Stephen Crane. An original work of theory as well as a deft critical performance, Narrative Ethics also stakes a claim for itself as moral inquiry. To that end, Newton braids together the ethical-philosophical projects of Emmanuel Levinas, Stanley Cavell, and Mikhail Bakhtin as a kind of chorus for his textual analyses--an elegant bridge between philosophy's ear and literary criticism's voice. His work will generate enormous interest among scholars and students of English and American literature, as well as specialists in narrative and literary theory, hermeneutics, and contemporary philosophy. Table of Contents: Acknowledgments Abbreviations Narrative as Ethics Toward a Narrative Ethics We Die in a Last Word: Conrad's Lord Jimand Anderson's Winesburg, Ohio Lessons of (for) the Master: Short Fiction by Henry James Creating the Uncreated Features of His Face: Monstration in Crane, Melville, and Wright Telling Others: Secrecy and Recognition in Dickens, Barnes, and Ishiguro Conclusion Notes Index Reviews of this book: Newton's book will become a pivotal text in our discussions of the ethical implications of reading. He has taken into account a great deal of prior work, and written with judgment and wisdom. --Daniel Schwartz, Narrative Reviews of this book: Newton offers elegant, provocative readings of texts ranging from The Rime of the Ancient Mariner to Winesburg, Ohio, The Remains of the Day, and Bleak House...Newton's book is a rich vein of critical ore that can be mined profitably. --Choice Reading Narrative Ethics is a powerful experience, for it engages not just the intellect, but the emotions, and dare I say, the spirit. It stands apart from recent books on ethics in literature by virtue of its severe insistence o its allegiance to an alternative ethical tradition. This alternative way of thinking--and living--has its roots in the work of the Jewish philosopher Emmanuel Levinas and finds support in the writings of Mikhail Bakhtin and Stanley Cavell...Stories, Newton asserts, are not ethical because of their morals or because of their normative logic. They are ethical because of the work they perform, in the social world, of binding teller, listener, witness, and reader to one another...This is a work of passion, integrity, commitment, and mission. --Jay Clayton, Vanderbilt University Newton probes with admirable subtlety the key question: what do we gain--and what dangers do we run--when we fully enter the life of an 'other' through that 'other's' story? We have here a rare combination of deep and learned critical acumen with passionate love for literature and sensitivity to its nuances. --Wayne C. Booth, University of Chicago Adam Zachary Newton writes with illuminating passion. Drawing on writers as diverse as Conrad and Henry James, Melville and Sherwood Anderson, Bakhtin and Levinas, he asks what it is to turn one's life into a story for another, and what it is to respond to, or avoid the claim of, another person's narration. He has written a wonderful, important book. --Martha Nussbaum, University of Chicago
"An oddly assorted lot of champions have labored--often at cross purposes--to save [the whooping crane] from extinction. The U.S. Fish and Wildlife Service turned the crane's wintering ground into a refuge, and joined forces with the National Audubon Society to find ways and means to save him. Zoo superintendent George Douglass was often accused of trying to corner the captive crane market. The cranes' best friend, Robert Allen, pursued the birds in helicopters, stalked them through salt marshes, tracked them to their secret nesting place in Canada, and tried to clear the flyway of snipers so the tiny flock could migrate without casualties in transit. Hopes for raising cranes in captivity were pinned on Josephine and her mate Crip. 52 eggs and 4 chicks later hopes were dashed when two of the chicks, George and Georgette, had to be renamed George I and George II. Behind this are other grim statistics. Though the wild whooping crane population at Aransas has increased from a low of 14 in 1939 to a high of 44 in 1965, the bird could be wiped out overnight, as swiftly and irrevocably as the passenger pigeon." --Dust jacket.
"Picking up where A Story Lately Told leaves off, when Anjelica Huston is 22 years old, Watch Me is a chronicle of her glamorous and eventful Hollywood years. She writes about falling in love with Jack Nicholson and her adventurous, turbulent, high-profile, spirited 17-year relationship with him and his intoxicating circle of friends. She writes about learning how to act, about her Academy Award-winning portrayal of "Maerose Prizzi" in Prizzi's Honor, about her collaborations with many of the greatest directors in Hollywood, including Wes Anderson, Richard Condon, Bob Rafelson, Mike Nichols, and Stephen Frears. She movingly and beautifully writes about the death of her father John Huston and her marriage to sculptor Robert Graham. She is candid, mischievous, warm, passionate, funny, and a fabulous story teller"--
In The Crane's Walk, Jeremy Barris seeks to show that we can conceive and live with a pluralism of standpoints with conflicting standards for truth--with the truth of each being entirely unaffected by the truth of the others. He argues that Plato's work expresses this kind of pluralism, and that this pluralism is important in its own right, whether or not we agree about what Plato's standpoint is. The longest tradition of Plato scholarship identifies crucial faults in Plato's theory of Ideas. Barris argues that Plato deliberately displayed those faults, because he wanted to demonstrate that basic kinds of error or illogic have dimensions that are crucial to the establishing of truth. These dimensions legitimate a paradoxical coordination of logically incompatible conceptions of truth. Connecting this idea with emerging currents of Plato scholarship, he emphasizes, in addition to the dialogues' arguments, the importance of their nonargumentative features, including drama, myths, fictions, anecdotes, and humor. These unanalyzed nonargumentative features function rigorously, as a lever with which to examine the enterprise of rational argument itself, without presupposing its standards or illegitimately assimilating any position to the standards of another. Today, communities are torn apart by conflicts within and between a host of different pluralist and absolutist commitments. The possibility developed in this book-a coordination of absolute and relative truth that allows an understanding of some relativist and some absolutist positions as being fully legitimate and as capable of existing in a relation to their opposites-may contribute to perspectives for resolving these conflicts.
Picture Books. Containing, Amongst Others, Aunt Louisa's London Toy Books, Walter Crane's Toy Books and Various Series Published by Thomas Dean and Son by Picture Books Pdf