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Author : Irene Gilsenan Nordin
Publisher : Uppsala, Sweden : S. Academiae Ubsaliensis
Page : 236 pages
File Size : 51,5 Mb
Release : 1999
Category : Literary Criticism
ISBN : UOM:39015043052607
Author : John Dennison
Publisher : Oxford University Press
Page : 256 pages
File Size : 54,9 Mb
Release : 2015-10-15
Category : Literary Criticism
ISBN : 9780191059711
Seamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restorative response to the violence of public historical life. It is a curiously equivocal ideal, and as such most clearly demonstrates the intellectual origins, the humanist character, and the inherent strains of these poetics, the work of one of the world's leading poet-critics of the last thirty years. Seamus Heaney and the Adequacy of Poetry is the first study of the development of Heaney's thought and its central theme. Eschewing the tendency of Heaney critics to endorse or expand on the poet's poetics in largely adulatory terms, it draws on archival as well as print sources to trace the emerging dualistic shape, redemptive logic, and post-Christian nature of Heaney's thought, from his undergraduate formation to the expansive affirmations of his late cultural poetics. Through a meticulous and wholly new examination of Heaney's revisions to previously published prose, it reveals the logical strain of his conceptual constructions, so that it becomes acutely apparent just how appropriate that ambivalent ideal 'adequacy' is. This book takes seriously the post-Christian, frequently religious tenor of Heaney's language, explicating the character of his thought while exposing its limits: Heaney's belief in poetry's adequacy ultimately constitutes an Arnoldian substitute for—indeed, an 'afterimage' of—Christian belief. This is the deep significance of the idea of adequacy to Heaney's thought: it allows us to identify precisely the late humanist character and the limits of his troubled trust in poetry.
Author : Marie-Claire Considère-Charon,Philippe Laplace,Michel Savaric
Publisher : Cambridge Scholars Publishing
Page : 330 pages
File Size : 53,7 Mb
Release : 2009-03-26
Category : Social Science
ISBN : 9781443806671
The Irish Celebrating is a collection of essays which focuses on the complex dynamics of celebrating, its significance and its scope, through Ireland’s past and present experience. This book studies the dual aspects of celebrating —‘the festive’ and ‘the tragic’— which, while not necessarily functioning as a binary opposition, have long proved mutually constitutive of the Irish experience. Many different occasions and ways of celebrating are explored, be they associated with feasts, festivals, commemorations, re-enactments or mere merry-making. Irish literature abounds with motifs, symbols, allusions and devices that stand as ample testimony to the essential part played by celebration in the creative process. Both the treatment of mythical themes and figures, and the perception of contrasted realities and moods, all linked in some way or another with celebrating, are examined in the works of Irish novelists, poets and playwrights. If celebrations undeniably had a crucial role to play throughout Ireland’s troubled past, they continue to shape Irish society today, part and parcel of the deep social, economic and cultural changes it is currently experiencing. New representations of Irish identity as they are expressed through new forms of celebrating are explored in such varied contexts as emigration and immigration, alcohol addiction, church allegiance and European membership. The way the nationalist and unionist communities have been celebrating their past in Northern Ireland, often complacently and ostentatiously, is a theme dealt with in the final section of this collection. Irish, English, French, Spanish, Italian and American scholars apply a broad range of interdisciplinary expertise to original and illuminating essays which will undoubtedly provoke a new insight into the interplay between current trends and issues and the long-established patterns that thread through the volume.
Author : J. Hall,A. Crowder
Publisher : Springer
Page : 214 pages
File Size : 49,6 Mb
Release : 2007-04-25
Category : Literary Criticism
ISBN : 9780230206267
This volume of twelve essays aims to comprehensively represent the abundance and variety of both Heaney's writing and scholarship on Heaney's writing. Attention is given not only to his poetry but also to his translations and his prose. The essays foreground his internationalism and the complementary international interest in his writing.
