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Crazy Water - is he Comanche, half-breed, or white? The four men who find him with a head injury on the riverbank, name him Crazy Water. He doesn’t know his true name or where he comes from. He is dressed in Comanche garb, speaks the Comanche tongue fluently, and has more knowledge of hunting and tracking than most boys his age. He remembers nothing of his life before he was found at the riverbank. For nearly ten years he lives as a Comanche. When the Jerome Agreement is put into effect, giving each Comanche 160 acres of his own land, thereby breaking up the Kiowa, Comanche, and Apache reservation, Crazy Water and his friends decide to take advantage of this and return to the reservation for their share of the land. When he meets beautiful Kyah and they fall in love, he concentrates on building a life without ever learning the answers to his questions. Will he ever learn who he is? If he has parents or other family? Or will his past remain a mystery forever?
Mineral Wells, Stoval Hot Wells, Marlin, Glen Rose, Sour Lake, Indian Hot Springs, Wizard Wells -- there were dozens of places all over the state where heavily mineralized water lay beneath the soil. In pioneer days, the news often set off a land rush, with wagons flocking to the medicinal founts of "miracle" healing. Before the discovery of antibiotics -- and sometimes afterward - drinking and bathing in mineral waters were an important part of health care for many Texans. In a lively look at resorts large and small and the men who ran them, from quack doctors and elixir pitchmen to legitimate businessmen and physicians, Crazy Water takes readers from one end of the state to the other, listening to testimonials, reading amazing descriptions, marveling at the gulibility of the afflicted and the inventiveness of the healers.
Author : Richard A. Peterson Publisher : University of Chicago Press Page : 341 pages File Size : 44,6 Mb Release : 2013-04-26 Category : Music ISBN : 9780226111445
In Creating Country Music, Richard Peterson traces the development of country music and its institutionalization from Fiddlin' John Carson's pioneering recordings in Atlanta in 1923 to the posthumous success of Hank Williams. Peterson captures the free-wheeling entrepreneurial spirit of the era, detailing the activities of the key promoters who sculpted the emerging country music scene. More than just a history of the music and its performers, this book is the first to explore what it means to be authentic within popular culture. "[Peterson] restores to the music a sense of fun and diversity and possibility that more naive fans (and performers) miss. Like Buck Owens, Peterson knows there is no greater adventure or challenge than to 'act naturally.'"—Ken Emerson, Los Angeles Times Book Review "A triumphal history and theory of the country music industry between 1920 and 1953."—Robert Crowley, International Journal of Comparative Sociology "One of the most important books ever written about a popular music form."—Timothy White, Billboard Magazine
Zhuo Yu is sixteen years old, seven feet tall and has a strong body. He has short hair, healthy wheat skin, a knife-like face full of youthful and lively breath, and a pair of dark eyes with cheerful and lively light. He is dressed in dirty rags, rolled up his trousers and wore a pair of dirty cloth shoes on his feet, which is extremely out of tune with his thin and handsome face.
Red dirt. What can one say about red dirt? The small town of San Augustine, Texas, sits on a twenty-six-mile swath of red clay. Once this red dirt gets into your system it is difficult to leave it behind, and if you do there is a tendency to return in your golden years. The town was organized in 1834 and was the gateway to early settlers after crossing the Sabine River into Texas. Most everyone who entered Texas in the early years passed through the town on the El Camino Real, the King’s Highway. Many settled here while others made their way to San Antonio. It was into this area of Texas that I was born and reared. This book contains 110 short stories of my experiences while growing up during the 1940s and 1950s in the town of red dirt. I have included stories of my married life as we lived in several different states through the years. A few stories of humorous events while working in law enforcement are also included. San Augustine, Texas, claims on good authority to be the oldest Anglo-Saxon town in Texas. The neighboring city of Nacogdoches is said to be the oldest town having had an Indian settlement there earlier than 1834. The debate will probably never be settled to everyone’s satisfaction.
