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Created in Her Image by Eleanor Rae,Bernice Marie-Daly Pdf
Explores the creation of male and female in God's own image, and pursues the need for a system of sacred symbols and images that assert the dignity and being of women.
Her Image of Salvation by Gail Paterson Corrington,Gail Corrington Streete Pdf
Corrington examines the image of the savior and the experience of salvation, two concepts that are inextricably entwined. The author asserts that Christianity set aside female images of salvation by emphasizing the maleness of Jesus. She draws on solid knowledge of Jewish and classical Greek sources to show that the image of God could be seen as both male and female.
This book, This Has All Been Said Before, is myself welcoming the reader to my therapy. I used to suffer from depression and anxiety, now I enjoy every moment of it at least I do on the better days. This condition, this gift that I have come to understand that I have given to myself, has challenged me to have to fully realize and appreciate to my own satisfaction, who we are as I discovered in fact who I am. The meaning of life can be absolute or it can be subjective. Both matter. Life, in every single form matters, simply because in the abscence of life expressing itself, there is nothing. Subjectively the meaning of life is whatever we as an individual attach to it, and it is from this perspective, the singular perspective each and every human provides God, that God has allowed God to completely 'know' God. Just as my depression was the gift I, my soul, has given myself, Phil Hammond, as the means through which I would view and explore creation this time in this space, God has given us to Godself, to do the same, explore creation on God's behalf. Thank you and I trust you will enjoy my explanation of everything.
Next Generation Indie Book Awards, Best Non Fiction 2019 National Indie Excellence Award Winner Nautilus Book Awards, Gold #1 Amazon Best Seller in Architecture History & Periods Amazon Best Seller in Art Subjects & Themes Seeing the World Through Shape How do humans make sense of the world? In answer to this timeless question, award winning documentary filmmaker, Lois Farfel Stark, takes the reader on a remarkable journey from tribal ceremonies in Liberia and the pyramids in Egypt, to the gravity-defying architecture of modern China. Drawing on her experience as a global explorer, Stark unveils a crucial, hidden key to understanding the universe: Shape itself. The Telling Image is a stunning synthesis of civilization’s changing mindsets, a brilliantly original perspective urging you to re-envision history not as a story of kings and wars but through the lens of shape. In this sweeping tour through time, Stark takes us from migratory humans, who imitated a web in round-thatched huts and stone circles, to the urban ladder of pyramids and skyscrapers, organized by hierarchy and measurements, to today’s world of interconnected networks. In The Telling Image Stark reveals how buildings, behaviors, and beliefs reflect humans’ search for pattern and meaning. We can read the past and glimpse the future by watching when shapes shift. Stark’s beautifully illustrated book asks of all its readers: See what you think.
Created in Her Image by Eleanor Rae,Bernice Marie-Daly Pdf
Explores the creation of male and female in God's own image, and pursues the need for a system of sacred symbols and images that assert the dignity and being of women.
Turning to the Heavens and the Earth by Julia Brumbaugh,Natalia Imperatori-Lee Pdf
The Earth needs our attention--the best of our intellectual, ethical, and spiritual wisdom and action. In this collection, written in honor of Elizabeth A. Johnson, scholars from the United States and around the world contribute their insights on how theology today can and must turn to the world in new ways in light of contemporary science and our ecological crisis. The essays in this collection advance theological visions for the human task of healing our destructive relationship with the earth and envision hope for our planet's future. Contributors: Kevin Glauber Ahern, Erin Lothes Biviano, Lisa Sowle Cahill, Colleen Mary Carpenter, David Cloutier, Kathy Coffey, Carol J. Dempsey, OP, Denis Edwards, William French, Ivone Gebara, John F. Haught, Mary Catherine Hilkert, OP, Sallie McFague, Eric Daryl Meyer, Richard W. Miller, Jürgen Moltmann, Jeannette Rodriguez, Michele Saracino
Dr. Dale McCowan is comfortable in his secluded corner of huge Hunter Scientific, Inc., until his calm, family-centered life is troubled by an impromptu interview with Assistant Vice President Janet Hunter. The unsettling meeting is only the beginning. Janet begins to intrude on Dales quiet existence. Confused, Dale is intimidated into working on a mysterious project that not only frightens him, but separates him from his beloved family. Isolated and subjected to insidious tricks to force his total cooperation, Dale tries to find a way back home. Desperate to end his enslavement, Dale befriends a fellow disgruntled worker. Together they try to end their forced servitude. When the alliance is disclosed, Dale finds himself in deeper peril and in tighter controls. Worse, he discovers he has become an important part of a project as immoral as it is illegal. Horrified, he uncovers the grisly details of a murderous conspiracy that forever silences those who know too much. Helplessly, Dale slides down into a dark cave of terror. Can he work out a plan of escape and redemption? Is he able to accomplish the quixotic impossible? Will innocence be protected? Can justice be served?
