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Crime Fiction from a Professional Eye by Lili Pâquet Pdf
There is a new category of authors blurring the line between fiction and nonfiction: women who work or have worked in criminal justice--lawyers, police officers and forensic investigators--who publish crime fiction with characters that resemble real-life counterparts. Drawing on their professional experience, these writers present compelling portrayals of inequality and dysfunction in criminal justice systems from a feminist viewpoint. This book presents the first examination of the true-crime-infused fiction of authors like Dorothy Uhnak, Kathy Reichs and Linda Fairstein.
Crime Fiction from a Professional Eye by Lili Pâquet Pdf
There is a new category of authors blurring the line between fiction and nonfiction: women who work or have worked in criminal justice--lawyers, police officers and forensic investigators--who publish crime fiction with characters that resemble real-life counterparts. Drawing on their professional experience, these writers present compelling portrayals of inequality and dysfunction in criminal justice systems from a feminist viewpoint. This book presents the first examination of the true-crime-infused fiction of authors like Dorothy Uhnak, Kathy Reichs and Linda Fairstein.
Australian crime fiction has grown from the country's origins as an 18th-century English prison colony. Early stories focused on escaped convicts becoming heroic bush rangers, or how the system mistreated those who were wrongfully convicted. Later came thrillers about wealthy free settlers and lawless gold-seekers, and urban crime fiction, including Fergus Hume's 1887 international best-seller The Mystery of a Hansom Cab, set in Melbourne. The 1980s saw a surge of private-eye thrillers, popular in a society skeptical of police. Twenty-first century authors have focused on policemen--and increasingly policewomen--and finally indigenous crime narratives. The author explores in detail this rich but little known national subgenre.
Provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Accessible and clear, this comprehensive overview is the essential guide for all those studying crime fiction.
Deviance in Contemporary Crime Fiction by C. Gregoriou Pdf
This book explores the three aspects of deviance that contemporary crime fiction manipulates: linguistic, social, and generic. Gregoriou conducts case studies into crime series by James Patterson, Michael Connelly and Patricia Cornwell, and investigates the way in which these novelists correspondingly challenge those aforementioned conventions.
The Transformative Power of Literature and Narrative: Promoting Positive Change by Corinna Assmann,Jan Rupp,Christine Schwanecke Pdf
Narrative plays a central role for individual and collective lives - this insight has arguably only grown at a time of multiple social and cultural challenges in the 21st century. The present volume aims to actualize and further substantiate the case for literature and narrative, taking inspiration from Vera Nünning's eminent scholarship over the past decades. Engaging with her formative interdisciplinary work, the volume seeks to explore potentials of change through the transformative power of literature and narrative - to be harnessed by individuals and groups as agents of positive change in today's world. The book is located at the intersection of cognitive and cultural narratology and is concerned with the way literature affects individuals, how it works at an intersubjective level, enabling communication and community, and how it furthers social and cultural change.
Clues: A Journal of Detection, Vol. 37, No. 2 (Fall 2019) by Elizabeth Foxwell Pdf
For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.
The Crime Fiction Handbook presents a comprehensive introduction to the origins, development, and cultural significance of the crime fiction genre, focusing mainly on American British, and Scandinavian texts. Provides an accessible and well-written introduction to the genre of crime fiction Moves with ease between a general overview of the genre and useful theoretical approaches Includes a close analysis of the key texts in the crime fiction tradition Identifies what makes crime fiction of such cultural importance and illuminates the social and political anxieties at its heart. Shows the similarities and differences between British, American, and Scandinavian crime fiction traditions
Crime is common ground for the twenty-one women writers in this extraordinary collection of contemporary mystery fiction. The voices here include professional crime solvers who take you from the mean streets of V.I. Warshawski's Chicago in a case of music and murder... to the California freeway where Kinsey Millhone's beloved VW skids into a shooting... to the gang-held turf of Sharon says mum's the word. And then there are mothers, grandmothers, battered wives, and social workers -- ordinary women in extraordinary situations whose voices reveal contemporary life as seen through a woman's eye. From the opening tale of a girl down-and-out in London and what she steals from a corpse... to the final story of a summer vacation in the Berkshires, complete with romance and sudden death... this unique collection brings us great mystery writing that engages both our intellects and our hearts.
The Experiences of Loveday Brooke, Lady Detective by Catherine Louisa Pirkis Pdf
""It's a big thing,"" said Loveday Brooke, addressing Ebenezer Dyer, chief of the well-known detective agency in Lynch Court, Fleet Street; ""Lady Cathrow has lost £30,000 worth of jewellery, if the newspaper accounts are to be trusted."" ""They are fairly accurate this time. The robbery differs in few respects from the usual run of country-house robberies. The time chosen, of course, was the dinner-hour, when the family and guests were at table and the servants not on duty were amusing themselves in their own quarters. The fact of its being Christmas Eve would also of necessity add to the business and consequent distraction of the household. The entry to the house, however, in this case was not effected in the usual manner by a ladder to the dressing-room window, but through the window of a room on the ground floor - a small room with one window and two doors, one of which opens into the hall, and the other into a passage that leads by the back stairs to the bedroom floor....""