String Bands in the North Carolina Piedmont by Bob Carlin Pdf
String band music is most commonly associated with the mountains of North Carolina and other rural areas of the Blue Ridge and Appalachian mountains, but it was just as abundant in Piedmont region of North Carolina, albeit with different influences and stylistic conventions. This work focuses exclusively on the history and culture of the area, the music's development and the changes within traditional communities of the Piedmont. It begins with a discussion of the settlement of the Piedmont in the mid-1700s and early references to secular folk music, including the attitudes the various ethnic and religious groups had on music and dance, the introduction of the fiddle and the banjo, and outside influences such as minstrel shows, Hawaiian music and classical banjo. It then goes on to cover African-Americans and string band music; the societal functions of square dances held at private homes and community centers; the ways in which musicians learned to play the music and bought their instruments; fiddler's conventions and their history as community fundraisers; the recording industry and Piedmont musicians who cut recordings, including Ernest Thompson and the North Carolina Cooper Boys; Bascom Lamar Lunsford and the Carolina Folk Festival; the influence of live radio stations, including WPTF in Raleigh, WGWR in Asheboro, WSJS in Winston-Salem, WBIG in Greensboro and WBT in Charlotte; the first generation of locally-bred country entertainers, including Charlie Monroe's Kentucky Partners, Gurney Thomas and Glenn Thompson; and bluegrass and musical change following World War II.
“Border Radio tells the 50,000-watt clear-channel story of the most outrageous and audacious phenomenon to ever hit the airwaves.”—Los Angeles Times Before the Internet brought the world together, there was border radio. These mega-watt “border blaster” stations, set up just across the Mexican border to evade U.S. regulations, beamed programming across the United States and as far away as South America, Japan, and Western Europe. This book traces the eventful history of border radio from its founding in the 1930s by “goat-gland doctor” J. R. Brinkley to the glory days of Wolfman Jack in the 1960s. Along the way, it shows how border broadcasters pioneered direct sales advertising, helped prove the power of electronic media as a political tool, aided in spreading the popularity of country music, rhythm and blues, and rock, and laid the foundations for today’s electronic church. The authors have revised the text to include even more first-hand information and a larger selection of photographs. “The magic of [a] wildly colorful chapter in broadcast history lives on in this entertainingly informative look at the forces and the people who contributed to the rise of the medium.”—Chicago Tribune “Characters like Wolfman Jack, Reverend Ike, Norman Baker, “Dr.” J. R. Brinkley, Pappy O’Daniel and others were master showmen and tremendously successful salesmen. Secret-formula medicines, magic prayer cloths, Crazy Water Crystals, and goat-gland rejuvenations are just part of this often hilarious telling of this outrageous period in broadcast history.”—Variety “If you’re wondering where Herbalife, Home Shopping Network, No-Money-Down Seminars, and Jim and Tammy Bakker found their inspiration and techniques, look no further than this superb book.”—Dallas Morning News
An exploration of the origins and development of American country music in the Piedmont's mill villages celebrates the colorful cast of musicians and considers the impact that urban living, industrial music, and mass culture had on their lives and music.
When the story of banjo superstar Earl Scruggs is told, the rich musical environment that produced him is often ignored. During his lifetime Scruggs spun a creation myth around his playing, convincing many that he was the sole originator of a three-finger, up-picking, banjo style. For the first time, this book tells the full story of the music and musicians of the western Carolinas that influenced Earl Scruggs. Based on more than 15 years of in-depth research, this book includes the story of country music recording pioneers Parker and Woolbright, Fisher Hendley and Martin Melody Boys; rare images of area music makers; and the history and development of fiddlers' conventions and radio barn dances. Together, these stories are woven into the biographies of Earl's mentors to reveal the musical atmosphere in which they developed the "three-finger picking" style that so enchanted a young Earl Scruggs.
In this fourth book of the Captive Hearts series Hawk returns to the H-Bar-H ranch with his mother, Carrie, and his traumatized sister, Joeye. He will take over the running of the ranch while his stepfather, Whip, continues the search for Hawk’s missing younger brother. As they arrive at the train station in Arizona, Rebecca Anders nearly knocks Hawk down when she bumps into him. The mutual attraction is instantaneous and Hawk knows he wants to see her again. The H-Bar-H ranch is two hours from town, and Hawk now has the responsibility of not only managing the ranch, but also helping his mother with his sister. Will he find the time to pursue her? The problem is Hawk is not the only man out to capture Becky’s heart. Clyde Liston, who also happens to be Hawk’s ranch hand, has his eye on her as he needs a new mother for his son. Who will Becky choose? Will either one capture her heart?