Author : Karen L. Kleinfelder Publisher : University of Chicago Press Page : 294 pages File Size : 50,9 Mb Release : 1993-04-15 Category : Art ISBN : 0226439836
The Artist, His Model, Her Image, His Gaze by Karen L. Kleinfelder Pdf
Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected? In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an "old-age" style or of the artist's private life. Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living "old master," and acknowledges and denies his own fear of death. Using recent interpretive and literary theory, Kleinfelder probes the three-way relationship between artist, model, and canvas. The dynamics of this relationship provided Picasso with an open-ended textual framework for exploring the dichotomies of man/woman, self/other, and vitality/mortality. What unfolds is the artist's struggle not only with the impossibility of representing the model on canvas, but also with the inevitability of his own death. Kleinfelder explores how Picasso's means of pursuing these issues allows him to defer closure on a long, productive career. By focusing on the graphics rather than the paintings, Kleinfelder contradicts the primacy of the painted "masterpiece"; she steers the reader away from the assumption that the artist must work toward creating a final body of work that signifies the culmination of his search for a coherent identify. Picasso's search, she argues, realizes itself in the creative process. She interprets the late graphics not as a biographical statement but as a tool for investigating the possibilities of representation within the limits of Picasso's medium and his lifetime. Richly illustrated, Kleinfelder's book will open up new approaches to the late work of this complex artist.
Evaluates the First Lady's emergence as a style icon and her growing influence on a changing American understanding of etiquette and femininity, in an illustrated account that also tours the cultural contributions of previous First Ladies. 60,000 first printing.
Lessons in Perception seeks to clarify notoriously elusive themes of the avant-garde with the use of existing research from the field of psychology. There is a long-standing history of reference to psychological concepts in relation to avant-garde film, such as its unique relationship to memory, visual perception, narrative comprehension, and synesthesia. Yet direct analysis of these topics in light of existing psychological research remains largely unexplored until now. More broadly, the aim of the book is to frame avant-garde filmmaking practice as a form of "practical psychology." In doing so, two principal arguments are proposed: first, that many avant-garde filmmakers draw creative inspiration from their own cognitive and perceptual capacities, and touch on topics explored by actual psychologists; secondly, that as practical psychologists, avant-garde filmmakers provide "lessons in perception" that offer psychological experiences that are largely unrehearsed in commercial cinema
Milestones in Dance in the USA by Elizabeth McPherson Pdf
Embracing dramatic similarities, glaring disjunctions, and striking innovations, this book explores the history and context of dance on the land we know today as the United States of America. Designed for weekly use in dance history courses, it traces dance in the USA as it broke traditional forms, crossed genres, provoked social and political change, and drove cultural exchange and collision. The authors put a particular focus on those whose voices have been silenced, unacknowledged, and/or uncredited – exploring racial prejudice and injustice, intersectional feminism, protest movements, and economic conditions, as well as demonstrating how socio-political issues and movements affect and are affected by dance. In looking at concert dance, vernacular dance, ritual dance, and the convergence of these forms, the chapters acknowledge the richness of dance in today’s USA and the strong foundations on which it stands. Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political, and artistic development of foundational subject areas. This book is ideal for undergraduate courses that embrace culturally responsive pedagogy and seek to shift the direction of the lens from western theatrical dance towards the wealth of dance forms in the United States.
""I took the doll out of the box and sat her on my dressing table beside the little bit of make -up I wore; I peered more closely at her face and it was then I realised what had been told to me; ?in her image?. Her painted hair was a reddish brown, long, piled up high in a bun style; her eyes were also brown but most noticeable of all were her painted red lips; the lower lip was remarkably fuller than the upper and her ears were small with little of a lobe... Sitting there, holding her in both hands, she fascinated me. I thought of her past; who had held her, the circumstances of their life then? Great Grandmother, Grandmother?I faced my image in the mirror. There were my brown eyes, my long auburn hair, my uneven lips and finally, pulling my hair back, those tell-tale ears. So begins Lori's quest, to find out more...