Author : Adam Hanna
Publisher : Syracuse University Press
Page : 258 pages
File Size : 47,6 Mb
Release : 2022-09-06
Category : Literary Criticism
ISBN : 9780815655589
Poetry, Politics, and the Law in Modern Ireland is a richly detailed exploration of how modern Irish poetry has been shaped by, and responded to, the laws, judgments, and constitutions of both of the island’s jurisdictions. Focusing on poets’ responses in their writing to such contentious legal issues as partition, censorship, paramilitarism, and the curtailment of women’s reproductive and other rights, this monograph is the first in the growing field of law and literature to focus exclusively on modern Ireland. Hanna unpacks the legal engagements of both major and non-canonical poets from every decade between the 1920s and the present day, including Rhoda Coghill, Austin Clarke, Paul Durcan, Elaine Feeney, Miriam Gamble, Seamus Heaney, Thomas Kinsella, Paula Meehan, Julie Morrissy, Doireann Ní Ghríofa, and W. B. Yeats. Poetry from the time of independence onwardhas been shaped by two opposing forces. On the one hand, the Irish public has traditionally had strong expectations that poets offer a dissenting counter-discourse to official sources of law. On the other hand, poets have more recently expressed skepticism about the ethics of speaking for others and about the adequacy of art in performing a public role. Hanna’s fascinating study illuminates the poetry that arises from these antithetical modern conditions.
Author : Bernard O'Donoghue
Publisher : Cambridge University Press
Page : 261 pages
File Size : 47,8 Mb
Release : 2009
Category : Literary Criticism
ISBN : 9780521838825
An up-to-date overview of Heaney's career thus far, with detailed readings of all his major publications.
Author : Ian Hickey
Publisher : Routledge
Page : 191 pages
File Size : 55,7 Mb
Release : 2021-07-29
Category : Literary Criticism
ISBN : 9781000416817
Haunted Heaney: Spectres and the Poetry looks at the ghosts and spectres present within the poetry of the Nobel Prize winning poet Seamus Heaney. Covering Heaney’s work from his first collection, Death of a Naturalist, to his final collection, Human Chain, this volume analyses Heaney’s poetry through the lens of hauntology as presented by Jacques Derrida in Specters of Marx. This book presents spectres and ghosts not in the conventional sense, as purely supernatural, physical manifestations haunting a place, but instead as having a non-physical presence. In this sense past cultures, societies, texts, poets, and memories are examined as having a spectral influence on Heaney’s writing. His work is indebted to hauntedness as the past in all its forms sutures itself within the present of his thinking and writing, and our reading of the poetry. Topics for discussion include the Norse spectres in the early poetry; British colonialism and its haunting influence on the poet; a renewed look at the bog poems as being influenced by the spectral; the classical influence of Virgil and Dante; and a reading of ‘Route 110’ that incorporates the major instances of Heaney’s career into a singular poem. The book also incorporates Heaney’s prose work and interviews into the discussion and uses these works as a metacommentary to the poetry offering a deeper insight into the mind of one of Ireland’s greatest writers.
Author : Ian Cooper
Publisher : Routledge
Page : 230 pages
File Size : 42,9 Mb
Release : 2020-01-15
Category : Literary Criticism
ISBN : 9781000030112
Interest in Martin Heidegger was recently reawakened by the revelations, in his newly published ‘Black Notebooks’, of the full terrible extent of his political commitments in the 1930s and 1940s. The revelations reminded us of the dark allegiances co-existing with one of the profoundest and most important philosophical projects of the twentieth century—one that is of incomparable importance for literature and especially for poetry, which Heidegger saw as embodying a receptiveness to Being and a resistance to the instrumental tendencies of modernity. Poetry and the Question of Modernity: From Heidegger to the Present is the first extended account of the relationship between Heidegger’s philosophy and the modern lyric. It argues that some of the best-known modern poets in German and English, from Paul Celan to Seamus Heaney and Les Murray, are in deep imaginative affinity with Heidegger’s enquiry into finitude, language, and Being. But the work of each of these poets challenges Heidegger because each appeals to a transcendence, taking place in language, that is inseparable from the motion of encounter with embodied others. It is thus poetry which reveals the full measure of Heidegger’s relevance in redefining modern selfhood, and poetry which reveals the depth of his blindness.