Crime is common ground for the twenty-one women writers in this extraordinary collection of contemporary mystery fiction, introduced and edited by Sara Paretsky The voices here include professional crime solvers who take you from the mean streets of V.I. Warshawski’s Chicago in a case of music and murder . . . to the California freeway where Kinsey Millhone's beloved VW skids into a shooting . . . to the gang-held turf of Sharon McCone’s San Francisco, where an eye witness to a slaying says mum’s the word. And then there are mothers, grandmothers, battered wives, and social workers—ordinary women in extraordinary situations whose voices reveal contemporary life as seen through a woman’s eye. From the opening tale of a girl down-and-out in London and what she steals from a corpse . . . to the final story of a summer vacation in the Berkshires, complete with romance and sudden death . . . this unique collection brings us great mystery writing that engages both our intellects and our hearts. This collection features stories from twenty-one authors, including: Sara Paretsky • Sue Grafton • Marica Muller • Susan Dunlap • Carolyn Hart • Antonia Fraser • Dorothy Salisbury Davis • Amanda Cross • Nancy Pickard • Dorothy B. Hughes • Faye Kellerman • Julie Smith • Barbara Wilson • Mary Wings • and more!
A woman must face her husband’s secrets when he is suddenly attacked in this “superior domestic thriller” of envy and literary ambition (Publishers Weekly, starred review). A biracial couple with two young children, the Campbells face as many challenges as any family in Liverpool. But Jane tends to let her husband, Leon—a bestselling thriller writer—fight their battles. Averse to conflict, she prefers to focus on what seems to be going right: her two precious children; her occasionally rocky but still loving marriage; and while her manuscripts keep getting rejected, she enjoys teaching creative writing. But then Leon is brutally attacked in their own driveway, and Jane is forced to face reality. With Leon in a coma, Jane needs to take matters into her own hands—and open her eyes to the secrets that have been kept from her all this time. Suddenly, she sees her life in a shocking new light. But if she wants to find out who hurt her husband, she will have to pay attention to every unpleasant detail
DigiCat Publishing presents to you this special edition of "The Eye of Osiris" by R. Austin Freeman. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Development of the Detective in American "hard-boiled" Fiction with Reference to Philip Marlowe in Raymond Chandler’s "The Curtain", "Killer in the Rain" and "The Big Sleep" by Katrin Gischler Pdf
Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 2, University of Kassel (Anglistik-Amerikanistik), course: American Crime Fiction, language: English, abstract: Raymond Thornton Chandler started his career as a crime novelist relatively late in 1933 at the age of 45 (Widdicombe, xvi). With the foundation of the Black Mask Magazine, Chandler, as well as many other writers, got the chance to test his talent as a crime novelist and simultaneously to raise some money. His first stories were miniature novels which were strongly influenced by his British sophistication and education (Phillips, 17). But he was aware of the fact that he had to veil his style of writing in order to make it acceptable to the American readers, especially the Black Mask readers (Phillips, 17). During 1933 and 1939 Chandler published 20 detective stories in several “pulp magazines” until he wrote his first novel The Big Sleep (Neumeyer, 329). By writing longer fiction Chandler had to portray his characters fully and give an authentic sense of the world, whereas the short story allowed him to rely on action (MacShane, 63). Chandler’s ambition was to mark off from the English detectives of Agatha Christie and Dorothy Sayers, i.e. to create a reliable character that would “leave scars” and transfer what he calls a “’half-poetical emotion’ that is the heart of the work” (MacShane, 69). This kind of reliability became one of Chandler’s dogmas and occurs not only in his creation of characters and plot but also in the historical background of the stories. In the following paper I’m going to analyze the origin and development of the private-eye in general. I will focus my analysis on the development of the detective in American “hard-boiled” fiction with reference to Philip Marlowe in Raymond Chandler’s “The Curtain”, “Killer in the Rain”, and the novel The Big Sleep. The choice relies on the fact that The Big Sleep and its character Philip Marlowe evolved from the two short stories. The question also includes how Marlowe is characterized throughout the stories.
The Cambridge Companion to Crime Fiction by Martin Priestman Pdf
This Companion covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the 'detective' fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in the eighteenth-century literature, French and Victorian fiction, women and black detectives, crime on film and TV, police fiction and postmodernist uses of the detective form.