Author : Bill C. Malone,Tracey Laird Publisher : University of Texas Press Page : 769 pages File Size : 43,7 Mb Release : 2018-06-04 Category : Music ISBN : 9781477315378
Country Music USA by Bill C. Malone,Tracey Laird Pdf
“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.
Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres. Countless fans have used it as the source for answers to questions about everything from country's first commercially successful recording, to the genre's pioneering music videos, to what conjunto music is. This thoroughly revised new edition includes more than 1,200 A-Z entries covering nine decades of history and artistry, from the Carter Family recordings of the 1920s to the reign of Taylor Swift in the first decade of the twenty-first century. Compiled by a team of experts at the Country Music Hall of Fame and Museum, the encyclopedia has been brought completely up-to-date, with new entries on the artists who have profoundly influenced country music in recent years, such as the Dixie Chicks and Keith Urban. The new edition also explores the latest and most critical trends within the industry, shedding light on such topics as the digital revolution, the shifting politics of country music, and the impact of American Idol (reflected in the stardom of Carrie Underwood). Other essays cover the literature of country music, the importance of Nashville as a music center, and the colorful outfits that have long been a staple of the genre. The volume features hundreds of images, including a photo essay of album covers; a foreword by country music superstar Vince Gill (the winner of twenty Grammy Awards); and twelve fascinating appendices, ranging from lists of awards to the best-selling country albums of all time. Winner of the Best Reference Award from the Popular Culture Association "Any serious country music fan will treasure this authoritative book." --The Seattle Times "A long-awaited, major accomplishment, which educators, historians and students, broadcasters and music writers, artists and fans alike, will welcome and enjoy." --The Nashville Musician "Should prove a valuable resource to those who work in the country music business. But it's also an entertaining read for the music's true fans." --Houston Chronicle "This big, handsome volume spans the history of country music, listing not only artists and groups but also important individuals and institutions." --San Francisco Examiner "Promises to be the definitive historical and biographical work on the past eight decades of country music. Well written and heavily illustratedan unparalleled work, worth its price and highly recommended." --Library Journal
The Father of Bluegrass Music, Bill Monroe was a major star of the Grand Ole Opry for over fifty years; a member of the Country Music, Songwriters, and Rock and Roll Halls of Fame; and a legendary figure in American music. This authoritative biography sets out to examine his life in careful detail--to move beyond hearsay and sensationalism to explain how and why he accomplished so much. Former Blue Grass Boy and longtime music journalist Tom Ewing draws on hundreds of interviews, his personal relationship with Monroe, and an immense personal archive of materials to separate the truth from longstanding myth. Ewing tells the story of the Monroe family's musical household and Bill's early career in the Monroe Brothers duo. He brings to life Monroe's 1940s heyday with the Classic Bluegrass Band, the renewed fervor for his music sparked by the folk revival of the 1960s, and his declining fortunes in the years that followed. Throughout, Ewing deftly captures Monroe's relationships and the personalities of an ever-shifting roster of band members while shedding light on his business dealings and his pioneering work with Bean Blossom and other music festivals. Filled with a wealth of previously unknown details, Bill Monroe offers even the most devoted fan a deeper understanding of Monroe's towering achievements and timeless music.
Author : Wayne W. Daniel Publisher : University of Illinois Press Page : 332 pages File Size : 44,8 Mb Release : 2001 Category : History ISBN : 0252069684
But for a few twists of fate, Atlanta could have grown to be the recording center that Nashville is today. Pickin' on Peachtree traces Atlanta's emergence in the 1920s as a major force in country recording and radio broadcasting and its forty years as a hub of country music. From the Old Time Fiddlers' Conventions and barn dances through the rise of station WSB and other key radio outlets, Wayne W. Daniel thoroughly documents the consolidation of country music as big business in Atlanta. He also profiles a vast array of performers, radio personalities, and recording moguls who transformed the Peachtree city into the nerve center of early country music.