Author : Eugene O'Brien
Publisher : University of Notre Dame Pess
Page : 394 pages
File Size : 55,7 Mb
Release : 2016-11-15
Category : Literary Criticism
ISBN : 9780268100230
The Soul Exceeds its Circumstances brings together sixteen of the most prominent scholars who have written on Seamus Heaney to examine the Nobel Prize winner’s later poetry from a variety of critical and theoretical perspectives. While a great deal of attention has been devoted to Heaney’s early and middle poems—the Bog Poems in particular—this book focuses on the poetry collected in Heaney's Seeing Things (1991), The Spirit Level (1996), Electric Light (2001), District and Circle (2006), and Human Chain (2010) as a thematically connected set of writings. The starting point of the essays in this collection is that these later poems can be grouped in terms of style, theme, approach, and intertextuality. They develop themes that were apparent in Heaney’s earlier work, but they also break with these themes and address issues that are radically different from those of the earlier collections. The essays are divided into five sections, focusing on ideas of death, the later style, translation and transnational poetics, luminous things and gifts, and usual and unusual spaces. A number of the contributors see Heaney as stressing the literary over the actual and as always looking at the interstices and positions of liminality and complexity. His use of literary references in his later poetry exemplifies his search for literary avatars against whom he can test his own ideas and with whom he can enter into an aesthetic and ethical dialogue. The essayists cover a great deal of Heaney’s debts to classical and modern literature—in the original languages and in translations—and demonstrate the degree to which the streets on which Heaney walked and wrote were two-way: he was influenced by Virgil, Petrarch, Milosz, Wordsworth, Keats, Rilke, and others and, in turn, had an impact on contemporary poets. This remarkable collection will appeal to scholars and literary critics, undergraduates as well as graduate students, and to the many general readers of Heaney's poetry.
Author : Michael Boss,Irene Gilsenan Nordin,Britta Olinder
Publisher : Aarhus Universitetsforlag
Page : 256 pages
File Size : 50,7 Mb
Release : 2006-05-01
Category : History
ISBN : 9788779349223
The essays in this collection combine historical, cultural, and literary analyses in their treatment of aspects of exile in Irish writing. Some are 'structuralist' in seeing exile as a physical state of being, often associated with absence, into which an individual willingly or unwillingly enters. Others are 'poststructuralist', considering the narration of exile as a celebration of transgressiveness, hybridity, and otherness. This type of exile moves away from a political, cultural, economic idea of exile to an understanding of exile in a wider existential sense. The volume presents readings of Irish literature, history and culture that reflect some of the historical, sociological, psychological and philosophical dimensions of exile in the 1800s and 1900s. The theme of exile is discussed in a wide range of texts including literature, political writings and song-writing, either in works of Irish writers not normally associated with exile, or in which new aspects of 'exile' can be discerned. The essays cover, among others: Butler, D'Arcy McGee, Mulholland, Joyce, Hewitt, Van Morrison, Ni Chuilleanain, Doyle, and Banville.
Author : Robert Fitzroy Foster,Roy Foster
Publisher : Princeton University Press
Page : 248 pages
File Size : 40,8 Mb
Release : 2020-08-25
Category : Biography & Autobiography
ISBN : 9780691174372
"Seamus Heaney was the leading Irish poet of the second half of the twentieth century, and, after W. B. Yeats, arguably the most significant poet in the history of Irish literature. When he died in 2013 the public reaction in Ireland was extraordinary, and the outpouring of feeling decisively demonstrated that he occupied an exceptional place in national life. The words of his last message to his wife, 'Noli timere', 'Don't be afraid', appeared over and over again on social media, while key phrases from favourite poems became and have remained canonical. In this short book, conceived for the Writers on Writers series, historian Roy Foster offers an extended and largley chronological reflection upon Heaney's life, work and historical context, from the poet's origins in Northern Ireland and the publication of Death of a Naturalist in 1966, through the explosive impact of his 1975 collection North, and then into his years as a 'world poet' and an Irish writer with a powerful influence on English literature generally. Foster considers virtually all of Heaney's major output, including later volumes such as The Spirit Level and Human Chain, as well as Heaney's translation of Beowulf and his renderings from Virgil. Throughout the book, Foster conveys something of Heaney's charismatic, expansive and subtle personality, as well as the impact of his work in both the USA and in Europe. Certain themes emerge throughout, such as the way Heaney maintained a deceptive simplicity throughout his writing career, his relations with classical literature and the poetry of dissidence in Eastern Europe, and the increasing presence of the unseen and even spiritual in his later work. Foster also highlights Heaney's importance as a critic and the largely unacknowledged ways in which his own trajectory echoed that of the life and work of Yeats. Though Heaney evaded direct comparisons with his Nobel-prizewinning predecessor, he personified the quality which he attributed to Yeats: 'the gift of establishing authority within a culture'. Both poets made a challenging and oblique use of autobiography and personal history in their work, and both sustained a very particular and sometimes contested relation to the life of their country. Foster shows us that Heaney, like Yeats, came to personify and express the Ireland of his time with unique force and resonance"--
Author : Bridget Vincent
Publisher : Oxford University Press
Page : 223 pages
File Size : 42,8 Mb
Release : 2022
Category : Literary Criticism
ISBN : 9780198870920
How do poems communicate moral ideas? Can they express concepts in ways that are unique and impossible to replicate in other forms of writing? This book explores these questions by turning to two of the late twentieth century's most important poets: Seamus Heaney and Geoffrey Hill. Their work shows that a poem can act as an example of a moral concept, rather than simply a description or discussion of it. Exploring these two poets via their shared preoccupation with poetry's moral exemplarity opens up new perspectives on their work. The concept of exemplarity is shown to play an important role in these poets' most significant preoccupations, from moral complicity to the nature of lyric speech to literary influence to memorialisation, responsibility, and aesthetic autonomy. Through this new analysis of poetry, critical prose, drama, and archival materials, this book offers a major new study of ethics in the later period of these two writers--including recent underexplored posthumous works. In turn, the book also makes an important intervention in larger debates about literature and morality, and about the field of ethical criticism itself: this is the first book-length study to expand ethical criticism beyond its customary narrative focus. The ethical criticism of fiction is often an exercise in methodological advocacy, urging the use of more literary examples in moral philosophy. As this book shows, including poetry among these examples introduces new, lyric-inflected caveats about the use of literature as a form of moral example: caveats which remain invisible in narrative-centred ethical criticism.
Author : Hedda Friberg,Irene Gilsenan Nordin,Lene Yding Pedersen
Publisher : Cambridge Scholars Publishing
Page : 311 pages
File Size : 40,5 Mb
Release : 2009-03-26
Category : Literary Criticism
ISBN : 9781443809306
Various ways of collecting, storing and recovering memories have been the focus of the most recent joint research project carried out by a group of Irish Studies scholars, all based in the Nordic countries and members of the Nordic Irish Studies Network (NISN). The result of the project, Recovering Memory: Irish Representations of Past and Present, is a collection of essays which examines the theme of memory in Irish literature and culture against the theoretical background of the philosophical discourse of modernity. Offering a wide range of perspectives, this volume examines a plurality of representations—past and present—of memory, both public and private, and the intersection between collective memory and individual in modern Ireland. Also explored is the relation between memory and identity—national and private—as well as questions of subjectivity and the construction of the self. Given Ireland’s tragic past and its long history of colonisation, it is inevitable that various aspects of memory in terms of nationality, post-colonialism, and politics also have bearing on this study. The volume is divided into five sections, each of which examines one broadly defined aspect of memory. The introductory section focuses on memory and history, and is followed by sections on memory and autobiography, place, identity, and memory in the work of novelist John Banville. Within each section, the individual writers engage in a fruitful dialogue with each other and with the approaches of such theorists as Arendt, Husserl, Merleau-Ponty, Ricoeur, and Baudrillard.
Author : Bernard O'Donoghue
Publisher : Routledge
Page : 211 pages
File Size : 49,8 Mb
Release : 2017-09-08
Category : Literary Criticism
ISBN : 9781315504872
This book scrutinizes Heaney's language in order to examine his theory of poetry and the writer's responsibility to art and politics. The author, himself a poet, works chronologically through the poetry and discusses it in light of Heaney's writings on the appropriate language of poetry. Chapters also look at Heaney's language and at the government of the tongue.
Author : Stephen Regan
Publisher : OUP Oxford
Page : 464 pages
File Size : 49,6 Mb
Release : 2019-02-28
Category : Literary Criticism
ISBN : 9780191540592
The Sonnet provides a comprehensive study of one of the oldest and most popular forms of poetry, widely used by Shakespeare, Milton, and Wordsworth, and still used centuries later by poets such as Seamus Heaney, Tony Harrison, and Carol Ann Duffy. This book traces the development of the sonnet from its origins in medieval Italy to its widespread acceptance in modern Britain, Ireland, and America. It shows how the sonnet emerges from the aristocratic courtly centres of Renaissance Europe and gradually becomes the chosen form of radical political poets such as Milton. The book draws on detailed critical analysis of some of the best-known sonnets written in English to explain how the sonnet functions as a poetic form, and it argues that the flexibility and versatility of the sonnet have given it a special place in literary history and tradition.